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The Gangs of Guatemala City and the Politics of Death
Murder, Blackmail, and Confidence Games in the Gilded Age
The engaging tale of a nineteenth-century black widow
Intrigue, deception, bribery, poison, murder—all play a central role in the story of Minnie Walkup, a young woman from New Orleans who began her life of crime when she was only sixteen years old.
Born in 1869 to Elizabeth and James Wallace, Minnie was a natural beauty and attended convent school where she learned social graces and how to play the piano. After the divorce of her parents, she was raised in multiple boardinghouses owned by her mother, and at one of them, met her first husband, James Reeves Walkup. At sixteen, she married Walkup, a forty-nine-year-old successful businessman and acting mayor of Emporia, Kansas. One month later, Walkup died from arsenic poisoning and his young wife was accused of murdering him. Her trial became one of the most sensational cases in Kansas history and was covered by reporters across the nation.
The Adventuress details Minnie Walkup’s remarkable life and criminal activities. Using newspaper articles, census and probate records, and descendants’ reports, true crime writer Virginia A. McConnell depicts a captivating story that is full of scandal, gossip, theft, and murder and that includes events taking place across the South and Midwest. McConnell reveals a fascinating cast of characters revolving around Minnie Walkup, including a former Louisiana governor and senator, a prominent Ohio banking family, the partner of a famous railway tycoon, and a sleazy district court judge from New Orleans. The Adventuress offers a Gilded Age soap opera that seems too far-fetched to be what it is—true.
A substantial contribution to crime history, The Adventuress is a welcome addition to any true crime reader’s collection.
Examines African American contributions, both historical and contemporary, to criminological thought. 'This landmark book presents the contributions of African Americans past and present to understanding crime, criminological theory, and the administration of justice. The authors devote individual chapters to African American pioneers Ida B. Wells-Barnett, W. E. B. Du Bois, E. Franklin Frazier, and Monroe N. Work, and contemporary scholars Lee P. Brown, Daniel Georges-Abeyie, Darnell F. Hawkins, Coramae Richey Mann, William Julius Wilson, and Vernetta D. Young. Included for each individual are a biography, information on their contributions to criminological thought, and a list of selected references. A wide range of issues are covered such as lynching, the convict lease system, homicide, female crime and delinquency, terrorism, community policing, the black ethnic monolith paradigm, and explanations of criminality.
Memoirs of a Mobster's Wife
When her husband was murdered on the orders of Chicago mobster Frank Nitti, Georgette Winkeler -- wife of one of Al Capone's "American Boys" -- set out to expose the Chicago Syndicate. After an attempt to publish her story was squelched by the mob, she offered it to the FBI in the mistaken belief that they had the authority to strike at the racketeers who had killed her husband Gus. Discovered 60 years later in FBI files, the manuscript describes the couple's life on the run, the St. Valentine's Day Massacre (Gus was one of the shooters), and other headline crimes of that period. Prepared for publication by mob expert William J. Helmer, Al Capone and His American Boys is a compelling contemporary account of the heyday of Chicago crime by a woman who found herself married to the mob.
Arts and Politics in Prison in the 1970s
In this book, Bernstein explores the correctional, political, social, and aesthetic forces that prompted the rise of the “prison arts renaissance” of the 1970s. Bernstein also traces how, in turn, this movement inside prisons influenced American culture as the words and ideas of incarcerated writers, performers, and artists found their way to the Broadway stage, cinema, bestseller lists, and major museum exhibitions. Paradoxically, this movement was embedded in and informed by a cultural and political transformation taking shape inside America’s prisons at the precise moment when state and federal policy makers turned toward a “get tough on crime” approach. Bernstein addresses not only the ways in which incarcerated people living in this changing climate used writing, performance, and visual art while in prison, but also how the works they created influenced teaching, publishing, protest movements, and cultural life outside prison walls. Furthermore, a significant number of artists continued to teach or create meaningful works after they left prison. Given its timeliness as relates to public debate about American and international prisons, as well as Bernstein's evenhanded prose, this work will be useful for academics, students, and other readers interested in criminal justice, African American history, cultural history, and American studies.
Between Past and Present
“If I were asked to recommend a single book that puts the vexed and emotionally charged question of the death penalty into an intelligible historical and contemporary political perspective it would be this one. The introduction sets the stage beautifully and the essays that follow allow readers to come at the problem from a variety of mutually reinforcing perspectives. It is a model for intellectually rigorous scholarship on a morally exigent matter.”
Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes
Up the close and down the stair,
Up and down with Burke and Hare.
Burke's the butcher, Hare's the thief,
Knox the man who buys the beef.
—anonymous children's song
On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder.
Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press.
The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer. Listen to an interview with Lisa Rosner at the Penn Press podcast web page.