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The Hidden History of Negotiations between Washington and Havana
Challenging the conventional wisdom of perpetual hostility between the United States and Cuba--beyond invasions, covert operations, assassination plots using poison pens and exploding seashells, and a grinding economic embargo--this fascinating book chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. Since 1959, conflict and aggression have dominated the story of U.S.-Cuban relations. Now, LeoGrande and Kornbluh present a new and increasingly more relevant account. From Kennedy's offering of an olive branch to Castro after the missile crisis, to Kissinger's top secret quest for normalization, to Obama's promise of a "new approach," LeoGrande and Kornbluh reveal a fifty-year record of dialogue and negotiations, both open and furtive, indicating a path toward better relations in the future.
The Hidden History of Negotiations between Washington and Havana
History is being made in U.S.-Cuban relations. Now updated to tell the story behind the stunning December 17, 2014, announcement by President Obama and President Castro of their move to restore full diplomatic relations, this powerful book is essential to understanding ongoing efforts toward normalization. Challenging the conventional wisdom of perpetual conflict and aggression between the United States and Cuba since 1959, Back Channel to Cuba chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. William M. LeoGrande and Peter Kornbluh here present a remarkably new and relevant account, describing how, despite the intense political clamor surrounding efforts to improve relations with Havana, negotiations have been conducted by every presidential administration since Eisenhower's through secret, back-channel diplomacy. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a new approach, LeoGrande and Kornbluh uncovered hundreds of formerly secret U.S. documents and conducted interviews with dozens of negotiators, intermediaries, and policy makers, including Fidel Castro and Jimmy Carter. They reveal a fifty-year record of dialogue and negotiations, both open and furtive, that provides the historical foundation for the dramatic breakthrough in U.S.-Cuba ties.
British Members of Parliament and Their Constituents
The British House of Commons has entered a period of substantial change, moving from a state of party cohesion and party leadership toward a more individualistic and active policy-making role. In the dynamic look at the British Parliament and its members, Philip Norton and David M. Wood highlight that change to more intensive constituency response and service on the part of individual members.
Like members of the U.S. Congress, British Members of Parliament (MPs) are elected to represent geographical districts. The relationship between the MP and the constituency in Britain has become more important in recent years, but the major changes that have occurred in the relationship since the late 1960s have not been matched by extensive scholarly study. Some pathbreaking work has been done on the subject, but it remains overshadowed by the wealth of material focusing on MPs' activities within the legislative chambers at Westminster. This volume seeks to fill the gap by sketching and assessing the electoral significance of the MPs' constituency work and the broader political ramifications for the workings of the British Parliament. Its findings allow the MP to be seen in full.
Norton and Wood argue that the constituency role has gained in importance in recent decades as MPs have become more career-oriented than their forerunners in mid-century. But a by-product of greater professionalism and careerism has been an expanded job description that may take MPs' time and energies away from playing a more effective role in helping to shape the broader policy alternatives for the United Kingdom.
Journeys through Mobile
In Back Home: Journeys through Mobile, Roy Hoffman
tells stories--through essays, feature articles, and memoir--of one of
the South's oldest and most colorful port cities. Many of the pieces here
grew out of Hoffman's work as Writer-in-Residence for his hometown newspaper,
the Mobile Register, a position he took after working in New York
City for twenty years as a journalist, fiction writer, book critic, teacher,
and speech writer. Other pieces were first published in the New York
Times, Southern Living, Preservation, and other publications.
Together, this collection comprises a long, second look at the Mobile of
Hoffman's childhood and the city it has since become.
Like a photo album, Back Home presents close-up
portraits of everyday places and ordinary people. There are meditations
on downtown Mobile, where Hoffman's grandparents arrived as immigrants
a century ago; the waterfront where longshoremen labor and shrimpers work
their nets; the back roads leading to obscure but intriguing destinations.
Hoffman records local people telling their own tales of race relations,
sports, agriculture, and Mardi Gras celebrations. Fishermen, baseball players,
bakers, authors, political figures--a strikingly diverse population walks
across the stage of Back Home.
Throughout, Hoffman is concerned with stories and their
enduring nature. As he writes, "When buildings are leveled, when land is
developed, when money is spent, when our loved ones pass on, when we take
our places a little farther back every year on the historical time-line,
what we have still are stories."
The Brion Gysin Reader
Brion Gysin (1916–1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the ‘cut-up’ technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as ‘getting poetry back off the page and into performance.’ Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs’ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including “Poem of Poems,” “The Pipes of Pan,” and “A Quick Trip to Alamut.”
Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan's 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region's people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today's false stereotypes.
The Green and the Real in the Late Renaissance
Selected by Choice magazine as an Outstanding Academic Title
Sweeping across scholarly disciplines, Back to Nature shows that, from the moment of their conception, modern ecological and epistemological anxieties were conjoined twins. Urbanization, capitalism, Protestantism, colonialism, revived Skepticism, empirical science, and optical technologies conspired to alienate people from both the earth and reality itself in the seventeenth century. Literary and visual arts explored the resulting cultural wounds, expressing the pain and proposing some ingenious cures. The stakes, Robert N. Watson demonstrates, were huge.
Shakespeare's comedies, Marvell's pastoral lyrics, Traherne's visionary Centuries, and Dutch painting all illuminate a fierce submerged debate about what love of nature has to do with perception of reality.