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The 23rd Psalm

A Holocaust Memoir

George Lucius Salton, with Anna Salton Eisen

In September, 1939, George Lucius Salton's boyhood in Tyczyn, Poland, was shattered by escalating violence and terror under German occupation. His father, a lawyer, was forbidden to work, but eleven-year-old George dug potatoes, split wood, and resourcefully helped his family. They suffered hunger and deprivation, a forced march to the Rzeszow ghetto, then eternal separation when fourteen-year-old George and his brother were left behind to labor in work camps while their parents were deported in boxcars to die in Belzec. For the next three years, George slaved and barely survived in ten concentration camps, including Rzeszow, Plaszow, Flossenburg, Colmar, Sachsenhausen, Braunschweig, Ravensbrück, and Wobbelin. Cattle cars filled with skeletal men emptied into a train yard in Colmar, France. George and the other prisoners marched under the whips and fists of SS guards. But here, unlike the taunts and rocks from villagers in Poland and Germany, there was applause. "I could clearly hear the people calling: "Shame! Shame!" . . . Suddenly, I realized that the people of Colmar were applauding us! They were condemning the inhumanity of the Germans!" Of the 500 prisoners of the Nazis who marched through the streets of Colmar in the spring of 1944, just fifty were alive one year later when the U.S. Army 82nd Airborne Division liberated the Wobbelin concentration camp on the afternoon of May 2, 1945. "I felt something stir deep within my soul. It was my true self, the one who had stayed deep within and had not forgotten how to love and how to cry, the one who had chosen life and was still standing when the last roll call ended."

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24

By John McCullough

For eight seasons between 2001 and 2010, Fox’s 24 garnered critical accolades and became one of the most watched and discussed shows in primetime. In an innovative premise, the show’s hour-long episodes were meant to represent a real-time hour of the story, so that each twenty-four-episode season depicts a single day in the life of its characters. Influential as a popular hit, 24 was also closely linked with the “culture of fear” that dominated the post-9/11 period. In this insightful study, author John McCullough demonstrates that the series was not only unique and trendsetting, but also a complex creative response to its historical context. In three chapters, McCullough looks at 24’s form, style, and overarching themes and meanings. He argues that although the series is driven by the political and cultural shifts brought on by the War on Terror, it is routinely out of step with real history. Using Linda Williams’s distinction between the melodramatic mode and melodrama as a genre, McCullough explores 24’s use of the action-adventure and spy thriller forms with particular attention paid to the series’ hero, Jack Bauer, who is depicted as a tragic hero perpetually in search of a return to innocence. Ultimately, McCullough finds that the series’ distinction lies less in its faithful re-creation of the history of the WOT than in its evocation of the sense of crises and paranoia that defined the period. McCullough also analyzes 24 as a response to television culture in the “post-network” age, characterized by reality TV’s populist appeal and visceral content, on the one hand, and sophisticated boutique cable programming (“quality TV”), on the other. McCullough demonstrates that 24 engaged not only with the most pressing issues of world history and the geopolitics of its time, including terrrorism, neoliberalism, and the state of exception, but, on the strength of its form and style, also represents significant global trends in television culture. Fans of the show and media history scholars will appreciate this thorough study.

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The 2nd ASEAN Reader

Sharon Siddique and Sree Kumar

The Second ASEAN Reader is a sequel to the first ASEAN Reader, published by ISEAS in 1992. Some of the classic readings from the original ASEAN Reader have been incorporated into this new compilation, but the majority of the readings cover the events from to1993–2003. During this decade ASEAN as an organization was revamped, and its membership increased from six to ten. ASEAN has had to carve a niche in the proliferation of regional associations and bilateral relationships which mark the accelerating era of globalization. The economic pivot point for the decade was certainly the 1997 Asian crisis, while the war on terrorism has had a ripple effect on intra-ASEAN co-operation. ASEAN’s resilience and ability to adapt has allowed the organization to navigate on a steady course into the 21st century.

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The 31st Singapore Lecture

Angela Merkel

The Singapore Lecture Series was inaugurated in 1980 by the Institute of Southeast Asian Studies with a founding endowment from the Monetary Authority of Singapore (MAS), and augmented by generous donation in 1983 from Exxon Mobil Asia Pacific. The Singapore Lecture is designed to provide the opportunity for distinguished statesmen, scholars, and writers and other similarly highly qualified individuals specializing in banking and commerce, international economics and finance and philosophical and world strategic affairs to visit Singapore. The presence of such eminent personalities will allow Singaporeans, especially the younger executive and decision-makers in both the public and private sectors, to have the benefit of exposure to — through the Lecture, televised discussions, and private consultations - leaders of thought and knowledge in various fields, thereby enabling them to widen their experience and perspectives. On 2 June 2011, the 31st Singapore Lecture was delivered by Her Excellency Dr Angela Merkel, Chancellor of the Federal Republic of Germany, under the distinguished Chairmanship of Mr Tharman Shanmugaratnam, Deputy Prime Minister and Minister for Finance and Minister for Manpower, Singapore.

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The 3rd ASEAN Reader

by Ooi Kee Beng, Sanchita Basu Das, Terence Chong, Malcolm Cook, Cassey Lee and Michael Yeo Chai Ming

Over the past two decades, ISEAS has compiled abridged articles that analyse key aspects of Southeast Asia's development and the ASEAN process. The ASEAN Reader was published in 1992 just as the Cold War ended, while The Second ASEAN Reader came in 2003 in the wake of the 1997 Asian crisis and the September 11 attacks in 2001. The past decade has not been spared its share of intense changes, with the rise of China and India bringing new challenges to the region's power equation, and the impact of the 2008 global financial crisis. Despite this, the momentum towards an integrated ASEAN community has been maintained. The articles in The Third ASEAN Reader study the trends and events of recent years, and discuss the immediate future of Southeast Asia.

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43 Ways to Finance Your Feature Film

A Comprehensive Analysis of Film Finance

John W. Cones

John W. Cones has updated his now classic 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance with a substantially reorganized and expanded third edition.

An essential reference guide for film professionals on every side of film financing, 43 Ways answers the question that every filmmaker and producer ultimately faces, the issue that can make or break any venture into the film industry:  How do I finance my feature film?  The third edition includes updated information and coverage of new options for financing.

In his clear and concise style and with expertise amassed over his nearly twenty years of experience in the film finance industry, Cones breaks financing options down into six main areas:  gifts and grants, investor financing, domestic government subsidies and tax incentive programs, lender financing, international finance options, and studio or industry financing. Beginning with the forms of financing most likely to be accessible to independent feature film producers, Cones proceeds to other forms that become increasingly available as the producer’ s career matures.

As an objective adviser, Cones provides specific, concise information regarding the many possible financing strategies and lists the distinct pros and cons of each strategy.  This guide covers the options for film financing in rich detail so that even first-time producers and filmmakers will be able to make educated and informed decisions about the best approaches to financing their films. An extensive bibliography contains additional information about each form of film finance. Cones also counters much of the bad advice being provided by pseudoprofessional film finance consultants and points out scams that may separate unwary film producers from their money.

Although the book focuses on financing feature films, much of its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multimedia and theatrical endeavors. Anyone considering making or investing in a feature film will be well served by this practical and helpful guide.

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5 ans de réponse aux catastrophes

En présentant diverses expériences vécues en situation de crises ou de catastrophes, ce volume s'adresse à toute personne qui de près ou de loin joue un rôle dans la réponse aux grandes urgences : les responsables des services d'incendie, de police, de communication, de sécurité civile, les médecins, infirmières, psychologues, ambulanciers, militaires, les dirigeants d'entreprise à risque, enfin, tous ceux qui, faisant face à des situations graves, devront prendre des décisions et poser des gestes concrets en évitant les erreurs coûteuses et néfastes pour la confiance du public et le bien-être des victimes. Saint-Basile-le-Grand, Boucherville, Saint-Jean-sur-Richelieu, Saint-Amable, Kahnawake, Châteauguay, Saint-Hyacinthe, VY Plus de Cowansville, Sainte-Julie, Saint-Lambert.

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5 Grams

Crack Cocaine, Rap Music, and the War on Drugs

Dimitri Bogazianos, 0, 0

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8 March

Eclipsing May 13

Ooi Kee Beng, Johan Saravanamuttu and Lee Hock Guan

For a whole generation of Malaysians, no proper closure to the traumas of the racial riots of May 13, 1969 has been possible. But then came March 8, 2008 The surprising results of the General Election on that special day have started eclipsing the fears linked for so long to that spectral night forty years ago. All the three researchers from ISEAS who each authored separate chapters for this book were in different parts of Malaysia monitoring its 12th General Election during the thirteen days of campaigning. Their analyses provide new insights into the phenomenon that Malaysians now simply refer to as “March 8”. Ooi Kee Beng scrutinizes in detail the electoral campaign in the state of Penang, Johan Saravanamuttu studies the case of Kelantan state and the elections in general, while Lee Hock Guan examines changes in the voting pattern in the Klang Valley.

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9/11 and the Visual Culture of Disaster

Thomas Stubblefield

The day the towers fell, indelible images of plummeting rubble, fire, and falling bodies were imprinted in the memories of people around the world. Images that were caught in the media loop after the disaster and coverage of the attack, its aftermath, and the wars that followed reflected a pervasive tendency to treat these tragic events as spectacle. Though the collapse of the World Trade Center was "the most photographed disaster in history," it failed to yield a single noteworthy image of carnage. Thomas Stubblefield argues that the absence within these spectacular images is the paradox of 9/11 visual culture, which foregrounds the visual experience as it obscures the event in absence, erasure, and invisibility. From the spectral presence of the Tribute in Light to Art Spiegelman's nearly blank New Yorker cover, and from the elimination of the Twin Towers from television shows and films to the monumental cavities of Michael Arad's 9/11 memorial, the void became the visual shorthand for the incident. By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.

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