Political by its very nature, Greek tragedy reflects on how life should be lived in the polis, and especially the polis that was democratic Athens. Instructional as well, drama frequently concerns itself with the audience's moral education. Euripides and the Instruction of the Athenians draws on these political and didactic functions of tragedy for a close analysis of five plays: Alcestis, Hippolytus, Hecuba, Heracles, and Trojan Women. Clearly written and persuasively argued, this volume addresses itself to all who are interested in Greek tragedy. Nonspecialists and scholars alike will deepen their understanding of this complex writer and the tumultuous period in which he lived. ". . . a lucid presentation of the positive side of Euripidean tragedy, and a thoughtful reminder of the political implications of Greek tragedy." --American Journal of Philology ". . . the principal defect of [this] otherwise excellent study is that it is too short." --Erich Segal, Classical Review ". . . a most stimulating book throughout . . . ." --Greece and Rome Justina Gregory is Professor of Classics, Smith College, where she is head of the department. She has been the recipient of Fulbright and Woodrow Wilson fellowships.

Freud's interpretation of the ancient legend of Oedipus—as formulated in Sophocles' tragic drama—is among the most widely known concepts of psychoanalysis. Euripides' Ion, however, presents a more complex version of the development of personal identity. Here, the discovery of family origins is a process in which parent and child both take part as distinct agents driven by their own impulses of violence and desire. Euripides, Freud, and the Romance of Belonging studies the construction of identity and the origins of the primal trauma in two texts, the Ion and Freud’s case history of the Wolf Man. Victoria Pedrick challenges the conventional psychoanalytic theory of the development of the individual within the family, presenting instead a richer and more complex economy of exchange between the parent and the child. She provides a new perspective on Freud's appropriation of ancient texts and moves beyond the familiar reunion in Oedipus to the more nuanced scene of abandonment present in Ion. Her parallel investigation of these texts suggests that contemporary culture remains preoccupied by the problems of the past in the determination of identity. Pedrick's fresh perspectives on both texts as well as on their relationship to each other shed new light on two foundational moments in the intellectual development of the West: Greek tragedy and Freudian psychoanalysis.

Translations of the forewords and afterwords by original fairy tale authors and commentaries by their contemporaries, material that has not been widely published in English.

When did fairy tales begin? What qualifies as a fairy tale? Is a true fairy tale oral or literary? Or is a fairy tale determined not by style but by content? To answer these and other questions, Jan M. Ziolkowski not only provides a comprehensive overview of the theoretical debates about fairy tale origins but includes an extensive discussion of the relationship of the fairy tale to both the written and oral sources. Ziolkowski offers interpretations of a sampling of the tales in order to sketch the complex connections that existed in the Middle Ages between oral folktales and their written equivalents, the variety of uses to which the writers applied the stories, and the diverse relationships between the medieval texts and the expressions of the same tales in the "classic" fairy tale collections of the nineteenth century. In so doing, Ziolkowski explores stories that survive in both versions associated with, on the one hand, such standards of the nineteenth-century fairy tale as the Brothers Grimm, Hans Christian Andersen, and Carlo Collodi and, on the other, medieval Latin, demonstrating that the literary fairy tale owes a great debt to the Latin literature of the medieval period. Jan M. Ziolkowski is the Arthur Kingsley Porter Professor of Medieval Latin at Harvard University.

The sixth century is a very contentious time; Fame, Money, and Power unambiguously advances our understanding of Peisistratos and archaic Athens. No one else has tackled so many of the difficult issues that Lavelle has taken on. --David Tandy, University of Tennessee "Well researched and engaging, [Fame, Money, and Power] painstakingly builds [its] case for how the various phases of Peisistratos's career developed." --Tony Podlecki, University of British Columbia The Athenian "golden age" occurred in the fifth century B.C.E. and was attributed to their great achievements in art, literature, science, and philosophy. However, the most important achievement of the time was the political movement from tyranny to democracy. Though tyranny is thought to be democracy's opposite and deadly enemy, that is not always the case. In Fame, Money, and Power, Brian Lavelle states that the perceived polarity between tyranny and democracy does not reflect the truth in this instance. The career of the tyrant Peisistratos resembles the careers and successes of early democratic soldier-politicians. As with any democratic political system, Peisistratos' governance depended upon the willingness of the Athenians who conceded governance to him. This book attempts to show how the rise of Peisistratos fits into an essentially democratic system already entrenched at Athens in the earlier sixth century B.C.E. Emerging from the apparent backwater of eastern Attika, Peisistratos led the Athenians to victory over their neighbors, the Megarians, in a long, drawn out war. That victory earned him great popularity from the Athenians and propelled him along the road to monarchy. Yet, political success at Athens, even as Solon implies in his poems, depended upon the enrichment of the Athenian d?mos, not just fame and popularity. Peisistratos tried and failed two times to "root" his tyranny, his failures owing to a lack of sufficient money with which to appease the demos. Exiled from Athens, he spent the next ten years amassing money to enrich the Athenians and power to overcome his enemies. He then sustained his rule by grasping the realities of Athenian politics. Peisistratos' tyrannies were partnerships with the d?mos, the first two of which failed. His final formula for success, securing more money than his opponents possessed and then more resources for enriching the d?mos, provided the model for future democratic politicians of Athens who wanted to obtain and keep power in fifth-century Athens.

In A Feast of Creatures, Craig Williamson recasts nearly one hundred Old English riddles of the Exeter Book into a modern verse mode that yokes the cadences of Aelfric with the sprung rhythm of Gerard Manley Hopkins.

Like the early English riddlers before him, Williamson gives voice to the nightingale, plow, ox, phallic onion, and storm-wind. In lean and taut language he offers us mead disguised as a mighty wrestler, the sword as a celibate thane, the silver wine-cup as a seductress, the horn transformed from head-warrior to ink-belly or battle-singer. In his notes and commentary he gives us possible and probable solutions, sources, and analogues, a shrewd sense of literary play, and traces the literary and cultural contexts in which each riddle may be viewed. In his introduction, Williamson traces for us the history of riddles and riddle scholarship.

To meet the enormous expenses of maintaining its powerful navy, democratic Athens gave wealthy citizens responsibility for financing and commanding the fleet. Known as trierarchs—literally, ship commanders—they bore the expenses of maintaining and repairing the ships, as well as recruiting and provisioning their crews. The trierarchy grew into a powerful social institution that was indispensable to Athens and primarily responsible for the city's naval prowess in the classical period. Financing the Athenian Fleet is the first full-length study of the financial, logistical, and social organization of the Athenian navy. Using a rich variety of sources, particularly the enormous body of inscriptions that served as naval records, Vincent Gabrielsen examines the development and function of the Athenian trierarchy and revises our understanding of the social, political, and ideological mechanisms of which that institution was a part. Exploring the workings, ships, and gear of Athens' navy, Gabrielsen explains how a huge, costly, and highly effective operation was run thanks to the voluntary service and contributions of the wealthy trierarchs. He concludes with a discussion of the broader implications of the relationship between Athens' democracy and its wealthiest citizens. "This is a marvelous book: an original, well-researched, and compelling treatment of the financial organization of the Atheniannavy, from which Gabrielsen expands our understanding of the functioning of Athens' democratic government. In particular, he addresses the topic of how democracy induced its richer members not to hide their money but to spend it on behalf of Athens. Gabrielsen has mastered a rich body of unusual—and fundamental—material which he presents with clarity and intelligence. This book is a major contribution to Athenian social history."—Robert Wallace, Northwestern University.

Despite their ubiquitous presence among prehistoric remains in Greece, ground stone tools have yet to attract the same kind of attention as have other categories of archaeological material, such as pottery or lithics. Flexible Stones provides a detailed analysis of the material discovered during the excavations at Franchthi Cave, Peloponnese, Greece. Approximately 500 tools, the raw material used for their manufacture, as well as the byproducts of such manufacture were found. Most of this collection comes from the Neolithic component of the site -- including a small number of Palaeolithic and Mesolithic cases -- with a large number of the studied tools indicating multiple uses. Anna Stroulia sees the multifunctional character of these tools as a conscious choice that reflects a flexible attitude of tool makers and users toward tools and raw materials. A CD-Rom with 209 additional plates is included.

While the remains of its massive aqueducts serve as tangible reminders of Rome’s efforts to control its supply of drinking water, there are scant physical reminders that other waters sometimes raged out of control. In fact, floods were simply a part of life in ancient Rome, where proximity to the Tiber left a substantial part of the city vulnerable to the river's occasional transgressions. Here, in the first book-length treatment of the impact of floods on an ancient city, Gregory S. Aldrete draws upon a diverse range of scientific and cultural data to develop a rich and detailed account of flooding in Rome throughout the classical period. Aldrete explores in detail the overflowing river’s destructive effects, drawing from ancient and modern written records and literary accounts, analyses of the topography and hydrology of the Tiber drainage basin, visible evidence on surviving structures, and the known engineering methods devised to limit the reach of rising water. He discusses the strategies the Romans employed to alleviate or prevent flooding, their social and religious attitudes toward floods, and how the threat of inundation influenced the development of the city's physical and economic landscapes.