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Livestock/Deadstock: Working with Farm Animals from Birth to Slaughter Cover

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Livestock/Deadstock: Working with Farm Animals from Birth to Slaughter

The connection between people and companion animals has received considerable attention from scholars. In her original and provocative ethnography Livestock/Deadstock, sociologist Rhoda Wilkie asks, how do the men and women who work on farms, in livestock auction markets, and slaughterhouses, interact with—or disengage from—the animals they encounter in their jobs?

 

Wilkie provides a nuanced appreciation of how those men and women who breed, rear, show, fatten, market, medically treat, and slaughter livestock, make sense of their interactions with the animals that constitute the focus of their work lives. Using a sociologically informed perspective, Wilkie explores their attitudes and behaviors to explain how agricultural workers think, feel, and relate to food animals.

 

Livestock/Deadstock looks at both people and animals in the division of labor and shows how commercial and hobby productive contexts provide male and female handlers with varying opportunities to bond with and/or distance themselves from livestock. Exploring the experiences of stockpeople, hobby farmers, auction workers, vets and slaughterers, she offers timely insight into the multifaceted, gendered, and contradictory nature of human roles in food animal production.  

Living a Land Ethic Cover

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Living a Land Ethic

A History of Cooperative Conservation on the Leopold Memorial Reserve

Loyal Unto Death Cover

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Loyal Unto Death

Trust and Terror in Revolutionary Macedonia

Keith Brown

The underground Macedonian Revolutionary Organization recruited and mobilized over 20,000 supporters to take up arms against the Ottoman Empire between 1893 and 1903. Challenging conventional wisdom about the role of ethnic and national identity in Balkan history, Keith Brown focuses on social and cultural mechanisms of loyalty to describe the circuits of trust and terror—webs of secret communications and bonds of solidarity—that linked migrant workers, remote villagers, and their leaders in common cause. Loyalties were covertly created and maintained through acts of oath-taking, record-keeping, arms-trading, and in the use and management of deadly violence.

Making Faces Cover

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Making Faces

Self and Image Creation in a Himalayan Valley

Alka Hingorani

Taberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill-villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities (mohras) out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a mohra has been completed and consecrated, its maker is not permitted to touch it or enter the temple in which it is housed; yet during its creation the artist is sovereign, treated deferentially as he shares living quarters with the high-caste patrons.

Making Faces tells the story of these god-makers, the gods they make, and the communities that participate in the creative process and its accompanying rituals. For the author, the process of learning about Himachal, its art and artists, the people who make their home there, involved pursuing itinerant artists across difficult mountainous terrain with few, if any, means of communication between the thinly populated, high-altitude villages. The harsh geography of the region permits scant travel, and the itinerant artisan forms a critical link to the world outside; villages that commission mohras are often populated by a small number of families. Alka Hingorani evokes this world in rich visual and descriptive detail as she explores the ways in which both object and artisan are received and their identities transformed during a period of artistic endeavor.

Making Faces is an original and evocative account, superbly illustrated, of the various phases in the lifecycle of a mohra, at different times a religious icon, an art object, and a repository of material wealth in an otherwise subsistence economy. It will be welcomed by scholars and students of anthropology, material culture, religion, art history, and South Asian studies.  

134 illus., 128 in color

A Matter of Life and Death Cover

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A Matter of Life and Death

Hunting in Contemporary Vermont

Marc Boglioli

American hunters occupy a remarkably complex place in this country’s cultural and political landscape. On the one hand, they are cast as perpetrators of an anachronistic and unnecessary assault on innocent wildlife. On the other hand, they are lauded as exemplars of no-nonsense American rugged individualism. Yet despite the passion that surrounds the subject, we rarely hear the unfiltered voices of actual hunters in discussions of hunting. In A Matter of Life and Death, anthropologist Marc Boglioli puts a human face on a group widely regarded as morally suspect, one that currently stands in the crossfire of America’s so-called culture wars. Drawing on extensive ethnographic fieldwork in Addison County, Vermont, which took him from hunting camps and sporting goods stores to local bars and kitchen tables, Boglioli focuses on how contemporary hunters, women as well as men, understand their relationship to their prey. He shows how hunters’ attitudes toward animals flow directly from the rural lifeways they have continued to maintain in the face of encroaching urban sensibilities. The result is a rare glimpse into a culture that experiences wild animals in a way that is at once violent, consumptive, and respectful, and that regards hunting as an enduring link to a vanishing past. It is a book that will challenge readers—hunters, non-hunters, and anti-hunters alike—to reconsider what constitutes a morally appropriate relationship with the non-human residents of this planet.

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The Midwest Farmers Daughter

In Search of an American Icon

by Zachary Michael Jack

From yesterday’s gingham girls to today’s Google-era Farmer Janes, The Midwest Farmer’s Daughter explores the resurgent role played by female agriculturalists at a time when fully 30 percent of new farms in the US are woman-owned, but when, paradoxically, America’s farm-reared daughters are conspicuously absent from popular film, television, and literature. In this first-of-its-kind treatment, Zachary Michael Jack follows the fascinating story of the girl who became a regional and national legend: from Donna Reed to Laura Ingalls Wilder, from Elly May Clampett to The Dukes of Hazzard’s Catherine Bach, from Lawrence Welk’s TV sweethearts to the tragic heroines of Jane Smiley’s Thousand Acres. From Amish farm women bloggers, to Missouri homesteaders and seed-savers, to rural Nebraskan graphic novelists and, ultimately, to the seven generations of entrepreneurial Iowan farm women who have animated his own family since before the Civil War, Jack shines new documentary light on the symbol of American virtue, energy, and ingenuity that rural writer Martha Foote Crow once described as the “great rural reserve of initiating force, sane judgment and spiritual drive.” Packed with dozens of interviews, The Midwest Farmer’s Daughter covers the history and the renaissance of agrarian women on both sides of the fence. Giving equal consideration to both agriculture’s time-tested rural and small-town Farm Bureaus, 4-H, and FFA training grounds as well as to the eco-innovations generated by the region’s rising woman-powered “agro-polises” such as Chicago, the author crafts a lively, easy-to-read cultural and social history, exploring the pioneering role today’s female agriculturalists play in the emergence of farmers’ markets, urban farms, community-supported agriculture, and the new “back-to-the-land” and “do-it-yourself” movements. For all those whose lives have been graced by the enduring strength of American farm women, The Midwest Farmer’s Daughter offers a groundbreaking examination of a dynamic American icon.

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Mieres Reborn

The Reinvention of a Catalan Community

Mieres Reborn reveals how patient observation and an analysis of one small community have much to tell us about human progress more generally.
 
Not long ago Mieres, a village in the eastern foothills of the Pyrenees, seemed destined to die. As in countless thousands of rural communities around the world, young people in Mieres over the years have moved to the towns and cities, leaving behind abandoned fields and meadows, derelict houses, and their aging and disconsolate parents and grandparents.
 
Close observation of this social microcosm over two decades reveals the capacity of ordinary people in a locality to reinvent themselves, reconstruct relationships with the wider world, and confront new threats to their collective survival. A. F. Robertson describes how the determination that Mieres should survive is most evident in a vigorous round of fiestas, fairs, and other public events in which natives, exiles, and newcomers work to create a lively sense of belonging. Since the 1980s, Mieres has been enlivened by a reverse flow of migrants from the cities, new settlers who have brought an infusion of youth to the community, devised new livelihoods, revitalized the village school, energized the native ”Mierencs,” and provided the impetus for a rediscovery of historical roots and political identity.
 
The regeneration of life in the countryside, in part a reaction to urban expansion and decay, is a global phenomenon of increasing political, economic, and social significance.

Mining Coal and Undermining Gender Cover

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Mining Coal and Undermining Gender

Rhythms of Work and Family in the American West

by Jessica Rolston

Though mining is an infamously masculine industry, women make up 20 percent of all production crews in Wyoming’s Powder River Basin—the largest coal-producing region in the United States. How do these women fit into a working culture supposedly hostile to females? This is what anthropologist Jessica Smith Rolston, herself a onetime mine worker and the daughter of a miner, set out to discover. Her answers, based on years of participant-observation in four mines and extensive interviews with miners, managers, engineers, and the families of mine employees, offer a rich and surprising view of the working “families” that miners construct. In this picture, gender roles are not nearly as straightforward—or as straitened—as stereotypes suggest.Gender is far from the primary concern of coworkers in crews. Far more important, Rolston finds, is protecting the safety of the entire crew and finding a way to treat each other well despite the stresses of their jobs. These miners share the burden of rotating shift work—continually switching between twelve-hour day and night shifts—which deprives them of the daily rhythms of a typical home, from morning breakfasts to bedtime stories. Rolston identifies the mine workers’ response to these shared challenges as a new sort of constructed kinship that both challenges and reproduces gender roles in their everyday working and family lives.Crews’ expectations for coworkers to treat one another like family and to adopt an “agricultural” work ethic tend to minimize gender differences. And yet, these differences remain tenacious in the equation of masculinity with technical expertise, and of femininity with household responsibilities. For Rolston, such lingering areas of inequality highlight the importance of structural constraints that flout a common impulse among men and women to neutralize the significance of gender, at home and in the workplace.At a time when the Appalachian region continues to dominate discussion of mining culture, this book provides a very different and unexpected view—of how miners live and work together, and of how their lives and work reconfigure ideas of gender and kinship.

Mountains of Injustice Cover

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Mountains of Injustice

Social and Environmental Justice in Appalachia

Michele Morrone

Research in environmental justice reveals that low-income and minority neighborhoods in our nation’s cities are often the preferred sites for landfills, power plants, and polluting factories. Those who live in these sacrifice zones are forced to shoulder the burden of harmful environmental effects so that others can prosper. Mountains of Injustice broadens the discussion from the city to the country by focusing on the legacy of disproportionate environmental health impacts on communities in the Appalachian region, where the costs of cheap energy and cheap goods are actually quite high. Through compelling stories and interviews with people who are fighting for environmental justice, Mountains of Injustice contributes to the ongoing debate over how to equitably distribute the long-term environmental costs and consequences of economic development. 

Opening Windows onto Hidden Lives Cover

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Opening Windows onto Hidden Lives

Women, Country Life, and Early Rural Sociological Research

Julie N. Zimmerman and Olaf F. Larson

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