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How Journalists Treated Genius during Einstein's 1921 Travels
In 1919, newspaper headlines said that a British expedition had confirmed Einstein's general theory of relativity. The news stirred the public imagination on both sides of the Atlantic and thrust the scientist into the spotlight of fame. Two years later, Chaim Weizmann led a fund-raising mission to the United States and invited Einstein to join it. The mission traveled to New York, Boston, Chicago, Cleveland, Philadelphia, and Hartford to campaign for public awareness and support of the Hebrew University of Jerusalem. This brought Einstein within the grasp of the American media. His lectures delivered in New York, Princeton, and Chicago, and comments on the Jewish presence in Palestine, made Einstein, on his first trip to America, one of the first media stars. In Albert Meets America, József Illy presents a fascinating compilation of media stories of Einstein’s tour—which cover his science, his Zionism, and the anti-Semitism he encountered. As we travel with Einstein, from headline to headline, we experience his emotional connection with American Jews and his frustration at becoming world famous even though his theories were not truly understood. This exciting collection gives readers an intimate glimpse into the life of one of the world’s first modern celebrities and a unique understanding of the media's power over both its subject and its audience.
Darwinian Theory and U.S. Culture
While much has been written about the impact of Darwin’s theories on U.S. culture, and countless scholarly collections have been devoted to the science of evolution, few have addressed the specific details of Darwin’s theories as a cultural force affecting U.S. writers. America’s Darwin fills this gap and features a range of critical approaches that examine U.S. textual responses to Darwin’s works.
The scholars in this collection represent a range of disciplines—literature, history of science, women’s studies, geology, biology, entomology, and anthropology. All pay close attention to the specific forms that Darwinian evolution took in the United States, engaging not only with Darwin’s most famous works, such as On the Origin of Species, but also with less familiar works, such as The Expression of the Emotions in Man and Animals.
Each contributor considers distinctive social, cultural, and intellectual conditions that affected the reception and dissemination of evolutionary thought, from before the publication of On the Origin of Species to the early years of the twenty-first century. These essays engage with the specific details and language of a wide selection of Darwin’s texts, treating his writings as primary sources essential to comprehending the impact of Darwinian language on American writers and thinkers. This careful engagement with the texts of evolution enables us to see the broad points of its acceptance and adoption in the American scene; this approach also highlights the ways in which writers, reformers, and others reconfigured Darwinian language to suit their individual purposes.
America’s Darwin demonstrates the many ways in which writers and others fit themselves to a narrative of evolution whose dominant motifs are contingency and uncertainty. Collectively, the authors make the compelling case that the interpretation of evolutionary theory in the U.S. has always shifted in relation to prevailing cultural anxieties.
Essays on Culture and Species Death
We live in an era marked by an accelerating rate of species death, but since the early days of the discipline, anthropology has contemplated the death of languages, cultural groups, and ways of life. The essays in this collection examine processes of—and our understanding of—extinction across various domains. The contributors argue that extinction events can be catalysts for new cultural, social, environmental, and technological developments—that extinction processes can, paradoxically, be productive as well as destructive. The essays consider a number of widely publicized cases: island species in the Galápagos and Madagascar; the death of Native American languages; ethnic minorities under pressure to assimilate in China; cloning as a form of species regeneration; and the tiny hominid Homo floresiensis fossils ("hobbits') recently identified in Indonesia. The Anthropology of Extinction offers compelling explorations of issues of widespread concern.
Medicine, Power, and the Care of the Dying
In this original and compelling book, Jeffrey P. Bishop, a philosopher, ethicist, and physician, argues that something has gone sadly amiss in the care of the dying by contemporary medicine and in our social and political views of death, as shaped by our scientific successes and ongoing debates about euthanasia and the “right to die”—or to live. The Anticipatory Corpse: Medicine, Power, and the Care of the Dying, informed by Foucault’s genealogy of medicine and power as well as by a thorough grasp of current medical practices and medical ethics, argues that a view of people as machines in motion—people as, in effect, temporarily animated corpses with interchangeable parts—has become epistemologically normative for medicine. The dead body is subtly anticipated in our practices of exercising control over the suffering person, whether through technological mastery in the intensive care unit or through the impersonal, quasi-scientific assessments of psychological and spiritual “medicine.”
Chaos Theory and Metachaotics in Recent American Fiction
Explores the way chaos theory is incorporated in the work of such writers as Toni Morrison, Thomas Pynchon, John Barth, Don DeLillo, and Michael Crichton. Beautiful Chaos is the first book to examine contemporary American fiction through the lens of chaos theory. The book focuses on recent works of fiction by John Barth, Michael Crichton, Don DeLillo, Michael Dorris, Cormac McCarthy, Toni Morrison, Thomas Pynchon, Carol Shields, and Robert Stone, all of whom incorporate aspects of chaos theory in one or more of their novels. They accomplish this through their disruption of conventional linear narrative forms and their use of strategic tropes of chaos and order, but also—and more significantly for an understanding of the interaction of science and fiction—through their self-conscious embrace of the current rhetoric of chaos theory. Since the publication of James Gleick’s Chaos: Making a New Science in 1987, chaos theory has been taken up by a wide variety of literary critics and other scholars of the arts. While considering the relationship between chaos theory and recent American fiction, Beautiful Chaos details basic assumptions about orderly and dynamic systems and the various manifestations of chaos theory in literature, including mimesis, metaphor, model, and metachaotics. It also explains particular features of orderly and dynamic systems, including entropy, bifurcation and turbulence, noise and information, scaling and fractals, iteration, and strange attractors.
The Struggle to Understand the Interaction of Nature and Nurture
Making Sense of Radar and Sonar
Have you ever wondered how stealth planes achieve "invisibility," how sunken ships are found, or how fishermen track schools of fish in vast expanses of ocean? Radar and sonar echolocation—a simple matter of sending, receiving, and processing signals. Weaving history with simple science, Mark Denny deftly reveals the world of radar and sonar to the curious reader, technology buff, and expert alike. He begins with an early history of the Chain Home radar system used during World War II and then provides accessible and engaging explanations of the physics that make signal processing possible. Basic diagrams and formulas show how electromagnetic and sound waves are transmitted, received, and converted into images, allowing you to literally see in the dark. A section on bioacoustic echolocation, with a focus on the superior sonar systems of bats and whales and a discussion of the advanced technology of next-generation airborne signal processors, opens the imagination to fascinating possibilities for the future.
An Intellectual Biography
Bruno Latour stirs things up. Latour began as a lover of science and technology, co-founder of actor-network theory, and philosopher of a modernity that had “never been modern.” In the meantime he is regarded not just as one of the most intelligent—and also popular—exponents of science studies, but also as a major innovator of the social sciences, an exemplary wanderer who walks the line between the sciences and the humanities._x000B__x000B_This book provides the first comprehensive overview of the Latourian oeuvre, from his early anthropological studies in Abidjan (Ivory Coast), to influential books like Laboratory Life and Science in Action, and his most recent reflections on an empirical metaphysics of “modes of existence.” In the course of this enquiry it becomes clear that the basic problem to which Latour’s work responds is that of social tradition, the transmission of experience and knowledge. What this empirical philosopher constantly grapples with is the complex relationship of knowledge, time, and culture._x000B_
A Collective Reflection
This unique collection examines the man Utne Reader has called “the greatest social critic of the twentieth century.” The essays—all by people Illich has influenced personally—discuss how his life and thought have affected conceptualization, study, and practice of psychotherapy, notions about education, ideas concerning the historical development of the text, perceptions of technology, as well as other topics. All of Illich’s books are discussed and his ideas on education, theology, technology, anarchism, and society are examined in relationship to those of René Girard, Karl Polanyi, Emmanuel Levinas, and Jacques Ellul. Illich’s previously unpublished paper offering a new view of conspiracy in European history is included.
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China’s belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.