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Print Culture, Censorship, and Modernity in Twentieth-Century America
Until the close of the Second Vatican Council in 1965, the stance of the Roman Catholic Church toward the social, cultural, economic, and political developments of the twentieth century was largely antagonistic. Naturally opposed to secularization, skeptical of capitalist markets indifferent to questions of justice, confused and appalled by new forms of high and low culture, and resistant to the social and economic freedom of women—in all of these ways the Catholic Church set itself up as a thoroughly anti-modern institution. Yet, in and through the period from World War I to Vatican II, the Church did engage with, react to, and even accommodate various aspects of modernity. In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over this crucial period.
The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
How Music and Art Are Revitalizing American Religion
Robert Wuthnow shows how music and art are revitalizing churches and religious life across the nation in this first-ever consideration of the relationship between religion and the arts. All in Sync draws on more than four hundred in-depth interviews with church members, clergy, and directors of leading arts organizations and a new national survey to document a strong positive relationship between participation in the arts and interest in spiritual growth. Wuthnow argues that contemporary spirituality is increasingly encouraged by the arts because of its emphasis on transcendent experience and personal reflection. This kind of spirituality, contrary to what many observers have imagined, is compatible with active involvement in churches and serious devotion to Christian practices.
The absorbing narrative relates the story of a woman who overcame a severe personal crisis and went on to head a spiritual direction center where participants use the arts to gain clarity about their own spiritual journeys. Readers visit contemporary worship services in Chicago, Philadelphia, and Boston and listen to leaders and participants explain how music and art have contributed to the success of these services. All in Sync also illustrates how music and art are integral parts of some Episcopal, African American, and Orthodox worship services, and how people of faith are using their artistic talents to serve others.
Besides examining the role of the arts in personal spirituality and in congregational life, Wuthnow discusses how clergy and lay leaders are rethinking the role of the imagination, especially in connection with traditional theological virtues. He also shows how churches and arts organizations sometimes find themselves at odds over controversial moral questions and competing claims about spirituality. Accessible, relevant, and innovative, this book is essential for anyone searching for a better understanding of the dynamic relationships among religion, spirituality, and American culture.
Henry Codman Potter and the Social Gospel in the Episcopal Church
In addition to being the sixth bishop of the Diocese of New York, Henry Codman Potter (1835-1908) was a prominent voice in the Social Gospel movement of the late nineteenth and early twentieth centuries. This book, the first in-depth study of Potter's life and work, examines his career in the Episcopal church as well as the origins and legacy of his progressive social views. _x000B__x000B_As industrialization and urbanization spread in the nineteenth century, the Social Gospel movement sought to apply Christian teachings to effect improvements in the lives of the less fortunate. Potter was firmly in this tradition, concerning himself especially with issues of race, the place of women in society, questions of labor and capital, and what he called "political righteousness." Placing Potter against the wider backdrop of nineteenth-century American Protestantism, Bourgeois explores the experiences and influences that led him to espouse these socially conscious beliefs, to work for social reform, and to write such works as Sermons of the City (1881) and The Citizen in His Relation to the Industrial Situation (1902). _x000B__x000B_In telling Potter's remarkable story, All Things Human stands as a valuable contribution to intellectual and religious history as well as an exploration of the ways in which religion and society interact.
Religion and Ethics in the Living Wage Movement
The Andean Church and its Indigenous Agents, 1583-1671
Focusing on the highland parishes of the Lima archdiocese, John Charles explores the vital, often conflictive role indigenous agents played in the creation of Andean Christian society. Torn between their obligation to enforce colonial laws and their customary obligation to protect native communities from the colonizers’ abuses, indios ladinos used the Spanish language to complicate the Church’s efforts to evangelize on its own terms. Utilizing a vast body of literary activity, Allies at Odds provides perspective on the Spanish cultural values that shaped the literary activity of native Andeans and that native Andeans had a part in shaping.
Regional and Vernacular Variations on a Hindu Deity
Krishna—widely venerated and adored in the Hindu tradition—is a deity of many aspects. An ancient manifestation of the Supreme God Vishnu, or the Godhead itself, Krishna is the bringer of Yoga philosophy and the creator of the universe, the destroyer of evil tyrants, and the hero of the epic Mahaµbhaµrata. He is also described in classical Sanskrit texts as having human characteristics and enjoying very human pursuits: Krishna is the butter thief, cowherd, philanderer, and flute player. Yet even these playful depictions are based upon descriptions found in the Sanskrit canon, and mostly reflect familiar, classical Pan-Indian images. In this book, contributors examine the alternative, or unconventional, Krishnas, offering examples from more localized Krishna traditions found in different regions among various ethnic groups, vernacular language traditions, and remote branches of Indian religions. These wide-ranging, alternative visions of Krishna include the Tantric Krishna of Bengal, Krishna in urban women’s rituals, Krishna as monogamous husband and younger brother in Braj, Krishna in Jainism, Krishna in Maraµthiµ tradition, Krishna in South India, and the Krishna of nineteenth-century reformed Hinduism.
Six Big Questions about Evolution
Despite the ongoing cultural controversy in America, evolution remains a cornerstone of science. In this book, Francisco J. Ayala—an evolutionary biologist, member of the National Academy of Sciences, and winner of the National Medal of Science and the Templeton Prize—cuts to the chase in a daring attempt to address, in nontechnical language, six perennial questions about evolution: • Am I a Monkey? • Why Is Evolution a Theory? • What Is DNA? • Do All Scientists Accept Evolution? • How Did Life Begin? • Can One Believe in Evolution and God? This to-the-point book answers each of these questions with force. Ayala's occasionally biting essays refuse to lend credence to disingenuous ideas and arguments. He lays out the basic science that underlies evolutionary theory, explains how the process works, and soundly makes the case for why evolution is not a threat to religion. Brief, incisive, topical, authoritative, Am I a Monkey? will take you a day to read and a lifetime to ponder.
Explores a range of Buddhist perspectives in a distinctly American context. The US seems to be becoming a Buddhist country. Celebrity converts, the popularity of the Dalai Lama, motifs in popular movies, and mala beads at the mall indicate an increasing inculcation of Buddhism into the American consciousness, even if a relatively small percentage of the population actually describe themselves as Buddhists. This book looks beyond the trendier manifestations of Buddhism in America to look at distinctly American Buddhist ways of life—ways of perceiving and understanding. John Whalen-Bridge and Gary Storhoff have organized this unique collection in accordance with the Buddhist concept of the Three Jewels: the Buddha, the Dharma, and the Sangha. The Buddha section discusses the two key teachers who popularized Buddhism in America: Alan Watts and D. T. Suzuki and the particular kinds of spirituality they proclaimed. The Dharma section deals with how Buddhism can enlighten current public debates and a consideration of our national past with explorations of bioethics, abortion, end-of-life decisions, and consciousness in late capitalism. The final section on the Sangha, or community of believers, discusses how Buddhist communities both formal and informal have affected American society with chapters on family life, Nisei Buddhists, gay liberation, and Zen gardens.
Vol. 122 (2011) through current issue
In 1887 the American Catholic Historical Society began publication of a quarterly journal, the Records. In 1913, the Records was merged with American Catholic Historical Researches, a publication founded by Dr. A. A. Lambing of Scottsdale, Pennsylvania and issued by Martin I.J. Griffin. Since 1999, the journal, renamed American Catholic Studies has been published out of Villanova University. American Catholic Studies is the oldest, continuously published catholic scholarly journal in the United States.
American Catholic Studies is a double-blind refereed journal that publishes high quality studies and book reviews for academics, opinion leaders, and informed general readers in the fields of U.S. Roman Catholic history, sociology, theology, architecture, art, cinema, music, popular movements, and related areas.
Rethinking the Academic Study of Religion
Michael P. Carroll argues that the academic study of religion in the United States continues to be shaped by a "Protestant imagination" that has warped our perception of the American religious experience and its written history and analysis. In this provocative study, Carroll explores a number of historiographical puzzles that emerge from the American Catholic story as it has been understood through the Protestant tradition. Reexamining the experience of Catholicism among Irish immigrants, Italian Americans, Acadians and Cajuns, and Hispanics, Carroll debunks the myths that have informed much of this history. Shedding new light on lived religion in America, Carroll moves an entire academic field in new, exciting directions and challenges his fellow scholars to open their minds and eyes to develop fresh interpretations of American religious history.