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Greek History, 480-431 BC--the Alternative Version
A new English translation of Diodorus' history of the Greek world during the Periclean era, and an iconoclastic reappraisal of this undervalued historian by one of the world's leading Classicists.
Books 11-14.34 (480-401 BCE)
By one of the foremost historians and translators in the field of Classics, Peter Green—an authoritative, modern translation of a long-neglected historian whose work covers the most vital century in ancient Greek history.
The first-century Roman tragedies of Seneca, like all ancient drama, do not contain the sort of external stage directions that we are accustomed to today; nevertheless, a careful reading of the plays reveals such stage business as entrances, exits, setting, sound effects, emotions of the characters, etc. The Dramaturgy of Senecan Tragedy teases out these dramaturgical elements in Seneca's work and uses them both to aid in the interpretation of the plays and to show the playwright's artistry. Thomas D. Kohn provides a detailed overview of the corpus, laying the groundwork for appreciating Seneca's techniques in the individual dramas. Each of the chapters explores an individual tragedy in detail, discussing the dramatis personae and examining how the roles would be distributed among a limited number of actors, as well as the identity of the Chorus. The Dramaturgy of Senecan Tragedy makes a compelling argument for Seneca as an artist and a dramaturg in the true sense of the word: "a maker of drama." Regardless of whether Seneca composed his plays for full-blown theatrical staging, a fictive theater of the mind, or something in between, Kohn demonstrates that he displays a consistency and a careful attentiveness to details of performance. While other scholars have applied this type of performance criticism to individual tragedies or scenes, this is the first comprehensive study of all the plays in twenty-five years, and the first ever to consider not just stagecraft, but also metatheatrical issues such as the significant distribution of roles among a limited number of actors, in addition to the emotional states of the characters. Scholars of classics and theater, along with those looking to stage the plays, will find much of interest in this study.
A Character Sketch
"A vibrant account that puts flesh on the bare bones of early Roman history." ---Celia Schultz, University of Michigan The ancient Romans' story down to 264 B.C. can be made credible by stripping away their later myths and inventions to show how their national character shaped their destiny. After many generations of scholarly study, consensus is clear: the account in writers like Livy is not to be trusted because their aims were different from ours in history-writing. They wanted their work to be both improving and diverting. It should grow out of the real past, yes, but if that reality couldn't be recovered, or was uncertain, their art did not forbid invention. It more than tolerated dramatic incidents, passions, heroes, heroines, and villains. If, however, all this resulting ancient fiction and adornment are pruned away, a national character can be seen in the remaining bits and pieces of credible information, to explain the familiar story at least in its outlines. To doubt the written sources has long been acceptable, but this or that detail or narrative section must always be left for salvage by special pleading. To press home the logic of doubt is new. To reach beyond the written sources for a better support in excavated evidence is no novelty; but it is a novelty, to find in archeology the principal substance of the narrative---which is the choice in this book. To use this in turn for the discovery of an ethnic personality, a Roman national character, is key and also novel. What is repeatedly illustrated and emphasized here is the distance traveled by the art or craft of understanding the past---"history" in that sense---over the course of the last couple of centuries. The art cannot be learned, because it cannot be found, through studying Livy and Company. Readers who care about either of the two disciplines contrasted, Classics and History, may find this argument of interest. "Like Thucydides of the hyperactive Athenians and de Tocqueville of the nation-building Americans, MacMullen here draws a character sketch of the early Romans---the men who built Rome, conquered Italy, and created an empire. Based on profound familiarity with history, evidence, and their better-known descendants, attention to what they did and failed to do, remarkable insight, empathy, constructive imagination, and not without humor, he reconstructs the homo Romanus and thus helps us imagine what he was like, and understand why he achieved what he did. This little book is informative, full of important ideas, and delightful to read." ---Kurt Raaflaub, Brown University Jacket image: Marcus Fabius and Quintus Tannius. Fresco. Musei Capitolini, Rome, Italy. Courtesy of Scala / Art Resource, NY..
A Study of Social History and the Brothel
In recent years, a number of classical scholars have turned their attention to prostitution in the ancient world. Close examination of the social and legal position of Roman meretrices and Greek hetairai have enriched our understanding of ancient sexual relationships and the status of women in these societies. These studies have focused, however, almost exclusively on the legal and literary evidence. McGinn approaches the issues from a new direction, by studying the physical venues that existed for the sale of sex, in the context of the Roman economy. Combining textual and material evidence, he provides a detailed study of Roman brothels and other venues of venal sex (from imperial palaces and privates houses to taverns, circuses, and back alleys) focusing on their forms, functions, and urban locations. The book covers the central period of Roman history, roughly from 200 B.C. to A.D. 250. It will especially interest social and legal historians of the ancient world, and students of gender, sexuality, and the family. Thomas A. J. McGinn is Associate Professor of Classical Studies at Vanderbilt University.
Collected Letters, 1861-1875
Sarah Emily Davies (1830–1921) lived and crusaded during a time of profound change for education and women’s rights in England. At the time of her birth, women’s suffrage was scarcely open to discussion, and not one of England’s universities (there were four) admitted women. By the time of her death, not only had the number of universities grown to twelve, all of which were open to women; women had also begun to get the vote. Davies’s own activism in the women’s movement and in the social and educational reform movements of the time culminated in her founding of Girton College, Cambridge University, the first residential college of higher education for women.
Self-Command and Political Speech in Seneca and Petronius
In The Empire of the Self, Christopher Star studies the question of how political reality affects the concepts of body, soul, and self. Star argues that during the early Roman Empire the establishment of autocracy and the development of a universal ideal of individual autonomy were mutually enhancing phenomena. The Stoic ideal of individual empire or complete self-command is a major theme of Seneca’s philosophical works. The problematic consequences of this ideal are explored in Seneca’s dramatic and satirical works, as well as in the novel of his contemporary, Petronius. Star examines the rhetorical links between these diverse texts and demonstrates how the idea that imperial speech structures and reveals the self represents a significant point of contact between two writers generally thought to be antagonists.
His Continuing Influence and Contemporary Relevance
The philosophy of Epicurus (c. 341-271 B. C. E.), has been a quietly pervasive influence for more than two millennia. At present, when many long revered ideologies are proven empty, Epicureanism is powerfully and refreshingly relevant, offering a straightforward way of dealing with the issues of life and death. The chapters in this book provide a kaleidoscope of contemporary opinions about Epicurus' teachings. They tell us also about the archeological discoveries that promise to augment the scant remains we have of Epicurus's own writing. the breadth of this new work will be welcomed by those who value Epicurean philosophy as a scholarly and personal resource for contemporary life. "Epicurus: His Continuing Influence and Contemporary Relevance," is the title of a 2002 conference on Epicurus held at Rochester Institute of Technology, when many of the ideas here were first presented.
On Plato's Symposium
Provocative reinterpretation of Plato's Symposium. An original analysis of one of Plato’s most well-known and pivotal dialogues, this study is based upon the effort to think together the most manifest themes of the Symposium (the nature of eros and the relation between poetry and philosophy) with its less obvious but no less essential themes (the character of the city and the nature and limitations of sophistic enlightenment). Author Steven Berg offers an interpretation of this dialogue wherein all the speakers at the banquet—with the exception of Socrates—not only offer their views on the nature of love, but represent Athens and the Athenian enlightenment. Accordingly, Socrates’ speech, taken in relation to the speeches that precede it, is shown to articulate the relation between Socrates and the Athenian enlightenment, to expose the limitations of that enlightenment, and therefore finally to bring to light the irresolvable tension between Socrates and his philosophy and the city of Athens even at her most enlightened.
Foreign Lands and Peoples in Byzantine Literature
Although Greek and Roman authors wrote ethnographic texts describing foreign cultures, ethnography seems to disappear from Byzantine literature after the seventh century C.E.—a perplexing exception for a culture so strongly self-identified with the Roman empire. Yet the Byzantines, geographically located at the heart of the upheavals that led from the ancient to the modern world, had abundant and sophisticated knowledge of the cultures with which they struggled and bargained. Ethnography After Antiquity examines both the instances and omissions of Byzantine ethnography, exploring the political and religious motivations for writing (or not writing) about other peoples.
Through the ethnographies embedded in classical histories, military manuals, Constantine VII's De administrando imperio, and religious literature, Anthony Kaldellis shows Byzantine authors using accounts of foreign cultures as vehicles to critique their own state or to demonstrate Romano-Christian superiority over Islam. He comes to the startling conclusion that the Byzantines did not view cultural differences through a purely theological prism: their Roman identity, rather than their orthodoxy, was the vital distinction from cultures they considered heretic and barbarian. Filling in the previously unexplained gap between antiquity and the resurgence of ethnography in the late Byzantine period, Ethnography After Antiquity offers new perspective on how Byzantium positioned itself with and against the dramatically shifting world.