Purdue University Press

Purdue Studies in Romance Literatures

Patricia Hart

Published by: Purdue University Press

Go

Browse Books in Series:

Purdue Studies in Romance Literatures

previous PREV 1 2 3 4 5 6 NEXT next

Results 21-30 of 62

:
:
restricted access This search result is for a Book

El intelectual y la cultura de masas

Argumentos latinoamericanos en torno a Ángel Rama y José María Arguedas

by Javier García Liendo

El intelectual y la cultura de masas, by Javier García Liendo, studies the responses of Ángel Rama (Uruguay) and José María Arguedas (Peru) to the effects of mass culture on Andean indigenous cultures and Latin American print culture during the second half of the twentieth century. It explores the part that Rama and Arguedas played in the conceptualization and promotion of new cultural spaces made possible by commodification and industrialization, as capitalism transformed the imaginaries and materialities that had shaped their cultural projects for Andean and Latin American cultures. Through a material analysis of print culture objects, in particular those resulting from Rama’s editorial ventures—such as pocket paperbacks and a popular encyclopedia—this work examines the transformations occurring at the time in Latin America at the level of production and circulation of culture, and thus sheds light on the emergence of new networks of communication between intellectuals and national and regional publics. Similarly, it explores the role of emergent communication technologies (sound recording and radio) in the reshaping of rural indigenous cultures into a mass-oriented popular culture in Peru. In this context, Arguedas’s work with folklore and his later involvement in the Andean popular music scene in Lima are studied as responses to a violent process of commercialization of traditional Andean musical culture, a result of mass migration from rural areas to cities and urbanization. Finally, this book presents an understanding of Rama and Arguedas that transcends their categorization as literary critic and writer, respectively, by analyzing their work through the concept of practice, which encompasses the totality of their work, including journalism, anthropology, folklore, editorial work, intellectual networking, and cultural promotion. Its chapters invite a rethinking of established notions of the relation between culture and capitalism during the heyday of revolution in the Latin American intellectual field.

restricted access This search result is for a Book

Falsehood Disguised

Unmasking the Truth in La Rochefoucauld

by Richard Hodgson

Falsehood Disguised analyzes La Rochefoucauld's ideas on truth and falsehood in the context of his views on self-love, on the passions, and on vice and virtue. It also explores his views on the subject in relation to what he sees as the extremely fragile foundations of the social contract.

restricted access This search result is for a Book

Feminism and the Honor Plays of Lope de Vega

by Yvonne Yarbro-Bejarano

Between 1585 and 1631, the Spanish playwright Lope de Vega wrote more than forty-five plays dealing with the theme of conjugal honor. Drawing on recent feminist theories and touching on literary, social, and anthropological aspects, Professor Yarbro-Rejarano demonstrates that hierarchical relations of gender, race, and social status mutually inform one another as structuring principles of these plays. She takes into account plays that reveal their conventional, formulaic views of the Christian feminine ideal as well as those whose variety and flexibility present women subverting their expected roles. By identifying moments of resistance and subversion in the texts, the author argues against excessively monolithic interpretations of such discourses of containment.

restricted access This search result is for a Book

Fictions du scandale

Corps féminin et réalisme romanesque au dix-neuvième siècle

by Nathalie Buchet Rogers

According to Rogers, the nineteenth century was incapable of managing the feminine question and preferred to mythicize it. Everything that was related to it, especially feminine sexuality, was transformed into fiction. Thus women were saddled with the role of scapegoat.

restricted access This search result is for a Book

Fictions of Totality

The Mexican Novel, 1968, and the National-Popular State

by Ryan F. Long

The Mexican government's brutal repression of the Student Movement of 1968 in the infamous Massacre of Tlatelolco exposed and exacerbated a serious crisis of political legitimacy. This study examines the cultural impact of this watershed event through historically contextualized readings of five paradigmatic novels: Carlos Fuentes's La region mas transparente (1958), Fernando del Paso's Jose Trigo (1966), Maria Luisa Mendoza's Con el, conmigo, con nosotros tres (1971), Jorge Aguilar Mora's Si muero lejos de ti (1979), and Hector Aguilar Camin's Morir en el golfo (1986).

restricted access This search result is for a Book

Género, nación y literatura

Emilia Pardo Bazán en la literatura gallega y española

by Carmen Pereira-Muro

Emilia Pardo Bazán’s place in Spanish and Galician literatures has been hard won, and she has yet to receive the recognition she deserves. In Género, nación y literatura: Emilia Pardo Bazán en la literatura gallega y española, Carmen Pereira-Muro studies the work and persona of this fascinating author in the context of Spanish and Galician competing nationalisms. She rereads the literary histories and national canons of Spain and Galicia as patriarchal master narratives that struggle to assimilate or silence Pardo Bazán’s alternative national project. Pereira-Muro argues that Pardo Bazán posited the inclusion of women in the national culture as a key step in circumventing the representational logic behind Realism and Liberalism in the modern nation-state. By insisting that women should be equal partners, Pardo Bazán problematically adopted the patriarchal binarism that assigns women to Nature and men to Culture, but she also subverted it by denying its supplemental relationship. Her astute choice and manipulation of masculine cultural models (Realism, not Romanticism; prose, not poetry; Castilian language, not Galician) ultimately won her (despite fierce opposition) inclusion in the Spanish national canon. Furthermore, the study of her thorny relations with emerging Galician nationalism shows that her exclusion from “Galician literature” was due largely to her transgressive gender performance. Finally, Pereira-Muro contends that in the author’s last novel, Pardo Bazán experimented with creating a feminine writing and a feminine canon for Spain. Nevertheless, the prevailing gender politics ensured that only her realist (masculine) production made it into the Spanish canon, and not this last, modernist (feminine) writing. In conclusion, this book questions the naturalization of national canons by uncovering the gender politics behind what is cast as naturally determined by language and geography. Doing this also exposes the parallel gender strictures at work behind seemingly opposed central (Spanish) and peripheral (Galician) national projects.

restricted access This search result is for a Book

Gender, Discourse, and Desire in Twentieth-Century Brazilian Women's Literature

by Cristina Ferreira-Pinto

This study by Cristina Ferreira-Pinto explores the poetic and narrative strategies twentieth-century Brazilian women writers use to achieve new forms of representation of the female body, sexuality, and desire. Female writers discussed include: Gilka Machado, Lygia Fagundes Telles, Marcia Denser, and Marina Colasanti. While creating new forms, these writers are also deconstructing cultural myths of femininity and female behavior. In order to understand these myths, the book also presents new readings of some male-authored canonical novels by Jose de Alencar, Machado de Assis, Manuel Antonio de Almeida, and Aluisio Azevedo.

restricted access This search result is for a Book

Gendered Lyric

Subjectivity and Difference in Nineteenth-Century French Poetry

by Gretchen Schultz

The Gendered Lyric argues that gender difference contributes to the definition of aesthetic values and, indeed, shaped the representation of masculine and feminine subjectivity in nineteenth-century French poetry. Gretchen Schultz analyzes works by the leaders of the Romantic, Parnassian, and Symbolist schools to show that their implicit conceptions of gender were central to the formulation of their aesthetics.

restricted access This search result is for a Book

Great Chiasmus

Word and Flesh in the Novels of Unamuno

by Paul Olson

"...Unamuno often entertains a view of the universe as an enormous system of embedded and embedding forms, structures nested within other structures in seemingly endless series." -From The Great Chiasmus In The Great Chiasmus, Paul R. Olson explores the use of the chiasmus in the work of Miguel de Unamuno. The chiasmus, a reversal in the order of words or parts of speech in parallel phrases, appears on a variety of levels, from brief microstructures ("blanca como la nieve y como la nieve fria"), to the narrative structures of entire novels, and even, Olson suggests, to encompass the stages in Unamuno's novelistic work. Olson's close readings of the texts in terms of this structure lead to observations on Spanish history, events in Unamuno's life, the psychological dimensions of his characters, and the authorial self found within his texts. The Great Chiasmus shows us how Unamuno uses grammar to reflect apparent contraries as freely reversible and thus identical. In this connection, Unamuno explores concepts usually considered opposites-spirit and matter, word and flesh.

restricted access This search result is for a Book

History, Violence, and the Hyperreal

Representing Culture in the Contemporary Spanish Novel

by Kathryn Everly

What does literature reveal about a country’s changing cultural identity? In History, Violence, and the Hyperreal by Kathryn Everly, this question is applied to the contemporary novel in Spain. In the process, similarities emerge among novels that embrace apparent differences in style, structure, and language. Contemporary Spanish authors are rethinking the way the novel with its narrative powers can define a specific cultural identity.

previous PREV 1 2 3 4 5 6 NEXT next

Results 21-30 of 62

:
:

Return to Browse All Series on Project MUSE

Series

Purdue Studies in Romance Literatures

Content Type

  • (62)

Access

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access