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The Bad Samaritan

The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his naÔve approach to politics make or mar?

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The Bad Secret

Poems

Judith Harris

The Bad Secret takes readers on a dark yet sometimes comic sojourn through the undercurrents of a life suddenly unmoored by grief, and then to the subsequent rise of the spirit to recovery. Tough-minded and intellectual, Judith Harris's poems are also distinguished by brilliant images close to metaphysical. They reflect on childhood, nature, mental and physical illness, the loss of a mother, and the levity of being simply human. In a voice entirely her own, Harris confronts life's secrets with their hidden meanings inspired by guilt and redemption, offering a music of tenderness and hope.

I watch it gutter down, over the pine's edge,over the pink and orange sunset,diving into the abyss,with its wings perpendicular to the ravine.By now, I have broken offfrom the rest, pretending I'm an orphan -- my eyes fixed on the unseeable destruction

of my ghost in that suicidal machine. "Hush," I say, as if hatred was a sound,as if I could make the negative positive, but nature itself has given up on the picture of my happy family, and pretends not to look at the box with the rolled-up Kodak filmtumbling over the ledgegathering more weight and velocity.

-- "My Father Throws His Camera Down the Grand Canyon, 1968"

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The Bad Taste of Others

Judging Literary Value in Eighteenth-Century France

By Jennifer Tsien

An act of bad taste was more than a faux pas to French philosophers of the Enlightenment. To Montesquieu, Voltaire, Diderot, and others, bad taste in the arts could be a sign of the decline of a civilization. These intellectuals, faced with the potential chaos of an expanding literary market, created seals of disapproval in order to shape the literary and cultural heritage of France in their image. In The Bad Taste of Others Jennifer Tsien examines the power of ridicule and exclusion to shape the period's aesthetics.

Tsien reveals how the philosophes consecrated themselves as the protectors of true French culture modeled on the classical, the rational, and the orderly. Their anxiety over the invasion of the Republic of Letters by hordes of hacks caused them to devise standards that justified the marginalization of worldy women, "barbarians," and plebeians. While critics avoided strict definitions of good taste, they wielded the term "bad taste" against all popular works they wished to erase from the canon of French literature, including Renaissance poetry, biblical drama, the burlesque theater of the previous century, the essays of Montaigne, and genres associated with the so-called précieuses. Tsien's study draws attention to long-disregarded works of salon culture, such as the énigmes, and offers a new perspective on the critical legacy of Voltaire. The philosophes' open disdain for the undiscerning reading public challenges the belief that the rise of aesthetics went hand in hand with Enlightenment ideas of equality and relativism.

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The Bad Wife Handbook

Rachel Zucker

Rachel Zucker's third book of poems is a darkly comic collection that looks unsparingly at the difficulties and compromises of married life. Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

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Bad Women

Regulating Sexuality in Early American Cinema

Janet Staiger

It was a new age, and on movie screens the American middle class presented its visions of sexual morality, with definitions of good women and bad. Bad Women takes us back to this time of massive social, cultural, and economic change to show us how American cinema gave women and women’s sexuality images useful to the new consumer culture of the early 1900s and its exploitation of sexual pleasure.

Although aimed at producing a certain kind of woman, these new images did manage to put discussions of women and their sexuality on America’s agenda. Charting the resulting cultural tensions as they played out in movie regulation, Janet Staiger shows us how representations and their endless permutations enacted conflicts over women’s public and private behaviors. Rich in historical detail and theoretical insight, this book offers an original  depiction of a culture in transition, a sexual sensibility in the making, and film’s participation in the change.


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A Badger Boy in Blue

The Civil War Letters of Chauncey H. Cooke

With an Introduction and Appendix by William Mulligan, Jr.

The Civil War letters of a young Wisconsin soldier, previously published in the Wisconsin Magazine of History, 1920–1922, are made available for the first time to a wide audience.

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Badiou

A Subject To Truth

Peter Hallward

Alain Badiou is one of the most inventive and compelling philosophers working in France today—a thinker who, in these days of cynical resignation and academic specialization, is exceptional in every sense. Guided by disciplines ranging from mathematics to psychoanalysis, inspired as much by Plato and Cantor as by Mao and Mallarmé, Badiou’s work renews, in the most varied and spectacular terms, a decidedly ancient understanding of philosophy—philosophy as a practice conditioned by truths, understood as militant processes of emancipation or transformation.

This book is the first comprehensive introduction to Badiou’s thought to appear in any language. Assuming no prior knowledge of his work, it provides a thorough and searching overview of all the main components of his philosophy, from its decisive political orientation through its startling equation of ontology with mathematics to its resolute engagement with its principal competition (from Wittgenstein, Heidegger, and Deleuze, among others). The book draws on all of Badiou’s published work and a wide sampling of his unpublished work in progress, along with six years of correspondence with the author. 

Peter Hallward pays careful attention to the aspect of Badiou’s work most liable to intimidate readers in continental philosophy and critical theory: its crucial reliance on certain key developments in modern mathematics. Eschewing unnecessary technicalities, Hallward provides a highly readable discussion of each of the basic features of Badiou’s ontology, as well as his more recent account of appearance and “being-there.”

Without evading the difficulties, Peter Hallward demonstrates in detail and in depth why Badiou’s ongoing philosophical project should be recognized as the most resourceful and inspiring of his generation.

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Badiou, Zizek, and Political Transformations

The Cadence of Change

Adrian Johnston

Alain Badiou and Slavoj Žižek together have emerged as two of Europe’s most significant living philosophers. In a shared spirit of resistance to global capitalism, both are committed to bringing philosophical reflection to bear upon present day political circumstances. These thinkers are especially interested in asking what consequences the supposed twentieth century demise of communism entails for leftist political theory in the early twenty first century.

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Baetica Felix

People and Prosperity in Southern Spain from Caesar to Septimius Severus

By Evan W. Haley

Baetica, the present-day region of Andalusia in southern Spain, was the wealthiest province of the Roman Empire. Its society was dynamic and marked by upward social and economic mobility, as the imperial peace allowed the emergence of a substantial middle social and economic stratum. Indeed, so mutually beneficial was the imposition of Roman rule on the local population of Baetica that it demands a new understanding of the relationship between Imperial Rome and its provinces. Baetica Felix builds a new model of Roman-provincial relations through a socio-economic history of the province from Julius Caesar to the end of the second century A.D. Describing and analyzing the impact of Roman rule on a core province, Evan Haley addresses two broad questions: what effect did Roman rule have on patterns of settlement and production in Baetica, and how did it contribute to wealth generation and social mobility? His findings conclusively demonstrate that meeting the multiple demands of the Roman state created a substantial freeborn and ex-slave "middle stratum" of the population that outnumbered both the super-rich elite and the destitute poor.

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Bagan and the World

Edited by Goh Geok Yian, John Miksic and Michael Aung-Thwin

The archaeological site of Bagan and the kingdom which bore its name contains one of the greatest concentrations of ancient architecture and art in Asia. Much of what is visible today consists of ruins of Buddhist monasteries. While these monuments are a major tourist attraction, recent advances in archaeology and textual history have added considerable new understanding of this kingdom, which flourished between the 11th and 14th centuries. Bagan was not an isolated monastic site; its inhabitants participated actively in networks of Buddhist religious activity and commerce, abetted by the site's location near the junction where South Asia, China and Southeast Asia meet. This volume presents the result of recent research by scholars from around the world, including indigenous Myanmar people, whose work deserves to be known among the international community. The perspective on Myanmar's role as an integral part of the intellectual, artistic and economic framework found in this volume yields a glimpse of new themes which future studies of Asian history will no doubt explore.

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