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For the scholastic philosopher William Ockham (c. 1285-1347), there are three kinds of heresy. The first, and most unmistakable, is an outright denial of the truths of faith. Another is so obvious that a very simple person, even if illiterate, can see how it contradicts Divine Scripture. The third kind of heresy is less clear cut. It is perceptible only after long deliberation and only to individuals who are learned, and well versed in Scripture.
It is this third variety of heresy that J.M.M.H. Thijssen addresses in Censure and Heresy at the University of Paris, 1200-1400. The book documents 30 cases in which university trained scholars were condemned for disseminating allegedly erroneous opinions in their teaching or writing, and focuses particularly on four academic censures that have occupied prominent positions in the historiography of medieval philosophy.
Thijssen grants central importance to a number of questions so far neglected by historians regarding judicial procedures, the authorities supervising the orthodoxy of teaching, and the effects of condemnations on the careers of the accused. He also places still current questions regarding academic freedom and the nature of doctrinal authority into their medieval contexts.
Challenges conventional views of medieval piety by demonstrating how the ideology of charity and its vision of the active life provided an important alternative to the ascetical, contemplative tradition emphasized by most historians
The Metaphor of Love in Dream Visions and Troilus and Criseyde
While covering all the major work produced by Geoffrey Chaucer in his pre-Canterbury Tales career, Chaucer from Prentice to Poet seeks to correct the traditional interpretations of these poems. Edward Condren provides new and provocative interpretations of the three "dream visions"--Book of the Duchess, Parliament of Fowls, and House of Fame--as well as Chaucer's early masterwork Troilus and Criseyde.
Condren draws an arresting series of portraits of Chaucer as glimpsed in his work: the fledgling poet seeking to master the artificial style of French love poetry; the passionate author attempting to rebut critics of his work; and, finally, the master of a naturalistic style entirely his own.
This book is one of the few works written in the past century that reevaluates Chaucer's early poetry and the only one that examines the Dream Visions in conjunction with the Troilus. It should frame the discourse of Chaucer scholarship for many generations to come.
Poetry and the Problem of the Populace After 1381
Chaucer, Gower, and the Vernacular Rising examines the spread of Greco-Roman and European literature into English during late fourteenth- and early fifteenth-century, a time when literacy was burgeoning among men and women from the non-ruling classes. The dissemination of cultural authority inherent in this process offered the radically democratizing potential for accessing, interpreting, and deploying learned texts. Focusing primarily on an overlooked sector of Chaucer’s and Gower’s early readership, namely, the upper strata of non-ruling urban classes, Lynn Arner argues that Chaucer’s and Gower’s writings, in addition to being key conduits of literary riches into English, engaged in elaborate processes of constructing cultural expertise. These writings helped to define gradations of cultural authority, determining who could contribute to the production of legitimate knowledge and granting certain socioeconomic groups political leverage in the wake of the English Rising of 1381. Chaucer, Gower, and the Vernacular Rising shows how English poetry became a powerful participant in processes of social control.
Vol. 34, no. 3 (2000) through current issue
Founded in 1966, The Chaucer Review is the journal of Chaucerian research. The Chaucer Review publishes studies of language, sources, social and political contexts, aesthetics, and associated meanings of Chaucer's poetry, as well as articles on medieval literature, philosophy, theology, and mythography relevant to study of the poet and his contemporaries, predecessors, and audiences. It acts as a forum for the presentation and discussion of research and concepts about Chaucer and the literature of the Middle Ages.
The authors—recognized historians, ethnologists, folklorists coming from four continents—present the latest research findings on the relationship, coexistence and conflicts of popular belief systems, Judeo-Christian mythology and demonology in medieval and modern Europe. The present volume focuses on the divergence between Western and Eastern evolution, on the different relationship of learned demonology to popular belief systems in the two parts of Europe. It discusses the conflict of saints, healers, seers, shamans with the representatives of evil; the special function of escorting, protecting, possessing, harming and healing spirits; the role of the dead, the ghosts, of pre-Christian, Jewish and Christian spirit-world, the antagonism of the devil and the saint.
Sources in Translation, including "The Capture of Damietta" by Oliver of Paderborn
During the thirteenth century, the widespread conviction that the Christian lands in Syria and Palestine were of utmost importance to Christendom, and that their loss was a sure sign of God's displeasure with Christian society, pervaded nearly all levels of thought. Yet this same society faced other crises: religious dissent and unorthodox beliefs were proliferating in western Europe, and the powers exercised, or claimed, by the kings of Europe were growing rapidly.
The sources presented here illustrate the rising criticism of the changing Crusade idea. They reflect a sharpened awareness among Europeans of themselves as a community of Christians and the slow beginnings of the secular culture and political organization of Europe.
The Eusebius Gallicanus Sermon Collection and the Power of the Church in Late Antique Gaul
Lisa Kaaren Bailey’s Christianity’s Quiet Success: The Eusebius Gallicanus Sermon Collection and the Power of the Church in Late Antique Gaul is the first major study of the Eusebius Gallicanus collection of anonymous, multi-authored sermons from fifth- and sixth-century Gaul. Bailey sheds new light on these sermons, which were strikingly popular and influential from late antiquity to the High Middle Ages, as the large number of surviving manuscripts attests. They were used for centuries by clergy as a preaching guide and by monks and pious lay people as devotional reading. Bailey’s analysis demonstrates the extent to which these stylistically simple and straightforward sermons emphasize consensus, harmony, and mutuality as the central values of a congregation. Preachers encouraged tolerance among their congregants and promoted a model of leadership that placed themselves at the center of the community rather than above it. These sermons make clear the delicate balancing act required of late antique and warly medieval pastors as they attempted to explain the Christian faith and also maintain the clerical control considered necessary for a universal church. The Eusebius Gallicanus collection gives us fresh insight inyo the process by which the Catholic Church influenced the lives of Western Europeans.
The Films of Olivier, Zeffirelli, Branagh, and Almereyda
Hamlet has inspired four outstanding film adaptations that continue to delight a wide and varied audience and to offer provocative new interpretations of Shakespeare’s most popular play. Cinematic Hamlet contains the first scene-by-scene analysis of the methods used by Laurence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda to translate Hamlet into highly distinctive and remarkably effective films.