Contributors explore the trauma, unexpected political gains, and moral ambiguities faced by Arab Detroiters in post-9/11 America.

In this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than 550 feature films by more than 250 filmmakers, and short and documentary films by another 900 filmmakers, this volume covers the film production in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state-funded productions by isolated filmmakers and politically engaged documentarians. Part 1 lists biographical information about the filmmakers and their feature films. Part 2 details key feature films from the countries represented. Part 3 indexes feature-film titles in English and French with details about the director, date, and country of origin.

In this pathbreaking study, Amal Jamal analyzes the consumption of media by Arab citizens of Israel as a type of communicative behavior and a form of political action. Drawing on extensive public opinion survey data, he describes perceptions and use of media ranging from Arabic Israeli newspapers to satellite television broadcasts from throughout the Middle East. By participating in this semi-autonomous Arab public sphere, the average Arab citizen can connect with a wider Arab world beyond the boundaries of the Israeli state. Jamal shows how media aid the community's ability to resist the state's domination, protect its Palestinian national identity, and promote its civic status.

The 2011 eruptions of popular discontent across the Arab world, popularly dubbed the Arab Spring, were local manifestations of a regional mass movement for democracy, freedom, and human dignity. Authoritarian regimes were either overthrown or put on notice that the old ways of oppressing their subjects would no longer be tolerated. These essays from Middle East Report-–the leading source of timely reporting and insightful analysis of the region–cover events in Tunisia, Egypt, Bahrain, Syria, and Yemen. Written for a broad audience of students, policymakers, media analysts, and general readers, the collection reveals the underlying causes of the revolts by identifying key trends during the last two decades leading up to the recent insurrections.

For every pithy conceptualization of complex events, there are additional lenses through which to examine them. One of the several virtues of this book is precisely that it brings different perspectives to bear on the complexity, diversity, and uncertainty of recent and current events in the Arab world. The thirteen authors concentrate on the critical social forces shaping the region —demography, religion, gender, telecommunication connectivity, and economic structures —and they are painstakingly analyzed and evaluated. —from the foreword by Strobe Talbott, president of the Brookings Institution

The Arab Spring will be remembered as a period of great change for the Arab states of North Africa and the eastern Mediterranean. Facing fundamental transitions in governance, these countries are also undergoing profound social, cultural, and religious changes. The European Union and the United States, caught unprepared by the uprisings, now must address the inescapable challenges of those changes. How will the West respond to these new realities, particularly in light of international economic uncertainty, EU ambivalence toward a "cohesive foreign policy," and declining U.S. influence abroad? Arab Society in Revolt explains and interprets the societal transformations occurring in the Arab Muslim world, their ramifications for the West, and possible policy options for dealing with this new world.

Arab Society in Revolt examines areas of change particularly relevant in the southern Mediterranean: demography and migration, Islamic revival and democracy, rapidly changing roles of women in Arab society, the Internet in Arab societies, commercial and social entrepreneurship as change factors, and the economics of Arab transitions. The book then looks at those cultural and religious as well as political and economic factors that have influenced the Western response, or lack of it, to the Arab Spring as well as the policy options that remain open.

As Arab Americans seek to claim their communal identity and rightful place in American society at a time of heightened tension between the United States and the Middle East, an understanding look back at more than one hundred years of the Arab-American community is especially timely. In this book, Elizabeth Boosahda, a third-generation Arab American, draws on over two hundred personal interviews, as well as photographs and historical documents that are contemporaneous with the first generation of Arab Americans (Syrians, Lebanese, Palestinians), both Christians and Muslims, who immigrated to the Americas between 1880 and 1915, and their descendants. Boosahda focuses on the Arab-American community in Worcester, Massachusetts, a major northeastern center for Arab immigration, and Worcester’s links to and similarities with Arab-American communities throughout North and South America. Using the voices of Arab immigrants and their families, she explores their entire experience, from emigration at the turn of the twentieth century to the present-day lives of their descendants. This rich documentation sheds light on many aspects of Arab-American life, including the Arab entrepreneurial motivation and success, family life, education, religious and community organizations, and the role of women in initiating immigration and the economic success they achieved.

Arabic, one of the official languages of the United Nations, is spoken by more than half a billion people around the world and is of increasing importance in today's political and economic spheres. The study of the Arabic language has a long and rich history: earliest grammatical accounts date from the 8th century and include full syntactic, morphological, and phonological analyses of the vernaculars and of Classical Arabic. In recent years the academic study of Arabic has become increasingly sophisticated and broad. This state-of-the-art volume presents the most recent research in Arabic linguistics from a theoretical point of view, including computational linguistics, syntax, semantics, and historical linguistics. It also covers sociolinguistics, applied linguistics, and discourse analysis by looking at issues such as gender, urbanization, and language ideology. Underlying themes include the changing and evolving attitudes of speakers of Arabic and theoretical approaches to linguistic variation in the Middle East.

Arabic literary salons emerged in ninth-century Iraq and, by the tenth, were flourishing in Baghdad and other urban centers. In an age before broadcast media and classroom education, salons were the primary source of entertainment and escape for middle- and upper-rank members of society, serving also as a space and means for educating the young. Although salons relied on a culture of oral performance from memory, scholars of Arabic literature have focused almost exclusively on the written dimensions of the tradition. That emphasis, argues Samer Ali, has neglected the interplay of oral and written, as well as of religious and secular knowledge in salon society, and the surprising ways in which these seemingly discrete categories blurred in the lived experience of participants. Looking at the period from 500 to 1250, and using methods from European medieval studies, folklore, and cultural anthropology, Ali interprets Arabic manuscripts in order to answer fundamental questions about literary salons as a social institution. He identifies salons not only as sites for socializing and educating, but as loci for performing literature and oral history; for creating and transmitting cultural identity; and for continually reinterpreting the past. A fascinating recovery of a key element of humanistic culture, Ali’s work will encourage a recasting of our understanding of verbal art, cultural memory, and daily life in medieval Arab culture.

Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, María Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary.

Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.

Makes the perhaps surprising argument that in the last quarter of the twentieth century the Arab-Israeli conflict has been winding down. The Middle East conflict, be it between the state of Israel and Arab states or between Jews and Palestinians, is a staple of international news. Utilizing both theoretical approaches and empirical evidence, Hemda Ben-Yehuda and Shmuel Sandler argue that despite the recent upswing in violence, particularly over the Palestinian issue, conflict has gradually been giving way, since the 1970s, to a more orderly regime of conflict management. By integrating ethnonational theoretical literature into their analysis, the authors move beyond the current International Relations debate over the relative merits of realist/neo-realist approaches versus neo-liberal-institutional approaches. Ethnic-state disputes are the primary source for failing to terminate the Arab-Israeli conflict.

After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror.

Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype.  Analyzing how TV dramas such as West Wing, The Practice, 24, Threat Matrix, The Agency, Navy NCIS, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.

What is an Arab? Though many in the West would answer that question with simplistic stereotypes, the reality is far more complex and interesting. Arabs themselves have been debating Arab identity since pre-Islamic times, coming to a variety of conclusions about the nature and extent of their “Arabness.” Likewise, Westerners and others have attempted to analyze Arab identity, reaching mostly negative conclusions about Arab culture and capacity for self-government. To bring new perspectives to the question of Arab identity, Iraqi-born scholar Nissim Rejwan has assembled this fascinating collection of writings by Arab and Western intellectuals, who try to define what it means to be Arab. He begins with pre-Islamic times and continues to the last decades of the twentieth century, quoting thinkers ranging from Ibn Khaldun to modern writers such as al-Ansari, Haykal, Ahmad Amin, al-'Azm, and Said. Through their works, Rejwan shows how Arabs have grappled with such significant issues as the influence of Islam, the rise of nationalism, the quest for democracy, women's status, the younger generation, Egypt's place in the Arab world, Israel's role in Middle Eastern conflict, and the West's “cultural invasion.” By letting Arabs speak for themselves, Arabs in the Mirror refutes a prominent Western stereotype—that Arabs are incapable of self-reflection or self-government. On the contrary, it reveals a rich tradition of self-criticism and self-knowledge in the Arab world.

Exploring how Algerian Jews responded to and appropriated France’s newly conceived “civilizing mission” in the mid-nineteenth century, Arabs of the Jewish Faith shows that the ideology, while rooted in French Revolutionary ideals of regeneration, enlightenment, and emancipation, actually developed as a strategic response to the challenges of controlling the unruly and highly diverse populations of Algeria’s coastal cities.

This intermediate workbook, like the other materials in the Norsk, nordmenn og Norge series, regards communication as the primary goal of language learning.  Experience has shown that  students need to pass through a period of meaningful structural practice as they develop their communication skills.  The workbook aims to provide that practice in psychologically realistic and useful ways, combining entertaining activities with more traditional exercises.

Toward these ends, the workbook features:
•an extensive overview of the basics of Norwegian grammar, providing a ready reference throughout the course
•a thorough review of elementary Norwegian vocabulary and grammar, allowing students whose preparation in the language differs to share a common knowledge base
 •Hvem er du? sections that encourage the learner to personalize the material 
 •Litt av hvert sections that provide short summaries of the anthology’s reading passages (lesestykker) while reviewing common problems with vocabulary and grammar
 •crossword puzzles and cartoons.

Norsk, nordmenn og Norge: Arbeidsbok  (Workbook) is a companion to the Norsk, nordmenn og Norge: Antologi (Anthology) and Lærerveiledning (Teacher’s Manual).

The Arch Lake human burial site, discovered in 1967 in eastern New Mexico, contains the third-oldest known remains in North America. Since its original excavation and removal to Eastern New Mexico University’s Blackwater Draw Museum, the 10,000 radiocarbon-year-old burial has been known only locally. In February 2000 an interdisciplinary team led by Douglas W. Owsley reexamined the osteology, geology, archaeology, and radiocarbon dating of the burial. In this first volume in Peopling of the Americas Publications—released by Texas A&M University Press for the Center for the Study of the First Americans—Arch Lake Woman presents the results of this recent analysis of the skeleton and site. In addition to color and black-and-white illustrations, Arch Lake Woman includes extensive tables describing the team’s discoveries and comparing their results with those of other ancient burials.

"These significant contributions to economic anthropology should encourage comparative cross-cultural diologues and foster new approaches to the study of premodern market exchange... The Garraty & Stark volume is a giant step forward in understanding market systems, market places, and sociocultural and religious parameters that impinge upon the economic structure of preindustrial societies."—Charles C. Kolb, The Cambridge Archaeological Journal

Ancient market activities are dynamic in the economies of most ancient states, yet they have received little research from the archaeological community. Archaeological Approaches to Market Exchange in Ancient Societies is the first book to address the development, change, and organizational complexity of ancient markets from a comparative archaeological perspective. Drawing from historical documents and archaeological records from Mesoamerica, the U.S. Southwest, East Africa, and the Andes, this volume reveals the complexity of ancient marketplace development and economic behavior both in hierarchical and non-hierarchical societies. Highlighting four principal themes-the defining characteristics of market exchange; the recognition of market exchange archaeologically; the relationship among market, political, and other social institutions; and the conditions in which market systems develop and change-the book contains a strong methodological and theoretical focus on market exchange. Diverse contributions from noted scholars show the history of market exchange and other activities to be more dynamic than scholars previously appreciated. Archaeological Approaches to Market Exchange in Ancient Societies will be of interest to archaeologists, anthropologists, material-culture theorists, economists, and historians.

"All anthropologists and Plains scholars should have this book, especially geographers and historians, as well as biological and paleoenvironmental scientists. The volume is a good and easy read provindg a fresh perspective on the Plains."—Marcel Kornfeld, Great Plains Research

Archaeological Landscapes on the High Plains combines history, anthropology, archaeology, and geography to take a closer look at the relationships between land and people in this unique North American region. Focusing on long-term change, this book considers ethnographic literature, archaeological evidence, and environmental data spanning thousands of years of human presence to understand human perception and construction of landscape. The contributors offer cohesive and synthetic studies emphasizing hunter-gatherers and subsistence farmers. Using landscape as both reality and metaphor, Archaeological Landscapes on the High Plains explores the different and changing ways that people interacted with place in this transitional zone between the Rocky Mountains and the eastern prairies. The contemporary archaeologists working in this small area have chosen diverse approaches to understand the past and its relationship to the present. Through these ten case studies, this variety is highlighted but leads to a common theme - that the High Plains contains important locales to which people, over generations or millennia, return. Providing both data and theory on a region that has not previously received much attention from archaeologists, especially compared with other regions in North America, this volume is a welcome addition to the literature

Archaeologists currently change the world through the products of their archaeological research that contribute to our collective historical and cultural knowledge. Their work helps to shape and reshape our perceptions of the past and our understanding of written history. Archaeologists affect contemporary communities through the consequences of their work as they become embroiled in controversies over negotiating the past and the present with native peoples. Beyond the obvious economic contributions to local communities caused by heritage tourism established on the research of archaeologists at cultural sites, archaeologists have begun to use the process of their work as a means to benefit the public and even advocate for communities.

In this volume, Stottman and his colleagues examine the various ways in which archaeologists can and do use their research to forge a partnership with the past and guide the ongoing dialogue between the archaeological record and the various contemporary stakeholders. They draw inspiration and guidance from applied anthropology, social history, public history, heritage studies, museum studies, historic preservation, philosophy, and education to develop an activist approach to archaeology—theoretically, methodologically, and ethically.

Most research into humans' impact on the environment has focused on large-scale societies; a corollary assumption has been that small scale economies are sustainable and in harmony with nature. The contributors to this volume challenge this notion, revealing how such communities shaped their environment--and not always in a positive way.

Offering case studies from around the world--from Brazil to Japan, Denmark to the Rocky Mountains--the chapters empirically demonstrate the substantial transformations of the surrounding landscape made by hunter-gatherer and limited horticultural societies. Summarizing previous research as well as presenting new data, this book shows that the environmental impact and legacy of societies are not always proportional their size.

Understanding that our species leaves a footprint wherever it has been leads to both a better understanding of our prehistoric past and to deeper implications for our future relationship to the world around us.

Archaeological artifacts have become a traded commodity in large part because the global reach of Western society allows easy access to the world's archaeological heritage. Acquired by the world's leading museums and private collectors, antiquities have been removed from archaeological sites, monuments, or cultural institutions and illegally traded. This collection of essays by world-recognized experts investigates the ways that com-modifying artifacts fuels the destruction of archaeological heritage and considers what can be done to protect it. Despite growing national and international legislation to protect cultural heritage, increasing numbers of archaeological sites--among them, war-torn Afghanistan and Iraq--are subject to pillage as the monetary value of artifacts rises. Offering comprehensive examinations of archaeological site looting, the antiquities trade, the ruin of cultural heritage resources, and the international efforts to combat their destruction, the authors argue that the antiquities market impacts cultural heritage around the world and is a burgeoning global crisis.

The essays in this volume summarize the results of new excavation and survey research in Bandelier, with special attention to determining why larger sites appear when and where they do, and how life in these later villages and towns differed from life in the earlier small hamlets that first dotted the Pajarito in the mid-1100s. Drawing on sources from archaeology, paleoethnobotany, geology, climate history, rock art, and oral history, the authors weave together the history of archaeology on the Plateau and the natural and cultural history of its Puebloan peoples for the four centuries of its pre-Hispanic occupation.

"The Archaeology of Class War has much to recommend it, especially to specialists in Colorado, labor and industrial, ethnic, and gender history."—Center for Coloardo & the West The Archaeology of the Colorado Coalfield War Project has conducted archaeological investigations at the site of the Ludlow Massacre in Ludlow, Colorado, since 1996. With the help of the United Mine Workers of America and funds from the Colorado State Historical Society and the Colorado Endowment for the Humanities, the scholars involved have integrated archaeological finds with archival evidence to show how the everyday experiences of miners and their families shaped the strike and its outcome. The Archaeology of Class War weaves together material culture, documents, oral histories, landscapes, and photographs to reveal aspects of the strike and life in early twentieth-century Colorado coalfields unlike any standard documentary history. Excavations at the site of the massacre and the nearby town of Berwind exposed tent platforms, latrines, trash dumps, and the cellars in which families huddled during the attack. Myriad artifacts - from canning jars to a doll's head - reveal the details of daily existence and bring the community to life. The Archaeology of Class War will be of interest to archaeologists, historians, and general readers interested in mining

This book is a succinct and readable account of recent research at Gordion, the ancient capital of Phrygia, long one of the key sites for understanding Iron Age Anatolia. The regional survey at Gordion has involved a range of interdisciplinary studies—archaeological, environmental, and ethnoarchaeological—to produce an unusually comprehensive understanding of how the landscape evolved, the patterns of settlement during the rise and fall of the Phrygian state, and its environmental constraints.

With a history of excavation of over a century, Gordion has yielded a vast store of material culture, some of which is spectacular. The Midas tumulus, the architecture of the Phrygian citadel, and the artifacts from several decades of excavations present unique challenges and solutions for conservation methodology. Analyses of these artifacts are providing new insights into the political and economic relationships of this region, particularly from the Early Iron Age to the Roman period. Presenting current work at Gordion contributes to the broader understanding of archaeology across the region and around the world.

Some of the most dramatic new discoveries in Asia Minor have been made at Gordion, the Phrygian capital that controlled much of central Asia Minor for close to two centuries. The most famous ruler of the kingdom was Midas, who regularly negotiated with Greeks in the west and Assyrians in the east during his reign. Excavations have been conducted at Gordion over the course of the last 60 years, all under the auspices of the University of Pennsylvania Museum of Archaeology and Anthropology.

In spite of the economic and political importance of Gordion and the Phrygians, the site is consistently omitted from courses in Old World archaeology, primarily because Gordion lies too far to the west for many Near Eastern archaeologists, and too far to the east for classical archaeologists. Moreover, there is no book that offers a comprehensive and up-to-date assessment of the material culture of Gordion during the Phrygian period, a gap that will be filled by this volume. The chapters cover all aspects of Gordion's Phrygian settlement topography from the arrival of the Phrygians in the tenth century B.C. through the arrival of Alexander the Great in 333 B.C., focusing on the site's changing topography and the consistently fluctuating interaction between the inhabitants and the landscape. A reexamination of the material culture of Phrygian Gordion is particularly timely, given the dramatic recent changes in the site's chronology, wherein the dates of many discoveries have changed by as much as a century. The authors are among the leading experts in Near Eastern archaeology, historic preservation, paleobotany, and ancient furniture, and their articles highlight the interdisciplinary nature of the Gordion project. A significant component of the book is a new color phase plan of the site that succinctly presents the topography in diachronic perspective.

How and why did styles, materials, conflicts, and religious ideas spread across prehistoric landscapes? The Archaeology of Regional Interaction investigates these questions, using the rich resource of the American Southwest and covering periods from the Folsom to the nineteenth century. Editor Michelle Hegmon has compiled superbly researched essays into a comprehensive examination of regional interaction that has proved itself a pivotal archaeological text. The Archaeology of Regional Interaction surpasses most regional studies, which only focus on settlement patterns or exchange, and considers other forms of interaction, such as intermarriage and the spread of religious practices. Contributors focus especially on understanding the social processes that underlie archaeological evidence of interaction. The essays in this volume examine what regional systems involve, in terms of political and economic relations, and how they can be identified. One essay by Steven LeBlanc provides a sweeping analysis of conflict, a form of regional interaction that has received relatively little attention in the Southwest until recently. A series of chapters devoted to expanding the coverage beyond the borders of the traditional Southwest examines the surrounding areas, including Nevada and Utah, northern Mexico, and the Plains.The volume also provides a unique treatment of religion - including manifestations such as Flower World Iconography, Medicine Societies, and ceremonial textiles - as a form of regional interrelation. This paperback edition will be an important resource for scholars investigating regional systems and for archaeologists of the American Southwest.

Interdisciplinary study of the role of violence in the Mediterranean and Europe. The Archaeology of Violence is an interdisciplinary consideration of the role of violence in social-cultural and sociopolitical contexts. The volume draws on the work of archaeologists, anthropologists, classicists, and art historians, all of whom have an interest in understanding the role of violence in their respective specialist fields in the Mediterranean and Europe. The focus is on three themes: contexts of violence, politics and identities of violence, and sanctified violence. In contrast to many past studies of violence, often defined by their subject specialism, or by a specific temporal or geographic focus, this book draws on a wide range of both temporal and spatial examples and offers new perspectives on the study of violence and its role in social and political change. Rather than simply equating violence with warfare, as has been done in many archaeological cases, the volume contends that the focus on warfare has been to the detriment of our understanding of other forms of “non-warfare” violence and has the potential to affect the ways in which violence is recognized and discussed by scholars, and ultimately has repercussions for understanding its role in society.

Archaeology without Borders presents new research by leading U.S. and Mexican scholars and explores the impacts on archaeology of the border between the United States and Mexico. Including data previously not readily available to English-speaking readers, the twenty-four essays discuss early agricultural adaptations in the region and groundbreaking archaeological research on social identity and cultural landscapes, as well as economic and social interactions within the area now encompassed by northern Mexico and the U.S. Southwest. Contributors examining early agriculture offer models for understanding the transition to agriculture, explore relationships between the spread of agriculture and Uto-Aztecan migrations, and present data from Arizona, New Mexico, and Chihuahua. Contributors focusing on social identity discuss migration, enculturation, social boundaries, and ethnic identities. They draw on case studies that include diverse artifact classes - rock art, lithics, architecture, murals, ceramics, cordage, sandals, baskets, faunal remains, and oral histories. Mexican scholars present data from Chihuahua, Durango, Zacatecas, Michoacan, Coahuila, and Nuevo Leon. They address topics including Spanish-indigenous conflicts, archaeological history, cultural landscapes, and interactions among Mesoamerica, northern Mexico, and the U.S. Southwest.

Presenting the latest in archaeometallurgical research in a Mesoamerican context, Archaeometallurgy in Mesoamerica brings together up-to-date research from the most notable scholars in the field. These contributors analyze data from a variety of sites, examining current approaches to the study of archaeometallurgy in the region as well as new perspectives on the significance metallurgy and metal objects had in the lives of its ancient peoples.

The chapters are organized following the cyclical nature of metals—beginning with extracting and mining ore, moving to smelting and casting of finished objects, and ending with recycling and deterioration back to the original state once the object is no longer in use. Data obtained from archaeological investigations, ethnohistoric sources, ethnographic studies, along with materials science analyses, are brought to bear on questions related to the integration of metallurgy into local and regional economies, the sacred connotations of copper objects, metallurgy as specialized crafting, and the nature of mining, alloy technology, and metal fabrication.

Archie Green: The Making of a Working-Class Hero celebrates one of the most revered folklorists and labor historians of the twentieth century. Devoted to understanding the diverse cultural customs of working people, Archie Green (1917-2009) tirelessly documented these traditions and educated the public about the place of workers' culture and music in American life. Doggedly lobbying Congress for support of the American Folklife Preservation Act of 1976, Green helped establish the American Folklife Center at the Library of Congress. This significant national center for folklife preservation has undertaken a variety of projects including concert series, recordings, oral histories, and the Archive of Folk Culture, a vast collection of images, recordings, and written accounts that preserve the myriad cultural productions of Americans._x000B__x000B_Capturing the many dimensions of Green's remarkably influential life and work, Sean Burns draws on extensive interviews with Green and his many collaborators to examine the intersections of radicalism, folklore, labor history, and worker culture with Green's work. Burns closely analyzes Green's political genealogy and activist trajectory while illustrating how he worked to open up an independent political space on the American Left that was defined by an unwavering commitment to cultural pluralism.

Archie Mafeje was an independent Pan-Africanist and cosmopolitan individual who sought to understand the world at a global level in order to locate Africa within that tapestry. In many ways, Archie Mafeje was one of the African intellectual pathfi nders. He contributed immensely to the African people's search for self-understanding, self-determination and political emancipation as they struggled against alienation and misrepresentation. In recognising the academic and intellectual contribution of Archie Mafeje, this monograph also refl ects on the African people's journey for emancipation in the search for African identity, self-control and self-understanding.

The great mathematician Archimedes, a Sicilian Greek whose machines defended Syracuse against the Romans during the Second Punic War, was killed by a Roman after the city fell, yet it is largely Roman sources, and Greek texts aimed at Roman audiences, that preserve the stories about him. Archimedes' story, Mary Jaeger argues, thus becomes a locus where writers explore the intersection of Greek and Roman culture, and as such it plays an important role in Roman self-definition. Jaeger uses the biography of Archimedes as a hermeneutic tool, providing insight into the construction of the traditional historical narrative about the Roman conquest of the Greek world and the Greek cultural invasion of Rome. By breaking down the narrative of Archimedes' life and examining how the various anecdotes that comprise it are embedded in their contexts, the book offers fresh readings of passages from both well-known and less-studied authors, including Polybius, Cicero, Livy, Vitruvius, Plutarch, Silius Italicus, Valerius Maximus, Johannes Tzetzes, and Petrarch. "Jaeger, in her meticulous and elegant study of different ancient accounts of his life and inventions...reveal more about how the Romans thought about their conquest of the Greek world than about 'science'." ---Helen King, Times Literary Supplement "An absolutely wonderful book on a truly original and important topic. As Jaeger explores neglected texts that together tell an important story about the Romans' views of empire and their relationship to Greek cultural accomplishments, so she has written an important new chapter in the history of science. A genuine pleasure to read, from first page to last." ---Andrew Feldherr, Associate Professor of Classics, Princeton University "This elegantly written and convincingly argued project analyzes Archimedes as a vehicle for reception of the Classics, as a figure for loss and recovery of cultural memory, and as a metaphorical representation of the development of Roman identity. Jaeger's fastening on the still relatively obscure figure of the greatest ancient mathematician as a way of understanding cultural liminality in the ancient world is nothing short of a stroke of genius." ---Christina S. Kraus, Professor and Chair of Classics, Yale University "Archimedes and the Roman Imagination forms a useful addition to our understanding of Roman culture as well as of the reception of science in antiquity. It will make a genuine contribution to the discipline, not only in terms of its original interpretative claims but also as a fascinating example of how we may follow the cultural reception of historical figures." ---Reviel Netz, Professor of Classics, Stanford University Cover art: Benjamin West. Cicero Discovering the Tomb of Archimedes. Yale University Art Gallery. John Hill Morgan, B.A. 1893, LL.B. 1898, M.A. (Hon.) 1929, Fund.

An Essay Concerning the Project considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martinez emphasizes the distinction between an architectural project, created in the architect’s mind and materialized as a set of drawings on paper, and the realized three-dimensional building. Corona-Martinez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture, and he traces this relationship from the Renaissance into the Modern era, giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries, a continuity that has been obscured by the emphasis on changing goals instead of design procedures, and examines the influences of modernity and the legend of the Bauhaus. Architectural schooling, he suggests, has had a decisive role in the transmission of these practices. He concludes that the methods formalized in Beaux Arts teaching are not only still with us but are in good part responsible for the stylistic instability that haunts Modern architecture. Abstract but not abstruse, An Essay Concerning the Project provides clear information for a deeper understanding of the process of design and its results. More so than any other recent text, it shows the scope and richness of the field of speculation in architecture. It presents subtle considerations that must be mastered if an architect is to properly use typology, the means of representation, and the elements of composition and in architecture. Students, teachers, and practitioners alike will benefit from its warning about the deeper aspects of the endeavor of architecture.

The phrase "Pennsylvania German architecture" likely conjures images of either the "continental" three-room house with its huge hearth and five-plate stoves, or the huge Pennsylvania bank barn with its projecting overshoot. These and other trademarks of Pennsylvania German architecture have prompted great interest among a wide audience, from tourists and genealogists to architectural historians, antiquarians, and folklorists. Since the nineteenth century, scholars have engaged in field measurement and drawing, photographic documentation, and careful observation, resulting in a scholarly conversation about Pennsylvania German building traditions. What cultural patterns were being expressed in these buildings? How did shifting social, technological, and economic forces shape architectural changes? Since those early forays, our understanding has moved well beyond the three-room house and the forebay barn.

In Architecture and Landscape of the Pennsylvania Germans, 1720-1920, eight essays by leading scholars and preservation professionals not only describe important architectural sites but also offer original interpretive insights that will help advance understanding of Pennsylvania German culture and history. Pennsylvania Germans' lives are traced through their houses, barns, outbuildings, commercial buildings, churches, and landscapes. The essays bring to bear years of field observation as well as engagement with current scholarly perspectives on issues such as the nature of "ethnicity," the social construction of landscape, and recent historiography about the Pennsylvania Germans. Dozens of original measured drawings, appearing here for the first time in print, document important works of Pennsylvania German architecture, including the iconic Bertolet barns in Berks County, the Martin Brandt farm complex in Cumberland County, a nineteenth-century Pennsylvania German housemill, and urban houses in Lancaster.

Architecture and Modern Literature explores the representation and interpretation of architectural space in modern literature from the early nineteenth century to the present, with the aim of showing how literary production and architectural construction are related as cultural forms in the historical context of modernity. In addressing this subject, it also examines the larger questions of the relation between literature and architecture and the extent to which these two arts define one another in the social and philosophical contexts of modernity. Architecture and Modern Literature will serve as a foundational introduction to the emerging interdisciplinary study of architecture and literature. David Spurr addresses a broad range of material, including literary, critical, and philosophical works in English, French, and German, and proposes a new historical and theoretical overview of this area, in which modern forms of "meaning" in architecture and literature are related to the discourses of being, dwelling, and homelessness.

The period following the Mexican Revolution was characterized by unprecedented artistic experimentation. Seeking to express the revolution's heterogeneous social and political aims, which were in a continuous state of redefinition, architects, artists, writers, and intellectuals created distinctive, sometimes idiosyncratic theories and works. Luis E. Carranza examines the interdependence of modern architecture in Mexico and the pressing sociopolitical and ideological issues of this period, as well as the interchanges between post-revolutionary architects and the literary, philosophical, and artistic avant-gardes. Organizing his book around chronological case studies that show how architectural theory and production reflected various understandings of the revolution's significance, Carranza focuses on architecture and its relationship to the philosophical and pedagogic requirements of the muralist movement, the development of the avant-garde in Mexico and its notions of the Mexican city, the use of pre-Hispanic architectural forms to address indigenous peoples, the development of a socially oriented architectural functionalism, and the monumentalization of the revolution itself. In addition, the book also covers important architects and artists who have been marginally discussed within architectural and art historiography. Richly illustrated, Architecture as Revolution is one of the first books in English to present a social and cultural history of early twentieth-century Mexican architecture.

Among Borneo's spectacular indigenous buildings, the longhouses, mortuary monuments, and other architectural forms of the interior are some of the most outstanding, and much of the renewed interest in indigenous architecture has focused on the rapidly vanishing or now extinct traditional forms of a small number of surviving examples or recreations. Drawing on the author's extensive research and travel in Borneo, this impressive and original study offers a more comprehensive account of this architecture than any previous work. Organized into two sections, the book first documents and explains traditional built forms in terms of tools and materials, the environmental context, village organization, and social arrangements. This section includes a full discussion of architecture designs and symbolism, especially those dealing with life and death. The author next looks at the destruction or transformation of traditional architecture based on a number of interrelated developments, including religious conversion, Western influence, internal migration, and logging, as well as governmental attitudes and efforts. The book concludes with a discussion of recent efforts to document and preserve traditional structures and turn indigenous as well as colonial architecture into history and heritage.

Ever since Sir Arthur Evans first excavated at the site of the Palace at Knossos in the early twentieth century, scholars and visitors have been drawn to the architecture of Bronze Age Crete. Much of the attraction comes from the geographical and historical uniqueness of the island. Equidistant from Europe, the Middle East, and Africa, Minoan Crete is on the shifting conceptual border between East and West, and chronologically suspended between history and prehistory. In this culturally dynamic context, architecture provided more than physical shelter; it embodied meaning. Architecture was a medium through which Minoans constructed their notions of social, ethnic, and historical identity: the buildings tell us about how the Minoans saw themselves, and how they wanted to be seen by others. Architecture of Minoan Crete is the first comprehensive study of the entire range of Minoan architecture—including houses, palaces, tombs, and cities—from 7000 BC to 1100 BC. John C. McEnroe synthesizes the vast literature on Minoan Crete, with particular emphasis on the important discoveries of the past twenty years, to provide an up-to-date account of Minoan architecture. His accessible writing style, skillful architectural drawings of houses and palaces, site maps, and color photographs make this book inviting for general readers and visitors to Crete, as well as scholars.

As sites of documentary preservation rooted in various national and social contexts, artifacts of culture, and places of uncovering, archives provide tangible evidence of memory for individuals, communities, and states, as well as defining memory institutionally within prevailing political systems and cultural norms. By assigning the prerogatives of record keeper to the archivist, whose acquisition policies, finding aids, and various institutionalized predilections mediate between scholarship and information, archives produce knowledge, legitimize political systems, and construct identities. Far from being mere repositories of data, archives actually embody the fragments of culture that endure as signifiers of who we are, and why. The essays in Archives, Documentation, and Institutions of Social Memory conceive of archives not simply as historical repositories but as a complex of structures, processes, and epistemologies situated at a critical point of the intersection between scholarship, cultural practices, politics, and technologies. Francis X. Blouin Jr. is Professor of History and Director of the Bentley Historical Library at the University of Michigan. William G. Rosenberg is Professor of History, University of Michigan.

American historians have typically argued that a shared experience of time worked to bind the antebellum nation together. Trains, technology, and expanding market forces catapulted the United States into the future on a straight line of progressive time. The nation's exceedingly diverse population could cluster around this common temporality as one forward-looking people.

In a bold revision of this narrative, Archives of American Time examines American literature's figures and forms to disclose the competing temporalities that in fact defined the antebellum period. Through discussions that link literature's essential qualities to social theories of modernity, Lloyd Pratt asserts that the competition between these varied temporalities forestalled the consolidation of national and racial identity. Paying close attention to the relationship between literary genre and theories of nationalism, race, and regionalism, Archives of American Time shows how the fine details of literary genres tell against the notion that they helped to create national, racial, or regional communities. Its chapters focus on images of invasive forms of print culture, the American historical romance, African American life writing, and Southwestern humor. Each in turn revises our sense of how these images and genres work in such a way as to reconnect them to a broad literary and social history of modernity. At precisely the moment when American authors began self-consciously to quest after a future in which national and racial identity would reign triumphant over all, their writing turned out to restructure time in a way that began foreclosing on that particular future.

Archives of Asian Art is an annual journal devoted to the arts of South, Southeast, Central, and East Asia. Each issue presents articles by leading scholars and a selection of outstanding works of Asian art acquired by North American museums during the previous year. The editors attempt to maintain a balanced representation of regions and types of art, as well as a variety of scholarly perspectives.

Arctic Anthropology Edited by Susan Kaplan, Bowdoin College Arctic Anthropology , founded in 1962 by Chester S. Chard, is an international journal devoted to the study of Old and New World northern cultures and peoples. Archeology, ethnology, physical anthropology, and related disciplines are represented, with emphasis on: studies of specific cultures of the arctic, subarctic and contiguous regions of the world; the peopling of the New World, and relationships between New World and Eurasian cultures of the circumpolar zone; contemporary problems and culture change among northern peoples, new directions in interdisciplinary northern research .

“Are We Not New Wave? is destined to become the definitive study of new wave music.” —Mark Spicer, coeditor of Sounding Out Pop New wave emerged at the turn of the 1980s as a pop music movement cast in the image of punk rock’s sneering demeanor, yet rendered more accessible and sophisticated. Artists such as the Cars, Devo, the Talking Heads, and the Human League leapt into the Top 40 with a novel sound that broke with the staid rock clichés of the 1970s and pointed the way to a more modern pop style. In Are We Not New Wave? Theo Cateforis provides the first musical and cultural history of the new wave movement, charting its rise out of mid-1970s punk to its ubiquitous early 1980s MTV presence and downfall in the mid-1980s. The book also explores the meanings behind the music’s distinctive traits—its characteristic whiteness and nervousness; its playful irony, electronic melodies, and crossover experimentations. Cateforis traces new wave’s modern sensibilities back to the space-age consumer culture of the late 1950s/early 1960s. Three decades after its rise and fall, new wave’s influence looms large over the contemporary pop scene, recycled and celebrated not only in reunion tours, VH1 nostalgia specials, and “80s night” dance clubs but in the music of artists as diverse as Rihanna, Lady Gaga, Miley Cyrus, and the Killers.

Are We There Yet?: Virtual Travel and Victorian Realism connects the Victorian fascination with "virtual travel" with the rise of realism in 19th-century fiction and 21st-century experiments in virtual reality. Even as the expansion of river and railway networks in the 19th century made travel easier than ever before, staying at home and fantasizing about travel turned into a favorite pastime. New ways of representing place---360-degree panoramas, foldout river maps, exhaustive railway guides---offered themselves as substitutes for actual travel. Thinking of these representations as a form of "virtual travel" reveals a surprising continuity between the Victorian fascination with imaginative dislocation and 21st-century efforts to use digital technology to expand the physical boundaries of the self.

Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.

During the 1990s Argentina was the only country in Latin America to combine radical economic reform and full democracy. In 2001, however, the country fell into a deep political and economic crisis and was widely seen as a basket case. This book explores both developments, examining the links between the (real and apparent) successes of the 1990s and the 2001 collapse. Specific topics include economic policymaking and reform, executive-legislative relations, the judiciary, federalism, political parties and the party system, and new patterns of social protest. Beyond its empirical analysis, the book contributes to several theoretical debates in comparative politics. Contemporary studies of political institutions focus almost exclusively on institutional design, neglecting issues of enforcement and stability. Yet a major problem in much of Latin America is that institutions of diverse types have often failed to take root. Besides examining the effects of institutional weakness, the book also uses the Argentine case to shed light on four other areas of current debate: tensions between radical economic reform and democracy; political parties and contemporary crises of representation; links between subnational and national politics; and the transformation of state-society relations in the post-corporatist era. Besides the editors, the contributors are Javier Auyero, Ernesto Calvo, Kent Eaton, Sebastián Etchemendy, Gretchen Helmke, Wonjae Hwang, Mark Jones, Enrique Peruzzotti, Pablo T. Spiller, Mariano Tommasi, and Juan Carlos Torre.

The struggle to define U.S. national identity through a political struggle in Spain

In 1938 the United States was embroiled in a vicious debate between supporters of the two sides of the Spanish Civil War, who sought either to lift or to retain the U.S. arms embargo on Spain. The embargo, which favored Gen. Francisco Franco’s Nationalist regime over the ousted Republican government of the Loyalists, received heavy criticism for enabling a supposedly fascist-backed takeover during a time when the Nazi party in Germany was threatening the annexation of countries across Europe. Supporters of General Franco, however, saw the resistance of the Loyalists as being spurred on by the Soviet Union, which sought to establish a communist government abroad.

Since World War II, American historians have traditionally sided with the Loyalist supporters, validating their arguments that the pro-Nationalists were un-American for backing an unpalatable dictator. In Arguing Americanism, author Michael E. Chapman examines the long-overlooked pro-Nationalist argument. Employing new archival sources, Chapman documents a small yet effective network of lobbyists—including engineer turned writer John Eoghan Kelly, publisher Ellery Sedgwick, homemaker Clare Dawes, muralist Hildreth Meière, and philanthropist Anne Morgan—who fought to promote General Franco’s Nationalist Spain and keep the embargo in place.

Arguing Americanism also goes beyond the embargo debate to examine the underlying issues that gripped 1930s America. Chapman posits that the Spanish embargo argument was never really about Spain but rather about the soul of Americanism, the definition of democracy, and who should do the defining. Pro-Loyalists wanted the pure democracy of the ballot box; pro-Nationalists favored the checks and balances of indirect democracy. By pointing to what was happening in Spain, each side tried to defend its version of Americanism against the foreign forces that threatened it. For Franco supporters, it was the spread of international Marxism, toward which they felt Roosevelt and his New Deal were too sympathetic. The pro-Nationalists intensified an argument that became a precursor to a fundamental change in American national identity—a change that would usher in the Cold War era.

Arguing Americanism will appeal to political scientists, cultural historians, and students of U.S. foreign relations.

When Art Spiegelman's Maus-a two-part graphic novel about the Holocaust-won a Pulitzer Prize in 1992, comics scholarship grew increasingly popular and notable. The rise of "serious" comics has generated growing levels of interest as scholars, journalists, and public intellectuals continue to explore the history, aesthetics, and semiotics of the comics medium. Yet those who write about the comics often assume analysis of the medium didn't begin until the cultural studies movement was underway. Arguing Comics: Literary Masters on a Popular Medium brings together nearly two dozen essays by major writers and intellectuals who analyzed, embraced, and even attacked comic strips and comic books in the period between the turn of the century and the 1960s. From e. e. cummings, who championed George Herriman's Krazy Kat, to Irving Howe, who fretted about Harold Gray's Little Orphan Annie, this volume shows that comics have provided a key battleground in the culture wars for over a century. With substantive essays by Umberto Eco, Marshall McLuhan, Leslie Fiedler, Gilbert Seldes, Dorothy Parker, Irving Howe, Delmore Schwartz, and others, this anthology shows how all of these writers took up comics-related topics as a point of entry into wider debates over modern art, cultural standards, daily life, and mass communication. Arguing Comics shows how prominent writers from the Jazz Age and the Depression era to the heyday of the New York Intellectuals in the 1950s thought about comics and, by extension, popular culture as a whole. A columnist for the National Post (Canada), Jeet Heer has been published in Slate, the Boston Globe, the Guardian, the Comics Journal and many other venues. Kent Worcester, a professor of political science and international studies at Marymount Manhattan College, is the author of C. L. R. James: A Political Biography. His work has appeared in the Comics Journal, New Statesman, Popular Culture Review, and numerous other publications.

An exploration of John Dee’s Enochian magic of angel contact, its reinterpretation over the years, and its endurance to the present day. This fascinating work explores John Dee’s Enochian magic and the history of its reception. Dee (1527–1608/9), an accomplished natural philosopher and member of Queen Elizabeth I’s court, was also an esoteric researcher whose diaries detail years of conversations with angels achieved with the aid of crystal-gazer Edward Kelley. His Enochian magic offers a method for contacting angels and demons based on secrets found in the apocryphal Book of Enoch. Examining this magical system from its Renaissance origins to present day occultism, Egil Asprem shows how the reception of Dee’s magic is replete with struggles to construct and negotiate authoritative interpretational frameworks for doing magic. Arguing with Angels offers a novel, nuanced approach to questions about how ritual magic has survived the advent of modernity and demonstrates the ways in which modern culture has recreated magical discourse.

The relationship between religious belief and sexuality as personal attributes exhibits some provocative comparisons. Despite the nonestablishment of religion in the United States and the constitutional guarantee of free exercise, Christianity functions as the religious and moral standard in America. Ethical views that do not fit within this consensus often go unrecognized as moral values. Similarly, in the realm of sexual orientation, heterosexuality is seen as the yardstick by which sexual practices are measured. The notion that "alternative" sexual practices like homosexuality could possess ethical significance is often overlooked or ignored.

In her new book, An Argument for Same-Sex Marriage, political scientist Emily R. Gill draws an extended comparison between religious belief and sexuality, both central components of one’s personal identity. Using the religion clause of the First Amendment as a foundation, Gill contends that, just as US law and policy ensure that citizens may express religious beliefs as they see fit, it should also ensure that citizens may marry as they see fit. Civil marriage, according to Gill, is a public institution, and the exclusion of some couples from a state institution is a public expression of civic inequality.

An Argument for Same-Sex Marriage is a passionate and timely treatment of the various arguments for and against same-sex marriage and how those arguments reflect our collective sense of morality and civic equality. It will appeal to readers who have an interest in gay and lesbian studies, political theory, constitutional law, and the role of religion in the contemporary United States.

S’adressant aux étudiants des cycles supérieurs, Argumenter son mémoire ou sa thèse explique comment bâtir une structure argumentative qui respecte les liens de nécessité unissant les arguments entre eux, tout en établissant une hiérarchisation entre les énoncés. L’ouvrage recense également les divers procédés rhétoriques qui, utilisés à bon escient, consolident la communication et engagent l’adhésion des pairs à la thèse.

A radically new approach to argument structure in the minimalist program.

Peter Ramus, a 16th-century Parisian college instructor and one of the most influential and controversial writers of early modern times, published a number of books attacking and attempting to refute foundational texts in philosophy and rhetoric. This volume offers original text and translation of a pivotal work and includes a detailed introduction and bibliography by the editor.

Aristocratic Redoubt: The Austro-Hungarian Foreign Office on the Eve of the First World War is a study of the nobility who served in the foreign office prior to World War I. Following the lead of historians who are reexamining pre-industrial elites in England and Germany, Godsey deals with such facets of aristocratic life as education, wealth, religion, and ethnicity.

Were aristocratic women in medieval France little more than appendages to patrilineal families, valued as objects of exchange and necessary only for the production of male heirs? Such was the view proposed by the great French historian Georges Duby more than three decades ago and still widely accepted. In Aristocratic Women in Medieval France another model is put forth: women of the landholding elite—from countesses down to the wives of ordinary knights—had considerable rights, and exercised surprising power.

The authors of the volume offer five case studies of women from the mid-eleventh through the thirteenth centuries, and from regions as diverse as Blois-Chartres, Champagne, Flanders, and Occitania. They show not only the diversity of life experiences these women enjoyed but the range of social and political roles open to them. The ecclesiastical and secular sources they mine confirm that women were regarded as full members of both their natal and affinal families, were never excluded from inheriting and controlling property, and did not have their share of family property limited to dowries. Women across France exchanged oaths for fiefs and assumed responsibilities for enfeoffed knights. As feudal lords, they settled disputes involving vassals, fortified castles, and even led troops into battle.

Aristocratic Women in Medieval France clearly shows that it is no longer possible to depict well-born women as powerless in medieval society. Demonstrating the importance of aristocratic women in a period during which they have been too long assumed to have lacked influence, it forces us to reframe our understanding of the high Middle Ages.

The comedies of Aristophanes are known not only for their boldly imaginative plots but for the ways in which they incorporate and orchestrate a wide variety of literary genres and speech styles. Unlike the writers of tragedy, who prefer a uniformly elevated tone, Aristophanes articulates his dramatic dialogue with striking literary and linguistic juxtapositions, producing a carnivalesque medley of genres that continually forces both audience and reader to readjust their perspectives. In this energetic and original study, Charles Platter interprets the complexities of Aristophanes' work through the lens of Mikhail Bakhtin's critical writing. This book charts a new course for Aristophanic comedy, taking its lead from the work of Bakhtin. Bakhtin describes the way multiple voices—vocabularies, tones, and styles of language originating in different social classes and contexts—appear and interact within literary texts. He argues that the dynamic quality of literature arises from the dialogic relations that exist among these voices. Although Bakhtin applied his theory primarily to the epic and the novel, Platter finds in his work profound implications for Aristophanic comedy, where stylistic heterogeneity is the genre's lifeblood.

Aristotle belongs to the small class of philosophers who were not only influential in a particular field of philosophy but also shaped the profile of every philosophical discipline. In this book Otfried Höffe provides a comprehensive introduction to the life and work of Aristotle, covering well-known Aristotelian topics such as ethics, politics, and metaphysics as well as the less familiar, such as biology, psychology, and rhetoric. Höffe also compares Aristotle to other major figures in the history of European (especially German) philosophy, making connections to Kant and Hegel that are particularly insightful. A picture of Aristotle emerges as a philosopher who is much more modern than previously thought, one whose writings are still relevant today and continue to make valuable contributions to many contemporary philosophical debates.

Presenting the first book-length study in English of Aristotle’s Sophistical Refutations, this work takes a fresh look at this seminal text on false reasoning. Through a careful and critical analysis of Aristotle’s examples of sophistical reasoning, Scott G. Schreiber explores Aristotle’s rationale for his taxonomy of twelve fallacy types. Contrary to certain modern attempts to reduce all fallacious reasoning to either errors of logical form or linguistic imprecision, Aristotle insists that, as important as form and language are, certain types of false reasoning derive their persuasiveness from mistaken beliefs about the nature of language and the nature of the world.

The first exhaustive study of Aristotle's concept of chance. This landmark book is the first to provide a comprehensive account of Aristotle’s concept of chance. Chance is invoked by many to explain order in the universe, the origins of life, even human freedom and happiness. An understanding of Aristotle’s concept of chance is indispensable for an appreciation of his views on nature and ethics, views which have had a tremendous influence on the development of Western philosophy. Author John Dudley analyzes Aristotle’s account of chance in the Physics, the Metaphysics, in his biological and ethical treatises, and in a number of his other works as well. Important complementary considerations such as Aristotle’s criticism of Presocratic philosophers, particularly Empedocles and Democritus, Plato’s concept of chance, the chronology of Aristotle’s works, and the relevance of Aristotle’s work to evolution and quantum theory are also covered in depth. This is an essential book for scholars and students of Western philosophy.

According to Aristotle, man’s essential sociality implies a distinctive conception of politics, one in which all political associations exist for the sake of the moral perfection of human beings. This stands in sharp contrast with the modern view of politics that man is not “by nature” political; rather, man chooses to create political associations for the sake of securing the protection of his life and property. Many political theorists have begun to express doubts about this modern view, calling for a return to Aristotle’s vision of a politics that is deeply moral. In Aristotle’s Politics Today, distinguished political philosophers representing a diversity of approaches examine the meaning, relevance, and implications of Aristotle’s political thought for contemporary social and political theory. The contributors engage a broad range of topics, including Aristotle’s views on constitutionalism, the extension of Aristotelian ideas to issues in international relations, the place of Aristotelian virtue in modern democratic politics, and Aristotle’s conception of justice.

The collapse of the Soviet Union and other Marxist regimes around the world seems to have left liberal democracy as the only surviving ideology, and yet many scholars of political thought still find liberal democracy objectionable, using Aristotle's Politics to support their views. In this detailed analysis of Book 3 of Aristotle's work, Clifford Angell Bates, Jr., challenges these scholars, demonstrating that Aristotle was actually a defender of democracy. Proving the relevance of classical political philosophy to modern democratic problems, Bates argues that Aristotle not only defends popular rule but suggests that democracy, restrained by the rule of law, is the best form of government. According to Aristotle, because human beings are naturally sociable, democracy is the regime that best helps man reach his potential; and because of human nature, it is inevitable democracies will prevail. Bates explains why Aristotle's is a sound position between two extremes—participatory democracy, which romanticizes the people, and elite theory, which underrates them. Aristotle, he shows, sees the people as they really are and nevertheless believes their self-rule, under law, is ultimately better than all competing forms. However, the philosopher does not believe democracy should be imposed universally. It must arise out of the given cultural, environmental, and historical traditions of a people or its will fall into tyranny. Bates's fresh interpretation rests on innovative approaches to reading Book 3—which he deems vital to understanding all of Aristotle's Politics. Examining the work in the original Greek as well as in translation, he addresses questions about the historical Aristotle versus the posited Aristotle, the genre and structure of the text, and both the theoretical and the dialogic nature of the work. Carting Aristotle's rhetorical strategies, Bates shows that Book 3 is not simply a treatise but a series of dialogues that develop a nuanced defense of democratic rule. Bates's accessible and faithful exposition of Aristotle's work confirms that the philosopher's teachings are not merely of historical interest but speak directly to liberal democracy's current crisis of self-understanding.

Since 1997, the Arizona Journal of Hispanic Cultural Studies has been publishing insightful essays on the relationships between economics and politics as they come to bear on the cultures of Spain, Latin America, Africa, Asia and the Chicano and Latino United States. Past special issues have included titles such as Market Matters: Literary Culture and the Publishing Industry in Spain and Latin America; The Hispanic Atlantic; Equatorial Guinea and Spanish Letters; Barcelona and the Projection of Catalonia; On the Border.
http://azjhcs.coh.arizona.edu/index.html

Arizona Quarterly: A Journal of American Literature, Culture, and Theory publishes articles offering a variety of scholarly approaches to canonical and non-canonical works of American literature and film. The journal sponsors an annual symposium, bringing together senior scholars, advisory board members, and newly established academics, to renew our commitment to the study of American texts.

This biography by John Ward, a former member of Rockefeller's staff and director of his 1968 reelection campaign, presents the story of the first Rockefeller ever to live south of the Mason-Dixon Line. Winthrop Rockefeller was a man whose determination to build a viable two-party system in Arkansas and the South was matched only by his vast resources for doing so. Moreover, the book is a portrait of a man who lived his life openly, whose every success and every failure was a matter of public record for the two million citizens of his adopted state. Winthrop Rockefeller was a remarkable man, and in 1953, he chose to make Arkansas his home. Through his leadership and philanthropy, he transformed the state's politics, economy, culture, and education for the better. The legacy of Governor Rockefeller continues today through the work at the Winthrop Rockefeller Institute.

Arkansas/Arkansaw is the first book to explain how Arkansas’s image began and how the popular culture stereotypes have been perpetuated and altered through succeeding generations. Brooks Blevins argues that the image has not always been a bad one. He discusses travel accounts, literature, radio programs, movies, and television shows that give a very positive image of the Natural State. From territorial accounts of the Creole inhabitants of the Mississippi River Valley to national derision of the state’s triple-wide governor’s mansion to Li’l Abner, the Beverly Hillbillies, and Slingblade, Blevins leads readers on an entertaining and insightful tour through more than two centuries of the idea of Arkansas. One discovers along the way how one state becomes simultaneously a punch line and a source of admiration for progressives and social critics alike.

In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. Drawing on a range of examples from silent films such as What Price Glory and Wings to sound era works like The Deer Hunter, Platoon, Three Kings, and Pearl Harbor , he shows how close readings of war films, particularly in relation to their cultural contexts, demonstrate that depictions of heterosexual love, including those in romantic triangles, actually help to define and clarify the nonsexual nature of male love. The book also explores the problematic aspects of masculinity and sexuality when threatened by wounds, as in The Best Years of Our Lives, and considers the complex and persistent analogy between weapons and the male body, as in Full Metal Jacket and Saving Private Ryan .

Niger's political history has lacked a synthesis on the army's involvement in politics since independence. The country is a fertile ground for such analysis. Between 1964 and 1999, the country witnessed three successful military coups during the democratisation process (April 1974, January 1996, and April 1999) and at least four military coup attempts (1964, 1975, 1976, 1983). In its forty years of independence, Niger has been under military rule for twenty-one years. It has also experienced seven different institutional regimes while four out of the six presidents who headed the country were soldiers. Niger evolved from the Second to the Fifth Republic in less than ten years - from the national conference (November 1991) to the last military coup (April 1999). In statistical terms, Niger has been witnessing a military coup or a military coup attempt every five-years since 1974. In addition to that, the country recorded seven mutinies and various other forms of troop rebellion between December 1963 and August 2000. In terms of institutional instability, Niger's record is unparalleled in Africa. A study on the army is therefore more needed than ever before. The recurrence with which the military appears on the political scene imposes another way of looking at Niger's army. A critical analysis of the military phenomenon, if not an assessment, would help envisage new prospects for Niger's future. This work, which was undertaken by a multi disciplinary team, suggests an analysis, from a historical and sociological perspective, of the long-standing involvement of the army in politics (the apparition of war leaders in the 19th century, the transition from colonial army to national army, the politicisation of the army and the emergence of 'military-politicians', the army sociology.). It aims at providing an answer to a key question: Why is the army so deeply involved in politics in Niger? It reveals how a significant military component has been gradually built up in Niger's political arena to become a highly dynamic political entrepreneur, able to compete with civilian politicians. The work shows, on the one hand, the significance of socio-political and economic contexts that promote the propensity for military interventionism, and on the other hand the transformations within the army that explain its propensity to intervene. It relates two decades of 'military rule', analyses their modes of legitimating, organising and managing power, gives an assessment of their economic policies and sheds light on women's role in that institution, which was thus far a men's business.

India has long been motivated to modernize its military, and it now has the resources. But so far, the drive to rebuild has lacked a critical component—strategic military planning. India's approach of arming without strategic purpose remains viable, however, as it seeks great-power accommodation of its rise and does not want to appear threatening. What should we anticipate from this effort in the future, and what are the likely ramifications? Stephen Cohen and Sunil Dasgupta answer those crucial questions in a book so timely that it reached number two on the nonfiction bestseller list in India.

"Two years after the publication of Arming without Aiming, our view is that India's strategic restraint and its consequent institutional arrangement remain in place. We do not want to predict that India's military-strategic restraint will last forever, but we do expect that the deeper problems in Indian defense policy will continue to slow down military modernization."—from the preface to the paperback edition

With this first direct translation of Arminius' Declaration of Sentiments into English from the original Dutch, Stephen Gunter weaves expert translation with valuable notes and theological commentary. Gunter's introduction situates this overlooked but critically important work within its rich historical context and includes a clear, illuminating discussion of the debate over predestination. What emerges is an enlightening portrait of Arminius that challenges modern misconceptions about one of the most significant sixteenth-century theologians.

The Arms of the Infinite takes the reader inside the minds of author Christopher Barker’s parents, writer Elizabeth Smart (By Grand Central Station I Sat Down and Wept) and poet George Barker. From their first fateful meeting and subsequent elopement, Barker candidly reveals their obsessive, passionate, and volatile love affair.

He writes evocatively of his unconventional upbringing with his siblings in a shack in Ireland and, later, a rambling, falling-down house in Essex. Interesting and charismatic figures from the literary and art worlds are regular visitors, and the book is full of fascinating cameos and anecdotes.

North American rights only.

Army Life is the story of a twenty-year-old private whose engaging writing belies his age but also allows his youth to shine through. Marshall tells of the battles he fought and the games he played, of his friends, fellow soldiers, and officers, and of the regiment’s activities in Missouri and Arkansas, at Vicksburg, and in Louisiana and on the Texas Gulf Coast. Enhanced with careful editing and thorough annotations, this journal Marshall carried faithfully to every mustering out is a rich and important Civil War memoir.

Rothenberg's work in the first analytical, full, length study of the army of Francis Joseph throughout its history from 1815-1918.

"An Army of Lions is a stunning and heroic work of research about one of the great 'origins' stories of American history. With remarkable originality, Alexander illuminates the grassroots civil rights organizations, leadership, and strategies in the nineteenth century, well before we typically think about those efforts. In the hands of this very talented historian, we see that T. Thomas Fortune and others struggled with the same questions that occupied the later generations of Du Bois and King. This is a scholarly achievement of the first order, with wide social and political implications today."--David W. Blight, author of American Oracle: The Civil War in the Civil Rights Era "With impressive detail, An Army of Lions documents a complex era in African American politics during the late nineteenth and early twentieth centuries. Alexander offers readers invaluable insights into how African American activists responded to the rising violence, disfranchisement, and segregation that characterized the Jim Crow era. Most importantly, he helps us to see how a broad range of early civil rights organizations were vying with one another for national leadership, political access, and mass support."--Martha S. Jones, University of Michigan In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity--Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké--worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake--including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve--used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation." Shawn Leigh Alexander teaches African and African American studies at the University of Kansas.

James McCaffrey examines America's first foreign war, the Mexican War, through the day-to-day experiences of the American soldier in battle, in camp, and on the march. With remarkable sympathy, humor, and grace, the author fills in the historical gaps of one war while rising issues now found to be strikingly relevant to this nation's modern military concerns.

Amid radical transformation and rapid mutation in the nature, transmission, and deployment of information and communications, Around the Book offers a status report and theoretically nuanced update on the traditions and medium of the book. What, it asks, are the book's current prospects? The study highlights the most radical experiments in the book's history as trials in what the author terms the Prevailing Operating Systemat play within the fields of knowledge, art, critique, and science. The investigations of modern systems theory, as exemplified by Gregory Bateson, Anthony Wilden, and Niklas Luhmann, turn out to be inseparable from theoretically astute inquiry into the nature of the book.Sussman's primary examples of such radical experiments with the history of the book are Sei Shonagon's Pillow Book (both the text and Peter Greenaway's screen adaptation), Stphane Mallarm's Un coup de ds,Walter Benjamin's Arcades Project, Jacques Derrida's Glas, Maurice Blanchot's Death Sentence, and Franz Kafka's enduring legacy within the world of the graphic novel.In the author's hands, close reading of these and related works renders definitive proof of the book's persistence and vitality. The book medium, with its inbuilt format and program, continues, he argues, to supply the tablet or screen for cultural notation. The perennial crisis in which the book seems to languish is in fact an occasion for readers to realize fully their role as textual producers, to experience the full range of liberty in expression and articulation embedded in the irreducibly bookish process of textual display.

2008 Winner, MLA First Book Prize

Charting the proliferation of forms of mourning and memorial across a century increasingly concerned with their historical and temporal significance, Arranging Grief offers an innovative new view of the aesthetic, social, and political implications of emotion. Dana Luciano argues that the cultural plotting of grief provides a distinctive insight into the nineteenth-century American temporal imaginary, since grief both underwrote the social arrangements that supported the nation’s standard chronologies and sponsored other ways of advancing history.

Nineteenth-century appeals to grief, as Luciano demonstrates, diffused modes of "sacred time" across both religious and ostensibly secular frameworks, at once authorizing and unsettling established schemes of connection to the past and the future. Examining mourning manuals, sermons, memorial tracts, poetry, and fiction by Harriet Beecher Stowe, William Apess, James Fenimore Cooper, Catharine Maria Sedgwick, Susan Warner, Harriet E. Wilson, Herman Melville, Frances E. W. Harper, Frederick Douglass, Abraham Lincoln, Elizabeth Keckley, and Ralph Waldo Emerson, Luciano illustrates the ways that grief coupled the affective body to time. Drawing on formalist, Foucauldian, and psychoanalytic criticism, Arranging Grief shows how literary engagements with grief put forth ways of challenging deep-seated cultural assumptions about history, progress, bodies, and behaviors.

"Olaniyan has given us a profound and beautifully integrated book which culminates in a persuasive interpretation of the relationship between Fela's apparently incompatible presentational selves.... The book's accessible and evocative prose is in itself a kind of homage to Fela's continual ability to seduce and astonish.... This is such an attractive book you feel like... ransacking your collection for Fela tapes." -- Karin Barber

"... an indispensable companion to Fela's music and a rich source of information for studies in modern African popular music." -- Akin Euba

Arrest the Music! is a lively musical study of Fela Anikulapo-Kuti, one of Africa's most recognizable, popular, and controversial musicians. The flamboyant originator of the "Afrobeat" sound and self-proclaimed voice of the voiceless, Fela used music, sharp-tongued lyrics, and derisive humor to challenge the shortcomings of Nigerian and postcolonial African states. Looking at the social context, instrumentation, lyrics, visual art, people, and organizations through which Fela produced his music, Tejumola Olaniyan offers a wider, more suggestive perspective on Fela and his impact on listeners in all parts of the world.

Placing Fela front and center, Olaniyan underscores important social issues such as authenticity, racial and cultural identity, the relationship of popular culture to radical politics, and the meaning of postcolonialism, nationalism, and globalism in contemporary Africa. Readers interested in music, culture, society, and politics, whether or not they know Fela and his music, will find this work invaluable for understanding the career of an African superstar and the politics of popular culture in contemporary Africa.

African Expressive Cultures -- Patrick McNaughton, general editor

The Native American tribes of what is now the Southeastern United States left intriguing relics of their ancient cultural life. Arrowheads, spearpoints, stone tools, and other artifacts are found in newly plowed fields, on hillsides after a fresh rain, or in washed-out creekbeds. These are tangible clues to the anthropology of the Paleo-Indians, and the highly developed Mississippian peoples.This indispensable guide to identifying and understanding such finds is for conscientious amateur archeologists who make their discoveries in surface terrain. Many are eager to understand the culture that produced the artifact, what kind of people created it, how it was made, how old it is, and what its purpose was.Here is a handbook that seeks identification through the clues of cultural history. In discussing materials used, the process of manufacture, and the relationship between the artifacts and the environments, it reveals ancient discoveries to be not merely interesting trinkets but by-products from the once vital societies in areas that are now Alabama, Arkansas, Georgia, Kentucky, Louisiana, Mississippi, the Carolinas, as well as in southeastern Texas, southern Missouri, southern Illinois, and southern Indiana.The text is documented by more than a hundred drawings in the actual size of the artifacts, as well as by a glossary of archeological terms and a helpful list of state and regional archeological societies.

Arrows in the Dark recounts and analyzes the many efforts of aid and rescue made by the Jewish community of Palestine—the Yishuv—to provide assistance to European Jews facing annihilation by the Nazis. Tuvia Friling provides a detailed account of the activities carried out at the behest of David Ben-Gurion and the Yishuv leadership, from daring attempts to extract Jews from Nazi-occupied territory, to proposals for direct negotiations with the Nazis. Through its rich array of detail and primary documentation, this book shows the wide scope and complexity of Yishuv activity at this time, refuting the idea that Ben-Gurion and the Yishuv ignored the plight of European Jews during the Holocaust.

Ars musice, composed in Paris in the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. . . . Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter. He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main "branches": music of the people (musica vulgalis), composite or regular, "which they call measured music" (musica mensurata), and ecclesiastical music (musica ecclesiastica), which he claims derives from the other two. The originality of Grocheio's treatise has attracted considerable scholarly interest. It has long been recognized as a unique source of information about musical life in Paris. Through his treatise, Grocheio enables a modern reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality at a particularly vibrant moment in its history.

The Student Nonviolent Coordinating Committee (SNCC) arrived in Arkansas in October 1962 at the request of the Arkansas Council on Human Relations, the state affiliate of the Southern Regional Council. SNCC efforts began with Bill Hansen, a young white Ohioan—already a veteran of the civil rights movement—who traveled to Little Rock in the early sixties to help stimulate student sit-in movements promoting desegregation. Thanks in large part to SNCC’s bold initiatives, most of Little Rock’s public and private facilities were desegregated by 1963, and in the years that followed many more SNCC volunteers rushed to the state to set up projects across the Arkansas Delta to help empower local people to take a stand against racial discrimination. In the five short years before it disbanded, SNCC’s Arkansas Project played a pivotal part in transforming the state, yet this fascinating branch of the national organization has barely garnered a footnote in the history of the civil rights movement. This collection serves as a corrective by bringing articles on SNCC’s activities in Arkansas together for the first time, by providing powerful firsthand testimonies, and by collecting key historical documents from SNCC’s role in the region’s emergence from the slough of southern injustice.

This book contains three of Bakhtin's early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates of the period.

An important baseline study of ceramics and material culture in southern Ecuador, which establishes the region’s artistic and trade connections with better-known areas of the prehistoric Andes.

Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100–800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.

The book brings together a series of essays about art in Hong Kong written over the last ten years, with the intention of offering a personal chronicle of the Hong Kong art world during a time of great change.

Probing, wide-ranging, brimming with passion and outrage, Melhem’s eighth collection of poems grips the reader with accounts of individual triumphs and the ongoing catastrophic conflicts of our world. The author draws on her years as a painter and sculptor to bring a distinct visual and tactile quality to her poetry. In this volume, Melhem proceeds from robust individual portraits through observable terrains to traumatic visions of war. "Certain Personae" ranges from black writers to Abraham Lincoln, from a portrait of the suffragist Elizabeth Cady Stanton to the poetry of John Updike, and finishes with paintings of Hannibal crossing the Alps. In "Mostly Political," the poems traverse the local and the universal: melting polar ice caps, capitalism, a painting by Max Ernst interpreted in antithetical ways, and a poem surveying Manhattan’s Upper West Side in the context of international events. "Wars," the third and last section, gives intimate and searing glimpses of the Trojan War, World War I, the Gulf War, the Iraq war, and the conflict over Palestine.

A study of a major piece of modern Mayan religious art.

Roger Fry, a core member of the Bloomsbury Group, was involved with all aspects of the art market as artist, critic, curator, historian, journalist, advisor to collectors, and gallery operator. He is especially remembered as the person who introduced postimpressionist art to Britain. Reprinted in this volume are seventeen of Fry's works on commerce in art. Although he had no formal training in economics, Fry addressed the art market as a modern economist might do. It is therefore fitting that his writings receive here an original interpretation from the perspective of a modern economist, Craufurd D. Goodwin. Goodwin explores why Fry's work is both a landmark in the history of cross-disciplinary thought and a source of fresh insights into a wide range of current policy questions. The new writings included contain Fry's most important contributions to theory, history, and debates over policy as he explored the determinants of the supply of art, the demand for art, and the art market institutions that facilitate exchange. His ideas and speculations are as stimulating and provocative today as when they were written. "A fascinating selection of essays by one of the twentieth century's most thoughtful and stimulating critics. Goodwin's introduction sets the stage beautifully, providing useful links to Veblen and Keynes." --D. E. Moggridge, University of Toronto "Art and the Market uncovers new connections between aesthetics and art in the Bloomsbury Group. . . . Goodwin adds significantly to the understanding of cultural economics in the work of Fry himself as well as J. M. Keynes and even Leonard and Virginia Woolf." --S. P. Rosenbaum, University of Toronto "All those interested in the arts and economics, and their connections, will be delighted by this collection, as will be students of Bloomsbury." --Peter Stansky, Stanford University Craufurd D. Goodwin is James B. Duke Professor of Economics, Duke University.

Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations. In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished "traditional" objects—as well as monumental displays, museums, UNESCO ideas about "word heritage," and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval. Ultimately, this insightful work prompts readers to rethink persistent and pernicious popular assumptions—that tourism invariably brings a loss of agency to local communities or that tourist art is a compromised form of expression. Art as Politics promises to be a favorite with students and scholars of anthropology, sociology, cultural studies, ethnic relations, art, and Asian studies.

Des théoriciens et des artistes internationaux présentent des recherches et des réalisations artistiques situées au croisement de l'art, de la science et des systèmes artificiels.

Si les années 1980 ont correspondu à un reflux du politique et, du même coup, à une mise en veilleuse des débats sur l’engagement de l’art qui avaient agité le XXe siècle, il n’en reste pas moins qu’on a peut-être été trop prompt à en proclamer la caducité. La réflexion théorique sur les rapports entre l’art et le politique, qui avait pu sembler tarie, se renouvelle depuis une décennie en tentant de dépasser l’aporie des conceptions fondées sur la notion de représentation aussi bien que celles qui reposent sur l’homologie entre transgression formelle et révolution politique. Le présent ouvrage entend cerner ce point de tangence de l’art et du politique. Réunissant des collaborateurs appartenant à plusieurs disciplines, il présente une série d’aperçus sur la manière dont le théâtre, le cinéma, la littérature ainsi que les arts visuels et performatifs négocient, à la fin du XXe siècle, leur insertion dans le champ politique. Provenant d’horizons divers, mais avec un centre de gravité québécois, les auteurs sont historiens, critiques ou politologues; leurs études brossent un état des lieux de la création contemporaine. Si le primat de la représentation dans la lecture politique de l’art y paraît ébranlé, on constate que la représentation elle-même n’a peut-être pas perdu toute pertinence, dans la mesure où elle n’a pas cessé d’être mise en jeu.

How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print shops, Americans relied on mass-circulated illustrated magazines. One group of magazines in particular, known collectively as the Philadelphia pictorials, circulated fine art engravings of paintings, some produced exclusively for circulation in these monthlies, to an eager middle-class reading audience. These magazines achieved print circulations far exceeding those of other print media (such as illustrated gift books, or catalogs from art-union membership organizations). Godey's , Graham's Peterson's Miss Leslie's and Sartain's Union Magazine included two to three fine art engravings monthly, "tipped in" to the fronts of the magazines, and designed for pull-out and display. Featuring the work of a fledgling group of American artists who chose American rather than European themes for their paintings, these magazines were crucial to the distribution of American art beyond the purview of the East Coast elite to a widespread middle-class audience. Contributions to these magazines enabled many an American artist and engraver to earn, for the first time in the young nation's history, a modest living through art. Author Cynthia Lee Patterson examines the economics of artistic production, innovative engraving techniques, regional imitators, the textual "illustrations" accompanying engravings, and the principal artists and engravers contributing to these magazines.

Bringing an art historical perspective to the realm of American and European film, Art in the Cinematic Imagination examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs. From the use of portraits in Vertigo to the cinematic depiction of women artists in Artemisia and Camille Claudel, Susan Felleman incorporates feminist and psychoanalytic criticism to reveal individual and collective perspectives on sex, gender, identity, commerce, and class. Probing more than twenty films from the postwar era through contemporary times, Art in the Cinematic Imagination considers a range of structurally significant art objects, artist characters, and art-world settings to explore how the medium of film can amplify, reinvent, or recontextualize the other visual arts. Fluently speaking across disciplines, Felleman's study brings a broad array of methodologies to bear on questions such as the evolution of the “Hollywood Love Goddess” and the pairing of the feminine with death on screen. A persuasive approach to an engaging body of films, Art in the Cinematic Imagination illuminates a compelling and significant facet of the cinematic experience.

Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America's newest immigrant communities-Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society.

In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway’s short story aesthetics. Lamb locates Hemingway’s art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author’s famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway’s art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway’s story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre. A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway’s craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.

Taking a new approach to traditional Andean art that links prehistory with the present, this book illustrates the ongoing legacy of the past in contemporary art and the importance of art not only as a way of expressing religious ideas rooted in nature, but also as a means of resisting discrimination and oppression.

Art Nature Dialogues offers interviews with artists working with, in, and around nature and the environment. The interviews explore art practices, ecological issues, and values as they pertain to the siting of works, the use of materials, and the ethics of artmaking. John K. Grande includes interviews with Hamish Fulton, David Nash, Bob Verschueren, herman de vries, Alan Sonfist, Nils-Udo, Michael Singer, Patrick Dougherty, Ursula von Rydingsvard, and others.

In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s.

In 2002 a manga (comic book) was for the first time successfully charged with the crime of obscenity in the Japanese courts. In The Art of Censorship Kirsten Cather traces how this case represents the most recent in a long line of sensational landmark obscenity trials that have dotted the history of postwar Japan. The objects of these trials range from a highbrow literary translation of Lady Chatterley’s Lover and modern adaptations and reprintings of Edo-period pornographic literary “classics” by authors such as Nagai Kafu to soft core and hard core pornographic films, including a collection of still photographs and the script from Oshima Nagisa’s In the Realm of the Senses, as well as adult manga. At stake in each case was the establishment of a new hierarchy for law and culture, determining, in other words, to what extent the constitutional guarantee of free expression would extend to art, artist, and audience.

The work draws on diverse sources, including trial transcripts and verdicts, literary and film theory, legal scholarship, and surrounding debates in artistic journals and the press. By combining a careful analysis of the legal cases with a detailed rendering of cultural, historical, and political contexts, Cather demonstrates how legal arguments are enmeshed in a broader web of cultural forces. She offers an original, interdisciplinary analysis that shows how art and law nurtured one another even as they clashed and demonstrates the dynamic relationship between culture and law, society and politics in postwar Japan.

The Art of Censorship will appeal to those interested in literary and visual studies, censorship, and the recent field of affect studies. It will also find a broad readership among cultural historians of the postwar period and fans of the works and genres discussed.

13 illus.

What essential leadership lessons do we learn by distilling the actions and ideas of great military commanders such as George Washington, Dwight D. Eisenhower, and Colin Powell? That is the fundamental question underlying The Art of Command: Military Leadership from George Washington to Colin Powell. The book illustrates that great leaders become great through conscious effort—a commitment not only to develop vital skills but also to surmount personal shortcomings. Harry S. Laver, Jeffrey J. Matthews, and the other contributing authors identify nine core characteristics of highly effective leadership, such as integrity, determination, vision, and charisma, and nine significant figures in American military history whose careers embody those qualities. The Art of Command examines each figure’s strengths and weaknesses and how those attributes affected their leadership abilities, offering a unique perspective of military leadership in American history. Laver and Matthews have assembled a list of contributors from military, academic, and professional circles, which allows the book to encompass diverse approaches to the study of leadership.

Much has been written about a state's use of the threat of military force or economic sanctions to change the behavior of another state. Less is known about the use of positive measures such as economic assistance and investment as a means of influence. This study looks at the ways in which government officials use economic instruments for foreign policy gains. More specifically, it examines the means by which a government can enhance its efforts at economic persuasion by inducing domestic business trade and investing in the target nation. The author demonstrates the domestic conditions under which the state can use commercial economic incentives to achieve foreign policy goals, especially where these incentives are meant to induce cooperative behavior from another state. Using the process of German-Polish reconciliation in the 1970s and 1980s as a case study, The Art of Economic Persuasion, argues that complex institutional links between the German government and the German business community enabled the government to encourage commercial relations with Poland, which supported the government's policies. With singular access to archives of business associations in Germany as well as numerous interviews with German and Polish officials, the author carefully retraces German foreign policy towards Poland in the 1970s and 1980s. The Art of Economic Persuasion is a theoretical addition to the literature on international political economy and international relations. It will be of interest to specialists in international relations, foreign policy, and international political economy, as well as economists, political scientists, and historians of Germany, Poland, the United States, and Cold War relations. Patricia Davis is Assistant Professor of Government and International Studies, University of Notre Dame.

Elite Romans periodically chose to limit or destroy the memory of a leading citizen who was deemed an unworthy member of the community. Sanctions against memory could lead to the removal or mutilation of portraits and public inscriptions. Harriet Flower provides the first chronological overview of the development of this Roman practice--an instruction to forget--from archaic times into the second century A.D.

Since ancient times, Hindus have expressed their love and devotion to their deities through beautiful ornamentation -- dressing and decorating the deities with elaborate clothing, jewelry, and flowers. In this pioneering study of temples in Vrindaban and Jaipur, India, Cynthia Packert takes readers across temple thresholds and into the god Krishna's sacred domain. She describes what devotees see when they behold gorgeously attired representations of the god and why these images look the way they do. She discusses new media as well as global forms of devotion popular in India and abroad. The Art of Loving Krishna opens a universe of meaning in which art, religious action, and devotion are dynamically intertwined.

Rojas's Celestina (1499) is perhaps the second greatest work of Spanish literature, right after Don Quixote, and Delicado sought to surpass it with La Lozana andaluza (1530), an important precedent of the picaresque novel.Both works were written during the height of the Inquisition, when the only relatively safe way for New Christian writers of Jewish extraction like Rojas and Delicado to express what they felt about the discrimination they suffered and their doubts regarding the faith that had been forced upon their ancestors was in a covert, indirect manner. Some scholars have detected this subversive element in Rojas' and Delicado's corrosive view of the Christian societies in which they lived, but this book goes far beyond such impressionism, showing through abundant textual evidence that these two authors used superficial bawdiness and claims regarding the morality of their respective works as cover to encode attacks against the central dogmas of Christianity: the Annunciation, the Virgin Birth, the Incarnation, and the Holy Trinity.This book, which will generate controversy among Hispanists, many of whom have refused to examine these works for non-Catholic views, will be of interest not only to students and scholars of Spanish literature, but also to those involved in Jewish studies, Medieval European history, and cultural studies.

The Art of Teaching Music takes up important aspects of the art of music teaching ranging from organization to serving as conductor to dealing with the disconnect between the ideal of university teaching and the reality in the classroom. Writing for both established teachers and instructors on the rise, Estelle R. Jorgensen opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She reflects on musicianship and practical aspects of teaching while drawing on a broad base of theory, research, and personal experience. Although grounded in the practical realities of music teaching, Jorgensen urges music teachers to think and act artfully, imaginatively, hopefully, and courageously toward creating a better world.

The Art of Teaching Spanish explores in-depth the findings of research in second language acquisition (SLA) and other language-related fields and translates those findings into practical pedagogical tools for currentùand futureùSpanish-language instructors. This volume addresses how theoretical frameworks affect the application of research findings to the teaching of Spanish, how logistical factors affect the way research findings can be applied to teach Spanish, and how findings from Spanish SLA research would be applicable to Spanish second language teaching and represented in Spanish curricula through objectives and goals (as evidenced in pedagogical materials such as textbooks and computer-assisted language learning software). Top SLA researchers and applied linguists lend their expertise on matters such as foreign language across curriculum programs, the effects of study abroad and classroom contexts on learning, testing, online learning, the incorporation of linguistic variation into the classroom, heritage language learners, the teaching of translation, and other pedagogical issues. Other common themes of The Art of Teaching Spanish include the rejection of the concept of a monolithic language competence, the importance of language as social practice and cultural competence, the psycholinguistic component of SLA, and the need for more cross-fertilization from related fields.

Practical advice (supported by extensive case studies) for fixing troubled arts organizations Many arts organizations today find themselves in financial difficulties because of economic constraints inherent in the industry. While other companies can improve productivity through the use of new technologies or better systems, these approaches are not available in the arts. Hamlet requires the same number of performers today as it did in Shakespeare’s time. The New York Philharmonic requires the same number of musicians now as it did when Tchaikovsky conducted it over one hundred years ago. Costs go up, but the size of theaters and the price resistance of patrons limit what can be earned from ticket sales. Therefore, the performing arts industry faces a severe gap between earnings and expenses. Typical approaches to closing the gap—raising ticket prices or cutting artistic or marketing expenses—don’t work. What, then, does it take to create and maintain a healthy arts organization? Michael M. Kaiser has revived four major arts organizations: the Kansas City Ballet, the Alvin Ailey American Dance Theater, American Ballet Theatre, and London’s Royal Opera House. In The Art of the Turnaround he shares with readers his ten basic rules for bringing financially distressed arts organizations back to life and keeping them strong. These rules cover the requirements for successful leadership, the pitfalls of cost cutting, the necessity of extending the programming calendar, the centrality of effective marketing and fund raising, and the importance of focusing on the present with a positive public message. In chapters organized chronologically, Kaiser brings his ten rules vividly to life in discussions of the four arts organizations he is credited with saving. The book concludes with a chapter on his experiences at the John F. Kennedy Center for the Performing Arts, an arts organization that needed an artistic turnaround when he became the president in 2001 and that today exemplifies in practice many of the ten rules he discusses throughout his book.

Though our time is often said to be post-religious and post-metaphysical, many continue to seek some encounter with otherness and transcendence in art. This book deals diversely with the issues of art, origins, and otherness, both in themselves and in philosophical engagements with the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. Addressing themes such as eros and mania, genius and the sublime, transcendence and the saving power of art, William Desmond tries to make sense of the paradox that too much has been asked of art that now almost nothing is asked of it. He argues that there is more to be said philosophically of art, and claims that art has the power to open up mindfulness beyond objectifying knowledge, as well as beyond thinking that claims to be entirely self-determining.

The cave-temple complex popularly known as the Dunhuang caves is the world’s largest extant repository of Tang Buddhist art. Among the best preserved of the Dunhuang caves is the Zhai Family Cave, built in 642. It is this remarkable cave-temple that forms the focus of Ning Qiang’s cross-disciplinary exploration of the interrelationship of art, religion, and politics during the Tang. The author combines, in his careful examination of the paintings and sculptures found there, the historical study of pictures with the pictorial study of history. By employing this two-fold approach, he is able to refer to textual evidence in interpreting the formal features of the cave temple paintings and to employ visual details to fill in the historical gaps inevitably left by text-oriented scholars. The result is a comprehensive analysis of the visual culture of the period and a vivid description of social life in medieval China. The original Zhai Family Cave pictures were painted over in the tenth century and remained hidden until the early 1940s. Once exposed, the early artwork appeared fresh and colorful in comparison with other Tang paintings at Dunhuang. The relatively fine condition of the Zhai Family Cave is crucial to our understanding of the original pictorial program found there and offers a unique opportunity to investigate the visual details of the original paintings and sculptures in the cave. At the same time, the remaining traces of reconstruction and redecoration provide a new perspective on how, for over three centuries, a wealthy Chinese clan used its familial cave as a political showcase.

What does it mean to be an artist at a time when the art world is becoming increasingly fragmented and disconnected--when the most highly valued art objects are seemingly the most abstruse, visually vexing, and conceptually difficult, or may not be physical objects at all? How does the art of today connect with the art of the past? These questions and more inform and enliven the pages of Art Schooled.

In this fascinating chronicle Larry Witham takes readers inside the history, culture, economics, teaching, technique, and competition of one of the oldest and most prestigious art colleges in the country, the Maryland Institute College of Art in Baltimore. With rare, privileged access to the personal and professional lives of students, faculty, administrators, and visiting artists, he shows us how young artists develop their talent and vision, learn the ins and outs of the art world, and come to proudly define themselves as artists, even as theory and technology conspire to declare that art as we once knew it is utterly changed.

"While critics have long focused on Antonin Artaud as the epitome of the suffering and martyred artist and on the 'liberating' aspects of his work, argues Kimberly Jannarone, the time has come to situate him within a fuller historical, political, and cultural context. Her important and highly readable book asserts that, far from being a symbol of liberation and 'revolt,' Artaud's work has important affinities with repressive and irrational strands of fascist thought." ---Naomi Greene, University of California, Santa Barbara "An extremely provocative, original, and compelling redirection for scholarship on Artaud and for the histories of the avant-garde with which his work is frequently associated." ---James Harding, University of Mary Washington "Artaud and His Doubles shows the extraordinary discoveries that can come from meticulous archival research, sound historiography, and rigorously theoretical criticism. In these pages, Kimberly Jannarone restores to the historical record Artaud's actual practice as a director and actor and roots his thinking about the theater firmly in its cultural and political contexts. Doing so, she overturns long-lived and widespread misperceptions of that legendary avant-gardist. The Artaud that we find in these pages is not the one we're familiar with, not the desperate romantic we've come to know in the writings of Susan Sontag, the radical performances of the Living Theatre, and the poststructuralist meditations of Jacques Derrida and Gilles Deleuze. Indeed, the mythical Artaud of the 1960s counterculture and the theory generation must now give way to the facts of the matter. This is theater history at its very best---this is why theater history matters." ---Mike Sell, Indiana University of Pennsylvania Artaud and His Doubles is a radical re-thinking of one of the most well-known and influential theater artists and theorists of the twentieth century. Placing Artaud's works and rhetoric within the specific context of European political, theatrical, and intellectual history of the early twentieth century, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe. Kimberly Jannarone shows that Artaud's work (particularly his famous 1938 manifesto, The Theater and Its Double) itself reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles brought to light through close historical examination---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas. This book will appeal to scholars of theater, drama, French arts and literature, cultural studies, and intellectual history, as well as to those interested in the history of art and culture of the interwar era. Kimberly Jannarone is Associate Professor in the Department of Theater Arts at the University of California, Santa Cruz. Cover photo © 2010 Man Ray Trust / Artists Rights Society (ARS), NY / ADAGP, Paris. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY.

Violence as a way of life, and murder as a political tool. This philosophy is nothing new to Mexico, most recently demonstrated in the wave of assassination and indiscriminate killing brought on by the drug war gripping the country. In Artful Assassins, author and scholar Fernando Fabio Sánchez unveils the long record of violence inspiring artistic expression in Mexico, focusing on its use and portrayal in film and literature. Sánchez is uniquely positioned to explore this topic, through his work as a novelist and poet in Mexico before entering academia in the United States. Sanchez argues that the seemingly hopeless cycle of violence experienced by Mexico in the 20th century, as reflected in its "crime genre," reveals a broader intrinsic cultural and political failure that suggests grave implications for the current state of crisis. Tracing the development of a national Mexican identity from the 1910 Mexican Revolution onward, Sánchez focuses on the indelible presence of violence and crime underlying the major works that contributed to a larger communal narrative. Artful Assassins ultimately offers a panoramic overview of the evolution of Mexican arts and letters, as well as nationalism, by claiming murder and assassination as literary and cinematic motifs. The collapse of post-revolutionary political unity was presaged all along in Mexican culture, Sanchez argues. It need only to have been sought in the art of the nation.

In the late 1980s, Japan's strong economic performance put it on a the verge of becoming a major player in regional and global affairs. But nearly a decade of economic stagnation, a mounting of bad debts, and a continuing stream of scandals have tarnished the country's distinctive economic model. At the turn of the millennium, the Japanese economy remained mired in a pattern of stagnation. As this disappointing condition dragged on, the government pursued policies to restore economic health. Yet Japan has been slow to embrace the systemic reform on which a robust economic recovery depends. In Arthritic Japan, Edward J. Lincoln examines the causes and implications of this weak response. Concluding that Japan is unlikely to pursue the vigorous reform necessary for economic growth, Lincoln warns of serious consequences: a stumbling economy bedeviled by recession and financial crisis, eroding leadership in economic and security issues, a continued defensive trade posture, and a disgruntled population that could turn a more nationalistic stance in foreign policy.

Arthur Carhart (1892 -1978), America's first champion of wilderness, the first Forest Service landscape architect, and the most popular conservation writer of mid-century America, won none of the titan status of his contemporary Aldo Leopold. A political maverick, he refused to side with any major advocacy group and none has made him its saint. Carhart was a grassroots thinker in a top-down era. Arthur Carhart, the first biography of this Republican environmentalist and major American thinker, writer, and activist, reveals the currency of his ideas. Tom Wolf elucidates Carhart 's vision of conservation as "a job for all of us," with citizens, municipal authorities, and national leaders all responsible for the environmental effects of their decisions. Carhart loved the local and decried interest groups - from stockmens' associations to wilderness lobbies - as cliques attempting blanket control. He pressured land management agencies to base decisions on local ecology and local partnerships. A lifelong wilderness advocate who proposed the first wilderness preserve at Trappers Lake, Colorado, in 1919, Carhart chose to oppose the Wilderness Act, heartsick at its compromises with lobbies. Because he shifted his stance and changed his views in response to new information, Carhart is not an easy subject for a biography. Wolf traces Carhart's twists and turns to show a man whose voice was distinctive and contrary, who spoke from a passionate concern for the land and couldn't be counted on for anything else. Readers of American history and outdoor writing will enjoy this portrait of a historic era in conservation politics and the man who so often eschewed politics in favor of the land and people he loved.

Perspectives on America's greatest living playwright that explore his longstanding commitment to forging a uniquely American theater Arthur Miller's America collects new writing by leading international critics and scholars that considers the dramatic world of icon, activist, and playwright Arthur Miller's theater as it reflects the changing moral equations of his time. Written on the occasion of Miller's 85th year, the original essays and interviews in Arthur Miller's America treat the breadth of Miller's work, including his early political writings for the campus newspaper at the University of Michigan, his famous work with John Huston, Clark Gable and Marilyn Monroe on The Misfits, and his signature plays like Death of a Salesman and All My Sons.

No American playwright is more revered on the international stage than Arthur Miller. In Arthur Miller’s Global Theater—a fascinating collection of new essays by leading international critics and scholars—readers learn how and why audiences around the world have responded to the work of the late theatrical icon. With perspectives from diverse corners of the globe, from Israel to Japan to South Africa, this groundbreaking volume explores the challenges of translating one of the most American of American playwrights and details how disparate nations have adapted meaning in Miller’s most celebrated dramas. An original and engaging collection that will appeal to theater aficionados, scholars, students, and all those interested in Miller and his remarkable oeuvre, Arthur Miller’s Global Theater illustrates how dramas such as Death of a Salesman, The Crucible, and A View from the Bridge developed a vigorous dialogue with new audiences when they crossed linguistic and national borders. In these times when problems of censorship, repressive regimes, and international discord are increasingly in the news, Arthur Miller’s voice has never been more necessary as it continues to be heard and celebrated around the world. Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature at the University of Michigan. His other books include Arthur Miller: A Playwright’s Life and Works and Arthur Miller’s America.

Arthur Penn: American Director is the comprehensive biography of one of the twentieth century’s most influential filmmakers. Thematic chapters lucidly convey the story of Penn’s life and career, as well as pertinent events in the history of American film, theater, and television. In the process of tracing the full spectrum of his career, Arthur Penn reveals the enormous scope of Penn’s talent and his profound impact on the entertainment industry in an accessible, engaging account of the well-known director’s life. Born in 1922 to a family of Philadelphia immigrants, the young Penn was bright but aimless—especially compared to his talented older brother Irving, who would later become a world-renowned photographer. Penn drifted into directing, but he soon mastered the craft in three mediums: television, Broadway, and motion pictures. By the time he made Bonnie and Clyde (1967), Penn was already a Tony-winning Broadway director and one of the prodigies of the golden age of television. His innovative handling of the story of two Depression-era outlaws not only challenged Hollywood’s strict censorship code, it shook the foundation of studio system itself and ushered in the film revolution. His next films—Alice’s Restaurant (1969), Little Big Man (1970), and Night Moves (1975)—became instant classics, summoning emotions from shock to sensuality and from confusion to horror, all of which reflected the complexity of the man behind the camera. The personal and creative odyssey captured in these pages includes memorable adventures in World War II; the chaotic days of live television; the emergence of Method acting in Hollywood; and experiences with Marlon Brando, Anne Bancroft, Warren Beatty, William Gibson, Lillian Hellman, and a host of other show business legends.

Arthur Symons (1865-1945) produced some 60 volumes and pamphlets of poetry and prose, edited and introduced many more volumes, and wrote 1300 articles and reviews. This vast productivity is fully accounted for in Arthur Symons: A Bibliography.

Arthur Symons’s (1865–1945) prominence at the end of the nineteenth century and subsequent influence on early-twentieth-century literature is well established. His biographer Karl Beckson aptly calls him “a major figure who helped stimulate the Modernist initiative.” The breadth of his artistic interests and critical commentary remains extraordinary. In addition to writing short stories, poems, plays, travel sketches, and translations, Symons was a prolific critic and editor who wrote about literature and what he termed “the seven arts.” Yeats famously offered him the laurel “best critic of his generation.” Symons championed freedom of subject matter and literary style and thus influenced the work of Yeats, Eliot, Pound, Joyce, and others, particularly in introducing them to the evocative work of French symbolist writers. Arthur Symons, Critic Among Critics: An Annotated Bibliography documents the scholarly attention Symons continues to receive not only for his critical influence, but for his own creative work. This annotated bibliography captures over 1300 articles, books, reviews, dissertations, and other writings about Symons, revising and updating Carol Simpson Stern’s 1974 bibliography published in English Literature in Transition, 1880–1920. Over 1000 new items appear, some of these from unsigned articles now identified as written by authors such as Virginia Woolf and John Middleton Murry. The book, arranged alphabetically by author with annotations in paraphrase style, includes a helpful index and provides a chronological list of works published from the1880s to early 2007 that will prove useful in tracing the evolution of criticism about Symons

Hartmann von Aue (c. 1170-1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English. Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which he modeled after Chrétien de Troyes, introduced the Arthurian world to German audiences and set the standard for later German writers. His lyric poetry treats many aspects of courtly love, including fine examples of the crusading song. His dialogue on love delineates the theory of courtly relationships between the sexes and the quandary the lover experiences. His verse novellas Gregorius and Poor Heinrich transcend the world of mere human dimensions and examine the place and duties of the human in the divine scheme of things. Longfellow would later use Poor Heinrich in his Golden Legend. Arthurian Romances, Tales, and Lyric Poetry is a major work destined to place Hartmann at the center of medieval courtly literature for English readers.

Arthuriana is the widely respected quarterly for the International Arthurian Society - North American Branch. This peer-reviewed journal considers all aspects of the Arthurian and chivalric cultures from the Middle Ages to the current moment. Poised on the cutting edge of cultural studies, Arthuriana consistently publishes work by the most respected and innovative scholars in the field. Arthuriana publishes book reviews and brief notices on a wide range of medieval and Arthurian subjects. Regular notices of the activities of the International Arthurian Society appear in this journal.

By reexamining the very foundations of everyday acting and thinking and stepping into the open expanse of a possible transition to a postmodern era, this book presents a radical phenomenological approach to the study of contemporary social movements. It offers a theory of acting that refuses to surrender to norms and legislations and thus always intimates a mode of thinking that challenges various manifestations of ultimacy. Vahabzadeh invites us to radically rethink many basic principles that inform our lives, such as the democratic discourse, the concept of rights, liberal democratic regimes, time and epochs, oppression, acting, and the practice of sociology, in an effort to instate a reworked concept of experience in theories about social movements.

In Artifacts of Loss, Jane E. Dusselier looks at the lives of Japanese American internees through the lens of their art.Dusselier urges her readers to consider these often overlooked folk crafts as meaningful political statements which are significant as material forms of protest and as representations of loss.

Part ethnography and part historical study, The Artificial Ear is based on interviews with researchers who were pivotal in the early development and implementation of the new technology necessary for cochlear implants. Through an analysis of the scientific and clinical literature, Stuart Blume reconstructs the history of artificial hearing from its conceptual origins in the 1930s, to the first attempt at cochlear implantation in Paris in the 1950s, and to the widespread clinical application of the "bionic ear" since the 1980s.

During the past few decades, high-profile cases like that of Terry Schiavo have fueled the public debate over forgoing or withdrawing artificial nutrition and hydration from patients in a persistent vegetative state (PVS). These cases, whether involving a

From the wooden teeth of George Washington to the Bly prosthesis, popular in the 1860s and boasting easy uniform motions of the limb, to today's lifelike approximations, prosthetic devices reveal the extent to which the evolution and design of technologies of the body are intertwined with both the practical and subjective needs of human beings.

The peculiar history of prosthetic devices sheds light on the relationship between technological change and the civilizing process of modernity, and analyzes the concrete materials of prosthetics which carry with them ideologies of body, ideals, body politics, and culture.

Simultaneously critiquing, historicizing, and theorizing prosthetics, Artificial Parts, Practical Lives lays out a balanced and complex picture of its subject, neither vilifying nor celebrating the merger of flesh and machine.

Little has been written about the economic history of Egypt prior to its incorporation into the European capitalist economy. While historians have mined archives and court documents to create a picture of the commercial activities, networks, and infrastructure of merchants during this time, few have documented a similar picture of the artisans and craftspeople. Artisans outnumbered merchants, and their economic weight was considerable, yet details about their lives, the way they carried out their work, and their role or position in the economy are largely unknown. Hanna seeks to redress this gap with Artisan Entrepreneurs in Cairo and Early Modern Capitalism (1600–1800) by locating and exploring the role of artisans in the historical process. Offering richly detailed portraits as well as an overview of the Ottoman Empire’s economic landscape, Hanna incorporates artisans into the historical development of the period, portraying them in the context of their work, their families, and their social relations. These artisans developed a variety of capitalist practices, both as individuals and collectively in their guilds. Responding to the demands of expanding commercial environments in Egypt and Europe, artisans found ways to adapt both production techniques and the organization of production. Hanna details the ways in which artisans defied the constraints of the guilds and actively engaged in the markets of Europe, demonstrating how Egyptian artisan production was able to compete and survive in a landscape of growing European trade.

This book provides the historical background for a central issue in the history of science: the influence of artisans, craftsmen, and other practitioners on the emergent empirical methodologies that characterized the “new sciences” of the late sixteenth and seventeenth centuries. Long offers a coherent account and critical revision of the “Zilsel thesis,” an influential etiological narrative which argues that such craftsmen were instrumental in bringing about the “Scientific Revolution.”

Artisan/Practitioners reassesses the issue of artisanal influence from three different perspectives: the perceived relationships between art and nature; the Vitruvian architectural tradition with its appreciation of both theory and practice; and the development of “trading zones”—arenas in which artisans and learned men communicated in substantive ways. These complex social and intellectual developments, the book argues, underlay the development of the empirical sciences.

This volume provides new discussion and synthesis of a theory that encompasses broad developments in European history and study of the natural world. It will be a valuable resource for college-level teaching, and for scholars and others interested in the history of science, late medieval and early modern European history, and the Scientific Revolution.

During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture.

Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism.

Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.

Sixty years ago, at the height of World War II, an extraordinary series of gatherings took place at Mount Holyoke College in western Massachusetts. During the summers of 1942–1944, leading Europeanfigures in the arts and sciences met at the college with their American counterparts for urgent conversations about the future of human civilization in a precarious world. Two Sorbonne professors, the distinguished medievalist Gustave Cohen and the existentialist philosopher Jean Wahl, organized these “Pontigny” sessions, named after an abbey in Burgundy where similar symposia had been held in the decades before the war. Among the participants—many of whom were Jewish or had Jewish backgrounds—were the philosophers Hannah Arendt and Rachel Bespaloff, the poets Marianne Moore and Wallace Stevens, the anthropologist Claude Lévi-Strauss and the linguist Roman Jakobson, and the painters Marc Chagall and Robert Motherwell. In this collection of original essays, Stanley Cavell and Jacques Derrida lead an international group of scholars—including Jed Perl, Mary Ann Caws, Jeffrey Mehlman, and Elisabeth Young-Bruehl—in assessing the lasting impact and contemporary significance of Pontigny-en- Amérique. Rachel Bespaloff, a tragicfigure who wrote a major work on the Iliad, is restored to her rightful place beside Arendt and Simone Weil. Anyone interested in the “intellectual resistance” of Francophone intellectuals and artists, and the inspiring support from such Americanfigures as Stevens and Moore, will want to read this pioneering work of scholarship and historical re-creation.

Confiance, estime et maîtrise de soi: voilà ce que peuvent inculquer les arts martiaux et les sports de combat lorsqu’enseignés dans une perspective psychosociale plutôt que purement technique. Quand la parole s’avère difficile, le corps devient un médiateur crucial pour extérioriser ses émotions et réactiver sa capacité à l’introspection. Sa mise en action canalise l’agressivité dans une voie positive pour faire la paix en soi et autour de soi.Promouvant les arts martiaux et les sports de combat à des fins éducatives, thérapeutiques ou préventives, ce livre contient des récits de pratique témoignant de leur utilisation dans différents milieux (dojo, école, internat, hôpital et centre communautaire) et auprès de diverses populations sans difficulté ou avec difficulté aux plans psychique et relationnel. Les professionnels des sciences humaines, de l’éducation et de la santé y trouveront des moyens de prolonger ou d’amorcer leurs plans d’intervention pour favoriser le mieux-être des personnes. Les enseignants de disciplines martiales y verront des expériences novatrices pour stimuler leurs pratiques. Les parents et les pratiquants y puiseront des informations qui les aideront à choisir une école qui favorise le développement personnel et social.

Arts of Living presents a social history of the humanities and a proposal for the future that places creativity at the heart of higher education. Engaging with the debate launched by Allan Bloom, Harold Bloom, Bill Readings, John Guillory, and others, Kurt Spellmeyer argues that higher education needs to abandon the “culture wars” if it hopes to address the major crises of the century: globalization, the degradation of the environment, the widening chasm between rich and poor, and the clash of cultures.

During the last third of the twentieth century, white supremacists moved, both literally and in the collective imagination, from midnight rides through Mississippi to broadband-wired cabins in Montana. But while rural Montana may be on the geographical fringe of the country, white supremacist groups were not pushed there, and they are far from “fringe elements” of society, as many Americans would like to believe. Evelyn Schlatter’s startling analysis describes how many of the new white supremacist groups in the West have co-opted the region’s mythology and environment based on longstanding beliefs about American character and Manifest Destiny to shape an organic, home-grown movement. Dissatisfied with the urbanized, culturally progressive coasts, disenfranchised by affirmative action and immigration, white supremacists have found new hope in the old ideal of the West as a land of opportunity waiting to be settled by self-reliant traditional families. Some even envision the region as a potential white homeland. Groups such as Aryan Nations, The Order, and Posse Comitatus use controversial issues such as affirmative action, anti-Semitism, immigration, and religion to create sympathy for their extremist views among mainstream whites—while offering a “solution” in the popular conception of the West as a place of freedom, opportunity, and escape from modern society. Aryan Cowboys exposes the exclusionist message of this “American” ideal, while documenting its dangerous appeal.

In Aryans, Jews, Brahmins, Dorothy M. Figueira provides a fascinating account of the construction of the Aryan myth and its uses in both India and Europe from the Enlightenment to the twentieth century. The myth concerns a race that inhabits a utopian past and gives rise first to Brahmin Indian culture and then to European culture. In India, notions of the Aryan were used to develop a national identity under colonialism, one that allowed Indian elites to identify with their British rulers. It also allowed non-elites to set up a counter identity critical of their position in the caste system. In Europe, the Aryan myth provided certain thinkers with an origin story that could compete with the Biblical one and could be used to diminish the importance of the West’s Jewish heritage. European racial hygienists made much of the myth of a pure Aryan race, and the Nazis later looked at India as a cautionary tale of what could happen if a nation did not remain “pure.” As Figueira demonstrates, the history of the Aryan myth is also a history of reading, interpretation, and imaginative construction. Initially, the ideology of the Aryan was imposed upon absent or false texts. Over time, it involved strategies of constructing, evoking, or distorting the canon. Each construction of racial identity was concerned with key issues of reading: canonicity, textual accessibility, interpretive strategies of reading, and ideal readers. The book’s cross-cultural investigation demonstrates how identities can be and are created from texts and illuminates an engrossing, often disturbing history that arose from these creations.

Rundown, vermin-infested buildings. rigid, slow-to-react bureaucratic systems. Children from broken homes and declining communities. How can a teacher succeed? How does a student not only survive but also come to thrive? It can happen, and As Bad as They Say? tells the heroic stories of Janet Mayer's students during her 33-year tenure as a Bronx high school teacher.In 1995, Janet Mayer's students began a pen-pal exchange with South African teenagers who, under apartheid, had been denied an education; almost uniformly, the South Africans asked, Is the Bronx as bad as they say? This dedicated teacher promised those students and all future ones that she would write a book to help change the stereotypical image of Bronx students and show that, in spite of overwhelming obstacles, they are outstanding young people, capable of the highest achievements.She walks the reader through the decrepit school building, describing in graphic detail the deplorable physical conditions that students and faculty navigate daily. Then, in eight chapters we meet eight amazing young people, a small sample of the more than 14,000 students the writer has felt honored to teach.She describes her own Bronx roots and the powerful influences that made her such a determined teacher. Finally, the veteran teacher sounds the alarm to stop the corruption and degradation of public education in the guise of what are euphemistically labeled reforms (No Child Left Behind and Race to the Top). She also expresses optimism that public education and our democracy can still be saved, urgently calling on all to become involved and help save our schools.

A.S. Byatt’s novel Possession: A Romance attracted international acclaim in 1990, winning both the Booker Prize and the Irish Times/Aer Lingus International Fiction Prize. In her long and eminent career, Byatt has steadily published both fiction and non-fiction, the latest of which has not, until now, been given full critical consideration.

Enter Jane Campbell’s new book, A.S. Byatt and the Heliotropic Imagination, a comprehensive critical reading of Byatt’s fiction from The Shadow of the Sun and The Game, published in the 1960s, to A Whistling Woman (2002).

The book begins with an overview of Byatt’s writing and, drawing on her interviews and essays, sets forth the critical principles that inform the novelist’s work. Following this introduction, a chronologically structured account of the novels and short stories traces Byatt’s literary development.

As well as exploring the ways in which Byatt has successfully negotiated a path between twentieth-century realism and postmodern experiment, Campbell employs a critical perspective appropriate to the author’s individualistic feminist stance, stressing the breadth of Byatt’s intellectual concerns and her insistence on placing her female characters in a living, changing context of ideas and experience, especially in their search for creative voice.

"From his childhood in the 'Jewish heart' of Brooklyn to his memorable production of Endgame in the 1960s, Herbert Blau's autobiography provides not only more of Blau's penetrating insights into dramatists like Beckett and into the complex cross-currents of the American experimental theatre of this turbulent period. It is also a rich, deeply felt and powerfully expressed chronicle of cultural change that goes far beyond specific theatrical productions to offer a valuable personal view of the years that did so much to shape the contemporary world, expressed by one of the theatre community's most original and articulate thinkers." ---Marvin Carlson, The Graduate Center, The City University of New York "Herb Blau's memoir---of his life, but also of an era---captures what has always been important about his work. 'Blooded thought,' he taught us to call it---the embodied process of 'finding yourself divided, in the embrace of what's remembered.' His vivid account of childhood in a particular kind of American neighbourhood is complemented by reflection on his years in San Francisco when the theatre and the Cold War unfolded as mutual antagonists in his personal drama. Acute, insightful, and sometimes painful, it is also an intellectual page-turner." ---Janelle Reinelt, University of Warwick "I read As If from cover to cover, engaged and powerfully moved by a familiar brilliance . . . Blau holds an utterly unique place in twentieth-century American theater, in American culture, and in theater theory and practice." ---Elin Diamond, Rutgers University "Few theater practitioners have had comparable influence in American theater; few have endured such intoxicating highs and dispiriting lows; none, arguably, has reflected so deeply and sharply about so wide a spectrum of first-hand practical experience." ---Linda Gregerson, University of Michigan "Masterful . . . a brilliant and touching book written with honesty and humility . . . In addition, it serves as an admirable introduction to Blau's theories, providing a context for his complex and sometimes difficult ideas." ---John Lutterbie, Stony Brook University As If: An Autobiography traces the complex life and career of director, scholar, and theorist Herbert Blau, one of the most innovative voices in the American theater. From his earliest years on the streets of Brooklyn, with gang wars there, to the often embattled, now-legendary Actor's Workshop of San Francisco, the powerfully told story of Blau's first four decades is also a social history, moving from the Great Depression to the cold war, with fallout from "the balance of terror" on what he once described in an incendiary manifesto as The Impossible Theater. Blau has always forged his own path, from his activist resistance to the McCarthy witch hunts to his emergence as a revolutionary director whose work included the controversial years at The Workshop, which introduced American audiences to major playwrights of the European avant-garde, including Brecht, Beckett, Genet, and Pinter. There is also an account here of that notorious production of Waiting for Godot at the maximum-security prison at San Quentin, which became the insignia of the Theater of the Absurd. Blau went on from The Workshop to become codirector of the Repertory Theater of Lincoln Center, and then founding provost of California Institute of the Arts, where he developed and became artistic director of the experimental group KRAKEN. Currently Byron W. and Alice L. Lockwood Professor of the Humanities at the University of Washington, Blau has been visionary in the passage from theater to theory, and his many influential and award-winning books include The Dubious Spectacle: Extremities of Theater, 1976–2000; Sails of the Herring Fleet: Essays on Beckett; Nothing in Itself: Complexions of Fashion; To All Appearances: Ideology and Performance; The Audience; The Eye of Prey: Subversions of the Postmodern; and Take Up the Bodies: Theater at the Vanishing Point. This richly evocative book includes never-before-published photographs of the author, his family and friends, collaborators in the theater, and theater productions.

A dark, rollicking collection of stories about men prone to foolishness trying to make their way in a modern world.

Drawing from the fields of ethnographic and sociological studies, cultural activism, public health and film studies, this volume poses new and exciting challenges to queer studies and demonstrates the study of Chinese sexuality as an emergent field currently emanating from multiple disciplines. The essays here showcase the work of emerging and established scholars working mostly outside Euro-America and focus on cities including Hong Kong, Shanghai and Beijing. This book is one of the first sustained collections on Chinese non-normative sexual subjectivities and contemporary sexual politics published in English. It highlights the various ways in which different individuals and communities––including male sex workers, transsexual subjects, lesbians and Indonesian migrants––negotiate with notions of normativity and modernity, fine-tuned according to the different power structures of each context, and making new and different meanings.

Ascending Order is the work of a poet in midcareer who has thought hard about the circumstances of his past and present, and found an attitude, part concerned and part amused, that serves him well in both his life and his art. The poems in William Greenway’s new book range widely, from memories of childhood and family through meditations on works of art, from humourous topics such as the cars in Hell’s garage or a dead celebrity golf tournament to deep-felt contemplations of cultures American and otherwise or the ailments of middle age and the shadows of mortality. But whether the subjects are serious or playful, the rich vision and inventive language displayed in these poems are Greenway’s alone.

In his Ascetics, Authority, and the Church in the Age of Jerome and Cassian, published in 1978, Philip Rousseau presented a survey of asceticism in the western church until about 400, including a selective study of Jerome, and then, moving into the fifth century, a reading of Sulpicius and Cassian. Rousseau explored such societal changes as the eventual triumph of the cenobitic movement and its growing effect within the church, not least on the episcopate. He focused primarily on the development among ascetics of a certain concept of spiritual authority; on the attraction of that concept for a wider audience; and on its enduring formulation within a literary tradition of great influence. For this second edition, Rousseau has supplied a new introduction with extensive bibliographical references in which he charts the ways in which scholarship on early Christian asceticism has developed since his compelling and influential original argument.

Since its founding in 1967, the Association of Southeast Asian Nations has been an increasingly large part of the life of Southeast Asia, although most people in the region know very little about it. ASEAN has helped bring peace and stability to the region. It has successfully engaged the world’s major powers, in East Asia and beyond. ASEAN has taken steps to integrate the regional economy as an important means of cooperatively improving the region’s competitiveness, attracting investments, generating jobs, raising incomes, and lowering costs and prices. ASEAN has also formed networks for dealing with regional problems like communicable diseases, environmental degradation, and transnational crime. An essential part of the Southeast Asia Background Series, this book seeks to shed some light on what ASEAN is all about.

This study argues that the extensive use of Information and Communications Technology (ICT) by the Association of Southeast Asian Nations (ASEAN) would:((1) enhance policy coordination within the intergovernmental organization; (2) promote inclusive regionalism by providing new avenues for broaderstakeholder participation in regional affairs; (3) help develop a stronger regional identity, particularly among the young; and (4) improve "network management" or coordination of the collaborativeactivities of the member states.But this study is not merely about making ASEAN more effective. Bylooking at how ICT - with its ability to overcome distance and time -could be a tool for enabling effective non-state actors in regional rulemaking, it also contributes to the literature on Global eGovernance.

As the regional financial and economic crisis has bottomed out and the ASEAN countries are on the recovery path, this volume seeks to carry out a post-mortem on the crisis to evaluate the sustainability of the recovery and the long-term direction of the ASEAN economies. It also examines the challenges and competitiveness of these economies which have become significant issues in the post-recovery process. Since it is not sufficient to address the economic and financial aspects, the volume also looks at the human and social dimensions, such as food security, poverty, and cross-border pollution. Furthermore, in the wake of the regional crisis, ASEAN has been criticized as being ineffective. This has prompted a re-examination of the relevance of the regional grouping in its present form, evaluating ASEAN's performance, challenges and opportunities and assessing whether there is a need for change.

The Institute of Southeast Asian Studies launched the ASEAN Economic Bulletin in July 1984. Since then, its increasing circulation has demonstrated its value as a forum for exploring aspects of economic and political interaction and co-operation among ASEAN countries, as well as ASEAN's relations with its major trade partners in the world. The Bulletin publishes articles, short papers, and reviews on the economics and political economy of ASEAN and its member countries. It also provides documentation on ASEAN economic development and co-operation, and on research activities relating to the Asia-Pacific region. The Bulletin is published three times a year, in April, August, and December

This book is written in an easily understood style. It explains the background of the orgin of ASEAN (Association of Southeast Asian Nations) of which there are 10 member-countries. The author looks at the progress made, as well as the problems that the association faces.

During the past decade, ASEAN has shifted its focus from political and military security to economic co-operation and development. Although this change may ease the integration of the four mainland Southeast Asian nations -- Vietnam, Laos, Myanmar, and Cambodia – into ASEAN, there remain significant challenges to forge a workable and united ten-member ASEAN. This book examines many of the economic, political, and institutional issues confronting the enlarged regional grouping. The volume is organized into three sections based on the perspectives of the region, subregion, and the newer members. It not only addresses ASEAN's enlargement but also contributes to the debate on ASEAN's shifting role in the twenty-first century. 

The ASEAN Regional Forum (ARF) is the only Asia-Pacific-wide forum for consultations and dialogue on political and security issues. Although many articles and books have been published on the ARF, this is one of the few books that treat the forum comprehensively and from the standpoint of the region itself. It traces the ARF's origins, the efforts to move it from confidence building to "preventive diplomacy", and the forces that hold them back, analysing the strategic environment that both constrains the ARF and makes it essential. The book discusses the question of participation, describes the numerous cooperative activities that the participants undertake, and deals with the issue of institutionalization. Finally, it assesses the ARF as a forum and a process on its own terms. The book is written by the former ASEAN Secretary-General and former senior official who was involved in the ARF's early years.

This book, a project of the ASEAN-China Study Programme of ISEAS, is designed to deal with the rapidly expanding economic relations between ASEAN and China in recent years. The fifteen chapters discuss in considerable detail these relations in terms of many important topics such as trade, the ASEAN-China Free Trade Agreement (ACFTA), investments, services trade, energy cooperation, cooperation in developing the Mekong Sub-region, China’s aid to Southeast Asian countries, developing stronger business networks, and the political dimensions of China’s economic relations with ASEAN. The economic challenges, competition, and opportunities in the various sectors of the two economies are examined in the context of the dynamic development of China, and the inevitable globalization taking place nowadays. The book, with contributions from experts in the various topics covered, will be invaluable to businessmen, analysts, academics, students, and policy-makers.

The past decade has witnessed rapid development in ASEAN-China relations. Both sides now have more in common than before, though differences still exist. ASEAN and China have established a promising strategic partnership ensuring peace, stability, co-operation as well as prosperity for the region. New challenges will, however, continue to emerge to test the resolve of the partnership. This book examines some of the areas of convergence and divergence and the possible trajectories of the development of ASEAN-China relations.

India's emergence of a great power has sensitized its regional neighbours to its growing role as a key security actor in an increasingly interdependent world. Both Australia and ASEAN now view India as a major player in the formulation and application of their own broad security agendas. This emerging trilateral compendium is particularly evident in such policy areas as maritime security, climate change, energy security, law enforcement, "good governance" and the politics of security institutions or "architectures". This book represents one of the first systematic efforts to consolidate these diverse but important concerns into an overarching framework for ascertaining and cross-comparing how these three entities are approaching these policy challenges, individually and collectively. It argues that the dynamics underlying their intensifying security relations are sufficiently important to conceptualize them as a distinct analytical framework that needs to be understood in the larger context of Asia-Pacific security politics.

This book examines the growing interdependence between ASEAN and Korea and the political and economic realities governing the relationship. Leading experts from ASEAN and Korea discuss the emerging issues in areas of domestic and regional security environments, non-traditional security, regional trade arrangements, Korean relations with the new ASEAN member states, and the prospects of community-building with special reference to the roles of Korea and ASEAN. It also provides a serious and thought-provoking evaluation of future ASEAN-Korea relations in light of the growing trend towards East Asian regionalism.

In 2012, Russia assumes the Chairmanship of APEC, and is keen to build on its memberships of both the East Asia Summit (EAS) and the Asia-Europe Meeting (ASEM). Russia is geographically and historically part of Asia and the Asia Pacific, and has been a dialogue partner of ASEAN since 1996. Still, the obstacles of distance and languages have led ASEAN member states and Russia to know and interact little between both sides. As growth poles in the world economy, there is much benefit in greater interaction between their rich economies. To commemorate the 15th Anniversary of the Russia-ASEAN dialogue partnership in 2011, the ASEAN Studies Centre at ISEAS and its counterpart from MGIMO-University, Moscow co-organized a two-day conference that year, in which papers were presented offering perspectives from Russia and the ten ASEAN member states. Representatives from academia, and the public and private sectors offered insights on topics including geopolitics, bilateral relations, business and economics, and culture and education. This is a timely book that affords the reader insights into where ASEAN-Russia relations currently stand and suggests how they can improve and move forward.

With the rise of India and China, the rest of Asia is feeling the great impact of socio-economic changes and challenges created by these twin engines of progress and cooperation. The question on the minds of regional analysts is: Where is Russia in the midst of these vast changes? What is its role? How and why is a great power like Russia adopting such a low profile in the region? In what ways can ASEAN engage Russia?Currently, Russia's interaction with ASEAN is limited to dialogue between both parties; trade between both sides is categorized by Russian arms sales and ASEAN raw materials. This book sets out to help explain these anomalies and puzzles, by examining the state of relations between Russia and selected individual ASEAN countries. Several interesting ideas are offered, such as a proposal for a Russia-ASEAN FTA; building tourism/business bridges through budget airlines; and proposals to strengthen and energize the ASEAN-Russia dialogue.

In line with recent reviews of policy by Aung San Suu Kyi and the U.S. Government, ASEAN's Myanmar Crisis: Challenges to the Pursuit of a Security Community provides a clear and innovative analysis of why it is necessary to reassess regional and international approaches to Myanmar. For the first time, this book also reveals the full extent to which Myanmar has challenged the solidarity and development of ASEAN itself. This is a must read for anyone interested in either Myanmar or the future of Southeast Asia. - -Maung Zarni, Research Fellow on Burma at the LSE Centre for Global Governance, London School of Economics and Political Science; Founder, Free Burma Coalition

This book entitled ASEAN-U.S. Relations: What Are the Talking Points? is a result of a workshop organized by the ASEAN Studies Centre of the Institute of Southeast Asian Studies. The workshop was timely then, as the two sides, all of ASEAN, and the United States held their first-ever summit in Singapore in November 2009, heralding a new era of renewed engagement. The United States is very important for ASEAN, as a guarantor of regional stability and a vast market for ASEAN products. At the s... This book entitled ASEAN-U.S. Relations: What Are the Talking Points? is a result of a workshop organized by the ASEAN Studies Centre of the Institute of Southeast Asian Studies. The workshop was timely then, as the two sides, all of ASEAN, and the United States held their first-ever summit in Singapore in November 2009, heralding a new era of renewed engagement. The United States is very important for ASEAN, as a guarantor of regional stability and a vast market for ASEAN products. At the same time, ASEAN has gained more public attention from the United States, particularly since the advent of the Obama administration. This publication will serve as a reminder that ASEAN and the United States have shared many benefits as well as concerns for many years. Their continued engagement will undoubtedly ensure regional peace and order. I highly recommend this book to those who are interested in ASEAN’s external relations." -- Professor Charnvit Kasetsiri, Former Rector of Thammasat University and Visiting Professorial Fellow, ISEAS"Much has been made in the last few years of Washington's 're-engagement' with ASEAN, warmer ties with several Southeast Asian states, and the review of U.S. policy towards Myanmar. What explains this change and where are U.S.-ASEAN ties headed in the future? This timely collection of short essays and speeches by eleven leading academics and senior officials provides valuable background to what it calls a 'new era' in U.S. policy and thoughtfully explores where future challenges and opportunities might lie. The chapters are practically focused and forward looking, offering critical perspectives as well as policy recommendations. Covering security issues, aid, Myanmar, the South China Sea, and the evolving U.S. role in regional institutions, ASEAN-U.S. Relations: What Are the Talking Points? will be essential reading for anyone wanting to understand the changing dynamics of American policy in Southeast Asia." -- Dr David Capie, Senior Lecturer in International Relations, Victoria University of Wellington, New Zealand

The concept of an "honest Tammany man" sounds like an oxymoron, but it became a reality in the curious career of Ashbel P. Fitch, who served New York City as a four-term congressman and a one-term city comptroller during the late nineteenth century. Although little known today, Fitch was well respected in his own day and played a pivotal role on both national and local stages. In the U.S. Congress, Fitch was a passionate advocate of New York City. His support of tariff reform and his efforts to have New York City chosen as the site for an 1892 World Exposition reflected his deep interest in issues of industrialization and urbanization. An ardent defender of immigrant rights, Fitch opposed the xenophobia of the times and championed cosmopolitan diversity. As New York’s comptroller, he oversaw the city’s finances during a time of terrible economic distress, withstanding threats from Tammany Hall on one side and from Mayor William L. Strong’s misguided reform administration on the other. In Ashbel P. Fitch, Remington succeeds in illuminating the independence and integrity of this unsung hero against the backdrop of the Gilded Age’s corrupt politics and fierce party loyalty.

Daniel Hughes's final volume of poetry, written during his years of struggle with multiple sclerosis, displays his characteristic wit, intelligence, and imagination. While the poems in Ashes & Stars deal with themes such as love and mortality, the conflict between imagination and actuality, and the pleasures of the world around us, they are never somber or overly serious. Even the shortest ones have a wry comic sense. Additionally, Hughes's poems demonstrate a remarkably economical and precise use of language, without a wasted word in the entire collection. Although the concentrated emotion of the poems may remind readers of Emily Dickinson and Robert Lowell, Hughes's poetic forms-quatrains, tercets, irregular sonnets, irregular rhymes-also illustrate the deep influence of the English Romantics, whom he championed throughout his academic career. In addition, many poems draw inspiration from numerous individuals and works of art from the Italian Renaissance, as they weave abstract themes from Western culture with the sensual data of the poet's experience. Despite these deep historical and literary roots, the conversational tone of Ashes & Stars ensures that it is never dry or academic. The poems speak to the reader as to an intimate, giving a sense of transmitting hard-earned experience and knowledge. All readers will appreciate the passionate energy and worldly air of these unique and exactingly honest final poems.

The memory of the American Civil War took many forms over the decades after the conflict ended: personal, social, religious, and political. It was also remembered and commemorated by poets and fiction writers who understood that the war had bequeathed both historical and symbolic meanings to American culture. Although the defeated Confederacy became best known for producing a literature of nostalgia and an ideological defensiveness intended to protect the South’s own version of history, authors loyal to the Union also confronted the question of what the memory of the war signified, and how to shape the literary response to that individual and collective experience. In Ashes of the Mind, Martin Griffin examines the work of five Northerners—three poets and two fiction writers—who over a period of four decades tried to understand and articulate the landscape of memory in postwar America, and in particular in that part of the nation that could, with most justification, claim the victory of its beliefs and values. The book begins with an examination of the rhetorical grandeur of James Russell Lowell’s Harvard Commemoration Ode, ranges across Herman Melville’s ironic war poetry, Henry James’s novel of North-South reconciliation, The Bostonians, and Ambrose Bierce’s short stories, and ends with the bitter meditation on race and nation presented by Paul Laurence Dunbar’s elegy “Robert Gould Shaw.” Together these texts reveal how a group of representative Northern writers were haunted in different ways by the memory of the conflict and its fraught legacy. Griffin traces a concern with individual and community loss, ambivalence toward victory, and a changing politics of commemoration in the writings of Lowell, Melville, James, Bierce, and Dunbar. What links these very different authors is a Northern memory of the war that became more complex and more compromised as the century went on, often replacing a sense of justification and achievement with a perception of irony and failed promise.

An account of the life of the Ashkenazi Jews in Mexico in this century highlights the intersection of cultural and political international problems, shedding light on the contemporary condition of minorities the world over. In a century full of social dreams and abhorrent calamities, the survival of a small cultural ethnic group is no small story. Ashkenazi and Sephardic Jews arrived in Mexico in the early years of this century. The vast majority of these 40,000 Jews live in Mexico City and have done so for most of the eighty years of this communal experiment. Arriving with few resources, the Ashkenazi created a network of organizations to sustain their cultural survival in a country that had its own complex cultural context. This community chose its own survival path; while successful in confronting some issues, it faced problems of identity and social cohesion that mirror contemporary dilemmas everywhere. The author examines the particular exchanges that took place between minority and majority, and reflects on the challenges for multicultural living shaped by pluralism, democracy, and socio-political tolerance.

In this collaboration between the Brookings Institution and the Asian Development Bank Institute, eminent international economists examine the increased influence of Asian nations in the governance of global economic affairs, from the changing role of the G-20 to the reform of multilateral organizations such as the International Monetary Fund.

Established in the aftermath of the Asian financial crisis at the ministerial level, the G-20 has served as a high-level platform for discussing economic analyses and policy responses since 1999. During the current global financial crisis, however, the G-20's role moved toward that of a global crisis management committee at the leadership level. The challenge now for the G-20 is to succeed in fostering ongoing and increasing cooperation among its members while being supportive of, rather than trying to replace, more universal institutions.

After analyzing the dynamics of growth in Asia comparatively and historically, the volume appraises the scope for policy coordination among key economies. The contributors analyze financial stability in emerging Asia and then assess the implications of Asia's increasing role within the newly emerging system of global economic governance, focusing especially on reform of the international monetary structure.

Contributors: Dony Alex (ICRIER, New Delhi), Kemal Dervis¸ (Brookings), Hasan Ersel (Sabanci University), Karim Foda (Brookings), Yiping Huang (Peking University), Masahiro Kawai (ADBI), Rajiv Kumar (FICCI, New Delhi), Domenico Lombardi (Oxford University and Brookings), José Antonio Ocampo (Columbia University), Jim O'Neill (Goldman Sachs)

The book presents a unique combination of the study of contemporary and historical practices between Asia and Europe and brings forth some of the latest thinking on the subject. Recent debates have centered primarily on contemporary aspects of the Europe-Asia partnership in terms of international relations and economic linkages. The present volume complements this political and economic interest in Europe-Asia relationship by focusing on the academic, social and cultural connections between the two regions. The contributions in this volume have a contemporary focus but contextualize the themes within a historical perspective. They deal with academic discourses on the region, on modernity and entrepreneurship; they discuss the long-term exchange of knowledge in specific scientific fields; and they focus on the cultural interconnections in the area of film, literature and migration. The originality of this book lies in its interdisciplinary approach to the question of Asia-Europe and in its emphasis on the multifaceted complexity of the relationship between these two regions. It brings together the diversity of local histories, ideas, and agencies in both Europe and Asia into a universal project of knowledge formation in order to reveal their contribution to the making of the world we are in. Contributors: Syed Farid Alatas, Gregory Clancey, John Kleinen, Van Nguyen-Marshall, Henk Schulte Nordholt, Paravin J. Patel, Maurizio Peleggi, Satish Saberwal, Vineeta Sinha

Asia Policy is a peer-reviewed scholarly journal presenting policy-relevant academic research on the Asia-Pacific that draws clear and concise conclusions useful to today’s policymakers.

In addition to roundtables, policy Q&As, and reviews, Asia Policy publishes three types of essays: (1) social scientific research articles that use social science theories, concepts, and approaches and draw clear and concise policy implications on issues of import to the region, (2) research notes that present new, important, and exploratory conceptual frameworks or descriptive information of use to policymakers, especially on topics that have traditionally been underrepresented in the literature, and (3) policy analyses that present original, persuasive, analytically rigorous, and clear and concise research-based argumentation on crucial policy matters.

The last half century witnessed a dramatic change in the geographic, ethnographic, and socioeconomic structure of Asian American communities. While traditional enclaves were strengthened by waves of recent immigrants, native-born Asian Americans also created new urban and suburban areas. Asian America is the first comprehensive look at post-1960s Asian American communities in the United States and Canada. Contributors from an array of academic fields focus on global views of Asian American communities as well as on territorial and cultural boundaries.

Asian American Religions brings together some of the most current research on Asian American religions from a social science perspective. The volume focuses on religion in Asian American communities in New York, Houston, Los Angeles, and the Silicon Valley/Bay Area, and it includes a current demographic overview of the various Asian populations across the United States. It also provides information on current trends, such as that Filipino and Korean Americans are the most religiously observant people in America, that over 60 percent of Asian Americans who have a religious identification are Christian, and that one-third of Muslims in the United States are Asian Americans.

Rather than organizing the book around particular ethnic groups or religions, Asian American Religions centers on thematic issues, like symbols and rituals, political boundaries, and generation gaps, in order to highlight the role of Asian American religions in negotiating, accepting, redefining, changing, and creating boundaries in the communities' social life.

Asian American Studies Now represents the changes occurring in Asian American communities and the world that require a reconsideration of how the interdisciplinary field of Asian American studies is defined and taught. The editors have selected essays for the significance of their contribution and their clarity, brevity, and accessibility to readers with little to no prior knowledge of Asian American studies, and feature reprints of seminal articles and groundbreaking texts, as well as bold new scholarship.

This diverse collection, like Asian America itself, adds up to something far more vibrant than the sum of its voices. -Eric Liu, author of The Accidental Asian "There's fury, dignity, and self-awareness in these essays. I found the voices to be energetic and the ideas exciting." -Diana Son, playwright (Stop Kiss) and co-producer (Law & Order: Criminal Intent) This refreshing and timely collection of coming-of-age essays, edited and written by young Asian Americans, powerfully captures the joys and struggles of their evolving identities as one of the fastest-growing groups in the nation and poignantly depicts the many oft-conflicting ties they feel to both American and Asian cultures. The essays also highlight the vast cultural diversity within the category of Asian American, yet ultimately reveal how these young people are truly American in their ideals and dreams. Asian American X is more than a book on identity; it is required reading both for young Asian Americans who seek to understand themselves and their social group, and for all who are interested in keeping abreast of the changing American social terrain.

The Asian Bioethics Review covers a broad range of topics relating to bioethics. An online academic journal, ABR provides a forum to express and exchange original ideas on all aspects of bioethics, especially those relevant to the region. The journal promotes multi-cultural and multi-disciplinary studies and will appeal to all working in the field of ethics in medicine and healthcare, genetics, law, policy, science studies and research.

Asian Canadian Writing Beyond Autoethnography explores some of the latest developments in the literary and cultural practices of Canadians of Asian heritage. While earlier work by ethnic, multicultural, or minority writers in Canada was often concerned with immigration, the moment of arrival, issues of assimilation, and conflicts between generations, literary and cultural production in the new millennium no longer focuses solely on the conflict between the Old World and the New or the clashes between culture of origin and adopted culture. No longer are minority authors identifying simply with their ethnic or racial cultural background in opposition to dominant culture.

The essays in this collection explore ways in which Asian Canadian authors (such as Larissa Lai, Shani Mootoo, Fred Wah, Hiromi Goto, Suniti Namjoshi, and Ying Chen) and artists (such as Ken Lum, Paul Wong, and Laiwan) have gone beyond what Françoise Lionnet calls autoethnography, or ethnographic autobiography. They demonstrate the ways representations of race and ethnicity, particularly in works by Asian Canadians in the last decade, have changedhave become more playful, untraditional, aesthetically and ideologically transgressive, and exciting.

This book examine various topics and contexts of travel writings on China, Japan and Southeast Asia. From the first Colombian on a trade mission to China, to French women travellers in Asia, and the opening of "Japan Fairs" in the US during the latter half of the nineteenth century, this book offers a kaleidoscopic glimpse of the various cultures in the eyes of their beholders coupled with insightful understanding of the various politics and relationships that are involved.

This book investigates the effects of Japan’s foreign aid for development, trade and FDI in ASEAN economies from various perspectives, including: the historical implications of Japan’s involvement; agricultural exports; the development patterns of the Southeast Asian economies; the formation of international production and distribution networks; poverty reduction; upgrading technology; and industrial agglomeration.The contributors analyse trade, FDI and foreign aid from the standpoint of policy coherence at the interface between development co-operation and many other policy areas: trade, agriculture, food safety, fisheries, intellectual property, the environment, international finance, tax policy, migration, and peace and security.

This volume investigates the “missing link”, the complicated realities of the relations between governance and development through case studies of ASEAN countries. Its main objective is to explore a theoretical framework to overcoming the limitations of mainstream approaches by employing case studies on decentralization, crisis management, corporate governance and foreign aid management of both public and private entities. From the beginning of the 1990s onwards, the international aid community has increasingly stressed that “good governance”, together with democracy and protection of basic human rights, is indispensable for sustainable economic development. The terms, however, are complex, broad, and arguable. They largely refer to discipline of government institutions and the capacity of the public sector.While a wide variety of empirical studies has been done on the relations between good governance and development, it is still unclear how the differences in governance influence development performance in a real world.

As ASEAN Vision 2020 proclaims, the members of ASEAN have achieved remarkable success in economic growth, stability and poverty reduction, over the past decades. There are, however, still diverse debates as to the factors which contributed to the success, with no conclusive assessment.This volume reviews the domestic reforms effectively introduced by ASEAN members after the 1997 financial crisis and what could be done to accelerate such reforms. With the entry of the 4 new members into ASEAN, possible measures to strengthen both intra- and extra-ASEAN regional cooperation frameworks are sought so that the 10 ASEAN members can make a smooth economic and social transformation to tackle globalization and accommodate the two highly competitive giant economies, China and India.The study also seeks to identify what could be the role of Japan in promoting its economic relations with the ASEAN-10 under the ongoing framework of the WTO and the ASEAN-Plus-Three in the light of the current trend towards greater regionalism in Europe and the Americas.

Drawing from Anglo-American, Asian American, and Asian literature as well as J-horror and manga, Chinese cinema and Internet, and the Korean Wave, Sheng-mei Ma’s Asian Diaspora and East-West Modernity probes into the conjoinedness of West and East, of modernity’s illusion and nothing’s infinitude. Suspended on the stylistic tightrope between research and poetry, critical analysis and intuition, Asian Diaspora restores affect and heart to the experience of diaspora in between East and West, at-homeness and exilic attrition. Diaspora, by definition, stems as much from socioeconomic and collective displacement as it points to emotional reaction. This book thus challenges the fossilized conceptualizations in area studies, ontology, and modernism. The book's first two chapters trace the Asian pursuit of modernity into nothing, as embodied in horror film and the gaming motif in transpacific literature and film. Chapters three through eight focus on the borderlands of East and West, the edges of humanity and meaning. Ma examines how loss occasions a revisualization of Asia in children's books, how Asian diasporic passing signifies, paradoxically, both "born again" and demise of the "old" self, how East turns "yEast" or the agent of self-fashioning for Anglo-America, Asia, and Asian America, how the construct of “bugman” distinguishes modern West's and East's self-image, how the extreme human condition of "non-person" permeates the Korean Wave, and how manga artists are drawn to wartime Japan. The final two chapters interrogate the West's death-bound yet enlightening Orientalism in Anglo-American literature and China's own schizophrenic split, evidenced in the 2008 Olympic Games.

The essays in this volume view Asian diasporic movements in the context of globalization and global citizenship, in which multiple cultural allegiances, influences and claims together create complex negotiations of identity.

This book provides crucial reading for students and researchers of world Englishes. It is an insightful and provocative study of the forms and functions of English in Asia, its acculturation and nativization, and the innovative dimensions of Asian creativity.

Maritime power has been a key defining parameter of economic vitality and geostrategic power of nations. The first decade of the twenty-first century has witnessed the rise of China and India as confident economic powers pivoting on high growth rates, exponential expansion of science, technology and industrial growth. Sequel to their steadily growing economic clout has been the emphatic resurgence of their maritime power evident in maritime shipping, port development and the concomitant expa... Maritime power has been a key defining parameter of economic vitality and geostrategic power of nations. The first decade of the twenty-first century has witnessed the rise of China and India as confident economic powers pivoting on high growth rates, exponential expansion of science, technology and industrial growth. Sequel to their steadily growing economic clout has been the emphatic resurgence of their maritime power evident in maritime shipping, port development and the concomitant expansion of naval power.Dr Vijay Sakhuja, a former Indian Navy officer, in this pioneering study has splendidly elucidated and examined the resurgence of Asian naval power and its political-diplomatic, economic-commercial, science-technological-industrial, grand-strategic and the operational-doctrinal dimensions. Using a neorealist framework, the author provides robust and insightful analysis of how China and India as great powers, using their maritime military capabilities, would evolve and act in global affairs." - Professor Sanjay Chaturvedi, Centre for the Study of Geopolitics, Punjab University, Chandigarh

Medical systems function in specific cultural contexts. It is common to speak of the medicine of China, Japan, India, and other nation-states. Yet almost all formalized medical systems claim universal applicability and, thus, are ready to cross the cultural boundaries that contain them. There is a critical tension, in theory and practice, in the ways regional medical systems are conceptualized as "nationalistic" or inherently transnational. This volume is concerned with questions and problems created by the friction between nationalism and transnationalism at a time when globalization has greatly complicated the notion of cultural, political, and economic boundedness.

Offering a range of perspectives, the contributors address questions such as: How do states concern themselves with the modernization of "traditional" medicine? How does the global hegemony of science enable the nationalist articulation of alternative medicine? How do global discourses of science and "new age" spirituality facilitate the transnationalization of "Asian" medicine? As more and more Asian medical practices cross boundaries into Western culture through the popularity of yoga and herbalism, and as Western medicine finds its way east, these systems of meaning become inextricably interrelated. These essays consider the larger implications of transmissions between cultures.

How does one comprehend the phenomenon of the modernization of an Asian society in a globalized East Asian context? With this opening question, the author proceeds to give an account of how the modernization processes for postcolonial societies in Asia, such as those of India, Malaysia, and Singapore, are fraught with collaborations and conflicts between different socio-political, historical, economic, and cultural agents.

Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, publishing all aspects of the performing arts of Asia and their cultural context.

The nine essays in Asian North American Identities explore how Asian North Americans are no longer caught between worlds of the old and the new, the east and the west, and the south and the north. Moving beyond national and diasporic models of ethnic identity to focus on the individual feelings and experiences of those who are not part of a dominant white majority, the essays collected here draw from a wide range of sources, including novels, art, photography, poetry, cinema, theatre, and popular culture. The book illustrates how Asian North Americans are developing new ways of seeing and thinking about themselves by eluding imposed identities and creating spaces that offer alternative sites from which to speak and imagine.

Contributors are Jeanne Yu-Mei Chiu, Patricia Chu, Rocio G. Davis, Donald C. Goellnicht, Karlyn Koh, Josephine Lee, Leilani Nishime, Caroline Rody, Jeffrey J. Santa Ana, Malini Johar Schueller, and Eleanor Ty.

Asian Perspectivesis the leading archaeological journal devoted to the prehistory of Asia and the Pacific region. In addition to archaeology, it features articles and book reviews on ethnoarchaeology, palaeonanthropology, physical anthropology, and ethnography of interest and use to the prehistorian. International specialists contribute regional reports summarizing current research and fieldwork, and present topical reports of significant sites.

Although emerging economies as a group performed well during the global recession, weathering the recession better than advanced economies, there were sharp differences among them and across regions. The emerging economies of Asia had the most favorable outcomes, surviving the ravages of the global financial crisis with relatively modest declines in growth rates in most cases. China and India maintained strong growth during the crisis and played an important role in facilitating global economic recovery.

In this informative volume, the second in a series on emerging markets, editors Masahiro Kawai and Eswar Prasad and the contributors analyze the major domestic macroeconomic and financial policy issues that could limit the growth potential of Asian emerging markets, such as rising inflation and surging capital inflows, with the accompanying risks of asset and credit market bubbles and of rapid currency appreciation. The book examines strategies to promote financial stability, including reforms for financial market development and macroprudential supervision and regulation.

This book traces changes in the concept of security in Asia from realist to cooperative, comprehensive, and human security approaches, and assesses a number of policy alternatives to management of both old and new security threats. It surveys not only orthodox security threats such as tensions between regional powers or armed ethnic antagonists but also new sources of anxiety such as resource scarcity, economic instability, irregular migration, community fragmentation, and international terrorism. Security policies of major powers such as China, Japan, and the United States, and the moderating roles of regional organizations such as ASEAN, ARF, SCO, and KEDO are evaluated in historical and contemporary perspectives. Contributors proffer policy-relevant insights where appropriate. The book concludes that traditional security approaches remain valid but need to be adapted to the new challenges, and offers suggestions for incorporating fresh Asian security perceptions into the agendas of policy-makers, analysts, and scholars.

Asian Settler Colonialism is a groundbreaking collection that examines the roles of Asians as settlers in Hawai‘i. Contributors from various fields and disciplines investigate aspects of Asian settler colonialism to illustrate its diverse operations and impact on Native Hawaiians. Essays range from analyses of Japanese, Korean, and Filipino settlement to accounts of Asian settler practices in the legislature, the prison industrial complex, and the U.S. military to critiques of Asian settlers’ claims to Hawai‘i in literature and the visual arts.

Asian Theatre Journal is dedicated to the performing arts of Asia, focusing upon both traditional and modern theatrical forms. It aims to facilitate the exchange of knowledge throughout the international theatrical community for the mutual benefit of all interested scholars and artists. It offers descriptive and analytical articles, original plays and play translations, book and audiovisual reviews, and reports of current theatrical activities in Asia.

This book surveys the most significant facets of Hong Kong's remarkable urban development during the last twenty-five years.

A selection of papers presented at the Symposium on English Literature by Asian authors entitled Asian Voices in English held at The University of Hong Kong, 27-30 April 1990.

Asian/Pacific Islander American Women is the first collection devoted to the historical study of A/PI women's diverse experiences in America. Covering a broad terrain from pre-large scale Asian emigration and Hawaii in its pre-Western contact period to the continental United States, the Philippines, and Guam at the end of the twentieth century, the text views women as historical subjects actively negotiating complex hierarchies of power.

The volume presents new findings about a range of groups, including recent immigrants to the U.S. and understudied communities. Comprised of original new work, it includes chapters on women who are Cambodian, Chamorro, Chinese, Filipino, Hmong, Japanese, Korean, Native Hawaiian, South Asian, and Vietnamese Americans. It addresses a wide range of women's experiences-as immigrants, military brides, refugees, American born, lesbians, workers, mothers, beauty contestants, and community activists. There are also pieces on historiography and methodology, and bibliographic and video documentary resources.

This groundbreaking anthology is an important addition to the scholarship in Asian/Pacific American studies, ethnic studies, American studies, women's studies, and U.S. history, and is a valuable resource for scholars and students.

Contributors include: Xiaolan Bao, Sucheng Chan, Catherine Ceniza Choy, Vivian Loyola Dames, Jennifer Gee, Madhulika S. Khandelwal, Lili M. Kim, Nancy In Kyung Kim, Erika Lee, Shirley Jennifer Lim, Valerie Matsumoto, Sucheta Mazumdar, Davianna Pomaika'i McGregor, Trinity A. Ordona, Rhacel Salazar Parre-as, Amy Ku'uleialoha Stillman, Charlene Tung, Kathleen Uno, Linda Trinh Võ, Judy Tzu-Chun Wu, Ji-Yeon Yuh, and Judy Yung.

Ippei Yamazawa is one of the fathers to the study of Asia-Pacific regional cooperation in Japan and has contributed hugely to the development and work of APEC over many years. APEC is a crucial trans-regional arrangement that draws the United States into constructive economic engagement with East Asia. This book makes it clear why APEC remains such a crucial element of regional economic architecture and defines an agenda going forward to which regional leaders should aspire. Here is a first rate exposition of the priorities for regional cooperation in Asia and the Pacific.--Peter Drysdale, Professor Emeritus, Australian National University

Since September 11, 2001, our newspapers have been filled with the ‘war on terror’; our governments have mobilized their resources for ‘homeland security’; and people everywhere are braced for more terrorist attacks.Yet while the new threat is genuine, we must not lose sight of the continuing security concerns in the Asia-Pacific. Tensions persist on the Korean peninsula, in the Taiwan Straits and the South China Sea, and in Kashmir. The region is well supplied with weapons of mass destruction and may face an arms race, and there are a range of pressing human security issues. Likewise, the strategic realities of the region remain linked with US power, and with the emergence of China as a key regional player.Asia-Pacific Security examines the developing strategic relationships in the region, and clarifies the dilemmas for Australian policy-makers as they try to balance genuine engagement with the region against a long-standing and valued alliance with the United States.This book has a particular relevance for foreign-policy professionals and scholars of the region. 

The ending of the Cold War opened a new debate across the Pacific about the meaning of security and the new regional multilateral institutions that were beginning to emerge. The first edition of the The Asia-Pacific Security Lexicon, published in 2002, identified and defined the key concepts and ideas central to security discourse in the region. This second edition updates all of the entries and examines the origins and meanings of some of the new terms in common usage in a different historical setting, among them “terrorism”, “pre-emption”, “preventive war”, “a la carte multilateralism”, “coalition of the willing”, and China’s “peaceful rise”. And it looks at how concepts such as “human security” and “non-traditional security” have evolved and found new adherents. Both a diplomatic handbook and theoretical exploration, the Lexicon is based on the analysis of more than 3,000 books, articles, conference reports, and speeches. It does not aim to resolve the disagreements about how words are used. Rather, it makes their evolution clearer for academics and practitioners seeking consensual knowledge. 

This collection examines the shaping of local sexual cultures in the Asian Pacific region in order to move beyond definitions and understandings of sexuality that rely on Western assumptions. These diverse studies range across the Pacific Rim and encompass a variety of forms of social, cultural, and personal expression, examining sexuality through music, cinema, the media, shifts in popular rhetoric, comics and magazines, and historical studies._x000B__x000B_Contributors are Ronald Baytan, J. Neil C. Garcia, Kam Yip Lo Lucetta, Song Hwee Lim, J. Darren Mackintosh, Claire Maree, Jin-Hyung Park, Teri Silvio, Megan Sinnott, Yik Koon Teh, Carmen Ka Man Tong, James Welker, Heather Worth, and Audrey Yue.

With the advent of computers and the rise of East Asian economies, the complicated character-based writing systems of East Asia have reached a stage of crisis that may be described as truly millennial in scope and implications. In what is perhaps the most wide-ranging critique of the sinographic script ever written, William C. Hannas assesses the usefulness of Chinese character-based writing in East Asia today.

Asses, asses, and more asses! This new edition of Plautus' rumbustious comedy provides the complete original Latin text, witty scholarly commentary, and an English translation that both complements and explicates Plautus' original style. John Henderson reveals this play as a key to Roman social relations centered on many kinds of slavery: to sex, money, and family structure; to masculinity and social standing; to senility and partying; and to jokes, lies, and idiocy. The translation remains faithful to Plautus' syllabic style for reading aloud, as well as to his humorous colloquialisms and wordplay, providing readers with a comfortable affinity to Plautus himself. An indispensable teaching and learning tool for the study of Roman New Comedy, this edition includes comprehensive commentary, useful indexes, and a pronunciation guide that will help readers of all levels understand and appreciate Plautus and his era.

Drawing on more than 50 interviews with gay and lesbian veterans, Steve Estes charts the evolution of policy toward homosexuals in the military over the past 65 years, uncovering the ways that silence about sexuality and military service has affected the identities of gay veterans. These veteran voices--harrowing, heroic, and on the record--reveal the extraordinary stories of ordinary Americans, men and women who simply did their duty and served their country in the face of homophobia, prejudice, and enemy fire. Far from undermining national security, unit cohesion, or troop morale, Estes demonstrates, these veterans strengthened the U.S. military in times of war and peace. He also examines challenges to the ban on homosexual service, placing them in the context of the wider movement for gay rights and gay liberation. ###Ask and Tell# is an important compilation of unheard voices, offering Americans a new understanding of the value of ###all# the men and women who serve and protect them.

Why do consumer prices and wages adjust so slowly to changes in market conditions? The rigidity or stickiness of price setting in business is central to Keynesian economic theory and a key to understanding how monetary policy works, yet economists have made little headway in determining why it occurs. Asking About Prices offers a groundbreaking empirical approach to a puzzle for which theories abound but facts are scarce. Leading economist Alan Blinder, along with co-authors Elie Canetti, David Lebow, and Jeremy B. Rudd, interviewed a national, multi-industry sample of 200 CEOs, company heads, and other corporate price setters to test the validity of twelve prominent theories of price stickiness. Using everyday language and pertinent scenarios, the carefully designed survey asked decisionmakers how prominently these theoretical concerns entered into their own attitudes and thought processes. Do businesses tend to view the costs of changing prices as prohibitive? Do they worry that lower prices will be equated with poorer quality goods? Are firms more likely to try alternate strategies to changing prices, such as warehousing excess inventory or improving their quality of service? To what extent are prices held in place by contractual agreements, or by invisible handshakes? Asking About Prices offers a gold mine of previously unavailable information. It affirms the widespread presence of price stickiness in American industry, and offers the only available guide to such business details as what fraction of goods are sold by fixed price contract, how often transactions involve repeat customers, and how and when firms review their prices. Some results are surprising: contrary to popular wisdom, prices do not increase more easily than they decrease, and firms do not appear to practice anticipatory pricing, even when they can foresee cost increases. Asking About Prices also offers a chapter-by-chapter review of the survey findings for each of the twelve theories of price stickiness. The authors determine which theories are most popular with actual price setters, how practices vary within different business sectors, across firms of different sizes, and so on. They also direct economists' attention toward a rationale for price stickiness that does not stem from conventional theory, namely a strong reluctance by firms to antagonize or inconvenience their customers. By illuminating how company executives actually think about price setting, Asking About Prices provides an elegant model of a valuable new approach to conducting economic research.

Every other is truly other, but no other is wholly other.This is the claim that Aspects of Alterity defends. Taking up the question of otherness that so fascinates contemporary continental philosophy, this book asks what it means for something or someone to be other than the self. Levinas and those influenced by him point out that the philosophical tradition of the West has generally favored the self at the expense of the other. Such a self-centered perspective never encounters the other qua other, however. In response, postmodern thought insists on the absolute otherness of the other, epitomized by the deconstructive claim every other is wholly other.But absolute otherness generates problems and aporias of its own. This has led some thinkers to reevaluate the notion of relative otherness in light of the postmodern critique, arguing for a chiastic account that does justice to both the alterity and the similitude of the other. These latter two positions-absolute otherness and a rehabilitated account of relative otherness-are the main contenders in the contemporary debate.The philosophies of Emmanuel Levinas and Gabriel Marcel provide the point of embarkation for coming to understand the two positions on this question. Levinas and Marcel were contemporaries whose philosophies exhibit remarkably similar concern for the other but nevertheless remain fundamentally incompatible. Thus, these two thinkers provide a striking illustration of both the proximity of and the unbridgeable gap between two accounts of otherness.Aspects of Alterity delves into this debate, first in order understand the issues at stake in these two positions and second to determine which description better accounts for the experience of encountering the other.After a thorough assessment and critique of otherness in Levinas's and Marcel's work, including a discussion of the relationship of ethical alterity to theological assumptions, Aspects of Alterity traces the transmission and development of these two conceptions of otherness. Levinas's version of otherness can be seen in the work of Jacques Derrida and John D. Caputo, while Marcel's understanding of otherness influences the work of Paul Ricoeur and Richard Kearney.Ultimately, Aspects of Alterity makes a case for a hermeneutic account of otherness. Otherness itself is not absolute, but is a chiasm of alterity and similitude. Properly articulated, such an account is capable of addressing the legitimate ethical and epistemological concerns that lead thinkers to construe otherness in absolute terms, but without the absolute aporiasthat accompany such a characterization.

These are the papers and discussions of the eighth annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York, Binghamton. The topics discussed were the relationship between Jewish and medieval studies, the patristic basis for Christian attitudes on the Jews, the Hispanic literary tradition, Jewish Spain, problems in Jewish art, and myth criticism and medieval studies.

On June 27, 1868, Hole in the Day (Bagonegiizhig) the Younger left Crow Wing, Minnesota, for Washington, DC, to fight the planned removal of the Mississippi Ojibwe to a reservation at White Earth. Several miles from his home, the self-styled leader of all the Ojibwe was stopped by at least twelve Ojibwe men and fatally shot. Hole in the Day’s death was national news, and rumors of its cause were many: personal jealousy, retribution for his claiming to be head chief of the Ojibwe, retaliation for the attacks he fomented in 1862, or retribution for his attempts to keep mixed-blood Ojibwe off the White Earth Reservation. Still later, investigators found evidence of a more disturbing plot involving some of his closest colleagues: the business elite at Crow Wing.While most historians concentrate on the Ojibwe relationship with whites to explain this story, Anton Treuer focuses on interactions with other tribes, the role of Ojibwe culture and tradition, and interviews with more than fifty elders to further explain the events leading up to the death of Hole in the Day. The Assassination of Hole in the Day is not only the biography of a powerful leader but an extraordinarily insightful analysis of a pivotal time in the history of the Ojibwe people.“ An essential study of nineteenth-century Ojibwe leadership and an importantcontribution to the field of American Indian Studies by an author of extraordinaryknowledge and talent. Treuer’s work is infused with a powerful command overOjibwe culture and linguistics.”—Ned Blackhawk, author of Violence Over the Land: Indians and Empires in theEarly American West

Globalization is a term that describes the contradictory economic, political, and cultural processes of world capitalist integration. Although capitalism has been of a global character since the 1400s, the current phase of globalization is manifest by emergent transnational institutions, changing relations between multinational corporations and assaulted paradise of sovereign nation-states and the development of a global monoculture of consumption among feuding class divides. This book examines the relationship between globalization and nation states, the dynamics, contradictions, and crisis of global capitalism, and the developing and maturing class struggles and the prospects for social change and transformation of global capitalism. It examines these class struggles within the context of the globalization of capital and draws out the political implications of this process for the future course of capitalist development on a world scale. In this book Tatah Mentan drives home the point that contemporary neoliberal globalization is in fact an advanced stage of capitalist hegemonism and that the contradictions of 21st century globalization are thus a projection of the contradictions of capitalism on a global scale, with all its inherent exploitative characteristics and militarized class conflicts that will lead to the revolutionary transformation of vulture capitalist society. He argues that dominant global processes are not an immutable feature of capitalism, but are contested by social class actors across these three dimensions.

“An insightful, empirically based analysis of how the Assemblies of God denomination is changing in response to modernity. This multimethod book, based on both surveys and field research, contributes to a growing sociological literature on Pentecostalism.”

Indigenous nations are on the frontline of the climate crisis of the twenty-first century. With cultures and economies among the most vulnerable to climate-related catastrophes, Native peoples are developing responses to climate change that serve as a model for Native and non-Native communities alike.  

Native American tribes in the Pacific Northwest and Indigenous peoples around the Pacific Rim have already been deeply affected by droughts, flooding, reduced glaciers and snowmelts, seasonal shifts in winds and storms, and the northward shifting of species on the land and in the ocean. Having survived the historical and ecological wounds inflicted by colonization, industrialization, and urbanization, Indigenous peoples are using tools of resilience that have enabled them to respond to sudden environmental changes. They are creating defenses to harden their communities, mitigate losses, and adapt where possible.

Asserting Native Resilience presents a rich variety of perspectives on Indigenous responses to the climate crisis, reflecting the voices of more than twenty contributors, including tribal leaders, Native and non-Native scientists, scholars, and activists from the Pacific Northwest, British Columbia, Alaska, and Aotearoa / New Zealand. Also included is a resource directory of Indigenous governments, NGOs, and communities that are researching and responding to climate change and a community organizing booklet for use by Northwest tribes.

An invaluable addition to the literature on climate change, Asserting Native Resilience will be useful for students of environmental studies, Native studies, geography, and rural sociology, and will serve as an important reference for Indigenous leaders, tribal members, and environmental agency staff.

Historically, deaf and hard of hearing people have demonstrated various levels of competence in a multitude of professions, but they also have experienced discrimination and oppression. In five critical sections, this volume responds to the tidal wave of high-stakes testing that has come to dominate educational policy and qualification for various occupations. It provides a digest of relevant research to meet the testing challenge, including work done by educational researchers, legal experts, test developers, and others. Section I frames the contexts facing deaf and hard of hearing individuals and those who test them, including a telling historical perspective. In Section II, chapters explore how deaf and hard of hearing candidates can meet the rigors of test-taking, how to level the playing field with a new approach to assessment, and what to consider to develop fully accessible licensing tests. The final chapter in this part examines the psychometric properties of intellectual assessments when used with deaf and hard of hearing people. Administrative issues constitute Section III, beginning with legal considerations related to equity testing for deaf adults. An exploration of the potential of sign language interpretation in the testing environment follows. Section IV provides case studies of deaf and hard of hearing adults from a variety of professions, including certification testing for therapeutic recreation, preparation strategies for university students, and ways to maximize access to licensure for social workers. A separate chapter addresses the impact of recent federal mandates on assessment of deaf and hard of hearing teachers and teaching candidates. The final section summarizes the current situation and presents recommendations to manage it, concluding with an epilogue on directions for the future.

This book reflects current thinking of assessment with a stated focus on assessment for learning (AfL). It informs teachers about the latest developments and provides teachers with important tools for integrating assessment in the classroom.

With the number of elderly persons needing long-term care expected to double to 14 million over the next two decades, assisted living has become the popular choice for housing or care. Assisted living represents a promising model of long-term care that blurs the sharp distinction between nursing homes and community-based care and reduces the gap between receiving long-term care in one's own home and in an "institution." Assisted Living: Needs, Practices, and Policies in Residential Care for the Elderly examines the evolving field of residential care and focuses on national issues of regulation, reimbursement, and staffing. The book is based on a four-state study of assisted living facilities and describes the facilities, the persons residing in them and their needs, and how the services vary by facility. Because one-third to two-thirds of residents in assisted living facilities have cognitive impairment, special attention is devoted to dementia care. The book also focuses on how today's long-term health care environment evolved, and it examines the future direction and implications of assisted living. Assisted Living: Needs, Practices, and Policies in Residential Care for the Elderly brings together a group of nationally recognized experts to help define the types of residential care that should be encouraged and sets guidelines for selecting an appropriate type of facility.

With the recent election of the nation’s first African American president—an individual of blended Kenyan and American heritage who spent his formative years in Hawaii and Indonesia—the topic of transnational identity is reaching the forefront of the national consciousness in an unprecedented way. As our society becomes increasingly diverse and intermingled, it is increasingly imperative to understand how race and heritage impact our perceptions of and interactions with each other. Assumed Identities constitutes an important step in this direction. However, “identity is a slippery concept,” say the editors of this instructive volume. This is nowhere more true than in the melting pot of the early trans-Atlantic cultures formed in the colonial New World during the seventeenth, eighteenth, and nineteenth centuries. As the studies in this volume show, during this period in the trans-Atlantic world individuals and groups fashioned their identities but also had identities ascribed to them by surrounding societies. The historians who have contributed to this volume investigate these processes of multiple identity formation, as well as contemporary understandings of them. Originating in the 2007 Walter Prescott Webb Memorial Lectures presented at the University of Texas at Arlington, Assumed Identities: The Meanings of Race in the Atlantic World examines, among other topics, perceptions of racial identity in the Chesapeake community, in Brazil, and in Saint-Domingue (colonial-era Haiti). As the contributors demonstrate, the cultures in which these studies are sited helped define the subjects’ self-perceptions and the ways others related to them.

When physicist Robert Goddard, whose career was inspired by H. G. Wells's War of the Worlds, published "A Method of Reaching Extreme Altitudes," the response was electric. Newspaper headlines across the country announced, "Modern Jules Verne Invents Rocket to Reach Moon," while people from around the world, including two World War I pilots, volunteered as pioneers in space exploration. Though premature (Goddard's rocket, alas, was only imagined), the episode demonstrated not only science's general popularity but also its intersection with interwar popular and commercial culture. In that intersection, the stories that inspired Goddard and others became a recognizable genre: science fiction. Astounding Wonder explores science fiction's emergence in the era's "pulps," colorful magazines that shouted from the newsstands, attracting an extraordinarily loyal and active audience.

Pulps invited readers not only to read science fiction but also to participate init, joining writers and editors in celebrating a collective wonder for and investment in the potential of science. But in conjuring fantastic machines, travel across time and space, unexplored worlds, and alien foes, science fiction offered more than rousing adventure and romance. It also assuaged contemporary concerns about nation, gender, race, authority, ability, and progress—about the place of ordinary individuals within modern science and society—in the process freeing readers to debate scientific theories and implications separate from such concerns.

Readers similarly sought to establish their worth and place outside the pulps. Organizing clubs and conventions and producing their own magazines, some expanded science fiction's community and created a fan subculture separate from the professional pulp industry. Others formed societies to launch and experiment with rockets. From debating relativity and the use of slang in the future to printing purple fanzines and calculating the speed of spaceships, fans' enthusiastic industry revealed the tensions between popular science and modern science. Even as it inspired readers' imagination and activities, science fiction's participatory ethos sparked debates about amateurs and professionals that divided the worlds of science fiction in the 1930s and after.

Astrofuturism: Science, Race, and Visions of Utopia in Space is the first full-scale analysis of an aesthetic, scientific, and political movement that sought the amelioration of racial difference and social antagonisms through the conquest of space. Drawing on the popular science writing and science fiction of an eclectic group of scientists, engineers, and popular writers, De Witt Douglas Kilgore investigates how the American tradition of technological utopianism responded to the political upheavals of the twentieth century.

Founded in the imperial politics and utopian schemes of the nineteenth century, astrofuturism envisions outer space as an endless frontier that offers solutions to the economic and political problems that dominate the modern world. Its advocates use the conventions of technological and scientific conquest to consolidate or challenge the racial and gender hierarchies codified in narratives of exploration. Because the icon of space carries both the imperatives of an imperial past and the democratic hopes of its erstwhile subjects, its study exposes the ideals and contradictions endemic to American culture.

Kilgore argues that in the decades following the Second World War the subject of race became the most potent signifier of political crisis for the predominantly white and male ranks of astrofuturism. In response to criticism inspired by the civil rights movement and the new left, astrofuturists imagined space frontiers that could extend the reach of the human species and heal its historical wounds. Their work both replicated dominant social presuppositions and supplied the resources necessary for the critical utopian projects that emerged from the antiracist, socialist, and feminist movements of the twentieth century.

This survey of diverse bodies of literature conveys the dramatic and creative syntheses that astrofuturism envisions between people and machines, social imperatives and political hope, physical knowledge and technological power. Bringing American studies, utopian literature, popular conceptions of race and gender, and the cultural study of science and technology into dialogue, Astrofuturism will provide scholars of American culture, fans of science fiction, and readers of science writing with fresh perspectives on both canonical and cutting-edge astrofuturist visions.

Offering the first interdisciplinary study of refugees in the Caribbean, Central America, and the United States, Asylum Speakers relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. In doing so, the author weighs the questions of truth valueassociated with various modes of witnessing to explore the function of testimonial discourse in constructing refugee subjectivity in New World cultural and political formations. By examining literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodr!guez Milans, theoretical work by Jacques Derrida, Edouard Glissant, and Wilson Harris, as well as human rights documents, government documents, photography, and historical studies, Asylum Speakers constructs a complex picture of New World refugees that expands current discussions of diaspora and migration, demonstrating that the peripheral nature of refugee testimonial narratives requires us to reshape the boundaries of U.S. ethnic and postcolonial studies.

Throughout the world there are many instances in which one or more territories within a sovereign state are granted greater autonomy than other areas governed by that state. This arrangement, known as asymmetric autonomy, has been adopted with greater regularity as a solution to ethnic strife and secessionist struggles in recent decades. As asymmetric autonomy becomes one of the most frequently used conflict resolution methods, examination of the positive and negative consequences of its implementation, as well as its efficacy, is vital.

Asymmetric Autonomy and the Settlement of Ethnic Conflicts assesses the ability of such power distribution arrangements to resolve violent struggles between central governments and separatist groups. This collection of new case studies from around the world covers a host of important developments, from recentralization in Russia, to "one country, two systems" in China, to constitutional innovation in Iraq. As a whole, these essays examine how well asymmetric autonomy agreements can bring protracted and bloody conflicts to an end, satisfy the demands of both sides, guarantee the physical integrity of a state, and ensure peace and stability. Contributors to this book also analyze the many problems and dilemmas that can arise when autonomous regions are formed. For example, powers may be loosely defined or unrealistically assigned to the state within a state. Redrawn boundaries can create new minorities and make other groups vulnerable to human rights violations. Given the number of limited self-determination systems in place, the essays in this volume present varied evaluations of these political structures.

Asymmetric state agreements have the potential to remedy some of humanity's most intractable disputes. In Asymmetric Autonomy and the Settlement of Ethnic Conflicts, leading political scientists and diplomatic experts shed new light on the practical consequences of these settlements and offer sophisticated frameworks for understanding this path toward lasting peace.

Drawing on the latest research on development among toddlers and preschoolers, At a Loss for Words lays out the importance of getting parents, policy makers, and child care providers to recognize the role of early literacy skills in reducing the achievement gap that begins before three years of age. Readers are guided through home and classroom settings that promote language, contrasting them with the "merely mediocre" child care settings in which more and more young children spend increasing amounts of time. Too many of our young children are not receiving the level of input and practice that will enable them to acquire language skills—the key to success in school and life. Bardige explains how to build better community support systems for children, and better public education, in order to ensure that toddlers learn the power of language from their families and teachers.

This book is a memoir and a history of Berkeley in the early Sixties. As a young undergraduate, Jo Freeman was a key participant in the growth of social activism at the University of California, Berkeley. The story is told with the "you are there" immediacy of Freeman the undergraduate but is put into historical and political context by Freeman the scholar, 35 years later. It draws heavily on documents created at the time -- letters, reports, interviews, memos, newspaper stories, FBI files -- but is fleshed out with retrospective analysis. As events unfold, the campus conflicts of the Sixties take on a completely different cast, one that may surprise many readers.

At Home Among Strangers is the first comprehensive sociological exploration of the Deaf community in the United States. This engrossing book captures the shared experience of the Deaf community in all of its dimensions through the precise observations of Jerome D. Schein. In nine thought-provoking chapters, he creates a fully realized image of the ramifications of being deaf and the growth of the Deaf community. From its vivid description of American Sign Language to the richly hued tapestry of Deaf culture, from Deaf people's organizational strengths to their exasperation in dealing with hearing medical, educational, and legal professions, this book presents a compelling study of a vibrant, active community. Most importantly, for the first time a theory of why the Deaf community exists is offered, using a wealth of detail to convey the dilemmas facing Deaf people and well-founded predictions for the future. At Home Among Strangers is an indsipensable book for scholars, teachers, and students alike, a standard in Deaf studies.

Featuring new critical essays by scholars from Europe, South America, and the United States, At Home and Abroad presents a wide-ranging look at how whiteness-defined in terms of race or ethnicity-forms a category toward which people strive in order to gain power and privilege. Collectively these pieces treat global spaces whose nation building and identity formation have turned on biological and genealogical exigencies to whiten themselves. Drawing upon racialized, national practices implemented prior to and during the twentieth century, each of the essays enlists literature or performance to reflect the sociopolitical imperatives that secured whiteness in the respective locations they study. They range from examinations of whiteness in the literature of Appalachia and contemporary Argentinean poetry to an analysis of performances memorializing the colonial experience in Italy and an exploration into the white rap music of Eminem and contemporary multiracial passing. As the contributors show, literary and performance representations have the power to chronicle histories that reflect the behaviors and lived realities of our selves. Whether whiteness, in addition to its physical manifestation, presents itself as identity, symbol, racism, culture, social formation, political imposition, legal imposition, or pathology, it has been outed into the visible, even in national spaces where the term “whiteness” has yet to be translated and entered into the official lexicon. The ten essays collected here provide powerful insights into where and how the race for biological and genealogical whiteness persists in various geopolitical realms and the ways in which Nordic whites, as well as ethnic whites and nonwhites, resecure its ascendance.

Despite their peaceful, bucolic appearance, the tree-lined streets of South African suburbia were no refuge from the racial tensions and indignities of apartheid’s most repressive years. In At Home with Apartheid, Rebecca Ginsburg provides an intimate examination of the cultural landscapes of Johannesburg’s middle- and upper-middle-class neighborhoods during the height of apartheid (c. 1960-1975) and incorporates recent scholarship on gender, the home, and family.

More subtly but no less significantly than factory floors, squatter camps, prisons, and courtrooms, the homes of white South Africans were sites of important contests between white privilege and black aspiration. Subtle negotiations within the domestic sphere between white, mostly female, householders and their black domestic workers, also primarily women, played out over and around this space. These seemingly mundane, private conflicts were part of larger contemporary struggles between whites and blacks over territory and power.

Ginsburg gives special attention to the distinct social and racial geographies produced by the workers’ detached living quarters, designed by builders and architects as landscape complements to the main houses. Ranch houses, Italianate villas, modernist cubes, and Victorian bungalows filled Johannesburg’s suburbs. What distinguished these neighborhoods from their precedents in the United States or the United Kingdom was the presence of the ubiquitous back rooms and of the African women who inhabited them in these otherwise exclusively white areas.

The author conducted more than seventy-five personal interviews for this book, an approach that sets it apart from other architectural histories. In addition to these oral accounts, Ginsburg draws from plans, drawings, and onsite analysis of the physical properties themselves. While the issues addressed span the disciplines of South African and architectural history, feminist studies, material culture studies, and psychology, the book’s strong narrative, powerful oral histories, and compelling subject matter bring the neighborhoods and residents it examines vividly to life.

Through qualitative interviews with long-term residents of public housing, this book explores residents' experience of high-density space. It traces the development of Hong Kong housing forms and analyses how people's expectations of domestic space have been affected by social mobility and shifting cultural values of space, lifestyle, and design.

Twenty-five years after the start of the feminist sex wars, pornography remains a flashpoint issue, with feminists locked in a familiar argument: Are women victims or agents? In At Home with Pornography, Jane Juffer exposes the fruitlessness of this debate and suggests that it has prevented us from realizing women's changing relationship to erotica and porn.

Over the course of these same twenty-five years, there has been a proliferation of sexually explicit materials geared toward women, made available in increasingly mainstream venues. In asking "what is the relationship of women to pornography?" Juffer maintains that we need to stop obsessing over pornography's transgressive aspects, and start focusing on the place of porn and erotica in women's everyday lives. Where, she asks, do women routinely find it, for how much, and how is it circulated and consumed within the home? How is this circulation and consumption shaped by the different marketing categories that attempt to distinguish erotica from porn, such as women's literary erotica and sexual self-help videos for couples?

At Home with Pornography responds to these questions by viewing women's erotica within the context of governmental regulation that attempts to counterpose a "dangerous" pornography with the sanctity of the home. Juffer explorers how women's consumption of erotica and porn for their own pleasure can be empowering, while still acting to reinforce conservative ideals. She shows how, for instance, the Victoria's Secret catalog is able to function as a kind of pornography whose circulation is facilitated both by its reliance on Victorian themes of secrecy and privacy and on its appeals to the selfish pleasures of modern career women. In her pursuit to understand what women like and how they get it, Juffer delves into adult cable channels, erotic literary anthologies, sex therapy guides, cyberporn, masturbation, and sex toys, showing the varying degrees to which these materials have been domesticated for home consumption.

Representing the next generation of scholarship on pornography, At Home with Pornography will transform our understanding of women's everyday sexuality.

Over the past hundred years, average life expectancy in America has nearly doubled, due largely to scientific and medical advances, but also as a consequence of safer working conditions, a heightened awareness of the importance of diet and health, and other factors. Yet while longevity is celebrated as an achievement in modern civilization, the longer people live, the more likely they are to succumb to chronic, terminal illnesses. In 1900, the average life expectancy was 47 years, with a majority of American deaths attributed to influenza, tuberculosis, pneumonia, or other diseases. In 2000, the average life expectancy was nearly 80 years, and for too many people, these long lifespans included cancer, heart failure, Lou Gehrig’s disease, AIDS, or other fatal illnesses, and with them, came debilitating pain and the loss of a once-full and often independent lifestyle. In this compelling and provocative book, noted legal scholar Howard Ball poses the pressing question: is it appropriate, legally and ethically, for a competent individual to have the liberty to decide how and when to die when faced with a terminal illness?

At Liberty to Die charts how, the right of a competent, terminally ill person to die on his or her own terms with the help of a doctor has come deeply embroiled in debates about the relationship between religion, civil liberties, politics, and law in American life. Exploring both the legal rulings and the media frenzies that accompanied the Terry Schiavo case and others like it, Howard Ball contends that despite raging battles in all the states where right to die legislation has been proposed, the opposition to the right to die is intractable in its stance. Combining constitutional analysis, legal history, and current events, Ball surveys the constitutional arguments that have driven the right to die debate.

“Soon or a little too lateeverything you never knewyou always wanted turns uphereat The Breakers”—from the book In her new novel At The Breakers, Mary Ann Taylor-Hall, author of the widely praised and beloved Come and Go, Molly Snow, presents Jo Sinclair, a longtime single mother of four children. Fleeing an abusive relationship after a shocking attack, Jo finds herself in Sea Cove, New Jersey, in front of The Breakers, a salty old hotel in the process of renovation. Impulsively, she negotiates a job painting the guest rooms and settles in with her youngest child, thirteen-year-old Nick. As each room is transformed under brush and roller, Jo finds a way to renovate herself, reclaiming a promising life derailed by pregnancy and a forced marriage at age fourteen. Jo’s new life at the hotel features a memorable mix of locals and guests, among them Iris Zephyr, the hotel’s ninety-two-year-old permanent boarder; Charlie, a noble mixed-breed dog; Marco, owner of a nearby gas station/liquor store, who may become Jo’s next mistake; and enigmatic Wendy, her streetwise eighteen-year-old daughter, who signs on as housekeeper. Irrepressible Victor Mangold, Jo’s former professor and a well-known poet some twenty years her senior, invites himself to Thanksgiving dinner and into her life, his passion awakening Jo’s yearning for art and love. At The Breakers is a deeply felt and beautifully written novel about forgiveness and reconciliation. In Jo’s words, she is “trying to find the right way to live” as a long-suffering woman who is put through the fire and emerges with a chance at a full, rich life for herself and her children, if only she has the faith to take it.

A thoughtful and elegant collection from accomplished poet Michael Heffernan.

A founding father of modern Israel, Ahad Haam (18561927) was one of the shapers of the contemporary Zionist consciousness. His career spanned the era of Russian Jewry’s nationalist awakening. During the last decade of the nineteenth century, he was the leading theorist of the Russian Zionist movement. Afterwards, he was overshadowed by Theodore Herzl, who imposed his own stamp on Zionism. With the failure of Herzl’s diplomacy and his early death in 1904, Russian Zionists abandoned Herzl’s priorities and gradually refashioned the program of the Zionist organization in their own image. More than anyone else, Ahad Haam provided the ideological authority for this shift.

In At the Epicentre, the story of those extraordinary weeks unfolds with all its drama - personal, national and international, political, medical and scientific.

The folktales and myths of the Iroquois and their Algonquian neighbors rank among the most imaginatively rich and narratively coherent traditions in North America. Mostly recorded around 1900, these oral narratives preserve the voice and something of the outlook of autochthonous Americans from a bygone age, when storytelling was an important facet of daily life. Inspired by these wondrous tales, Anthony Wonderley explores their significance to the Iroquois and Algonquian religion and worldview.

At the Heart of Work and Family presents original research on work and family by scholars who engage and build on the conceptual framework developed by well-known sociologist Arlie Russell Hochschild. The common thread in these essays covering the gender division of housework, childcare networks, families in the global economy, and children of consumers is the incorporation of emotion, feelings, and meaning into the study of working families. These examinations connect micro-level interaction to larger social and economic forces and illustrate the continued relevance of linking economic relations to emotional ones for understanding contemporary work-family life.

At the Speed of Light There is Only Illumination collects a dozen re-evaluative essays on Marshall McLuhan and his critical and theoretical legacy; from intellectual adventurer creating a complex architecture of ideas to cultural icon standing in line in Woody Allen’s Annie Hall. Given McLuhan’s prominent status in many academic disciplines, the contributors reflect a multi-disciplinary background. John Moss and Linda Morra chose the essays from a gathering of McLuhan’s academic devotees. The contribution – from “McLuhan as Medium” and “McLuhan in Space” to “What McLuhan Got Wrong” and “Trouble in the Global Village” – to provide a kaleidoscope of new views. As Moss writes of the collected essays: “Some are big and some are small, some exegetic and some confessional, some stand as major statements and others are sidelong glances; some resonate with the concerns of public discourse and others are private or privileged or impious and provocative. Each consists of many parts, each a design on its own. They speak to each other…they may have come together as one version of what happened.”

When most people think of prisons, they imagine chaos, violence, and fundamentally, an atmosphere of overwhelming brute masculinity. But real prisons rarely fit the “Big House” stereotype of popular film and literature. One fifth of all correctional officers are women, and the rate at which women are imprisoned is growing faster than that of men. Yet, despite increasing numbers of women prisoners and officers, ideas about prison life and prison work are sill dominated by an exaggerated image of men’s prisons where inmates supposedly struggle for physical dominance.

In a rare comparative analysis of men’s and women’s prisons, Dana Britton identifies the factors that influence the gendering of the American workplace, a process that often leaves women in lower-paying jobs with less prestige and responsibility.

In interviews with dozens of male and female officers in five prisons, Britton explains how gender shapes their day-to-day work experiences. Combining criminology, penology, and feminist theory, she offers a radical new argument for the persistence of gender inequality in prisons and other organizations. At Work in the Iron Cage demonstrates the importance of the prison as a site of gender relations as well as social control.

In 1964, Life magazine called Madalyn Murray O’Hair “the most hated woman in America.” Another critic described her as “rude, impertinent, blasphemous, a destroyer not only of beliefs but of esteemed values.”

In this first full-length biography, Bryan F. Le Beau offers a penetrating assessment of O’Hair’s beliefs and actions and a probing discussion of how she came to represent both what Americans hated in their enemies and feared in themselves. Born in 1919, O’Hair was a divorced mother of two children born out of wedlock. She launched a crusade against God, often using foul language as she became adept at shocking people and making effective use of the media in delivering her message. She first gained notoriety as one of the primary litigants in the 1963 case Murray v. Curlett which led the Supreme Court to ban school prayer. The decision stunned a nation engaged in fighting “godless Communism” and made O’Hair America’s most famous—and most despised—atheist.

O’Hair led a colorful life, facing assault charges and extradition from Mexico, as well as the defection of her son William, who as an adult denounced her. She later served as Hustler publisher Larry Flynt’s chief speech writer in his bid for President of the United States.

Drawing on original research, O’Hair’s diaries, and interviews, Le Beau traces her development from a child of the Depression to the dictatorial, abrasive woman who founded the American Atheists, wrote books denouncing religion, and challenged the words “Under God” in the Pledge of Allegiance, “In God We Trust” on American currency, the tax exempt status of religious organizations, and other activities she saw as violating the separation of church and state.

O’Hair remained a spokesperson for atheism until 1995, when she and her son and granddaughter vanished. It was later discovered that they were murdered by O’Hair’s former office manager and an accomplice.

Fast-paced, engagingly written, and sharply relevant to ongoing debates about school prayer and other religious issues, The Atheist tells the colorful life-story of a woman who challenged America’s most deeply held beliefs.

Many people are generally familiar with the fact that Boston was once known as “the Athens of America.” Very few, however, are clear about exactly why, except for their recollections of the famous writers and poets who gave the city a reputation for literature and learning. In this book, historian Thomas H. O’Connor sets the matter straight by showing that Boston’s eminence during the first half of the nineteenth century was the result of a much broader community effort. After the nation emerged from its successful struggle for independence, most Bostonians visualized their city not only as the Cradle of Liberty, but also as the new world’s Cradle of Civilization. According to O’Connor, a leadership elite, composed of men of prominent family background, Unitarian beliefs, liberal education, and managerial experience in a variety of enterprises, used their personal talents and substantial financial resources to promote the cultural, intellectual, and humanitarian interests of Boston to the point where it would be the envy of the nation. Not only did writers, scholars, and philosophers see themselves as part of this process, but so did physicians and lawyers, ministers and teachers, merchants and businessmen, mechanics and artisans, all involved in creating a well-ordered city whose citizens would be committed to the ideals of social progress and personal perfectibility. To accomplish their noble vision, leading members of the Boston community joined in programs designed to cleanse the old town of what they felt were generations of accumulated social stains and human failures, and then to create new programs and more efficient institutions that would raise the cultural and intellectual standards of all its citizens. Like ancient Athens, Boston would be a city of great statesmen, wealthy patrons, inspiring artists, and profound thinkers, headed by members of the “happy and respectable classes” who would assume responsibility for the safety, welfare, and education of the “less prosperous portions of the community.” Designed for the general reader and the historical enthusiast, The Athens of America is an interpretive synthesis that explores the numerous secondary sources that have concentrated on individual subjects and personalities, and draws their various conclusions into a single comprehensive narrative.

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-Franois Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions.First published in French and Greek in 1996, Athens, Still Remains is Derrida's most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: we owe ourselves to death.Reading this phrase through Bonhomme's photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human-and especially the philosopher-is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme's photographs and a narrative of Derrida's 1995 trip to Greece, Athens, Still Remains is one of Derrida's most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography-an eminently Greek word-means the writing of light,and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth-in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

Informed by feminism and the fields of anthropology and sociology of sport, this anthology investigates women’s place in sport and exercise from a sociocultural perspective, documenting women’s struggle into the sports arenas of male hegemony. The nine ethnographic case studies explore issues of identity, embodiment, and meaning in various sports and exercise, including triathlons, aerobics, basketball, bodybuilding, weightlifting, motorcycle riding, softball, casual exercise, and rugby.

Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett a man called "a walking encyclopedia on Atlanta history" by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South's most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades.<p/>

The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880 ranging from the city's founding as "Terminus" through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta's development from 1880 through the 1930s including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city's fortunes in the 1940s, Volume III spans the years of Atlanta's greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city's perimeter, covering the politics at City Hall and the box scores of Atlanta's new baseball team, recounting the changing terms of race relations and the city's growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South's preeminent city.<p/>

Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett a man called "a walking encyclopedia on Atlanta history" by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South's most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades.<p/>

The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880 ranging from the city's founding as "Terminus" through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta's development from 1880 through the 1930s including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city's fortunes in the 1940s, Volume III spans the years of Atlanta's greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city's perimeter, covering the politics at City Hall and the box scores of Atlanta's new baseball team, recounting the changing terms of race relations and the city's growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South's preeminent city.<p/>

Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett a man called "a walking encyclopedia on Atlanta history" by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South's most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades.<p/>

The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880 ranging from the city's founding as "Terminus" through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta's development from 1880 through the 1930s including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city's fortunes in the 1940s, Volume III spans the years of Atlanta's greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city's perimeter, covering the politics at City Hall and the box scores of Atlanta's new baseball team, recounting the changing terms of race relations and the city's growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South's preeminent city.<p/>

Wesleyan University Press has made a significant commitment to the publication of the work of Samuel R. Delany, including this recent fiction, now available in paperback. The three long stories collected in Atlantis: three tales -- "Atlantis: Model 1924," "Erik, Gwen, and D. H. Lawrence's Aesthetic of Unrectified Feeling," and "Citre et Trans" -- explore problems of memory, history, and transgression.

Winner of both the Hugo and Nebula awards, and Guest of Honor at the 1995 World Science Fiction Convention in Glasgow, Delany was won a broad audience among fans of postmodern fiction with his theoretically sophisticated science fiction and fantasy. The stories of Atlantis: three tales are not SF, yet Locus, the trade publication of the science fiction field, notes that the title story "has an odd, unsettling power not usually associated with mainstream fiction."

A writer whose audience extends across and beyond science fiction, black, gay, postmodern, and academic constituencies, Delany is finally beginning to achieve the broader recognition he deserves.

Alice C. Andrews and James W. Fonseca, whose Atlas of American Higher Education was hailed for its unique approach to statistical information and whose research for this new Atlas has been prominently featured in the Wall Street Journal and the Boston Globe, here provide a geographic window onto the most pressing social issues of our time.

Too often, information about America--its culture and politics, affluence and poverty, health and medical care, crime and education--is presented in the form of dry statistics that do not convey critical trends and patterns. In this unprecedented volume, two respected geographers present dozens of maps that depict, at a glance, the topography of America's social well-being. Among the many topics covered are: cultural diversity and immigration; income, poverty and unemployment; lifestyle risks including drug abuse, smoking and auto fatalities; access to medical care; medical costs; status of women, children, and senior citizens; marriage and divorce; teen pregnancy and non-marital births; school dropouts; abortion; death rates from AIDS, cancer, suicide and infant mortality; violent crime and homelessness. The Atlas of American Society maps out a comprehensive picture of an America rarely seen in such breadth.

This book offers an informed and revealing account of NASA’s involvement in the scientific understanding of the Earth’s atmosphere. Since the nineteenth century, scientists have attempted to understand the complex processes of the Earth’s atmosphere and the weather created within it. This effort has evolved with the development of new technologies—from the first instrument-equipped weather balloons to multibillion-dollar meteorological satellite and planetary science programs. Erik M. Conway chronicles the history of atmospheric science at NASA, tracing the story from its beginnings in 1958, the International Geophysical Year, through to the present, focusing on NASA’s programs and research in meteorology, stratospheric ozone depletion, and planetary climates and global warming. But the story is not only a scientific one. NASA’s researchers operated within an often politically contentious environment. Although environmental issues garnered strong public and political support in the 1970s, the following decades saw increased opposition to environmentalism as a threat to free market capitalism. Atmospheric Science at NASA critically examines this politically controversial science, dissecting the often convoluted roles, motives, and relationships of the various institutional actors involved—among them NASA, congressional appropriation committees, government weather and climate bureaus, and the military.

Takes readers behind the headlines into the Manhattan Project at Hanford and the communities that surround it and offers perspectives on today’s controversies in an area now famous for the monumental effort to clean up decades of nuclear waste.

In Atomic Testing in Mississippi, David Allen Burke illuminates the nearly forgotten history of America’s only nuclear detonations east of the Mississippi River. The atomic tests, conducted in the mid-1960s nearly 3,000 feet below ground in Mississippi’s Tatum Salt Dome, posed a potential risk for those living within 150 miles of the site, which included residents of Hattiesburg, Jackson, Gulfport, Biloxi, Mobile, and New Orleans. While the detonations provided the United States with verification methods that helped limit the world’s nuclear arsenals, they sparked widespread public concern. In 1964 and 1966 the Atomic Energy Commission conducted experiments at the salt dome—code-named Dribble—surrounded by a greater population density than any other test site in the United States. Although the detonations were not weapons tests, they fostered a conflict between regional politicians interested in government-funded science projects and a population leery of nuclear testing near their homes. Even today, residents near the salt dome are still fearful of long-term negative health consequences. Despite its controversy, Project Dribble provided the technology needed to detect and assess the performance of distant underground atomic explosions and thus verify international weapons treaty compliance. This technology led to advanced seismological systems that now provide tsunami warnings and detect atomic activity in other nuclear nations, such as Pakistan and North Korea.

Ce livre aborde des questions à la fine pointe de la recherche sur l'attachement durant l'enfance et sur le rôle de l'attachement dans le cours du développement humain, durant les périodes préscolaire et scolaire, de l'adolescence à l'âge adulte.

This report shares results of a regionwide survey undertaken in late 2007 among over 2,000 students from leading universities across ASEAN member countries. The survey addressed questions on whether youths today consider themselves to be citizens of ASEAN; whether the region's youth are enthusiastic or skeptical about ASEAN; how well the region's youth know ASEAN and its members; and their concerns for the Association and the region. Survey findings indicate a nascent sense of ownership and stake in ASEAN, despite some clear differences in knowledge and opinions on the grouping. It is interesting to note that the students agreed on the importance of economic cooperation and addressing poverty and development needs; and share a desire to know more about the region. Responses from the survey provide a useful source of information for ASEAN policy-makers on promoting awareness about ASEAN and the challenges and opportunities the region faces in pursuing regional integration.

The second volume in the Studies in Interpretation series delves further into the intricacies of sign language interpreting in five distinctive chapters. In the first chapter, Lawrence Forestal investigates the shifting attitudes of Deaf leaders toward sign language interpreters. Forestal notes how older leaders think of interpreters as their friends in exchanges, whereas Deaf individuals who attended mainstream schools possessed different feelings about interpreting. Frank J. Harrington observes in his chapter on British Sign Language-English interpreters in higher education that they cannot be viewed in isolation since all participants and the environment have a real impact on the way events unfold. In Chapter Three, Maree Madden explores the prevalence of chronic occupational physical injury among Australian Sign Language interpreters due to the stress created by constant demand and the lack of recognition of their professional rights. Susan M. Mather assesses and identifies regulators used by teachers and interpreters in mainstreaming classrooms. Her study supports other findings, including the success of ethnographic methods in providing insights into human interaction and intercultural communication within classroom settings. The fifth chapter views how interpreters convey innuendo, a complicated undertaking at best. Author Shaun Tray conducts a thorough examination of innuendo in American Sign Language, then points the way toward future research based upon ethnography, gender, and other key factors.

An idealized view of the lifestyle of a Buddhist monk might be described according to the doctrinal demand for emotional detachment and, ultimately, the cessation of all desire. Yet monks are also enjoined to practice compassion, a powerful emotion and equally lofty ideal, and live with every other human feeling—love, hate, jealousy, ambition—while relating to other monks and the lay community. In this important ethnography of Buddhism in Sri Lanka, Jeffrey Samuels takes an unprecedented look at how emotion determines and influences the commitments that laypeople and monastics make to each other and to the Buddhist religion in general. By focusing on "multimoment" histories, Samuels highlights specific junctures in which ideas about recruitment, vocation, patronage, and institution-building are dynamically negotiated and refined. Positing a nexus between aesthetics and affect, he illustrates not only how aesthetic responses trigger certain emotions, but also how personal and shared emotions, at the local level, shape notions of beauty. Samuels uses the voices of informants to reveal the delicately negotiated character of lay-monastic relations and temple management. In the fields of religion and Buddhist studies there has been a growing recognition of the need to examine affective dimensions of religion. His work breaks new ground in that it answers questions about Buddhist emotions and the constitutive roles they play in social life and religious practice through a close, poignant look at small-scale temple and social networks. Throughout, Samuels makes the case for the need to account for emotions in making intelligible the behavior of religious participants and practitioners. Drawing on a decade of fieldwork that includes numerous interviews as well as an examination of written and visual sources, Attracting the Heart conveys the manner in which Buddhists describe their own histories, experiences, and encounters as they relate to the formation and continuation of Buddhist monastic culture in contemporary Sri Lanka. The book will be of interest to scholars and students of religion, Buddhist studies, anthropology, and South and Southeast Asian studies.

Japanese film crews were shooting feature-length movies in China nearly three decades before Akira Kurosawa’s Rashomon (1950) reputedly put Japan on the international film map. Although few would readily associate Japan’s film industry with either imperialism or the domination of world markets, the country’s film culture developed in lock step with its empire, which, at its peak in 1943, included territories from the Aleutians to Australia and from Midway Island to India. With each military victory, Japanese film culture’s sphere of influence expanded deeper into Asia, first clashing with and ultimately replacing Hollywood as the main source of news, education, and entertainment for millions. The Attractive Empire is the first comprehensive examination of the attitudes, ideals, and myths of Japanese imperialism as represented in its film culture. In this stimulating new study, Michael Baskett traces the development of Japanese film culture from its unapologetically colonial roots in Taiwan and Korea to less obvious manifestations of empire such as the semicolonial markets of Manchuria and Shanghai and occupied territories in Southeast Asia. Drawing on a wide range of previously untapped primary sources from public and private archives across Asia, Europe, and the United States, Baskett provides close readings of individual films and trenchant analyses of Japanese assumptions about Asian ethnic and cultural differences. Finally, he highlights the place of empire in the struggle at legislative, distribution, and exhibition levels to wrest the "hearts and minds" of Asian film audiences from Hollywood in the 1930s as well as in Japan’s attempts to maintain that hegemony during its alliance with Nazi Germany and Fascist Italy.

En examinant l'impact des politiques sociales et l'évolution du marché du travail, les auteurs évaluent les pratiques professionnelles d'intervention ainsi que les enjeux suscités par les notions d'intégration et d'insertion des chômeurs, des assistés sociaux, des jeunes de la rue, des toxicomanes et des ex-détenus.

AUDEM: The International Journal of Higher Education and Democracy grows out of the work of the Alliance of Universities for Democracy (AUDEM). AUDEM focuses on the integration of universities at competitive levels into the world academic communities. With this journal, AUDEM adds another tool in its effort to expand opportunities for international collaboration in higher education and to promote the role of higher education in social and civic development.

At the heart of the current surge of interest in religion among contemporary Continental philosophers stands Augustine's Confessions. With Derrida's Circumfession constantly in the background, this volume takes up the provocative readings of Augustine by Heidegger, Lyotard, Arendt, and Ricoeur. Derrida himself presides over and comments on essays by major Continental philosophers and internationally recognized Augustine scholars. While studies on and about Augustine as a philosopher abound, none approach his work from such a uniquely postmodern point of view, showing both the continuing relevance of Augustine and the religious resonances within postmodernism. Posed at the intersection of philosophy, theology, and religious studies, this book will be of interest to scholars and students of Augustine as well as those interested in the invigorating discussion between philosophy, religion, and postmodernism.

Contributors include Geoffrey Bennington, Philippe Capelle, John D. Caputo, Elizabeth A. Clark, Hent de Vries, Jacques Derrida, Jean Bethke Elshtain, Richard Kearney, Catherine Malabou, James O'Donnell, Michael J. Scanlon, and Mark Vessey.

Indiana Series in the Philosophy of Religion -- Merold Westphal, general editor

Augustine and the Cure of Souls situates Augustine within the ancient philosophical tradition of using words to order emotions. Paul Kolbet uncovers a profound continuity in Augustine’s thought, from his earliest pre-baptismal writings to his final acts as bishop, revealing a man deeply indebted to the Roman past and yet distinctly Christian. Rather than supplanting his classical learning, Augustine’s Christianity reinvigorated precisely those elements of Roman wisdom that he believed were slipping into decadence. In particular, Kolbet addresses the manner in which Augustine not only used classical rhetorical theory to express his theological vision, but also infused it with theological content. This book offers a fresh reading of Augustine’s writings—particularly his numerous, though often neglected, sermons—and provides an accessible point of entry into the great North African bishop’s life and thought.

Augustine's Love of Wisdom is an analytical and interpretive focus on the first thirty chapters of book ten of Augustine's Autobiographical Confessions. Bourke provides a rich synthesis of key tenets of Augustine's psychology in the context of his philosophical system and selects the most intensive writing of Augustine on the intricacies of the human psyche, providing the reader with insight on an Augustinian explanatory method, introspection.

Augustine of Hippo is history's best-known Christian convert. The very concept of conversio owes its dissemination to Augustine's Confessions, and yet, as Jason BeDuhn notes, conversion in Augustine is not the sudden, dramatic, and complete transformation of self we likely remember it to be. Rather, in the Confessions Augustine depicts conversion as a lifelong process, a series of self-discoveries and self-departures. The tale of Augustine is one of conversion, apostasy, and conversion again.

In this first volume of Augustine's Manichaean Dilemma, BeDuhn reconstructs Augustine's decade-long adherence to Manichaeism, apostasy from it, and subsequent conversion to Nicene Christianity. Based on his own testimony and contemporaneous sources from and about Manichaeism, the book situates many features of Augustine's young adulthood within his commitment to the sect, while pointing out ways he failed to understand or put into practice key parts of the Manichaean system. It explores Augustine's dissatisfaction with the practice-oriented faith promoted by the Manichaean leader Faustus and the circumstances of heightened intolerance, anti-Manichaean legislation, and pressures for social conformity surrounding his apostasy.

Seeking a historically circumscribed account of Augustine's subsequent conversion to Nicene Christianity, BeDuhn challenges entrenched conceptions of conversion derived in part from Augustine's later idealized account of his own spiritual development. He closely examines Augustine's evolving self-presentation in the year before and following his baptism and argues that the new identity to which he committed himself bore few of the hallmarks of the orthodoxy with which he is historically identified. Both a historical study of the specific case of Augustine and a theoretical reconsideration of the conditions under which conversion occurs, this book explores the role religion has in providing the materials and tools through which self-formation and reformation occurs.

The Augustinian Epic, Petrarch to Milton rewrites the history of the Renaissance Vergilian epic by incorporating the neo-Latin side of the story alongside the vernacular one, revealing how epics spoke to each other "across the language gap" and together comprised a single, "Augustinian tradition" of epic poetry. Beginning with Petrarch's Africa, Warner offers major new interpretations of Renaissance epics both famous and forgotten—from Milton's Paradise Lost to a Latin Christiad by his near-contemporary, Alexander Ross—thereby shedding new light on the development of the epic genre. For advanced undergraduate students, graduate students, and scholars in the fields of Italian, English, and Comparative literatures as well as the Classics and the history of religion and literature.

Whether related by biology, marriage, circumstance, or choice, aunts embody a uniquely flexible familial role. The aunt-niece/nephew relationship—though often overlooked—is critical and complex, one that appears at the core of a resilient, healthy family life.

In this engaging book, Laura Ellingson and Patricia Sotirin construct a consideration of “aunts” that moves from noun to verb. “Aunts” is more than a group of people or a role; instead, “to aunt” is a practice, something people “do.” Some women “aunt” as second mothers, friends, or mentors, while others play more peripheral roles. In either case, aunts nonetheless significantly impact their nieces and nephews’ life choices.

Drawing on personal narratives that represent a rich cross section of society, Ellingson and Sotirin construct a cohesive story of the diversity of aunting experiences in the contemporary United States. Skillfully written, Aunting recovers the enormous potential of this dynamic kinship relationship and offers a model for understanding and supporting the variety of families in society today.

A beginning-level text in the Basque language

A beginning-level text in the Basque language

For the more than fifty years that Democrats controlled the U.S. House of Representatives, leadership was divided between Massachusetts and Texas. When the Speaker was from Texas (or nearby Oklahoma), the Majority Leader was from the Boston area, and when the Speaker was from Boston, the Majority Leader was from Texas.  The Austin-Boston Connection analyzes the importance of the friendships (especially mentor-protégé relationships) and enmities within congressional delegations, regional affinities, and the lynchpin practice of appointing the Democratic Whip.

The origins, evolution and impact of the Australia New Zealand Closer Economic Relations Trade Agreement are examined in this book. ANZCERTA is often referred to as a benchmark for trade agreements. Not only does the book examine the agreement and how it evolved, but it also provides lessons for others, particularly in ASEAN, as they work on regional on bilateral economic relations. The special features of the Agreement are identified, and its evolution is charted. Current debates are reviewed, and assessments of its impact are discussed. Ten lessons for the designers of other agreements are presented.

In this book, Jiro Okamoto explores the development of Australia's foreign economic policy towards ASEAN. He examines in detail decisive factors such as changes in the international and regional environment and the replacement of a dominant policy coalition with another in Australia's domestic policy process. His analysis shows that the shifts in Australia's ASEAN policy have not only closely reflected changes in Australia's overall foreign economic policy orientation, but that Australia's ASEAN policy strongly drove the change at key junctures. His work also offers important insights into the prospect of an "inclusive" economic integration process in East Asia. Although Australia's foreign economic policy has been an important element in regional economic cooperation, its inclusion in the East Asian integration process still remains ambiguous.

Honorable Mention for the 2008 Robert Park Outstanding Book Award given by the ASA's Community and Urban Sociology Section

Mardi Gras, jazz, voodoo, gumbo, Bourbon Street, the French Quarter—all evoke that place that is unlike any other: New Orleans. In Authentic New Orleans, Kevin Fox Gotham explains how New Orleans became a tourist town, a spectacular locale known as much for its excesses as for its quirky Southern charm.

Gotham begins in the aftermath of Hurricane Katrina amid the whirlwind of speculation about the rebuilding of the city and the dread of outsiders wiping New Orleans clean of the grit that made it great. He continues with the origins of Carnival and the Mardi Gras celebration in the nineteenth century, showing how, through careful planning and promotion, the city constructed itself as a major tourist attraction. By examining various image-building campaigns and promotional strategies to disseminate a palatable image of New Orleans on a national scale Gotham ultimately establishes New Orleans as one of the originators of the mass tourism industry—which linked leisure to travel, promoted international expositions, and developed the concept of pleasure travel.

Gotham shows how New Orleans was able to become one of the most popular tourist attractions in the United States, especially through the transformation of Mardi Gras into a national, even international, event. All the while Gotham is concerned with showing the difference between tourism from above and tourism from below—that is, how New Orleans’ distinctiveness is both maximized, some might say exploited, to serve the global economy of tourism as well as how local groups and individuals use tourism to preserve and anchor longstanding communal traditions.

Justin Weir develops a persuasive analysis of the complex relationship between authorial self reflection and literary tradition in three of the most famous Russian novels of the first half of the twentieth century: Bulgakov's The Master and Margarita, Pasternak's Doctor Zhivago, and Nabokov's The Gift. With Weir's innovative interpretation, and its compelling historical, cultural, and theoretical insights, The Author as Hero offers a new view of an important moment in the evolution of Russian literature.

At the end of his long life, Samuel Clemens felt driven to write a truthful account of what he regarded as the flaws in his character and the errors of his ways. His attempt to tell the unvarnished truth about himself is preserved in nearly 250 autobiographical dictations. In order to encourage complete veracity, he decided from the outset that these would be published only posthumously.Nevertheless, Clemens's autobiography is singularly unrevealing. Forrest G. Robinson argues that, by contrast, it is in his fiction that Clemens most fully-if often inadvertently-reveals himself. He was, he confessed, like a cat who labors in vain to bury the waste that he has left behind. Robinson argues that he wrote out of an enduring need to come to terms with his remembered experiences-not to memorialize the past, but to transform it.By all accounts-including his own-Clemens's special curse was guilt. He was unable to forgive himself for the deaths of those closest to him-from his siblings' death in childhood to the deaths of his own children. Nor could he reconcile himself to his role in the Civil War, his part in the duel that prompted his departure from Virginia City in 1864, and-worst of all-his sense of moral complicity in the crimes of slavery.Tracing the theme of bad faith in all of Clemens's major writing, but with special attention to the late work, Robinson sheds new light on a tormented moral life. His book challenges conventional assumptions about the humorist's personality and creativity, directing attention to what William Dean Howells describes as the depths of a nature whose tragical seriousness broke in the laughter which the unwise took for the whole of him.

2008 United States Postal System's Rita Lloyd Moroney Award

In the era before airplanes and e-mail, how did immigrants keep in touch with loved ones in their homelands, as well as preserve links with pasts that were rooted in places from which they voluntarily left? Regardless of literacy level, they wrote letters, explains David A. Gerber in this path-breaking study of British immigrants to the U.S. and Canada who wrote and received letters during the nineteenth century.

Scholars have long used immigrant letters as a lens to examine the experiences of immigrant groups and the communities they build in their new homelands. Yet immigrants as individual letter writers have not received significant attention; rather, their letters are often used to add color to narratives informed by other types of sources.

Authors of Their Lives analyzes the cycle of correspondence between immigrants and their homelands, paying particular attention to the role played by letters in reformulating relationships made vulnerable by separation. Letters provided sources of continuity in lives disrupted by movement across vast spaces that disrupted personal identities, which depend on continuity between past and present. Gerber reveals how ordinary artisans, farmers, factory workers, and housewives engaged in correspondence that lasted for years and addressed subjects of the most profound emotional and practical significance.

Widely recognized by contemporaries as the most powerful theologian of his generation, Jean Gerson (1363-1429) dominated the stage of western Europe during a time of plague, fratricidal war, and religious schism. Yet modern scholarship has struggled to define Gerson's place in history, even as it searches for a compelling narrative to tell the story of his era.

Daniel Hobbins argues for a new understanding of Gerson as a man of letters actively managing the publication of his works in a period of rapid expansion in written culture. More broadly, Hobbins casts Gerson as a mirror of the complex cultural and intellectual shifts of the fourteenth and fifteenth centuries. In contrast to earlier theologians, Gerson took a more humanist approach to reading and to authorship. He distributed his works, both Latin and French, to a more diverse medieval public. And he succeeded in reaching a truly international audience of readers within his lifetime. Through such efforts, Gerson effectively embodies the aspirations of a generation of writers and intellectuals. Removed from the narrow confines of late scholastic theology and placed into a broad interdisciplinary context, his writings open a window onto the fascinating landscape of fifteenth-century Europe.

The picture of late medieval culture that emerges from this study is neither a specter of decaying scholasticism nor a triumphalist narrative of budding humanism and reform. Instead, Hobbins describes a period of creative and dynamic growth, when new attitudes toward writing and debate demanded and eventually produced new technologies of the written word.

Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.

The history of automobiles is not just the story of invention, manufacturing, and marketing; it is also a story of repair. Auto Mechanics opens the repair shop to historical study—for the first time—by tracing the emergence of a dirty, difficult, and important profession. Kevin L. Borg's study spans a century of automotive technology—from the horseless carriage of the late nineteenth century to the "check engine" light of the late twentieth. Drawing from a diverse body of source material, Borg explores how the mechanic’s occupation formed and evolved within the context of broad American fault lines of class, race, and gender and how vocational education entwined these tensions around the mechanic’s unique expertise. He further shows how aspects of the consumer rights and environmental movements, as well as the design of automotive electronics, reflected and challenged the social identity and expertise of the mechanic. In the history of the American auto mechanic, Borg finds the origins of a persistent anxiety that even today accompanies the prospect of taking one's car in for repair.

A troubled childhood in Iran. Living with a disability. Grieving for a dead child. Over the last forty years the comic book has become an increasingly popular way of telling personal stories of considerable complexity and depth.

In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. The book considers eighty-five works of North American and European provenance, works that cover a broad range of subject matters and employ many different artistic styles.

Drawing on concepts from several disciplinary fields--including semiotics, literary and narrative theory, art history, and psychology--El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image. The comics medium also offers memoirists unique ways of representing their experience of time, their memories of past events, and their hopes and dreams for the future. Furthermore, autobiographical comics creators are able to draw on the close association in contemporary Western culture between seeing and believing in order to persuade readers of the authentic nature of their stories.

Examines the nature of autobiographical writing by Jews from antiquity to the present, and the ways in which such writings can legitimately be used as sources for Jewish history. Drawing on current literary theory, which questions the very nature of autobiographical writing and its relationship to what we normally designate as truth, Michael Stanislawski analyzes a small number of autobiographies written by Jews.

Auto/biography in Canada: Critical Directions widens the field of auto/biography studies with its sophisticated multidisciplinary perspectives on the theory, criticism, and practice of self, community, and representation. Rather than considering autobiography and biography as discrete genres with definable properties, and rather than focusing on critical approaches, the essays explore auto/biography as a discourse about identity and representation in the context of numerous disciplinary shifts. Auto/biography in Canada looks at how life narratives are made in Canada .

Originating from literary studies, history, and social work, the essays in this collection cover topics that range from queer Canadian autobiography, autobiography and autism, and newspaper death notices as biography, to Canadian autobiography and the Holocaust, Grey Owl and authenticity, France Théoret and autofiction, and a new reading of Stolen Life, the collaborative text by Yvonne Johnson and Rudy Wiebe.

Julie Rak’s useful “big picture” introduction traces the history of auto/biography studies in Canada. While the contributors chart disciplinary shifts taking place in auto/biography studies, their essays are also part of the ongoing scholarship that is remaking ways to understand Canada.

Printer and publisher, author and educator, scientist and inventor, statesman and philanthropist, Benjamin Franklin was the very embodiment of the American type of self-made man. In 1771, at the age of 65, he sat down to write his autobiography, "having emerged from the poverty and obscurity in which I was born and bred to a state of affluence and some degree of reputation in the world, and having gone so far through life with a considerable share of felicity." The result is a classic of American literature.

On the eve of the tercentenary of Franklin's birth, the university he founded has selected the Autobiography for the Penn Reading Project. Each year, for the past fifteen years, the University of Pennsylvania has chosen a single work that the entire incoming class, and a large segment of the faculty and staff, read and discuss together. For this occasion the University of Pennsylvania Press will publish a special edition of Franklin's Autobiography, including a new preface by University president Amy Gutmann and an introduction by distinguished scholar Peter Conn. The volume will also include four short essays by noted Penn professors as well as a chronology of Franklin's life and the text of Franklin's Proposals Relating to the Education of Youth in Pennsylvania, a document resulting in the establishment of an institution of higher education that ultimately became the University of Pennsylvania.

No area of human endeavor escaped Franklin's keen attentions. His ideas and values, as Amy Gutmann notes in her remarks, have shaped the modern University of Pennsylvania profoundly, "more profoundly than have the founders of any other major university of college in the United States." Franklin believed that he had been born too soon. Readers will recognize that his spirit lives on at Penn today.

Essay contributors: Richard R. Beeman, Paul Guyer, Michael Weisberg, and Michael Zuckerman.

In 1821, at the age of seventy-seven, Thomas Jefferson decided to "state some recollections of dates and facts concerning myself." His ancestors, Jefferson writes, came to America from Wales in the early seventeenth century and settled in the Virginia colony. Jefferson's father, although uneducated, possessed a "strong mind and sound judgement" and raised his family in the far western frontier of the colony, an experience that contributed to his son's eventual staunch defense of individual and state rights.

Jefferson attended the College of William and Mary, entered the law, and in 1775 was elected to represent Virginia at the Continental Congress in Philadelphia, an event that propelled him to all of his future political fortunes. Jefferson's autobiography continues through the entire Revolutionary War period, and his insights and information about persons, politics, and events—including the drafting of the Declaration of Independence, his service in France with Benjamin Franklin, and his observations on the French Revolution—are of immense value to both scholars and general readers. Jefferson ends this account of his life at the moment he returns to New York to become secretary of state in 1790.

Complementing the other major autobiography of the period, Benjamin Franklin's, The Autobiography of Thomas Jefferson, reintroduced for this edition by historian Michael Zuckerman, gives us a glimpse into the private life and associations of one of America's most influential personalities. Alongside Jefferson's absorbing narrative of how compromises were achieved at the Continental Congress are comments about his own health and day-to-day life that allow the reader to picture him more fully as a human being. Throughout, Jefferson states his opinions and ideas about many issues, including slavery, the death penalty, and taxation. Although Jefferson did not carry this autobiography further into his eventual presidency, the foundations for all of his thoughts are here, and it is in these pages that Jefferson lays out what to him was his most important contribution to his country, the creation of a democratic republic.

Winner of the Publication Award for Popular Culture and Entertainment for 2009 from the Metropolitan Chapter of the Victorian Society in America

Named to Pop Matters list of the Best Books of 2009 (Non-fiction)

From the lights that never go out on Broadway to its 24-hour subway system, New York City isn't called "the city that never sleeps" for nothing. Both native New Yorkers and tourists have played hard in Gotham for centuries, lindy hopping in 1930s Harlem, voguing in 1980s Chelsea, and refueling at all-night diners and bars. The slim island at the mouth of the Hudson River is packed with places of leisure and entertainment, but Manhattan's infamously fast pace of change means that many of these beautifully constructed and incredibly ornate buildings have disappeared, and with them a rich and ribald history.

Yet with David Freeland as a guide, it's possible to uncover skeletons of New York's lost monuments to its nightlife. With a keen eye for architectural detail, Freeland opens doors, climbs onto rooftops, and gazes down alleyways to reveal several of the remaining hidden gems of Manhattan's nineteenth- and twentieth-century entertainment industry. From the Atlantic Garden German beer hall in present-day Chinatown to the city's first motion picture studio—Union Square's American Mutoscope and Biograph Company—to the Lincoln Theater in Harlem, Freeland situates each building within its historical and social context, bringing to life an old New York that took its diversions seriously. Freeland reminds us that the buildings that serve as architectural guideposts to yesteryear's recreations cannot be re-created—once destroyed they are gone forever. With condominiums and big box stores spreading over city blocks like wildfires, more and more of the Big Apple's legendary houses of mirth are being lost. By excavating the city's cultural history, this delightful book unearths some of the many mysteries that lurk around the corner and lets readers see the city in a whole new light.

Les nationalismes catalan, québécois et canadien - Le Québec, ses régions et la décentralisation - Le libre-échange - Le droit international à l'information face aux technologies de communication - Le marketing au Québec - Politique culturelle et gestion de la culture - Autonomie politique et conflit linguistique - Sentiment national et langue - Perspective culturelle.

Armed separatist insurgencies have created a real dilemma for many national governments of how much freedom to grant aggrieved minorities without releasing territorial sovereignty over the nation-state. This book examines different approaches that have been taken by seven states in South and Southeast Asia to try and resolve this dilemma through various offers of autonomy. Providing new insights into the conditions under which autonomy arrangements exacerbate or alleviate the problem of armed separatism, this comprehensive book includes in-depth analysis of the circumstances that lead men and women to take up arms in an effort to remove themselves from the state’s borders by creating their own independent polity.

This volume brings together leading philosophers of Judaism on the issue of autonomy in the Jewish tradition. Addressing themselves to the relationship of the individual Jew to the Jewish community and to the world at large, some selections are systematic in scope, while others are more historically focused. The authors address issues ranging from the earliest expressions of individual human fulfillment in the Bible and medieval Jewish discussions of the human good to modern discussions of the necessity for the Jew to maintain both a Jewish sensibility as well as an active engagement in the modern pluralistic state. Contributors include Eugene Borowitz, Elliot N. Dorff, Daniel H. Frank, Robert Gibbs, Lenn E. Goodman, Ze’ev Levy, Kenneth Seeskin, and Martin D. Yaffe.

Demands for "autonomy" or minority rights have given rise to conflicts, often violent, in every region of the world and under every political system. Through an analysis of contemporary international legal norms and an examination of several specific case studies—including Hong Kong, India, the transnational problems of the Kurds and Saamis, Nicaragua, Northern Ireland, Spain, Sri Lanka, and the Sudan—this book identifies a framework in which ethnic, religious, and regional conflicts can be addressed.

En tenant compte des perspectives de géographes et de communicologues, tant Français que Québécois, les auteurs présentent la problématique des rapports entre territoires et techniques de communication. Ils analysent ensuite des cas spécifiques d'expérimentation des TIC en France et au Québec (Parthenay, Hiérapolis, UBI, etc.) observés, tour à tour de l'intérieur et de l'extérieur et, finalement, s'interrogent sur la position des villes et des régions dans le développement des autoroutes de l'information.

Qu’est-ce que le merveilleux? Quelles sont ses origines? Comment traverse-t-il les époques et les contrées? Et pourquoi les enfants semblent-ils aussi aptes à le percevoir? Motivée par ces questions, l’auteure retrace le caractère intemporel du merveilleux et l’une de ses figures prééminentes, le conte pour enfants. Porté par un corpus scientifique multidisciplinaire, l’ouvrage mène le lecteur dans un périple fascinant sur le chemin des fées et à travers les principales recherches consacrées aux récits de merveille. Ce voyage remonte aux balbutiements de la conscience narrative, met en relief les fondements d'une grammaire fantastique ontologique et suit l'évolution du conte entre oralité et écrit, tout en faisant la lumière sur le pouvoir subversif de la féerie. En outre, cette traversée de l’autre côté du miroir sonde les résonnances profondes qu’éveillent les histoires fabuleuses jusque dans les plis et replis de l'inconscient. Sans jamais perdre le fil de ce qui alimente le merveilleux et lui donne substance, c’est toute la portée initiatique salutaire des contes qui se voit restituée avec un regard actuel.Au fil des pages, des images viennent ponctuer le travail d’analyse, offrant une relance créatrice au propos. Empreints de poésie et de candeur expressive, ces trompe-l’œil oniriques, œuvres originales de l’auteure, invitent à des plongées dans la rêverie grouillante et bigarrée de l’imaginaire enfantin.Des clés pour décrypter les mécanismes de l’enchantement dans un monde où le merveilleux se révèle à la fois noyau et espoir de l’humanité

T. R. Hummer grew up in the Deep South and planned to become a musician before he met poetry. This musical influence is visible in his work: he often discusses poetry together with music (and sometimes the other way around), and his career has included both writing and performance. The present volume, Available Surfaces, focuses on the art of making both poetry and music and on the concept of "making" as well. Hummer draws on childhood experiences (“A Length of Hemp Rope”), adult experiences (“Hotel California”), experiences as a poet (“Available Surfaces”), and experiences as an explorer of unworldly spaces (“The Hive,” “Brain Wave and the End of Science Fiction”). Hummer has published eight volumes of poetry with presses including Louisiana State University Press and the University of Illinois Press. His work has appeared in two anthology volumes published by Simon & Schuster and Cengage and in two Pushcart Prize anthologies. He has edited the Kenyon Review, the Georgia Review, and the Cimarron Review, among other journals.

Aviation performance is an important cog in modern globalized economies, which demand flexibility, mobility, efficiency, and dependability. Airport delays have gone from being a nuisance to being a salient public concern, drawing the ire of even the White House. In this important book, international transportation experts compare and contrast how different nations have managed their airports and air traffic control systems and how well they are meeting the needs of their people. The book's cross-national approach encompasses several different institutional arrangements, making it a timely and valuable study in comparative political economy. Among the countries studied, the United States is sometimes seen as a bastion of free markets, at the forefront of airline deregulation, but its airports and air traffic control system are publicly owned and operated. The same is true in continental Europe, for the most part. In contrast, Australia, New Zealand, the United Kingdom, and Canada are experimenting with privatization, while even mainland China is allowing the private sector to participate in airport ownership. Which methods work best, and under what circumstances? This book provides the answers.

Avocations collects the best of Sam Hamill's prose on poetry over the last 18 years, presenting insightful readings of Kenneth Rexroth, Denise Levertov, Odysseas Elytis, Matsuo Basho, Kobayashi Issa, John Logan and many others together with critical commentary on poetry in translation and the practice of poetry in general.

Avodah: Ancient Poems for Yom Kippur is the first major translation of one of the most important genres of the lost literature of the ancient synagogue. Known as the Avodah piyyutim, this liturgical poetry was composed by the synagogue poets of fifth- to ninth-century Palestine and sung in the synagogues on Yom Kippur, the Day of Atonement. Although it was suppressed by generations of rabbis, its ornamental beauty and deep exploration of sacred stories ensured its popularity for centuries. Piyyut literature can teach us much about how ancient Jews understood sacrifice, sacred space, and sin. The poems are also a rich source for retrieving myths and symbols not found in the conventional Rabbinic sources such as the Talmuds and Midrash. Moreover, these compositions rise to the level of fine literature. They are the products of great literary effort, continue and extend the tradition of biblical parallelism, and reveal the aesthetic sensibilities of the Mediterranean in Late Antiquity.tAvodah: Ancient Poems for Yom Kippur is the first volume in The Penn State Library of Jewish Literature, overseen by Baruch Halpern and Aminadav Dykman. This series will constitute a library of primary source material for the Jewish and Hebrew literary traditions. The library will present Jewish and Hebrew works from all eras and cultures, offering both scholars and general readers original, modern translations of previously overlooked texts.

As the first comprehensive study of Irish American poetry ever published, Awake in America seeks to establish a conversation between Irish and Irish American literature that challenges many of the long-accepted boundaries between the two. In this distinctive book, Daniel Tobin presents a series of essays that combine poetry and literary criticism to form what he calls the poet’s essay. The first section of Awake in America reconsiders the dual tradition of Irish poetry through discussions of nineteenth- and twentieth-century poets as well as contemporary writers. The second section features a series of shorter chapters on poets in America. The third section explores the theme of “Crossings” and includes a consideration of Irish American and African American literature. The fourth, and final, section is comprised of a compositional memoir in which Tobin explores the role of hidden history in his own long poem, The Narrows. Awake in America offers an innovative reading of literary tradition in light of the routes by which tradition evolves as well as the roots from which tradition originates. It will be welcomed by poetry aficionados and by all scholars and readers of Irish and Irish American literature.

Awakening Warrior argues for a revolution in the ethics of warfare for the American War Machine—those political and military institutions that engage the world with physical force. Timothy L. Challans focuses on the systemic, institutional level of morality rather than bemoaning the moral shortcomings of individuals. He asks: What are the limits of individual moral agency? What kind of responsibility do individuals have when considering institutional moral error? How is it that neutral or benign moral actions performed by individuals can have such catastrophic morally negative effects from a systemic perspective? Drawing upon and extending the ethical theories of Kant, Dewey, and Rawls, Challans makes the case for an original set of moral principles to guide ethical action on the battlefield. “…[Challans’s] call for reformation combined with a demand for a new set of moral principles to govern the ethical behavior on the battlefield is certain to garner the attention and ire of many readers and military leaders.” — Parameters “This is an important book that needs to be read and taken seriously. If it is, it could be as revolutionary as its subtitle suggests.” — CHOICE

One of the most often repeated anecdotes about the direction of literary studies over the past three decades concerns a graduate student who complained of reading Kate Chopin’s The Awakening in three classes and Herman Melville’s Moby-Dick in none. But Chopin has not always been featured in the literary curriculum. Though she achieved national success in her lifetime (1850–1904) as a writer of Louisiana “local color” fiction, after her death her work fell into obscurity until 1969, when Norwegian literary scholar Per Seyersted published The Complete Works of Kate Chopin and sparked a remarkable American literary revival. Chopin soon became a major presence in the canon, and today every college textbook surveying American literature contains a Chopin short story, her novel The Awakening, or an excerpt from it. In this unique work, twelve prominent Chopin scholars reflect on their parts in the Kate Chopin revival and its impact on their careers. A generation ago, against powerful odds, many of them staked their reputations on the belief—now fully validated—that Chopin is one of America’s essential writers. These scholars energetically sponsored Chopin’s works in the 1970s and 1980s and encouraged reading, studying, and teaching Chopin. They wrote books and articles about her, gave talks about her, offered interviews to newspapers and magazines, taught her works in their classes, and urged their colleagues to do the same, helping to build a network of teachers, students, editors, journalists, librarians, and others who continue to promote Chopin’s work. Throughout, these essays stress several elements vital to the revival’s success. Timing proved critical, as the rise of the women’s movement and the emergence of new sexual norms in the 1960s helped set an ideal context for Chopin in the United States and abroad in the 1970s and 1980s. Seyersted’s biography of Chopin and his accurate texts of her entire oeuvre allowed scholars to quickly publish their analyses of her work. Popular media—including Redbook, New York Times, and PBS—took notice of Chopin and advanced her work outside the scholarly realm. But in the final analysis, as the contributors point out, Kate Chopin’s irresistible writing itself made her revival possible. Highly personal, at times amusing, and always thought provoking, these revealing recollections and new critical insights offer a fascinating firsthand account of a decisive moment in American literary history.

In March 2009, the Association of Women for Action and Research (AWARE) was briefly taken over by a Christian faction. Their coup was overturned within a matter of weeks, but the episode highlighted a variety ofissues, including the role of religion in civil society, sex education, homosexuality, state intervention and media engagement. Although the immediate issue was control of an activist group concerned with women's rights, it has implications for the agendas and concerns of NGOs, "culture wars", the processes of citizenry mobilization, mass participation and noisy democracy, and liberal voices in contemporary Singapore. In this book, academics and public intellectuals examine the AWARE saga within the context of Singapore's civil society, considering the political and historical background and how the issues it raised relate to contemporary societal trends. In addition to documenting a milestone event for Singapore's civil society, the authors offer provocative interpretations that will interest a broad range of readers.

The term anamorphosis, from the greek ana (again) and morphe (shape), designates a variety of perspective experiments that can be traced back to the artistic developments of the 1500's and 1600's. Anamorphic devices challenge viewers to experience different forms of perceptual oscillation and uncertainty. Images shift in front of the eyes of puzzled spectators as they move from the center of the representation to the margins, or from one side to the other. (A) Wry Views demonstrates that much of the literature of the Spanish Golden Age is susceptible, and indeed requires, oblique readings (as in anamorphosis).

Azalea aims to promote Korean literature among English-language readers. The first volume includes works of several contemporary Korean writers and poets, as well as essays and book reviews by Korean studies professors in the United States. Azalea will introduce to the world new writers and also promising translators. The journal will provide the academic community of Korean studies with well-translated texts for college classes. Writers from elsewhere in the world will also share their experience of Korean literature or culture with wider audiences.

Donato Francesco Mattera has been celebrated as a journalist, editor, writer and poet. He is also acknowledged as one of the foremost activists in the struggle for a democratic South Africa, and helped to found both the Union of Black Journalists, the African Writer's Association and the Congress of South African Writers. Born in 1935 in Western Native Township (now Westbury) across the road from Sophiatown, Mattera can lay claim to an intriguingly diverse lineage: his paternal grandfather was Italian, and he has Tswana, Khoi-Khoi and Xhosa blood in his veins.

"Aztec Ceremonial Landscapes provides a pregnant opportunity to integrate specific Mesoamerican materials into the wider discussions of major theoretical issues in the general and comparative history of religions."—History of Religions

A result of four years of cooperative research between the University of Colorado and the Templo Mayor Project of Mexico's National Institute of Anthropology and History, Aztec Ceremonial Landscapes (formerly available as To Change Place) offers new interpretive models from the fields of archaeoastronomy, history of religion, anthropology, art history, and archaeology.

In villages and towns across Spain and its former New World colonies, local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The performances officially celebrate the triumph of Spanish Catholicism over its enemies. Such an explanation does not, however, account for the tradition’s persistence for more than five hundred years nor for its widespread diffusion. In this perceptive book, Max Harris seeks to understand the "puzzling and enduring passion" of both Mexicans and Spaniards for festivals of moros y cristianos. He begins by tracing the performances’ roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been part of pre-contact Aztec calendar rituals. Then, using James Scott’s distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Finally, he documents the early arrival of native American performance practices in Europe and the shift of moros y cristianos from court to folk tradition in Spain. Even today, as lively descriptions of current festivals make plain, mock battles between Aztecs, Moors, and Christians remain a remarkably sophisticated vehicle for the communal expression of dissent.