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The Antipedo Baptists of Georgetown is the history of the First Baptist Church of Georgetown, South Carolina, as well as the history of Baptists in the colony and state. Roy Talbert, Jr., and Meggan A. Farish detail Georgetown Baptists’ long and tumultuous history, which began with the migration of Baptist exhorter William Screven from England to Maine and then to South Carolina during the seventeenth and eighteenth centuries. Screven established the First Baptist Church in Charleston in the 1690s before moving to Georgetown in 1710. His son Elisha laid out the town in 1734 and helped found an interdenominational meeting house on the Black River, where the Baptists worshipped until a proper edifice was constructed in Georgetown: the Antipedo Baptist Church, named for the congregation’s opposition to infant baptism. Three of the most recognized figures in southern Baptist history—Oliver Hart, Richard Furman, and Edmond Botsford—played vital roles in keeping the Georgetown church alive through the American Revolution. The nineteenth century was particularly trying for the Georgetown Baptists, and the church came very close to shutting its doors on several occasions. The authors reveal that for most of the nineteenth century a majority of church members were African American slaves. Not until World War II did Georgetown witness any real growth. Since then the congregation has blossomed into one of the largest churches in the convention and rightfully occupies an important place in the history of the Baptist denomination. The Antipedo Baptists of Georgetown is an invaluable contribution to southern religious history as well as the history of race relations before and after the Civil War in the American South.
Vol. 19 (2015) through current issue
Antiphon is a journal for liturgical renewal. It is published three times per year by the Society for Catholic Liturgy.
Cosmos and Anthropos in Romans 5-8
Romans 5-8 revolve around God’s dramatic cosmic activity and its implications for humanity and all of creation. Apocalyptic Paul measures the power of Paul’s rhetoric about the relationship of cosmic power to the Law, interpretations of righteousness and the self, and the link between grace and obedience. A revealing study of Paul’s understanding of humanity in light of God’s apocalyptic action through Jesus Christ, Apocalyptic Paul illuminates Romans 5-8 and shows how critical this neglected part of Romans was to Paul’s literary project.
Paul's Partner or Rival?
Human beings are embedded in a set of social relations. A social network is one way of conceiving that set of relations in terms of a number of persons connected to one another by varying degrees of relatedness. In the early Jesus-group documents featuring Paul and coworkers, it takes little effort to envision the apostle's collection of friends and friends of friends that is the Pauline network. The persons who constituted that network are the focus of this set of brief books. For Christians of the Western tradition, these persons are significant ancestors in faith. While each of them is worth knowing by themselves, it is largely because of their standing within that web of social relations woven about and around Paul that they are of lasting interest. Through this series we hope to come to know those persons in ways befitting their first-century Mediterranean culture.Apollos is an enigmatic character whose name appears in only three New Testament writings. Through a social-scientific approach, this study pays attention to four main aspects relative to Apollos: his collectivistic nature as a person of the first-century Mediterranean; his relationship to Corinth and its emerging conflicts; his roots in the city of Alexandria and its contributions to his personality and identity; and, finally, his relationship to Paul and his social network. By gaining insights into a world and culture different from their own, readers will gain a deepened understanding of an important and highly educated member of Paul's social network. The person of Apollos and the entire New Testament will be seen through new lenses and will open readers to new cultural experiences from which they will emerge fuller people.Patrick J. Hartin was born and raised in Johannesburg, South Africa. He studied at the Gregorian University in Rome and is an ordained priest of the Diocese of Spokane, Washington. He holds two doctorates in Theology: in Ethics and in the New Testament, both from the University of South Africa. Presently he teaches courses in the New Testament and in Classical Civilizations at Gonzaga University. He is the author of eleven books, including: James of Jerusalem (Interfaces series), James, First Peter, Jude, Second Peter (New Collegeville Bible Commentary series), and James (Sacra Pagina series), al published by Liturgical Press.
Presented here for the first time in English translation (from Rufinus's Latin version) is the Apology for Origen, the sole surviving work of St. Pamphilus of Caesarea (d. 310 AD), who was one of the most celebrated priest-martyrs of the ancient Church
The Splintered World of Contemporary Christian Music
Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.