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Judging Literary Value in Eighteenth-Century France
An act of bad taste was more than a faux pas to French philosophers of the Enlightenment. To Montesquieu, Voltaire, Diderot, and others, bad taste in the arts could be a sign of the decline of a civilization. These intellectuals, faced with the potential chaos of an expanding literary market, created seals of disapproval in order to shape the literary and cultural heritage of France in their image. In The Bad Taste of Others Jennifer Tsien examines the power of ridicule and exclusion to shape the period's aesthetics.
Tsien reveals how the philosophes consecrated themselves as the protectors of true French culture modeled on the classical, the rational, and the orderly. Their anxiety over the invasion of the Republic of Letters by hordes of hacks caused them to devise standards that justified the marginalization of worldy women, "barbarians," and plebeians. While critics avoided strict definitions of good taste, they wielded the term "bad taste" against all popular works they wished to erase from the canon of French literature, including Renaissance poetry, biblical drama, the burlesque theater of the previous century, the essays of Montaigne, and genres associated with the so-called précieuses. Tsien's study draws attention to long-disregarded works of salon culture, such as the énigmes, and offers a new perspective on the critical legacy of Voltaire. The philosophes' open disdain for the undiscerning reading public challenges the belief that the rise of aesthetics went hand in hand with Enlightenment ideas of equality and relativism.
Rachel Zucker's third book of poems is a darkly comic collection that looks unsparingly at the difficulties and compromises of married life. Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.
Regulating Sexuality in Early American Cinema
Although aimed at producing a certain kind of woman, these new images did manage to put discussions of women and their sexuality on America’s agenda. Charting the resulting cultural tensions as they played out in movie regulation, Janet Staiger shows us how representations and their endless permutations enacted conflicts over women’s public and private behaviors. Rich in historical detail and theoretical insight, this book offers an original depiction of a culture in transition, a sexual sensibility in the making, and film’s participation in the change.
A Subject To Truth
This book is the first comprehensive introduction to Badiou’s thought to appear in any language. Assuming no prior knowledge of his work, it provides a thorough and searching overview of all the main components of his philosophy, from its decisive political orientation through its startling equation of ontology with mathematics to its resolute engagement with its principal competition (from Wittgenstein, Heidegger, and Deleuze, among others). The book draws on all of Badiou’s published work and a wide sampling of his unpublished work in progress, along with six years of correspondence with the author.
Peter Hallward pays careful attention to the aspect of Badiou’s work most liable to intimidate readers in continental philosophy and critical theory: its crucial reliance on certain key developments in modern mathematics. Eschewing unnecessary technicalities, Hallward provides a highly readable discussion of each of the basic features of Badiou’s ontology, as well as his more recent account of appearance and “being-there.”
Without evading the difficulties, Peter Hallward demonstrates in detail and in depth why Badiou’s ongoing philosophical project should be recognized as the most resourceful and inspiring of his generation.
The Cadence of Change
Alain Badiou and Slavoj Žižek together have emerged as two of Europe’s most significant living philosophers. In a shared spirit of resistance to global capitalism, both are committed to bringing philosophical reflection to bear upon present day political circumstances. These thinkers are especially interested in asking what consequences the supposed twentieth century demise of communism entails for leftist political theory in the early twenty first century.
People and Prosperity in Southern Spain from Caesar to Septimius Severus
Baetica, the present-day region of Andalusia in southern Spain, was the wealthiest province of the Roman Empire. Its society was dynamic and marked by upward social and economic mobility, as the imperial peace allowed the emergence of a substantial middle social and economic stratum. Indeed, so mutually beneficial was the imposition of Roman rule on the local population of Baetica that it demands a new understanding of the relationship between Imperial Rome and its provinces. Baetica Felix builds a new model of Roman-provincial relations through a socio-economic history of the province from Julius Caesar to the end of the second century A.D. Describing and analyzing the impact of Roman rule on a core province, Evan Haley addresses two broad questions: what effect did Roman rule have on patterns of settlement and production in Baetica, and how did it contribute to wealth generation and social mobility? His findings conclusively demonstrate that meeting the multiple demands of the Roman state created a substantial freeborn and ex-slave "middle stratum" of the population that outnumbered both the super-rich elite and the destitute poor.
A Jew on the Bayou
Jennifer Anne Moses left behind a comfortable life in the upper echelons of East Coast Jewish society to move with her husband and children to Baton Rouge, Louisiana. Searching for connection to her surroundings, she decided to volunteer at an AIDS hospice. But as she encountered a culture populated by French Catholics and Evangelical Christians, African Americans and Cajuns, altruistic nurses and nuns, ex-cons, street-walkers, impoverished AIDS patients, and healers of all stripes, she found she had embarked on an unexpected journey of profound self-discovery.
In a keenly observed memoir that embraces both pathos and humor, Moses takes us into a world that is strange and sad but also suffused with the holy. As witness to dire poverty and extreme adversity, Moses discovers a deeper commitment to her own faith—Judaism that asks not for blind belief, but rather daily commitment. She recounts the challenges of taking on a life committed to God in a postmodern world that has little use for the divine. Telling her story of redemption with an honesty that goes right for the guts, she leaves the reader with new hope.
Outstanding Book, selected by the American Association of School Librarians, and Best Books for Regional Special Interests, selected by the Public Library Association
Dispatches on the American Occupation
David Enders has a stunning independent streak and the courage to trust his own perceptions as he reports from outside the bubble Americans have created for themselves in Iraq. ---Joe Sacco, author of Safe Area Gorazde "Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy clichés that dominate U.S. journalism, Enders blows away the media fog of war. The result is a book that challenges Americans to see through double speak and reconsider the warfare being conducted in their names." ---Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death "Journalism at its finest and on a shoestring to boot. David Enders shows that courage and honesty can outshine big-budget mainstream media. Wry but self-critical, Baghdad Bulletin tells a story that a few of us experienced but every journalist, nay every citizen, should read." ---Pratap Chatterjee, Managing Editor and Project Director, CorpWatch "Young and tenacious, Dave Enders went, saw, and wrote it down. Here it is-a well-informed and detailed tale of Iraq's decline under American rule. Baghdad Bulletin offers tragic politics, wacky people, and keen insights about what really matters on the ground in Iraq." ---Christian Parenti "I wrote my first piece for Baghdad Bulletin after visiting the mass graves at Al-Hilla in 2003. The Baghdad Bulletin was essential reading in the first few months after the end of the war. I handed that particular copy to Prime Minister Tony Blair. I am only sorry that I cannot read it anymore. David Enders and his team were brave, enterprising, and idealistic." ---Rt. Hon. Ann Clwyd, member of the British Parliament Baghdad Bulletin is a street-level account of the war and turbulent postwar period as seen through the eyes of the young independent journalist David Enders. The book recounts Enders's story of his decision to go to Iraq, where he opened the only English-language newspaper completely written, printed, and distributed there during the war. Young, courageous, and anti-authoritarian, Enders is the first reporter to cover the war as experienced by ordinary Iraqis. Deprived of the press credentials that gave his embedded colleagues access to press conferences and officially sanitized information, Enders tells the story of a different war, outside the Green Zone. It is a story in which the struggle of everyday life is interspersed with moments of sheer terror and bizarre absurdity: wired American troops train their guns on terrified civilians; Iraqi musicians prepare a recital for Coalition officials who never show; traveling clowns wreak havoc in a Baghdad police station. Orphans and intellectuals, activists and insurgents: Baghdad Bulletin depicts the unseen complexity of Iraqi society and gives us a powerful glimpse of a new kind of warfare, one that coexists with-and sometimes tragically veers into-the everyday rhythms of life.
The Growth of a Religious Movement