Browse Results For:

Studies by Time Period > 19th Century/Victorian Studies

previous PREV 1 2 3 4 NEXT next

Results 11-20 of 36

:
:
Access Restricted no This search result is for a Book

The Essential Guide to Werewolf Literature

In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost’s analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.

Access Restricted no This search result is for a Book

Goethe and Rousseau

Resonances of the Mind

Carl Hammer Jr.

The profound impact of Jean-Jacques Rousseau on Western thought has been frequently examined, yet the extent of Goethe's relationship to Rousseau has never before received thorough study. Carl Hammer Jr. here analyzes Goethe's works, paying particular attention to his mature production, to reveal the profound affinities of thought between these two European giants.

Scholars have long recognized the direct influence of Rousseau on Goethe's first novel, Werther, but have believed that Goethe's enthusiasm waned thereafter. Hammer, in contrast, finds the affinity revealed even more strongly in Goethe's later works.

Access Restricted no This search result is for a Book

The Gothic Novel 1790--1830

Plot Summaries and Index to Motifs

Ann B. Tracy

A research guide for specialists in the Gothic novel, the Romantic movement, the eighteenth- and nineteenth-century novel, and popular culture, this work contains summaries of more than two hundred novels, reputed to be Gothic, published in English between 1790 and 1830. Also included are indexes of titles and characters and an extensive index of characteristic objects, motifs, and themes that recur in the novels -- such as corpses, bloody and otherwise, dungeons, secret passageways, filicide, fratricide, infanticide, matricide, patricide, and suicide.

The novels described, including those by such writers as Charlotte Dacre, Louisa Sidney Stanhope, Regina Maria Roche, Charles Maturin, and Mary Shelley, are for the most part out of print and circulation and are unavailable except in rare book rooms. Thus this book provides the researcher with ready access to information that would otherwise be difficult to obtain.

Access Restricted no This search result is for a Book

Gothic Riffs

Secularizing the Uncanny in the European Imaginary, 1780–1820

Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780–1820 by Diane Long Hoeveler provides the first comprehensive study of what are called “collateral gothic” genres—operas, ballads, chapbooks, dramas, and melodramas—that emerged out of the gothic novel tradition founded by Horace Walpole, Matthew Lewis, and Ann Radcliffe. The role of religion and its more popular manifestations, superstition and magic, in the daily lives of Western Europeans were effectively undercut by the forces of secularization that were gaining momentum on every front, particularly by 1800. It is clear, however, that the lower class and the emerging bourgeoisie were loath to discard their traditional beliefs. We can see their search for a sense of transcendent order and spiritual meaning in the continuing popularity of gothic performances that demonstrate that there was more than a residue of a religious calendar still operating in the public performative realm. Because this bourgeois culture could not turn away from God, it chose to be haunted, in its literature and drama, by God’s uncanny avatars: priests, corrupt monks, incestuous fathers, and uncles. The gothic aesthetic emerged during this period as an ideologically contradictory and complex discourse system; a secularizing of the uncanny; a way of alternately valorizing and at the same time slandering the realms of the supernatural, the sacred, the maternal, and the primitive.

Access Restricted no This search result is for a Book

Haunting Realities

Naturalist Gothic and American Realism

Edited by Monika Elbert and Wendy Ryden

Haunting Realities: Naturalist Gothic and American Realism is an innovative collection of essaysexamining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities.

Following the golden age of British Gothic in the late eighteenth century, the American Gothic’s pinnacle is often recognized as having taken place during the decades of American Romanticism. However, Haunting Realities explores the period of American Realism—the end of the nineteenth century—to discover evidence of fertile ground for another age of Gothic proliferation.
 
At first glance, “Naturalist Gothic” seems to be a contradiction in terms. While the Gothic is known for its sensational effects, with its emphasis on horror and the supernatural, the doctrines of late nineteenth-century Naturalism attempted to move away from the aesthetics of sentimentality and stressed sobering, mechanistic views of reality steeped in scientific thought and the determinism of market values and biology. Nonetheless, what binds Gothicism and Naturalism together is a vision of shared pessimism and the perception of a fearful, lingering presence that ominously haunts an impending modernity. Indeed, it seems that in many Naturalist works reality is so horrific that it can only be depicted through Gothic tropes that prefigure the alienation and despair of modernism.
 
In recent years, research on the Gothic has flourished, yet there has been no extensive study of the links between the Gothic and Naturalism, particularly those which stem from the early American Realist tradition. Haunting Realities is a timely volume that addresses this gap and is an important addition to scholarly work on both the Gothic and Naturalism in the American literary tradition.

Access Restricted no This search result is for a Book

In Hawthorne's Shadow

American Romance from Melville to Mailer

Samuel Chase Coale

"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers -- particularly Cheever, Mailer, Oates, and Gardner -- appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction.

Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.

 Cover
Access Restricted no This search result is for a Journal

J19: The Journal of Nineteenth-Century Americanists

Vol. 1 (2013) through current issue

J19 is the official publication of C19: The Society of Nineteenth-Century Americanists. Published twice annually, the journal will be dedicated to publishing innovative research on and analysis of the "long nineteenth century" (1783-1914).

 Cover
Access Restricted no This search result is for a Journal

Journal of Victorian Culture

Vol. 11 (2006) through Vol. 13 (2008)

Journal of Victorian Culture is essential reading for scholars of the Victorian period. Beautifully produced, the Journal was established in Spring 1996, and is edited and published in Britain with the assistance of a distinguished group of Editorial Consultants. It provides an international forum for discussion and debate on all aspects of Victorian history and culture in a diverse range of formats, including articles, perspectives, roundtables and a section of substantial reviews.

 Cover
Access Restricted no This search result is for a Journal

Leviathan

Vol. 1 (1999) through current issue

Leviathan features a bounty of scholarly articles, notes, reviews, and creative writing of a critical, theoretical, cultural, or historical nature on the impressive body of work of American novelist and poet Herman Melville (1819-1891). Published under the aegis of The Melville Society--one of the oldest single-author societies in the United States--Leviathan includes a regular feature, “Extracts,” for sharing Melville Society transactions and programs as well as abstracts of papers delivered at its annual MLA and ALA panels. Leviathan also regularly publishes special issues, book reviews, interviews, and poems.

Access Restricted no This search result is for a Book

Literary Tourism, the Trossachs, and Walter Scott

Edited by Ian Brown

In 1810 a literary phenomenon swept through Britain, Europe and beyond: the publication of Sir Walter Scott’s epic poem The Lady of the Lake, set in the wild romantic landscape around Loch Katrine and the Trossachs. The world’s first international blockbusting bestseller, in terms of sheer publishing sensation nothing like it was seen until the Harry Potter books. Exploring the potent appeal that links books, places, authors and readers, this collection of eleven essays examines tourism in the Trossachs both before and after 1810, and surveys the indigenous Gaelic culture of the area. It also considers how Sir Walter’s writings responded to the landscape, history and literature of the region, and traces his impact on the tourists, authors and artists who thronged in his wake.

previous PREV 1 2 3 4 NEXT next

Results 11-20 of 36

:
:

Return to Browse All on Project MUSE

Research Areas

Content Type

  • (28)
  • (8)

Access

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access