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Exile, Migration, and Diaspora Reconsidered
Aftermaths is a collection of essays offering compelling new ideas on exile, migration, and diaspora that have emerged in the global age. In seeking fresh perspectives on the movement of people and ideas, the essays included here look to the power of the aesthetic experience, especially in literature and film, to unsettle existing theoretical paradigms and enable the rethinking of conventionalized approaches.
Individual agents are frequently evident in early writing and notational systems, yet these systems have rarely been subjected to the concept of agency as it is traceable in archeology. Agency in Ancient Writing addresses this oversight, allowing archeologists to identify and discuss real, observable actors and actions in the archaeological record.
Embracing myriad ways in which agency can be interpreted, ancient writing systems from Mesoamerica, Mesopotamia, Egypt, Crete, China, and Greece are examined from a textual perspective as both archaeological objects and nascent historical documents. This allows for distinction among intentions, consequences, meanings, and motivations, increasing understanding and aiding interpretation of the subjectivity of social actors. Chapters focusing on acts of writing and public recitation overlap with those addressing the materiality of texts, interweaving archaeology, epigraphy, and the study of visual symbol systems.
Agency in Ancient Writing leads to a more thorough and meaningful discussion of agency as an archaeological concept and will be of interest to anyone interested in ancient texts, including archaeologists, historians, linguists, epigraphers, and art historians, as well as scholars studying agency and structuration theory.
Print Culture Studies after Elizabeth L. Eisenstein
Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Its path-breaking agenda has played a central role in shaping the study of print culture and "book history"—fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years. Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field. In addition to a conversation with Elizabeth L. Eisenstein, the book includes contributions by Peng Hwa Ang, Margaret Aston, Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodr’guez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.
Pollution, Death, and Healing in Northern India
For centuries, the Aghori have been known as the most radical ascetics in India: living naked on the cremation grounds, meditating on corpses, engaging in cannibalism and coprophagy, and consuming intoxicants out of human skulls. In recent years, however, they have shifted their practices from the embrace of ritually polluted substances to the healing of stigmatized diseases. In the process, they have become a large, socially mainstream, and politically powerful organization. Based on extensive fieldwork, this lucidly written book explores the dynamics of pollution, death, and healing in Aghor medicine. Ron Barrett examines a range of Aghor therapies from ritual bathing to modified Ayurveda and biomedicines and clarifies many misconceptions about this little-studied group and its highly unorthodox, powerful ideas about illness and healing.
Mourning and Maturity in Contemporary Japan
By 2030, over 30% of the Japanese population will be 65 or older, foreshadowing the demographic changes occurring elsewhere in Asia and around the world. What can we learn from a study of the aging population of Japan and how can these findings inform a path forward for the elderly, their families, and for policy makers?
Photography against History in Indigenous Siberia
Following the socialist revolution, a colossal shift in everyday realities began in the 1920s and ’30s in the former Russian empire. Faced with the Siberian North, a vast territory considered culturally and technologically backward by the revolutionary government, the Soviets confidently undertook the project of reshaping the ordinary lives of the indigenous peoples in order to fold them into the Soviet state. In Agitating Images, Craig Campbell draws a rich and unsettling cultural portrait of the encounter between indigenous Siberians and Russian communists and reveals how photographs from this period complicate our understanding of this history.
Agitating Images provides a glimpse into the first moments of cultural engineering in remote areas of Soviet Siberia. The territories were perceived by outsiders to be on the margins of civilization, replete with shamanic rituals and inhabited by exiles, criminals, and “primitive” indigenous peoples. The Soviets hoped to permanently transform the mythologized landscape by establishing socialist utopian developments designed to incorporate minority cultures into the communist state. This book delves deep into photographic archives from these Soviet programs, but rather than using the photographs to complement an official history, Campbell presents them as anti-illustrations, or intrusions, that confound simple narratives of Soviet bureaucracy and power. Meant to agitate, these images offer critiques that cannot be explained in text alone and, in turn, put into question the nature of photographs as historical artifacts.
An innovative approach to challenging historical interpretation, Agitating Images demonstrates how photographs go against accepted premises of Soviet Siberia. All photographs, Campbell argues, communicate in unique ways that present new and even contrary possibilities to the text they illustrate. Ultimately, Agitating Images dissects our very understanding of the production of historical knowledge.
Privilege, Inequality, and Modern Manhood
AIDS has been a devastating plague in much of sub-Saharan Africa. Yet the long-term implications for gender and sexuality are just emerging. AIDS and Masculinity in the African City tackles this issue head on and examines how AIDS has altered the ways masculinity is lived in Uganda—a country known as Africa’s great AIDS success story. Based on a decade of ethnographic research in an urban slum community called Bwaise, this book reveals the persistence of masculine privilege in the age of AIDS, and the implications such privilege has for combating AIDS across the African continent.
Too often, approaches to dealing with the problems posed by the spread of HIV have been one dimensional, with the assumption that what works in one place will work in another. Douglas Feldman has collected a group of essays representing a wide range of original ideas, methodologies, and suggestions that make a significant contribution to the field of AIDS research, both in Africa and beyond.
AIDS, Culture, and Africa examines such key issues as HIV transmission, condom use, sexual patterns, male circumcision, political factors, gender, poverty, and behavioral change. It features the research of those working in different countries in Africa, with different communities within those countries, and with different age, class, religious, and ethnic groups within those communities.
These original, previously unpublished essays also address the need for a greater anthropological perspective in the increasingly medicalized and politicized study of HIV and AIDS. As a whole, they pave the way for a deeper cultural understanding necessary to effectively reverse the catastrophic growth of HIV/AIDS on the continent.
There are approximately seven million adult gay and bisexual men in the United States and 120 million adult gay and bisexual men globally. This highly readable volume of original essays explores the cultural dimensions of AIDS among men who have sex with men (MSM).
The traditional emphasis in HIV/AIDS research within gay communities has focused on sexual behavior and psychological issues. Yet to better understand the social and cultural dimensions of the disease, and to halt the spread of HIV, it is essential to recognize and understand the culture of MSM. Cultural anthropologists, unquestionably, are in a unique position to achieve this understanding. Douglas Feldman has gathered a diverse group of experts to contribute to this collection, and the volume features a wealth of scholarly data unavailable elsewhere.
A Chicano Life and Story
When a ten-year-old boy befriends a mysterious hobo in his southern Colorado hometown in the early 1940s, he learns about evil in his community and takes his first steps toward manhood by attempting to protect his new friend from corrupt officials. Though a fictional story, Alex and the Hobo is written out of the life experiences of its author, José Inez (Joe) Taylor, and it realistically portrays a boy’s coming-of-age as a Spanish-speaking man who must carve out an honorable place for himself in a class-stratified and Anglo-dominated society. In this innovative ethnography, anthropologist James Taggart collaborates with Joe Taylor to explore how Alex and the Hobo sprang from Taylor’s life experiences and how it presents an insider’s view of Mexicano culture and its constructions of manhood. They frame the story (included in its entirety) with chapters that discuss how it encapsulates notions that Taylor learned from the Chicano movement, the farmworkers’ union, his community, his father, his mother, and his religion. Taggart gives the ethnography a solid theoretical underpinning by discussing how the story and Taylor’s account of how he created it represent an act of resistance to the class system that Taylor perceives as destroying his native culture.