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The History and Theology of the Lesser Doxology
The Gloria Patri has been prayed from the beginnings of Christianity. In this one-sentence prayer, time and eternity are combined in a compressed expression of doxology, praise of God. In this brief but comprehensive book, Father Ayo examines the riches in this prayer: the philological, historical, and theological origins of Christian prayer itself, and the profound spiritual implications of the Gloria Patri. At the heart of Christian prayer and at the heart of Christian liturgy we always find worship, honor, and praise of God as revealed in Jesus Christ. In Gloria Patri, Father Ayo examines the lesser doxology word by word, in both its various translations and the history of their combination and controversies. He adds to that an exploration of the boundless meanings of praise of the Triune God it encompasses. After reading Gloria Patri, no one can again take for granted this humble sentence.
From the colonial period to the present, the Mississippi River has impacted religious communities from Minnesota to the Gulf of Mexico. Exploring the religious landscape along the 2,530 miles of the largest river system in North America, the essays in Gods of the Mississippi make a compelling case for American religion in motion--not just from east to west, but also from north to south. With discussion of topics such as the religions of the Black Atlantic, religion and empire, antebellum religious movements, the Mormons at Nauvoo, black religion in the delta, Catholicism in the Deep South, and Johnny Cash and religion, this volume contributes to a richer understanding of this diverse, dynamic, and fluid religious world.
Between the years 350 and 500 a large body of Latin artes grammaticae emerged, educational texts outlining the study of Latin grammar and attempting a systematic discussion of correct Latin usage. These texts—the most complete of which are attributed to Donatus, Charisius, Servius, Diomedes, Pompeius, and Priscian—have long been studied as documents in the history of linguistic theory and literary scholarship. In Grammar and Christianity in the Late Roman World, Catherine Chin instead finds within them an opportunity to probe the connections between religious ideology and literary culture in the later Roman Empire.
To Chin, the production and use of these texts played a decisive role both in the construction of a pre-Christian classical culture and in the construction of Christianity as a religious entity bound to a religious text. In exploring themes of utopian writing, pedagogical violence, and the narration of the self, the book describes the multiple ways literary education contributed to the idea that the Roman Empire and its inhabitants were capable of converting from one culture to another, from classical to Christian. The study thus reexamines the tensions between these two idealized cultures in antiquity by suggesting that, on a literary level, they were produced simultaneously through reading and writing techniques that were common across the empire.
In bringing together and reevaluating fundamental topics from the fields of religious studies, classics, education, and literary criticism, Grammar and Christianity in the Late Roman World offers readers from these disciplines the opportunity to reconsider the basic conditions under which religions and cultures interact.
One cannot enter the medieval world of the 13th century wearing 21st century glasses. The authors writing in the volume make every effort to see what the Franciscan Schoolmen saw; to hear what they heard; to think as they thought. Thus foundational Franciscan insights and intuitions are offered for consideration in the contemporary search for meaning.
The rich history of the Christian church — with its centuries of dramas, splendors, achievements, and controversies — has long provided a deep source of inspiration for artists. Our own cultural familiarity with the historical aspects of this tradition, however, has waned in recent years. Thus, there exists an odd paradox: works of art have never been more carefully preserved and enhanced; museum exhibitions and visits to view artwork in churches and cathedrals have never been more popular. Yet the historical events and theological ideals depicted in such artistic masterpieces are quite often unknown or misunderstood.
The History of the Church through 100 Masterpieces has been designed to give that deeper meaning back to our experience of these paintings by providing insightful descriptions of the stories they purport to tell. Jacques Duquesne and François Lebrette choose a beautiful array of works — some already well known to us as visual images — to discuss, recounting both the historical events and the religious and cultural background surrounding them.
It was from the pulpit of the Riverside Church that Martin Luther King, Jr., first publicly voiced his opposition to the Vietnam War, that Nelson Mandela addressed U.S. church leaders after his release from prison, and that speakers as diverse as Cesar Chavez, Jesse Jackson, Desmond Tutu, Fidel Castro, and Reinhold Niebuhr lectured church and nation about issues of the day. The greatest of American preachers have served as senior minister, including Harry Emerson Fosdick, Robert J. McCracken, Ernest T. Campbell, William Sloane Coffin, Jr., and James A. Forbes, Jr., and at one time the New York Times printed reports of each Sunday's sermon in its Monday morning edition.
For seven decades the church has served as the premier model of Protestant liberalism in the United States. Its history represents the movement from white Protestant hegemony to a multiracial and multiethnic church that has been at the vanguard of social justice advocacy, liberation theologies, gay and lesbian ministries, peace studies, ethnic and racial dialogue, and Jewish-Christian relations.
A collaborative effort by a stellar team of scholars, The History of the Riverside Church in the City of New York offers a critical history of this unique institution on Manhattan's Upper West Side, including its cultural impact on New York City and beyond, its outstanding preachers, and its architecture, and assesses the shifting fortunes of religious progressivism in the twentieth century.
Samuel DeWitt Proctor and Black Public Faith
As a distinguished Baptist pastor, educator, and public servant, Samuel DeWitt Proctor made it his mission to serve American life by fighting against racism. In The Imposing Preacher, Adam Bond shows how Proctor, as the product of a prophetic black church tradition, a social gospel-laced liberal Protestantism, and a black middle-class integrationist ethos, envisioned a type of pulpit activism through which the United States could realize a civil society and genuine community, and was able to anticipate and contest some of the themes articulated in the black religious movements of the late twentieth century.
Bond shows Proctor to be a public theologian committed to developing an inclusive and racially pluralistic global society that confronts racism as the social crisis of its time. Proctor did not respond to segregation through marches and visible protests. Instead he saw the classroom and the pulpit as the sacred spaces for dialogue about race in America. In this way, he presents an alternative model of religious and social leadership and for studies of African American religion in the twentieth century.
Historical Perspectives, Emerging Issues
In the early twenty-first century, interest in the life and work of Dietrich Bonhoeffer is increasing significantly. In this environment, how should we understand and interpret Bonhoeffer? Interpreting Bonhoeffer explores the many questions surrounding the complexities of Bonhoeffer’s life, work, and historical context and what they might mean for how we understand and interpret Bonhoeffer now and in the future. Looks at issues of interpreting Bonhoeffer’s work and legacy in light of increased interest from across the theological spectrum.
The Use of the Church Fathers in Reformation Debates over the Eucharist
Adding great historical insight to the events of the sixteenth century, Inventing Authority uncovers how and why the Protestant reformers came, in their dissent from the Catholic church, to turn to the Church Fathers and align their movements with the early church. Discovering that the reformers most frequently appealed to patristic sources in polemical contexts, Esther Chung-Kim adeptly traces the variety and creativity of their appeals to their forebears in order to support their arguments—citing them to be authoritative for being “exemplary scriptural exegetes” to “instruments of choice.” Examining three generations of sixteenth-century reformers—from such heavy-weights as Calvin and Luther to lesser-known figures like Oecolampadius and Hesshusen—Chung-Kim offers an analysis of striking breadth, one that finds its center by focusing in on the perennially contentious topic of the Eucharist. Filling a significant lacuna in the early history of the Lutheran and Reformed traditions, Inventing Authority is an important and eye-opening contribution to Reformation studies.
Apostolic Discourse and Papal Authority in Late Antiquity
On the first anniversary of his election to the papacy, Leo the Great stood before the assembly of bishops convening in Rome and forcefully asserted his privileged position as the heir of Peter the Apostle. This declaration marked the beginning of a powerful tradition: the Bishop of Rome could leverage the cult of St. Peter, and the popular association of St. Peter with the city itself, to his advantage. In The Invention of Peter, George E. Demacopoulos examines this Petrine discourse, revealing how the link between the historic Peter and the Roman Church strengthened, shifted, and evolved during the papacies of two of the most creative and dynamic popes of late antiquity, ultimately shaping medieval Christianity as we now know it.
By emphasizing the ways in which this rhetoric of apostolic privilege was employed, extended, transformed, or resisted between the reigns of Leo the Great and Gregory the Great, Demacopoulos offers an alternate account of papal history that challenges the dominant narrative of an inevitable and unbroken rise in papal power from late antiquity through the Middle Ages. He unpacks escalating claims to ecclesiastical authority, demonstrating how this rhetoric, which almost always invokes a link to St. Peter, does not necessarily represent actual power or prestige but instead reflects moments of papal anxiety and weakness. Through its nuanced examination of an array of episcopal activity—diplomatic, pastoral, political, and administrative—The Invention of Peter offers a new perspective on the emergence of papal authority and illuminates the influence that Petrine discourse exerted on the survival and exceptional status of the Bishop of Rome.