Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Lollard Writings after Wyclif
“Lollard” is the name given to followers of John Wyclif, the English dissident theologian who was dismissed from Oxford University in 1381 for his arguments regarding the eucharist. A forceful and influential critic of the ecclesiastical status quo in the late fourteeth century, Wyclif’s thought was condemned at the Council of Constance in 1415. While lollardy has attracted much attention in recent years, much of what we think we know about this English religious movement is based on records of heresy trials and anti-lollard chroniclers. In Feeling Like Saints, Fiona Somerset demonstrates that this approach has limitations. A better basis is the five hundred or so manuscript books from the period (1375–1530) containing materials translated, composed, or adapted by lollard writers themselves.
These writings provide rich evidence for how lollard writers collaborated with one another and with their readers to produce a distinctive religious identity based around structures of feeling. Lollards wanted to feel like saints. From Wyclif they drew an extraordinarily rigorous ethic of mutual responsibility that disregarded both social status and personal risk. They recalled their commitment to this ethic by reading narratives of physical suffering and vindication, metaphorically martyring themselves by inviting scorn for their zeal, and enclosing themselves in the virtues rather than the religious cloister. Yet in many ways they were not that different from their contemporaries, especially those with similar impulses to exceptional holiness.
Eight Centuries Later
In this thought-provoking book Thaddée Matura offers a new way of lookingIn this thought-provoking book Thaddée Matura offers a new way of looking at how the Franciscan tradition was adapted and contemporized during the centuries. In a clear and accessible style he shows how the Franciscan Family has gotten to the stage it now enjoys and shows how liberating history can be and is. In 2004 Franciscan Institute Publications reprinted Matura’s Francis of Assisi: The Message in His Writings.
Camisards and Huguenots in the Atlantic World
The Camisard religion was marked by more ecstatic expression than that of the Huguenots, not unlike differences between Pentecostals and Protestants. Both groups were persecuted and emigrated in large numbers, becoming participants in the broad circulation of ideas that characterized the seventeenth- and eighteenth-century Atlantic world. Randall vividly portrays this French Protestant diaspora through the lives of three figures: Gabriel Bernon, who led a Huguenot exodus to Massachusetts and moved among the commercial elite; Ezéchiel Carré, a Camisard who influenced Cotton Mather’s theology; and Elie Neau, a Camisard-influenced writer and escaped galley slave who established North America’s first school for blacks.
Like other French Protestants, these men were adaptable in their religious views, a quality Randall points out as quintessentially American. In anthropological terms they acted as code shifters who manipulated multiple cultures. While this malleability ensured that French Protestant culture would not survive in externally recognizable terms in the Americas, Randall shows that the culture’s impact was nonetheless considerable.
Refinement, Diversity, and Race in the Antebellum and Civil War Border North
In the borderland between freedom and slavery, Gettysburg remains among the most legendary Civil War landmarks. A century and a half after the great battle, Cemetery Hill, the Seminary and its ridge, and the Peach Orchard remain powerful memories for their embodiment of the small-town North and their ability to touch themes vital to nineteenth-century religion. During this period, three patterns became particularly prominent: refinement, diversity, and war. In Gettysburg Religion, author Steve Longenecker explores the religious history of antebellum and Civil War Sera Gettysburg, shedding light on the remarkable diversity of American religion and the intricate ways it interacted with the broader culture. Longenecker argues that Gettysburg religion revealed much about larger American society and about how trends in the Border North mirrored national developments. In many ways, Gettysburg and its surrounding Border North religion belonged to the future and signaled a coming pattern for modern America.
The History and Theology of the Lesser Doxology
The Gloria Patri has been prayed from the beginnings of Christianity. In this one-sentence prayer, time and eternity are combined in a compressed expression of doxology, praise of God. In this brief but comprehensive book, Father Ayo examines the riches in this prayer: the philological, historical, and theological origins of Christian prayer itself, and the profound spiritual implications of the Gloria Patri. At the heart of Christian prayer and at the heart of Christian liturgy we always find worship, honor, and praise of God as revealed in Jesus Christ. In Gloria Patri, Father Ayo examines the lesser doxology word by word, in both its various translations and the history of their combination and controversies. He adds to that an exploration of the boundless meanings of praise of the Triune God it encompasses. After reading Gloria Patri, no one can again take for granted this humble sentence.
From the colonial period to the present, the Mississippi River has impacted religious communities from Minnesota to the Gulf of Mexico. Exploring the religious landscape along the 2,530 miles of the largest river system in North America, the essays in Gods of the Mississippi make a compelling case for American religion in motion--not just from east to west, but also from north to south. With discussion of topics such as the religions of the Black Atlantic, religion and empire, antebellum religious movements, the Mormons at Nauvoo, black religion in the delta, Catholicism in the Deep South, and Johnny Cash and religion, this volume contributes to a richer understanding of this diverse, dynamic, and fluid religious world.
Between the years 350 and 500 a large body of Latin artes grammaticae emerged, educational texts outlining the study of Latin grammar and attempting a systematic discussion of correct Latin usage. These texts—the most complete of which are attributed to Donatus, Charisius, Servius, Diomedes, Pompeius, and Priscian—have long been studied as documents in the history of linguistic theory and literary scholarship. In Grammar and Christianity in the Late Roman World, Catherine Chin instead finds within them an opportunity to probe the connections between religious ideology and literary culture in the later Roman Empire.
To Chin, the production and use of these texts played a decisive role both in the construction of a pre-Christian classical culture and in the construction of Christianity as a religious entity bound to a religious text. In exploring themes of utopian writing, pedagogical violence, and the narration of the self, the book describes the multiple ways literary education contributed to the idea that the Roman Empire and its inhabitants were capable of converting from one culture to another, from classical to Christian. The study thus reexamines the tensions between these two idealized cultures in antiquity by suggesting that, on a literary level, they were produced simultaneously through reading and writing techniques that were common across the empire.
In bringing together and reevaluating fundamental topics from the fields of religious studies, classics, education, and literary criticism, Grammar and Christianity in the Late Roman World offers readers from these disciplines the opportunity to reconsider the basic conditions under which religions and cultures interact.
One cannot enter the medieval world of the 13th century wearing 21st century glasses. The authors writing in the volume make every effort to see what the Franciscan Schoolmen saw; to hear what they heard; to think as they thought. Thus foundational Franciscan insights and intuitions are offered for consideration in the contemporary search for meaning.
The rich history of the Christian church — with its centuries of dramas, splendors, achievements, and controversies — has long provided a deep source of inspiration for artists. Our own cultural familiarity with the historical aspects of this tradition, however, has waned in recent years. Thus, there exists an odd paradox: works of art have never been more carefully preserved and enhanced; museum exhibitions and visits to view artwork in churches and cathedrals have never been more popular. Yet the historical events and theological ideals depicted in such artistic masterpieces are quite often unknown or misunderstood.
The History of the Church through 100 Masterpieces has been designed to give that deeper meaning back to our experience of these paintings by providing insightful descriptions of the stories they purport to tell. Jacques Duquesne and François Lebrette choose a beautiful array of works — some already well known to us as visual images — to discuss, recounting both the historical events and the religious and cultural background surrounding them.
It was from the pulpit of the Riverside Church that Martin Luther King, Jr., first publicly voiced his opposition to the Vietnam War, that Nelson Mandela addressed U.S. church leaders after his release from prison, and that speakers as diverse as Cesar Chavez, Jesse Jackson, Desmond Tutu, Fidel Castro, and Reinhold Niebuhr lectured church and nation about issues of the day. The greatest of American preachers have served as senior minister, including Harry Emerson Fosdick, Robert J. McCracken, Ernest T. Campbell, William Sloane Coffin, Jr., and James A. Forbes, Jr., and at one time the New York Times printed reports of each Sunday's sermon in its Monday morning edition.
For seven decades the church has served as the premier model of Protestant liberalism in the United States. Its history represents the movement from white Protestant hegemony to a multiracial and multiethnic church that has been at the vanguard of social justice advocacy, liberation theologies, gay and lesbian ministries, peace studies, ethnic and racial dialogue, and Jewish-Christian relations.
A collaborative effort by a stellar team of scholars, The History of the Riverside Church in the City of New York offers a critical history of this unique institution on Manhattan's Upper West Side, including its cultural impact on New York City and beyond, its outstanding preachers, and its architecture, and assesses the shifting fortunes of religious progressivism in the twentieth century.