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Abrégé des règles de grammaire et d'orthographe (ARGO) Cover

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Abrégé des règles de grammaire et d'orthographe (ARGO)

Un petit ouvrage facile à consulter qui répond rapidement aux principales questions que tout utilisateur du français se pose au moment de la rédaction : majuscules, participes passés, trait d’union, pluriel des noms composés, accord des adjectifs marquant la couleur, concordance des temps. L’auteure, qui n’en est pas à ses premières armes dans ce domaine, a mis l’accent sur la simplicité et sur la logique sous-jacente des règles de grammaire.

Abrégé sur les méthodes de recherche et la recherche expérimentale Cover

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Abrégé sur les méthodes de recherche et la recherche expérimentale

Manuel de référence dans un cours d'initiation à la recherche de premier ou de deuxième cycle, l'Abrégé a été écrit dans un style concis et rigoureux. Il offre à l'utilisateur une vue d'ensemble et les principaux outils de la méthodologie scientifique. De la question de recherche jusqu'à la vérification de l'hypothèse : nature des variables en jeu, techniques de contrôle, effets pervers et méthodes d'insu, choix des instruments de mesure, modes d'échantillonnage et nombre de sujets, plans d'expérience, techniques de contrebalancement, l'auteur décrit, une à une, les étapes de la réalisation d'une recherche.

Abroad for Her Country Cover

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Abroad for Her Country

Tales of a Pioneer Woman Ambassador in the U.S. Foreign Service

Jean M. Wilkowski

In Abroad for Her Country, Jean M. Wilkowski shares the story of her extraordinary career in the U.S. Foreign Service during the last half of the twentieth century. Born in an era when few women sought professional careers, Wilkowski graduated from Saint Mary-of-the-Woods College and the University of Wisconsin and then rose through the ranks at the Department of State, from Vice Consul to the first woman U.S. Ambassador to an African country and the first woman acting U.S. Ambassador in Latin America. During her thirty-five-year diplomatic career, Wilkowski was sent first as a vice consul to the Caribbean during World War II, when the Department of State was “even taking in 4-Fs and women.” She moved on to more challenging assignments in Latin America and Europe. For much of her career, she specialized in protecting and promoting U.S. trade and investment interests in such posts as Paris, Milan, Rome, Santiago, and Geneva. She also served during a revolution in Bogotá, attacks on the U.S. Embassy in Tegucigalpa, and the war between El Salvador and Honduras, when she called in U.S. humanitarian aid for 50,000 war-displaced persons. In 1977 she became coordinator of the U.S. preparation for the 1979 United Nations Conference on Science and Technology in Vienna. She worked closely with Notre Dame president Theodore Hesburgh, head of the U.S. delegation, and accompanied the delegation on its fact-finding visit to the Peoples’ Republic of China.

Absence And Light Cover

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Absence And Light

Meditations From The Klamath Marshes

The Absence of Grand Strategy Cover

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The Absence of Grand Strategy

The United States in the Persian Gulf, 1972–2005

Steve A. Yetiv

Great powers and grand strategies. It is easy to assume that the most powerful nations pursue and employ consistent, cohesive, and decisive policies in trying to promote their interests in regions of the world. Popular theory emphasizes two such grand strategies that great powers may pursue: balance of power policy or hegemonic domination. But, as Steve A. Yetiv contends, things may not always be that cut and dried. Analyzing the evolution of the United States' foreign policy in the Persian Gulf from 1972 to 2005, Yetiv offers a provocative and panoramic view of American strategies in a region critical to the functioning of the entire global economy. Ten cases—from the policies of the Nixon administration to George W. Bush's war in Iraq—reveal shifting, improvised, and reactive policies that were responses to unanticipated and unpredictable events and threats. In fact, the distinguishing feature of the U.S. experience in the Gulf has been the absence of grand strategy. Yetiv introduces the concept of "reactive engagement" as an alternative approach to understanding the behavior of great powers in unstable regions. At a time when the effects of U.S. foreign policy are rippling across the globe, The Absence of Grand Strategy offers key insight into the nature and evolution of American foreign policy in the Gulf.

Absence of Myth, The Cover

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Absence of Myth, The

In this provocative work, Sophia Heller challenges the assumption that we cannot be without myth, that myth is necessary to vital, soulful living. Indeed, Heller argues, we have been living in a world without myth for a long time. The Absence of Myth examines the loss of a religious mode of being-in-the-world and demonstrates how theorists who insist on the presence of myth deny its historical end. Absence of myth may seem obvious: evidenced by our lack of cult and ritual, and by our de-animated natural world, as well as in the emergence of conceptual thought and psychological awareness, which could only arise with the dissolution of a prereflective (mythic) mode of being-in-the-world. But what appears to be straightforward becomes complicated when myth is intentionally conflated with thought and reflection, usually in the attempt to cultivate a “mythic consciousness” that aims to restore meaning to life and assuage the spiritual malaise of contemporary culture. Myth cannot rest in peace. It must be continually unearthed, redefined, and recontextualized such that modern and postmodern notions of myth are made to substitute for something that has never been experienced, only imagined.

Absent. The English Teacher Cover

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Absent. The English Teacher

The English Teacher

When Mr George loses his job teaching English at a private secondary school in Bulawayo, ëhis pension payout, after forty years of full-time service, bought him two jam doughnuts and a soft tomato.í When he backs his uninsured white Ford Escort into a brand new Mercedes Benz, the out-of-court settlement sees him giving up his house to the complainant, Beauticious Nyamayakanuna, and becoming her domestic servant. Through the prism of this engaging post-colonial role reversal, and spiced with Georgeís lessons on Shakespeare, John Eppel draws down the curtain on one particular white man in Africa. But before itís time to go, George will delight us with the antics of his literature classes; his various arrests ñ all timed to coincide with the police chiefís need for help with essays on Hamlet and A Grain of Wheat; his keen eye for flora and fauna; and the long trek back through the hundred years of his familyís Zimbabwean past, as he returns an abandoned child to her home. Eppel has satirized the racial politics of southern Africa in many of his previous novels. In Absent: The English Teacher he turns his gaze inwards for a generous and richly rewarding parody of the land of his birth.

Absentee Indians & Other Poems Cover

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Absentee Indians & Other Poems

Kimberly Blaeser

Absentee Indians and Other Poems evokes personal yet universal experiences of the places that Native Americans call home, their family and national histories, and the emotional forces that help forge Native American identities. These are poems of exile, loss, and the celebration of that which remains. Anchored in the physical landscape, Blaeser’s poetry finds the sacred in those ordinary actions that bind a community together. As Blaeser turns to the mysterious passage from sleeping to wakefulness, or from nature to spirit, she reveals not merely the movement from one age or place to another, but the movement from experience to vision.

Absolute Artist Cover

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Absolute Artist

The Historiography of a Concept

Catherine M. Soussloff

The myth of the artist-genius has long had a unique hold on the imagination of Western culture. Iconoclastic, temperamental, and free from the constraints of society, these towering figures have been treated as fixed icons regardless of historical context or individual situation. In The Absolute Artist, Catherine M. Soussloff challenges this view in an engaging consideration of the social construction of the artist from the fifteenth century to the present.

Traditional art history has held that the concept of the artist-genius arose in the Enlightenment. Soussloff disputes this, arguing that earlier writings—artists’ biographies written as long ago as the early fifteenth century-determined and continue to determine our understanding of the myth of the artist. Moving chronologically, Soussloff shifts from fifteenth-century Florence to nineteenth-century Germany, the birthplace of the discipline of art history in its academic form, and considers the cultural historiography of Aby Warburg and Jacob Burckhardt. She discusses intellectual life in early-twentieth-century Vienna, demonstrating the rich cross-fertilization that occurred between art history and psychoanalysis, and scrutinizes the historical situation of Jewish art historians and psychoanalysts in Vienna in the 1930s, considering the impact of exile and an assimilationist ethic on the discourse of art history.

Soussloff concludes with a groundbreaking analysis of one of the earliest and most persistent elements of biography, the “artist anecdote,” demonstrating that it is essential in the construction of the figure of the artist. Singular in its breadth and ambition, The Absolute Artist is the first book to analyze the artist’s biography as a rhetorical form and literary genre rather than as an unassailable source of fact and knowledge.

Absolute Delusion, Perfect Buddhahood Cover

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Absolute Delusion, Perfect Buddhahood

The Rise and Fall of a Chinese Heresy

Jamie Hubbard

In spite of the common view of Buddhism as nondogmatic and tolerant, the historical record preserves many examples of Buddhist thinkers and movements that were banned as heretical or subversive. The San-chieh (Three Levels) was a popular and influential Chinese Buddhist movement during the Sui and T’ang periods, counting powerful statesmen, imperial princes, and even an empress, Empress Wu, among its patrons. In spite, or perhaps precisely because, of its proximity to power, the San-chieh movement ran afoul of the authorities and its teachings and texts were officially proscribed numerous times over a several-hundred-year history. Because of these suppressions San-chieh texts were lost and little information about its teachings or history is available. The present work, the first English study of the San-chieh movement, uses manuscripts discovered at Tun-huang to examine the doctrine and institutional practices of this movement in the larger context of Mahayana doctrine and practice. By viewing San-chieh in the context of Mahayana Buddhism, Hubbard reveals it to be far from heretical and thereby raises important questions about orthodoxy and canon in Buddhism. He shows that many of the hallmark ideas and practices of Chinese Buddhism find an early and unique expression in the San-chieh texts.

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