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Haunting, Landscape, and the Hemispheric Imagination
In Ghost-Watching American Modernity, Maria del Pilar Blanco revisits nineteenth- and twentieth-century texts from Spanish America and the United States to ask how different landscapes are represented as haunted sites. Moving from foundational fictions to Westerns, Blanco explores the diverse ways in which ghosts and haunting emerge across the American hemisphere for authors who are preoccupied with evoking the experience of geographical transformations during a period of unprecedented development. The book offers an innovative approach that seeks to understand ghosts in their local specificity, rather than as products of generic conventions or as allegories of hidden desires. Its chapters pursue formally attentive readings of texts by Domingo Sarmiento, Henry James, Jose Marti, W. E. B. Du Bois, Juan Rulfo, Felisberto Hernandez, and Clint Eastwood. In an intervention that will reconfigure the critical uses of spectrality for scholars in U.S./Latin American Studies, narrative theory, and comparative literature, Blanco advances ghost-watching as a method for rediscovering haunting on its own terms.
"Lynwood Montell has collected ghost tales all over the state of Kentucky, from coal mining settlements to river landings, from highways to battlefields. He presents these suspense-filled stories just as he first heard or read them: as bona fide personal experiences or as events witnessed by family members or friends. There are over 250 stories in Ghosts across Kentucky that are set in specific places and times. They include tales of graveyards, haunted dormitories, animal ghosts, and vanishing hitchhikers. Montell describes weird lights, unexplained sounds, felt presences, and disappearing apparitions. Phantom workmen, fallen soldiers, young lovers, and executed criminals appear in these pages, along with the living who chance upon them. Though the focus is on the stories themselves, Montell also includes a chapter explaining our fascination with the supernatural and the deep truths these storytelling traditions reveal about our lives and our pasts.William Lynwood Montell, emeritus professor of folk studies at Western Kentucky University, is the author of several books, including Killings."
Some of the nation's most compelling ghost stories owe their origin to "The Father of Waters." Ghosts along the Mississippi River is the first book-length collection of ghost tales from the small towns and bustling cities that have grown up along its banks. The states represented in this book include Arkansas, Illinois, Iowa, Louisiana, Minnesota, Mississippi, Missouri, Tennessee, and Wisconsin. Unlike most collections of "true" ghost stories, Ghosts along the Mississippi River draws from the folk traditions of the northern and the southern United States. These tales are populated with Federal and Confederate soldiers, Native Indians, wealthy entrepreneurs, actors, college students, hotel owners, preachers, slaves, and planters. According to some paranormal investigators, the large number of ghost stories from the Mississippi's river towns, and from watery sites all over the world, are proof that large bodies of water are conductors of psychic energy. Granted, no concrete proof exists that there is a definite connection between the river and any actual ghosts or spiritual phenomena. What is indisputable, though, is the fact that the ghost stories included in Ghosts along the Mississippi River are an invaluable record of the values, dreams, fears, and lives of the people who have called the river home.
A Theological Aesthetic
While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology.
A Short Book on the Secular and the Sacred
The title of Charles Taliaferro’s book is derived from poems and stories in which a person in peril or on a quest must follow a cord or string in order to find the way to happiness, safety, or home. In one of the most famous of such tales, the ancient Greek hero Theseus follows the string given him by Ariadne to mark his way in and out of the Minotaur’s labyrinth. William Blake's poem “Jerusalem” uses the metaphor of a golden string, which, if followed, will lead one to heaven itself. Taliaferro extends Blake’s metaphor to illustrate the ways we can link what we see, feel, and do with deep spiritual realities. Taliaferro offers a foundational case for the recognition of the experience of the eternal God of Christianity, in which God is understood as the fount of all goodness and the subject and object of our best love, revealed through scripture, tradition, philosophical reflection, and encountered in everyday events. He addresses philosophical obstacles to the recognition of such experiences, especially objections from the “new atheists,” and explores the values involved in thinking and experiencing God as eternal. These include the belief that the eternal goodness of God subordinates temporal goods, such as the pursuit of fame and earthly glory; that God is the essence of life; and that the eternal God hallows domestic goods, blessing the everyday goods of ordinary life. An exploration of the moral and spiritual riches of the Christian tradition as an alternative to materialism and naturalism, The Golden Cord brings an originality and depth to the debate in accessible and engaging prose.
" An all-new collection of amazing ghost stories from the author of the bestselling Ghosts across Kentucky . Kentucky has a rich legacy of ghostly visitations. Lynwood Montell has harvested dozens of tales of haunted houses and family ghosts from all over the Bluegrass state. Many of the stories were collected from elders by young people and are recounted exactly as they were gathered. Haunted Houses and Family Ghosts of Kentucky includes chilling tales such as that of the Tan Man of Pike County, who trudges invisibly through a house accompanied by the smell of roses, and the famed Gray Lady of Liberty Hall in Frankfort, a houseguest who never left. Montell tells the story of a stormy night, shortly before Henry Clay’s death, when the ghost of the statesman’s old friend Daniel Boone calls upon him, and then recounts the more modern story of the ghouls that haunt the rehearsal house of the band The Kentucky Headhunters. Included are accounts of haunted libraries, mansions, bedrooms, log cabins, bathrooms, college campuses, apartments, furniture, hotels, and distilleries, as well as reports of eerie visitations from ghostly grandmothers, husbands, daughters, uncles, cousins, babies, slaves, Civil War soldiers, dogs, sheep, and even wildcats. Almost all of Kentucky’s 120 counties are represented. Though the book emphasizes the stories themselves, Montell offers an introduction discussing how local history, local character, and local flavor are communicated across the generations in these colorful stories. William Lynwood Montell, emeritus professor of folk studies at Western Kentucky University, is the author of several books, including Ghosts across Kentucky, Killings, Kentucky Ghosts, Singing the Glory Down , Kentucky Folk Architecture, and Tales from Kentucky Lawyers . He lives in Oakland, Kentucky.
Contemporary Franciscans Theologize
Seven articles explore different aspects of the contemplative experience of contemporary Franciscan theology. The foundation for the essays is Francis’s Rule for Hermitages; the texts emerged from the desire of mature Franciscans to describe the call to pray in community and share their own intellectual journeys. Contributors include R. Duffy, OFM.; J. Mueller, OSF; J. Burkhard, OFM Conv.; and G. Ühlein, OSF.
Itinerarium Mentis in Deum
This new translation of The Journey of the Soul into God - Itinerarium Mentis in Deum - signals a milestone in Bonaventurian scholarship in North America. Based on the famed 1956 Boehner edition, this volume presents the text with a new inclusive-language translation, authoritative notes by Boehner with a new translation of their Latin content, plus the Latin text of the critical edition interfaced with the English text.
In May 1373, the English mystic Julian of Norwich was healed of a serious illness after experiencing a series of visions of the Blessed Virgin and of Christ’s suffering. Her account, A Revelation of Love, is considered one of the most remarkable documents of medieval religious experience. In Julian of Norwich and the Mystical Body Politic of Christ, Frederick Bauerschmidt provides a close and historically sensitive reading of Julian’s Revelation of Love that addresses the relationship between our understanding of God and our vision of human community. By locating Julian’s images of Christ’s body within the context of late medieval debates over the nature and extent of divine power, Bauerschmidt argues that Julian presents an alternative account of divine power in which the crucified body of Christ becomes the locus and shape of divine omnipotence. For Julian, divine power serves as the norm of all human exercise of power, rendering the possibility of the “mystical body politic of Christ” as the exemplary form of human community. In this reading, the theological is irreducibly political and the political is irreducibly theological. As such, Bauerschmidt shows Julian to be both a theologian of the first rank and one who “imagines the political.”