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Antidiets of the Avant-Garde Cover

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Antidiets of the Avant-Garde

From Futurist Cooking to Eat Art

Cecilia Novero

Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.

Starting from the premise that avant-garde art involves the questioning of bourgeois aesthetics, Novero demonstrates that avant-garde artists, writers, and performers have produced an oppositional aesthetics of indigestible art. Through the rhetoric of incorporation and consumption and the use of material ingredients in their work, she shows, avant-garde artists active in the 1920s and 1930s as well as the neo-avant-garde movements engaged critically with consumer culture, memory, and history.

Attention to food in avant-garde aesthetics, Novero asserts, reveals how these works are rooted in a complex temporality that associates memory and consumption with dynamics of change.

Antigone Cover

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Antigone

Sophocles; A verse translation by David Mulroy, with introduction and notes

Sophocles’ Antigone ranks with his Oedipus Rex as one of world literature’s most compelling dramas. The action is taut, and the characters embody universal tensions: the conflict of youth with age, male with female, the state with the family. Plot and character come wrapped in exquisite language. Antagonists trade polished speeches, sardonic jibes and epigrammatic truisms and break into song at the height of passion.
    David Mulroy’s translation of Antigone faithfully reproduces the literal meaning of Sophocles’ words while also reflecting his verbal pyrotechnics. Using fluid iambic pentameters for the spoken passages and rhyming stanzas for the songs, it is true to the letter and the spirit of the great Greek original.

Antiphon and Andocides Cover

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Antiphon and Andocides

Translated by Michael Gagarin and Douglas M. MacDowell

Speeches from the two earliest Greek orators whose works still survive.

Antiphon the Athenian Cover

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Antiphon the Athenian

Oratory, Law, and Justice in the Age of the Sophists

By Michael Gagarin

This book convincingly argues that Antiphon the orator and Antiphon the Sophist were the same person.

Apollo & Vulcan Cover

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Apollo & Vulcan

The Art Markets in Italy, 1400-1700

Guido Guerzoni

Guido Guerzoni presents the results of fifteen years of research into one of the more hotly debated topics among historians of art and of economics: the history of art markets. Dedicating equal attention to current thought in the fields of economics, economic history, and art history, Guerzoni offers a broad and far-reaching analysis of the Italian scene, highlighting the existence of different forms of commercial interchange and diverse kinds of art markets. In doing so he ranges beyond painting and sculpture, to examine as well the economic drivers behind architecture, decorative and sumptuary arts, and performing or ephemeral events.
     Organized by thematic areas (the ethics and psychology of consumption, an analysis of the demand, labor markets, services, prices, laws) that cover a large chronological period (from the 15th through the 17th century), various geographical areas, and several institution typologies, this book offers an exhaustive and up-to-date study of an increasingly fascinating topic.

The Apostolic Penitentiary in Local Contexts Cover

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The Apostolic Penitentiary in Local Contexts

Edited by Gerhard jaritz

The volume investigates the registers of fifteenth-century supplications to the Apostolic Penitentiary of the Holy See and presents an analysis of a multiplicity of issues in which a context of the local needs of Western Christians and the central power of the Pope occurred. The contributions make it clear that local and individual factors and the Christian faith and religion in practice must not be seen as separate from the global power of the Roman curia. The latter's influence could become directly important for any individual in any local space, even ...et usque ad ultimum terrae (Acts 1:8), in the utmost peripheries of the Christian world. It is shown that the assistance of the Apostolic Penitentiary was indispensable in a large variety of cases. Such cases were dealt with both in the local, regional space and in the globalized centre of the Holy See.

Aquinas Against the Averroists Cover

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Aquinas Against the Averroists

On There Being Only One Intellect

by Ralph McInerny

The introduction places the work historically and sketches the controversy to which it was a contribution. Part 2 includes the Latin Leonine text and McInerny's translation. Part 3 analyzes the basic arguments of Thomas's work and provides a series of interpretive essays meant to make Thomas accessible to today's readers.

Aquinas and Analogy Cover

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Aquinas and Analogy

Ralph McInerny

The basic distinctions McInerny introduces, his criticism of the central piece in the literature, Cajetan's De nominum analogia, the applications he makes to problems such as that of the nature of metaphysics or of logic, his knowledge of contemporary debates on related topics, combine to make his contribution unique

Arabic Literary Salons in the Islamic Middle Ages Cover

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Arabic Literary Salons in the Islamic Middle Ages

Poetry, Public Performance, and the Presentation of the Past

Samer M. Ali

Arabic literary salons emerged in ninth-century Iraq and, by the tenth, were flourishing in Baghdad and other urban centers. In an age before broadcast media and classroom education, salons were the primary source of entertainment and escape for middle- and upper-rank members of society, serving also as a space and means for educating the young. Although salons relied on a culture of oral performance from memory, scholars of Arabic literature have focused almost exclusively on the written dimensions of the tradition. That emphasis, argues Samer Ali, has neglected the interplay of oral and written, as well as of religious and secular knowledge in salon society, and the surprising ways in which these seemingly discrete categories blurred in the lived experience of participants. Looking at the period from 500 to 1250, and using methods from European medieval studies, folklore, and cultural anthropology, Ali interprets Arabic manuscripts in order to answer fundamental questions about literary salons as a social institution. He identifies salons not only as sites for socializing and educating, but as loci for performing literature and oral history; for creating and transmitting cultural identity; and for continually reinterpreting the past. A fascinating recovery of a key element of humanistic culture, Ali’s work will encourage a recasting of our understanding of verbal art, cultural memory, and daily life in medieval Arab culture.

The Arabic Role in Medieval Literary History Cover

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The Arabic Role in Medieval Literary History

A Forgotten Heritage

By Maria Rosa Menocal

Arabic culture was a central and shaping phenomenon in medieval Europe, yet its influence on medieval literature has been ignored or marginalized for the last two centuries. In this ground-breaking book, now returned to print with a new afterword by the author, María Rosa Menocal argues that major modifications of the medieval canon and its literary history are necessary.

Menocal reviews the Arabic cultural presence in a variety of key settings, including the courts of William of Aquitaine and Frederick II, the universities in London, Paris, and Bologna, and Cluny under Peter the Venerable, and she examines how our perception of specific texts including the courtly love lyric and the works of Dante and Boccaccio would be altered by an acknowledgment of the Arabic cultural component.

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