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Image and the Media
The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events. Upon their arrival in the U.S., the Beatles wore sharply tailored suits and cast themselves as adorable, accessible teen heartthrobs. By the end of the decade, they had absorbed the fashion and consciousness of the burgeoning counterculture and were using their interviews, media events, and music to comment on issues such as the Vietnam War, drug culture, and civil rights. Frontani traces the steps that led to this change and comments on how the band's mantra of essential optimism never wavered despite the evolution of its media profile. Michael R. Frontani is associate professor of communications at Elon University. His work has appeared in American Journalism, Journal of American Culture, Journalism History, and African Studies Review.
The Transcendent Role of Black Sporting Pioneers
While the accomplishments and influence of Jack Johnson, Joe Louis, Jesse Owens, Jackie Robinson, and Muhammad Ali are doubtless impressive solely on their merits, these luminaries of the black sporting experience did not emerge spontaneously. Their rise was part of a gradual evolution in social and power relations in American culture between the 1890s and 1940s that included athletes such as jockey Isaac Murphy, barnstorming pilot Bessie Coleman, and golfer Teddy Rhodes. The contributions of these early athletes to our broader collective history, and their heroic confrontations with the entrenched racism of their times, helped bring about the incremental changes that after 1945 allowed for sports to be more fully integrated.
Before Jackie Robinson details and analyzes the lives of these lesser-known but important athletes within the broader history of black liberation. These figures not only excelled in their given sports but also transcended class and racial divides in making inroads into popular culture despite the societal restrictions placed on them. They were also among the first athletes to blur the line between athletics, entertainment, and celebrity culture. This volume presents a more nuanced account of early African American athletes’ lives and their ongoing struggle for acceptance, relevance, and personal and group identity.
The Work of Elmore Leonard
Widely known as the crime fiction writer whose work led to the movies Get Shorty and Out of Sight, Elmore Leonard has a special knack for creating cool characters, which for him means characters who are good at what they do. The dope dealers, bookies, grifters, financial advisers, talent agents, shady attorneys, hookers, models, and crooked cops of Leonard's world may be nefarious, but they are generally confident, skilled, and composed, and they cope without effort or thought. In Being Cool, Charles Rzepka draws on more than twelve hours of personal interviews with Leonard and applies what he learned to his close analysis of Leonard's long life and prodigious output: 45 published novels, 39 published and unpublished short stories, and numerous essays written over the course of six decades. Leonard's writing methods and style epitomize how he conceives "being cool." Rzepka delineates the stages and patterns that characterize the author's creative evolution. Like jazz greats, Leonard forged an individual style immediately recognizable for its voice and rhythm, including his characters' rat-a-tat recitations, curt backhands, and ragged trains of thought. Taking being cool as the highway through Leonard's life and works, Rzepka finds plenty of byways to explore along the way.
A Plantation Memory
“Belvidere is underwater too deep for any eye but that of memory to reach,” begins Anne Sinkler Fishburne reverential recollections of her ancestral home. Located in between Santee River and Eutaw Creek near present day Eutaw Springs, South Carolina, Belvidere plantation once produced Santee long cotton (a hybrid between Upland cotton and Sea Island cotton) and short staple cotton on its nearly 800 acres of rich Lowcountry soil and served as the home of the Sinkler family from the 1770s until the 1940s. An elegant two-story timber house was built on the property in 1803, complete with full-brick basement, brick foundation, a welcoming piazza across the front, and a large wing balanced on the opposite side with a brick-paved sun piazza. In 1936, a race track was constructed at Belvidere to host races for the St. John’s Jockey Club (originally the Santee Jockey Club). The storied and vibrant life at Belvidere came to a close in 1941, however, with the completion of the huge Santee Cooper hydroelectric development. Belvidere, like many plantations of the parish, now rests below the waters of Lake Marion, but its past can still be experienced by the modern reader in this plantation memory. First published in 1949, Belvidere chronicles life at the plantation through letters, memoir, and historical research. When Fishburne gathered the materials that compose this volume, she merely wished to preserve for her grandchildren the story of the plantation that was her beloved home and that of many generations of her forebears. Written in an invitingly authentic Lowcountry voice, the resulting narrative is an opportunity to sit on the piazza and walk the gardens once more and share stories of a way of life from a bygone era. Featuring twenty-four illustrations, this commemorative edition of Belvidere is enhanced with a new introduction by Fishburne’s granddaughter Anne Sinkler Whaley LeClercq, an accomplished family historian, author, and editor.
Television, Gender, and Identity
In 1990 the fledgling Fox television network debuted its prime-time soap opera Beverly Hills, 90210, which was intended to appeal to viewers in their late teens and early twenties. Before long, not only did the network have a genuine hit with a large and devoted audience but the program had evolved into a cultural phenomenon as well, becoming a lens through which its youthful viewers defined much of their own sense of themselves.
By an overwhelming majority the fans were female-young women between eleven and twenty-five whose experience of the program was addictive and intensely communal. They met in small groups to watch the program, discussing its plot and characters against the backdrops of their own ongoing lives.
Wondering what this talk accomplished and what role it played in the construction of young female viewers' identities, Graham McKinley found several groups who watched the program and questioned them about the program's significance. Extracting generously from actual interviews, McKinley's investigation has the urgency of a heart-to-heart conversation, with rich anecdotal moments and revelations of self.
The New Action Heroine in Popular Culture
Beyond Bombshells analyzes the cultural importance of strong women in a variety of current media forms. Action heroines are now more popular in movies, comic books, television, and literature than they have ever been. Their spectacular presence represents shifting ideas about female agency, power, and sexuality. Beyond Bombshells explores how action heroines reveal and reconfigure perceptions about “how” and “why” women are capable of physically dominating roles in modern fiction, indicating the various strategies used to contain and/or exploit female violence.
Focusing on a range of successful and controversial recent heroines in the mass media, including Katniss Everdeen from The Hunger Games books and movies, Lisabeth Salander from The Girl with the Dragon Tattoo novels and films, and Hit-Girl from the Kick-Ass movies and comic books, Brown argues that the role of action heroine reveals evolving beliefs about femininity. While women in action roles are still heavily sexualized and objectified, they also challenge preconceived myths about normal or culturally appropriate gender behavior. The ascribed sexuality of modern heroines remains Brown’s consistent theme, particularly how objectification intersects with issues of racial stereotyping, romantic fantasies, images of violent adolescent and preadolescent girls, and neoliberal feminist revolutionary parables.
Individual chapters study the gendered dynamics of torture in action films, the role of women in partnerships with male colleagues, young women as well as revolutionary leaders in dystopic societies, adolescent sexuality and romance in action narratives, the historical import of non-white heroines, and how modern African American, Asian, and Latina heroines both challenge and are restricted by longstanding racial stereotypes.
Contemporary Afro-Asian Cultural Production
In Beyond The Chinese Connection, Crystal S. Anderson explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, Anderson examines such cultural productions as novels (Frank Chin's Gunga Din Highway , Ishmael Reed's Japanese By Spring , and Paul Beatty's The White Boy Shuffle ); films (Rush Hour 2 , Unleashed , and The Matrix trilogy [1999-2003],) and Japanese animation (Samurai Champloo ), all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferral, Anderson traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange.Ultimately, this book reads contemporary black/Asian cultural fusions through the recurrent themes established by the films of Bruce Lee, which were among the first--and certainly most popular--works to use this exchange explicitly. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972), and The Big Boss (1971), Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American and Asian youth in the 1970s. Lee's films and iconic imagery prefigure themes that reflect cross-cultural negotiations with global culture in post-1990 Afro-Asian cultural production.
Empathy and Anti-Racist Reading
Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or "White Negroes," who romanticized black culture as anarchic and sexually potent. In Beyond the White Negro, Kimberly Chabot Davis claims such a view fails to describe the varied politics of racial crossover in the past fifteen years.Davis analyzes how white engagement with African American novels, film narratives, and hip-hop can help form anti-racist attitudes that may catalyze social change and racial justice. Though acknowledging past failures to establish cross-racial empathy, she focuses on examples that show avenues for future progress and change. Her study of ethnographic data from book clubs and college classrooms shows how engagement with African American culture and pedagogical support can lead to the kinds of white self-examination that make empathy possible. The result is a groundbreaking text that challenges the trend of focusing on society's failures in achieving cross-racial empathy and instead explores possible avenues for change.
The Betty Gold Story
Few are familiar with one of the Holocaust’s most monstrous acts, the systematic murder of about 5,000 Jewish residents in a Nazioccupied Polish town, Trochenbrod, on August 11, 1942. Of the 33 who escaped death, only one person remains to describe these events—Betty Gold. Twelve-year-old Betty and her family hid inside a secret wall built by her father and, when it seemed safe, crept toward the forest, which became their home.
In part one of Beyond Trochenbrod, Gold provides a brief history of Trochenbrod, the only all-Jewish town to exist outside of biblical Israel, and describes a series of cherished childhood experiences before the arrival of Soviet and, later, Nazi occupiers. Part two centers on the family’s struggles against hunger, pain, despair, and the constant fear of being discovered while living in the forest. How the family survived against these and other threats is nothing short of miraculous. Their unlikely rescue, stay at a displaced persons camp, and journey to America are the subjects of part three. In the fourth and final part of her memoir, Gold recounts her difficult adjustment to her new home in Cleveland and discusses how her Trochenbrod experiences have transformed her life and the lives of others.
Man’s inhumanity is undeniable in Beyond Trochenbrod, but so is humanity’s capacity to prevail in spite of unimaginable odds.