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Anselm of Canterbury and the Desire for the Word Cover

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Anselm of Canterbury and the Desire for the Word

Eileen C. Sweeney

Sweeney's study offers a comprehensive picture of Anselm's thought and its development, from the early, intimate, monastically based meditations to the later, public, proto-scholastic disputations

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Answerable Style

The Idea of the Literary in Medieval England

Edited by Frank Grady and Andrew Galloway

Renewed interest in aesthetics, in form, and the idea of the literary has led some scholars to announce the arrival of a “new formalism,” but the provisional histories of such a critical rebirth tend to begin well after the beginning, paying scant attention to medieval literary scholarship, much less the Middle Ages. The essays in Answerable Style: The Idea of the Literary in Medieval England offer a collective rebuke to the assumption that any such aesthetic turn can succeed without careful attention to the history and criticism of “the medieval literary.” Taking as their touchstone the influential work of Anne Middleton, whose searching explorations of the dialectical intersection of form and history in Middle English writing lie at the heart of the medievalist’s literary critical enterprise, the essays in this volume address the medieval idea of the literary, with special focus on the poetry of Chaucer, Langland, and Gower. The essays, by a notable array of medievalists, range from the “contact zones” between clerical culture and vernacular writing, to manuscript study and its effects on the modalities of “persona” and voicing, to the history of emotion as a basis for new literary ideals, to the reshapings of the genre of tragedy in response to late-medieval visions of history, and finally to the relations between poets writing in different medieval vernaculars. With this unusually broad yet thematically complementary set of essays, Answerable Style offers a set of key critical and historical reference points for questions currently preoccupying literary study.

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Antidiets of the Avant-Garde

From Futurist Cooking to Eat Art

Cecilia Novero

Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.

Starting from the premise that avant-garde art involves the questioning of bourgeois aesthetics, Novero demonstrates that avant-garde artists, writers, and performers have produced an oppositional aesthetics of indigestible art. Through the rhetoric of incorporation and consumption and the use of material ingredients in their work, she shows, avant-garde artists active in the 1920s and 1930s as well as the neo-avant-garde movements engaged critically with consumer culture, memory, and history.

Attention to food in avant-garde aesthetics, Novero asserts, reveals how these works are rooted in a complex temporality that associates memory and consumption with dynamics of change.

Antigone Cover

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Sophocles; A verse translation by David Mulroy, with introduction and notes

Sophocles’ Antigone ranks with his Oedipus Rex as one of world literature’s most compelling dramas. The action is taut, and the characters embody universal tensions: the conflict of youth with age, male with female, the state with the family. Plot and character come wrapped in exquisite language. Antagonists trade polished speeches, sardonic jibes and epigrammatic truisms and break into song at the height of passion.
    David Mulroy’s translation of Antigone faithfully reproduces the literal meaning of Sophocles’ words while also reflecting his verbal pyrotechnics. Using fluid iambic pentameters for the spoken passages and rhyming stanzas for the songs, it is true to the letter and the spirit of the great Greek original.

Antiphon and Andocides Cover

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Antiphon and Andocides

Translated by Michael Gagarin and Douglas M. MacDowell

Speeches from the two earliest Greek orators whose works still survive.

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Antiphon the Athenian

Oratory, Law, and Justice in the Age of the Sophists

By Michael Gagarin

This book convincingly argues that Antiphon the orator and Antiphon the Sophist were the same person.

Antiquarian Voices Cover

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Antiquarian Voices

The Roman Academy and the Commentary Tradition on Ovid's Fasti

written by Angela Fritsen

Ovid’s Fasti, his poem on the Roman calendar, became especially influential during the fifteenth century as a guide to classical Roman culture. Ovid’s treatment of mythological and astronomical lore, his investigation of anniversaries and customs, and his charting of monuments and history offered humanist poets and intellectuals an abundance of material to unravel. They could identify with Ovid as vates operosus, or hard-working seer–poet, suggesting both researcher and inspired authority. Angela Fritsen’s Antiquarian Voices: The Roman Academy and the Commentary Tradition on Ovid’s Fasti offers the first study of the Renaissance exegesis and imitation of Ovid as antiquarian. Fritsen analyzes the Fasti commentaries by Paolo Marsi (1440–1484) and Antonio Costanzi (1436–1490) as well as the connections between the two works. It situates Ovidian Fasti studies in the Roman Academy under the mentorship of Pomponio Leto. Nowhere could the investigation of the Fasti be carried out better than in Rome. The humanists had a guide to the City in Ovid. They also regarded the Fasti as well suited to the ideology of the ancient Roman imperium’s renewal in modern papal Rome. Antiquarian Voices illustrates how in reviving the Fasti, the humanists returned Rome to its original splendor. The book demonstrates that the humanists were eager to relate the Fasti to their antiquarian pursuits—as well as to their rising personal fame.

Apollo & Vulcan Cover

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Apollo & Vulcan

The Art Markets in Italy, 1400-1700

Guido Guerzoni

Guido Guerzoni presents the results of fifteen years of research into one of the more hotly debated topics among historians of art and of economics: the history of art markets. Dedicating equal attention to current thought in the fields of economics, economic history, and art history, Guerzoni offers a broad and far-reaching analysis of the Italian scene, highlighting the existence of different forms of commercial interchange and diverse kinds of art markets. In doing so he ranges beyond painting and sculpture, to examine as well the economic drivers behind architecture, decorative and sumptuary arts, and performing or ephemeral events.
     Organized by thematic areas (the ethics and psychology of consumption, an analysis of the demand, labor markets, services, prices, laws) that cover a large chronological period (from the 15th through the 17th century), various geographical areas, and several institution typologies, this book offers an exhaustive and up-to-date study of an increasingly fascinating topic.

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The Apostolic Penitentiary in Local Contexts

Edited by Gerhard jaritz

The volume investigates the registers of fifteenth-century supplications to the Apostolic Penitentiary of the Holy See and presents an analysis of a multiplicity of issues in which a context of the local needs of Western Christians and the central power of the Pope occurred. The contributions make it clear that local and individual factors and the Christian faith and religion in practice must not be seen as separate from the global power of the Roman curia. The latter's influence could become directly important for any individual in any local space, even ...et usque ad ultimum terrae (Acts 1:8), in the utmost peripheries of the Christian world. It is shown that the assistance of the Apostolic Penitentiary was indispensable in a large variety of cases. Such cases were dealt with both in the local, regional space and in the globalized centre of the Holy See.

Aquinas Against the Averroists Cover

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Aquinas Against the Averroists

On There Being Only One Intellect

by Ralph McInerny

The introduction places the work historically and sketches the controversy to which it was a contribution. Part 2 includes the Latin Leonine text and McInerny's translation. Part 3 analyzes the basic arguments of Thomas's work and provides a series of interpretive essays meant to make Thomas accessible to today's readers.

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