Jacobson presents Buddhism unen­cumbered by Western categories and concepts, free from the cognitive bias, from the concept-oriented, definition-minded preoccupations inherited from the ancient Greeks. It is an interpreta­tion of the central ideas that have charac­terized all forms of Buddhism for 25 centuries.

Presents the thought of a controversial Tibetan Buddhist thinker on the Yogaµcaµra and Madhyamaka systems. This landmark book discusses the thought of Tibetan Buddhist thinker Shakya Chokden (1428–1507) on the two major systems of Mahaµyaµna Buddhism. Influential and controversial in his own day, Shakya Chokden’s thought fell out of favor over time and his writings were eventually repressed, becoming available again only in the 1970s. Yet, his startling interpretations of the core areas of Buddhist thought remain valuable and well worth consideration today. Yaroslav Komarovski has used the twenty-four volumes of Shakya Chokden’s collected work to provide a systematic presentation of a central aspect of his thought: a reconciliation of Yogaµcaµra and Madhyamaka. Providing a detailed analysis of the two systems’ mutual refutations of each other, Shakya Chokden argues for their fundamental compatibility and shared vision. In analyzing Shakya Chokden’s ideas, Komarovski explores some of the most important issues of both traditional and modern Buddhist scholarship, including contested approaches to the nature of reality, the relationship between philosophy and contemplative practice, inter- and intrasectarian Buddhist polemics, and the nature of consciousness and mental processes.

Among the most exciting developments in the study of Japanese religion over the past two decades has been the discovery of tens of thousands of ritual vessels, implements, and scapegoat dolls (hitogata) from the Nara (710-784) and early Heian (794-1185) periods. Because inscriptions on many of the items are clearly derived from Chinese rites of spirit pacification, it is now evident that previous scholarship has mischaracterized the role of Buddhism in early Japanese religion. Weaving and Binding makes a compelling argument that both the Japanese royal system and the Japanese Buddhist tradition owe much to continental rituals centered on the manipulation of yin and yang, animal sacrifice, and spirit quelling. Building on these recent archaeological discoveries, Michael Como charts an epochal transformation in the religious culture of the Japanese islands, tracing the transmission and development of fundamental paradigms of religious practice to immigrant lineages and deities from the Korean peninsula.

In addition to archaeological materials, Como makes extensive use of a wide range of textual sources from across Asia, including court chronicles, poetry collections, gazetteers, temple records, and divinatory texts. As he investigates the influence of myths, legends, and rites of the ancient Chinese festival calendar on religious practice across the Japanese islands, Como shows how the ability of immigrant lineages to propitiate hostile deities led to the creation of elaborate networks of temple-shrine complexes that shaped later sectarian Shinto as well as popular understandings of the relationship between the buddhas and the gods of Japan. For much of the book, this process is examined through rites and legends from the Chinese calendar that were related to weaving, sericulture, and medicine—technologies that to a large degree were controlled by lineages with roots in the Korean peninsula and that claimed female deities and weaving maidens as founding ancestors. Como’s examination of a series of ancient Japanese legends of female immortals, weaving maidens, and shamanesses reveals that female deities played a key role in the moving of technologies and ritual practices from peripheral regions in Kyushu and elsewhere into central Japan and the heart of the imperial cult. As a result, some of the most important building blocks of the purportedly native Shinto tradition were to a remarkable degree shaped by the ancestral cults of immigrant lineages and popular Korean and Chinese religious practices.

This is a provocative and innovative work that upsets the standard interpretation of early historical religion in Japan, revealing a complex picture of continental cultic practice both at court and in the countryside.

Leading East Asian Buddhist thinkers of the seventh century compared, analyzed, and finalized seminal epistemological and soteriological issues that had been under discussion in India and East Asia for centuries. Among the many doctrinal issues that came to the fore was the relationship between the Tathagatagarbha (or “Buddha-nature”) understanding of the human psyche and the view of basic karmic indeterminacy articulated by the new stream of Indian Yogacara introduced through the translations and writings of Xuanzang and his disciples. The great Silla scholiast Wonhyo (617–686), although geographically located on the periphery in the Korean peninsula, was very much at the center of the intense discussion and debate that occurred on these topics. Through the force of his writings, he became one of the most influential figures in resolving doctrinal discrepancies for East Asian Buddhism. Although many of Wonhyo’s writings are lost, through his extant work we are able to get a solid glimpse of his profound and learned insights on the nature and function of the human mind. We can also clearly see his hermeneutical approaches and methods of argumentation, which are derived from apophatic Madhyamika analysis, the newly introduced Buddhist logic, as well as various indigenous East Asian approaches. This volume includes four of Wonhyo’s works that are especially revelatory of his treatment of the complex flow of ideas in his generation: System of the Two Hindrances (Yijang ui), Treatise on the Ten Ways of Resolving Controversies (Simmun hwajaeng non), Commentary on the Discrimination between the Middle and the Extremes (Chungbyon punbyollon so), and the Critical Discussion on Inference (P’an piryang non). The International Association of Wonhyo Studies’ Collected Works of Wonhyo, Volume 2

Explores the prevalence of Buddhist ideas in American literature since the 1970s. This timely book explores how Buddhist-inflected thought has enriched contemporary American literature. Continuing the work begun in The Emergence of Buddhist American Literature, editors John Whalen-Bridge and Gary Storhoff and the volume’s contributors turn to the most recent developments, revealing how mid-1970s through early twenty-first-century literature has employed Buddhist texts, principles, and genres. Just as Buddhism underwent indigenization when it moved from India to Tibet, to China, and to Japan, it is now undergoing that process in the United States. While some will find literary creativity in this process, others lament a loss of authenticity. The book begins with a look at the American reception of Zen and at the approaches to Dharma developed by African Americans. The work of consciously Buddhist and Buddhist-influenced writers such as Don DeLillo, Gary Snyder, and Jackson Mac Low is analyzed, and a final section of the volume contains interviews and discussions with contemporary Buddhist writers. These include an interview with Gary Snyder; a discussion with Maxine Hong Kingston and Charles Johnson; and discussions of competing American and Asian values at the Beat- and Buddhist-inspired writing program at Naropa University with poets Joanne Kyger, Reed Bye, Keith Abbott, Andrew Schelling, and Elizabeth Robinson.

Zen Sanctuary of Purple Robes examines the affairs of Rinzai Zen’s Toµkeiji Convent, founded in 1285 by nun Kakusan Shidoµ after the death of her husband, Hoµjoµ Tokimune. It traces the convent’s history through seven centuries, including the early nuns’ Zen practice; Abbess Yoµdoµ’s imperial lineage with nuns in purple robes; Hideyori’s seven-year-old daughter—later to become the convent’s twentieth abbess, Tenshuµ—spared by Tokugawa Ieyasu at the Battle for Osaka Castle; Toµkeiji as “divorce temple” during the mid-Edo period and a favorite topic of senryuµ satirical verse; the convent’s gradual decline as a functioning nunnery but its continued survival during the early Meiji persecution of Buddhism; and its current prosperity. The work includes translations, charts, illustrations, bibliographies, and indices. Beyond such historical details, the authors emphasize the convent’s “inclusivist” Rinzai Zen practice in tandem with the nearby Engakuji Temple. The rationale for this “inclusivism” is the continuing acceptance of the doctrine of “Skillful Means” (hoµben) as expressed in the Lotus Sutra—a notion repudiated or radically reinterpreted by most of the Kamakura reformers. In support of this contention, the authors include a complete translation of the Mirror for Women by Kakusan’s contemporary, Mujū Ichien.