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Biblical scholars have often contrasted the exegesis of the early church fathers from the eastern region and “school” of Syrian Antioch against that of the school of Alexandria. The Antiochenes have often been described as strictly historical-literal exegetes in contrast to the allegorical exegesis of the Alexandrians. Patristic scholars now challenge those stereotypes, some even arguing that few differences existed between the two groups.
This work agrees that both schools were concerned with a literal and spiritual reading. But, it also tries to show, through analysis of Theodore and Theodoret’s exegesis and use of the term theoria, that how they integrated the literal-theological readings often remained quite distinct from the Alexandrians. For the Antiochenes, the term theoria did not mean allegory, but instead stood for a range of perceptions—prophetic, christological, and contemporary. It is in these insights that we find the deep wisdom to help modern readers interpret Scripture theologically.
The Antipedo Baptists of Georgetown is the history of the First Baptist Church of Georgetown, South Carolina, as well as the history of Baptists in the colony and state. Roy Talbert, Jr., and Meggan A. Farish detail Georgetown Baptists’ long and tumultuous history, which began with the migration of Baptist exhorter William Screven from England to Maine and then to South Carolina during the seventeenth and eighteenth centuries. Screven established the First Baptist Church in Charleston in the 1690s before moving to Georgetown in 1710. His son Elisha laid out the town in 1734 and helped found an interdenominational meeting house on the Black River, where the Baptists worshipped until a proper edifice was constructed in Georgetown: the Antipedo Baptist Church, named for the congregation’s opposition to infant baptism. Three of the most recognized figures in southern Baptist history—Oliver Hart, Richard Furman, and Edmond Botsford—played vital roles in keeping the Georgetown church alive through the American Revolution. The nineteenth century was particularly trying for the Georgetown Baptists, and the church came very close to shutting its doors on several occasions. The authors reveal that for most of the nineteenth century a majority of church members were African American slaves. Not until World War II did Georgetown witness any real growth. Since then the congregation has blossomed into one of the largest churches in the convention and rightfully occupies an important place in the history of the Baptist denomination. The Antipedo Baptists of Georgetown is an invaluable contribution to southern religious history as well as the history of race relations before and after the Civil War in the American South.
Cosmos and Anthropos in Romans 5-8
Romans 5-8 revolve around God’s dramatic cosmic activity and its implications for humanity and all of creation. Apocalyptic Paul measures the power of Paul’s rhetoric about the relationship of cosmic power to the Law, interpretations of righteousness and the self, and the link between grace and obedience. A revealing study of Paul’s understanding of humanity in light of God’s apocalyptic action through Jesus Christ, Apocalyptic Paul illuminates Romans 5-8 and shows how critical this neglected part of Romans was to Paul’s literary project.
Presented here for the first time in English translation (from Rufinus's Latin version) is the Apology for Origen, the sole surviving work of St. Pamphilus of Caesarea (d. 310 AD), who was one of the most celebrated priest-martyrs of the ancient Church
The Splintered World of Contemporary Christian Music
Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.
On There Being Only One Intellect
The introduction places the work historically and sketches the controversy to which it was a contribution. Part 2 includes the Latin Leonine text and McInerny's translation. Part 3 analyzes the basic arguments of Thomas's work and provides a series of interpretive essays meant to make Thomas accessible to today's readers.