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Islam and the Making of Modern Europe, 1798-1831
Many think of Muslims in Europe as a twentieth century phenomenon, but this book brings to life a lost community of Arabs who lived through war, revolution, and empire in early nineteenth century France. Ian Coller uncovers the surprising story of the several hundred men, women, and children—Egyptians, Syrians, Greeks, and others—who followed the French army back home after Napoleon’s occupation of Egypt. Based on research in neglected archives, on the rediscovery of forgotten Franco-Arab authors, and on a diverse collection of visual materials, the book builds a rich picture of the first Arab France—its birth, rise, and sudden decline in the age of colonial expansion. As he excavates a community that was nearly erased from the historical record, Coller offers a new account of France itself in this pivotal period, one that transcends the binary framework through which we too often view history by revealing the deep roots of exchange between Europe and the Muslim world, and showing how Arab France was in fact integral to the dawn of modernity.
Archaeology is a science in which progress can be measured by the advances made backward into the past. The last one hundred years of archaeology have added a score of centuries to the story of the growth of our cultural and religious heritage, as the ancient world has been recovered from the sands and caves of the modern Near East-Egypt, Jordan, Israel, Syria, Lebanon, Turkey, and Iraq. Measured by the number of centuries which have been annexed to man's history in a relatively few years, progress has been truly phenomenal. This book deals with the recent advance and with those pioneers to the past who made it possible. Interest in biblical history has played an important part in this recovery. Names such as Babylon, Nineveh, Jericho, Jerusalem, and others prominent on the pages of the Bible, have gripped the popular imagination and worked like magic to gain support for excavations.
This book is written from the widely shared conviction that the discovery of the ancient Near East has shed significant light on the Bible. Indeed, the newly-discovered ancient world has effected a revolution in the understanding of the Bible, its people, and their history. My purpose is to assess, in non-technical language which the layman can understand, the kind of change in viewing the biblical past which archaeology has brought about in the last century. Since the text of the Bible has remained constant over this period, it is obvious that any new light on its meaning must provide a better perspective for seeing the events which it describes. In short, I am concerned with the question, How has history as written in the Bible been changed, enlarged, or substantiated by the past century of the archaeological work?--from the Preface
The Life of Jesus and the Beginning of the Early Church
The Archeology of the New Testament is the authoritative illustrated account of what is presently known about the chief sites and monuments connected with the life of Jesus and the history of the early church. To follow the order of the New Testament, it first investigates sites connected with John the Baptist and then proceeds to Bethlehem and Nazareth, Samaria and Galilee, Jerash, Caesarea, Jericho, the Mount of Olives, Jerusalem, and Emmaus. Each site is illustrated, and the accompanying text, numbered to facilitate cross-reference, contains a bibliography. This edition has been completely revised to reflect the most recent scholarship and excavations, and it contains many new entries. Anyone concerned with the historical, geographical, and cultural background of the New Testament will want to study this classic work as it retraces the steps of Jesus. "The definitive handbook. Finegan's comprehensive treatment of almost every problem in the field of New Testament archeology as well as his judicious evaluation of the evidence makes this book indispensable to every serious student of the Bible."--The New York Times Book Review
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Enochian Magic and Modern Occulture
An exploration of John Dee’s Enochian magic of angel contact, its reinterpretation over the years, and its endurance to the present day. This fascinating work explores John Dee’s Enochian magic and the history of its reception. Dee (1527–1608/9), an accomplished natural philosopher and member of Queen Elizabeth I’s court, was also an esoteric researcher whose diaries detail years of conversations with angels achieved with the aid of crystal-gazer Edward Kelley. His Enochian magic offers a method for contacting angels and demons based on secrets found in the apocryphal Book of Enoch. Examining this magical system from its Renaissance origins to present day occultism, Egil Asprem shows how the reception of Dee’s magic is replete with struggles to construct and negotiate authoritative interpretational frameworks for doing magic. Arguing with Angels offers a novel, nuanced approach to questions about how ritual magic has survived the advent of modernity and demonstrates the ways in which modern culture has recreated magical discourse.
An Annotated Translation with Introduction and Theological Commentary
With this first direct translation of Arminius' Declaration of Sentiments into English from the original Dutch, Stephen Gunter weaves expert translation with valuable notes and theological commentary. Gunter's introduction situates this overlooked but critically important work within its rich historical context and includes a clear, illuminating discussion of the debate over predestination. What emerges is an enlightening portrait of Arminius that challenges modern misconceptions about one of the most significant sixteenth-century theologians.
Scent and Seduction in Rabbinic Life and Literature
In The Aroma of Righteousness, Deborah Green explores images of perfume and incense in late Roman and early Byzantine Jewish literature. Using literary methods to illuminate the rabbinic literature, Green demonstrates the ways in which the rabbis’ reading of biblical texts and their intimate experience with aromatics build and deepen their interpretations. The study uncovers the cultural associations that are evoked by perfume and incense in both the Hebrew Bible and midrashic texts and seeks to understand the cultural, theological, and experiential motivations and impulses that lie behind these interpretations. Green accomplishes this by examining the relationship between the textual traditions of the Hebrew Bible and Midrash, the surviving evidence from the material culture of Palestine in the late Roman and early Byzantine periods, and cultural evidence as described by the rabbis and other Roman authors.
Art and the Religious Image in El Greco’s Italy is the first book-length examination of the early career of one of the early modern period’s most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name “El Greco,” for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper’s examination of this period allows us to gain a proper understanding of El Greco’s entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Casper’s analysis portrays El Greco as an active participant in some of the most formative artistic discussions of his time. It shows how the paintings of his early career explore the form, function, and conception of the religious image in the second half of the sixteenth century, and how he cultivated artistic fame by incorporating aspects of the styles of Michelangelo, Titian, and other contemporary masters. Beyond this, El Greco’s paintings bear the marks of an artist attentive to theoretical speculation on the artistic process, the current understandings of the science of optics and perspective, and the role of Roman antiquity for Christian ideology. All of these characteristics demonstrate El Greco’s unique understanding of the merger of artistic craft with devotional intent through what Casper terms the “artful icon.”
The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice.
The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals?
This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.
Christian Visual Culture in the Kingdom of Kongo
Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries.
Ornamentation and Devotion
Since ancient times, Hindus have expressed their love and devotion to their deities through beautiful ornamentation -- dressing and decorating the deities with elaborate clothing, jewelry, and flowers. In this pioneering study of temples in Vrindaban and Jaipur, India, Cynthia Packert takes readers across temple thresholds and into the god Krishna's sacred domain. She describes what devotees see when they behold gorgeously attired representations of the god and why these images look the way they do. She discusses new media as well as global forms of devotion popular in India and abroad. The Art of Loving Krishna opens a universe of meaning in which art, religious action, and devotion are dynamically intertwined.