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Constructing a New Society after the Angel Chiefdom Collapse
An important case study of chiefdom collapse and societal reemergence. Caborn-Welborn, a late Mississippian (A.D. 1400?) farming society centered at the confluence of the Ohio and Wabash Rivers (in what is now southwestern Indiana, southeastern Illinois, and northwestern Kentucky), developed following the collapse of the Angel chiefdom (A.D. 1000?). Using ceramic and settlement data, David Pollack examines the ways in which that new society reconstructed social, political, and economic relationships from the remnants of the Angel chiefdom. Unlike most instances of the demise of a complex society led by elites, the Caborn-Welborn population did not become more inward-looking, as indicated by an increase in extraregional interaction, nor did they disperse to smaller more widely scattered settlements, as evidenced by a continuation of a hierarchy that included large villages. This book makes available for the first time detailed, well-illustrated descriptions of Caborn-Welborn ceramics, identifies ceramic types and attributes that reflect Caborn-Welborn interaction with Oneota tribal groups and central Mississippi valley Mississippian groups, and offers an internal regional chronology. Based on intraregional differences in ceramic decoration, the types of vessels interred with the dead, and cemetery location, Pollack suggests that in addition to the former Angel population, Caborn-Welborn society may have included households that relocated to the Ohio/Wabash confluence from nearby collapsing polities, and that Caborn-Welborn's sociopolitical organization could be better considered as a riverine confederacy. "A fine scholarly presentation of the data, resulting in a new interpretation of this culture. . . . Dr. Pollack has produced an excellent case study of the collapse of a Mississippian society and its subsequent reformation. Since the unfortunate looting of the Slack Farm site in the late 1980s, archaeologists have wanted to see information on this society. . . . The graphics are most impressive." â€”Marvin T. Smith, Valdosta State University David Pollack is Staff Archaeologist with the Kentucky Heritage Council and Director of the Kentucky Archaeological Survey.
Decoding the Internet in Global Popular Culture
The Web Spun by Taino Rulers Between Hispaniola and Puerto Rico
Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola.
Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.
This book discusses how Greek and South Italian vase paintings of the musical contest between Apollo and Marsyas became the model for Etruscan representations of Cacus ambushed by the Vibennae brothers, two Etruscan heroes of the sixth century B.C. The study demonstrates that the Etruscans knowingly adapted Greek iconographic forms to represent their own legends.
Originally published in 1982.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Inventing a Pathology of Catastrophe for Holocaust Survival [The Limits of Medical Knowledge and Historical Memory in France]
In this extraordinary study, Michael Dorland explores sixty years of medical attempts by French doctors (mainly in the fields of neuropsychiatry and psychoanalysis) to describe the effects of concentration camp incarceration on Holocaust survivors.
Dorland begins with a discussion of the liberation of concentration camp survivors, their stay in deportation camps, and eventual return to France, analyzing the circulation of mainly medical (neuropsychiatric) knowledge, its struggles to establish a symptomology of camp effects, and its broadening out into connected medical fields such as psychoanalysis. He then turns specifically to the French medical doctors who studied Holocaust survivors, and he investigates somatic, psychological, and holistic conceptions of survivors as patients and human beings.
The final third of the book offers a comparative look at the "psy-science" approach to Holocaust survival beyond France, particularly in the United States and Israel. He illuminates the peculiar journey of a medical discourse that began in France but took on new forms elsewhere, eventually expanding into nonmedical fields to create the basis of the "traumato-culture" with which we are familiar today.
Embedding his analysis of different medical discourses in the sociopolitical history of France in the twentieth century, he also looks at the French Jewish Question as it affected French medicine, the effects of five years of Nazi Occupation, France's enthusiastic collaboration, and the problems this would pose for postwar collective memory.
Visions of a Southern Cypress Lake
Life Death Southern Appalachian Community
War in Words
Anyone who has even a passing acquaintance with Latin knows “Gallia est omnis divisa in partes tres” (“All Gaul is divided into three parts”), the opening line of De Bello Gallico, Julius Caesar's famous commentary on his campaigns against the Gauls in the 50s BC. But what did Caesar intend to accomplish by writing and publishing his commentaries, how did he go about it, and what potentially unforeseen consequences did his writing have? These are the questions that Andrew Riggsby pursues in this fresh interpretation of one of the masterworks of Latin prose. Riggsby uses contemporary literary methods to examine the historical impact that the commentaries had on the Roman reading public. In the first part of his study, Riggsby considers how Caesar defined Roman identity and its relationship to non-Roman others. He shows how Caesar opens up a possible vision of the political future in which the distinction between Roman and non-Roman becomes less important because of their joint submission to a Caesar-like leader. In the second part, Riggsby analyzes Caesar's political self-fashioning and the potential effects of his writing and publishing the Gallic War. He reveals how Caesar presents himself as a subtly new kind of Roman general who deserves credit not only for his own virtues, but for those of his soldiers as well. Riggsby uses case studies of key topics (spatial representation, ethnography, virtus and technology, genre, and the just war), augmented by more synthetic discussions that bring in evidence from other Roman and Greek texts, to offer a broad picture of the themes of national identity and Caesar's self-presentation.