Acknowledged as the “Artist of the Century,” Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of “ready-made” art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp’s art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp’s diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.

A wide-ranging exploration of the Hekhalot and Merkavah literature, a mystical Jewish tradition from late antiquity, including a discussion of the possible cultural context of this material's creators. Beholders of Divine Secrets provides a fascinating exploration of the enigmatic Hekhalot and Merkavah literature, the Jewish mystical writings of late antiquity. Vita Daphna Arbel delves into the unique nature of the mystical teachings, experiences, revelations, and spiritual exegesis presented in this literature. While previous scholarship has demonstrated the connection between Hekhalot and Merkavah mysticism and parallel traditions in Rabbinical writings, the Dead Sea Scrolls, apocalyptic, early Christian, and Gnostic sources, this work points out additional mythological traditions that resonate in this literature. Arbel suggests that mythological patterns of expression, as well as themes and models rooted in Near Eastern mythological traditions are employed, in a spiritualized fashion, to communicate mystical content. The possible cultural and social context of the Hekhalot and Merkavah mysticism and its composers is discussed.

Although Francis had no formal training in theology, he has left us a profound yet warmly human vision of the Christian life. In this study, the author breaks with custom and focuses not on the personality of Francis but on his message as we find it in his writings: a rich, balanced message that teaches a vibrant spirituality centered on God and humanity.

While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology.

Seven articles explore different aspects of the contemplative experience of contemporary Franciscan theology. The foundation for the essays is Francis’s Rule for Hermitages; the texts emerged from the desire of mature Franciscans to describe the call to pray in community and share their own intellectual journeys. Contributors include R. Duffy, OFM.; J. Mueller, OSF; J. Burkhard, OFM Conv.; and G. Ühlein, OSF.

In May 1373, the English mystic Julian of Norwich was healed of a serious illness after experiencing a series of visions of the Blessed Virgin and of Christ’s suffering. Her account, A Revelation of Love, is considered one of the most remarkable documents of medieval religious experience. In Julian of Norwich and the Mystical Body Politic of Christ, Frederick Bauerschmidt provides a close and historically sensitive reading of Julian’s Revelation of Love that addresses the relationship between our understanding of God and our vision of human community. By locating Julian’s images of Christ’s body within the context of late medieval debates over the nature and extent of divine power, Bauerschmidt argues that Julian presents an alternative account of divine power in which the crucified body of Christ becomes the locus and shape of divine omnipotence. For Julian, divine power serves as the norm of all human exercise of power, rendering the possibility of the “mystical body politic of Christ” as the exemplary form of human community. In this reading, the theological is irreducibly political and the political is irreducibly theological. As such, Bauerschmidt shows Julian to be both a theologian of the first rank and one who “imagines the political.”

A peer-reviewed scholarly journal, Magic, Ritual, and Witchcraft draws from a broad spectrum of perspectives, methods, and disciplines, offering the widest possible geographical scope and chronological range, from prehistory to the modern era and from the Old World to the New. In addition to original research, the journal includes book reviews, editorials, and lists of newly published work.

An in-depth examination of the work of this important medieval woman mystic. This first book-length study of Marguerite Porete’s important mystical text, The Mirror of Simple Souls, examines Porete’s esoteric and optimistic doctrine of annihilation—the complete transformative union of the soul into God—in its philosophical and historical contexts. Porete was burned at the stake as a relapsed heretic in 1310. Her theological treatise survived the flames, but it circulated anonymously or under male pseudonyms until 1946, and her message endures as testament to a distinctive form of medieval spirituality. Robinson begins by focusing on traditional speculations regarding the origin, nature, limitations, and destiny of humankind. She then examines Porete’s work in its more immediate historical and literary contexts, focusing on the ways in which Porete conceptualizes and expresses her radical doctrine of annihilation through contemporary metaphors of lineage and nobility.

Exploring the first-person narratives of three figures from the Christian, Jewish, and Islamic mystical traditions -- St. Teresa of Avila, Rabbi Dov Baer, and Rūzbihān Baqlī -- Anthony J. Steinbock provides a complete phenomenology of mysticism based in the Abrahamic religious traditions. He relates a broad range of religious experiences, or verticality, to philosophical problems of evidence, selfhood, and otherness. From this philosophical description of vertical experience, Steinbock develops a social and cultural critique in terms of idolatry -- as pride, secularism, and fundamentalism -- and suggests that contemporary understandings of human experience must come from a fuller, more open view of religious experience.

Focusing on how spiritual initiation takes place in Western esoteric religious, literary, and artistic traditions from antiquity to the present, Restoring Paradise provides an introduction to Western esotericism, including early modern esoteric movements like alchemy, Christian theosophy, and Rosicrucianism. The author argues that European and American literature and art often entail a written transmission of spiritual knowledge in which writing itself works to transmute consciousness, to generate, provoke, or convey spiritual awakening. He focuses on several important figures whose work has not received the attention it deserves, including American writer and Imagist poet H.D. (Hilda Doolittle) and British painter Cecil Collins, among others. While Arthur Versluis presents a new way of understanding Western esotericism in a contemporary light, above all he has crafted a book about knowing, and about how we come to know, and what “knowing” by way of literature and language actually means.