Explores the roles of Korean Buddhist nuns and laywomen from the Koryo period to the present. Uncovering hidden histories, this book focuses on Korean Buddhist nuns and laywomen from the tenth century to the present. Today, South Korea’s Buddhist nuns have a thriving monastic community under their own control, and they are well-known as meditation teachers and social service providers. However, little is known of the women who preceded them. Using primary sources to reveal that which has been lost, forgotten, or willfully ignored, this work reveals various figures, milieux, and activities of female adherents, clerical and lay. Contributors consider examples from the Koryo period (982-1392), when Buddhism flourished as the state religion, to the Choson period (1392-1910), when Buddhism was actively suppressed by the Neo-Confucian court, to the resurgence of female monasticism that began in the latter part of the twentieth century.

With an annotated English translation and critical analysis of the Orgyan-gling gold manuscript of the short Sukhāvativyūha-sūtra

Pure Land Buddhism as a whole has received comparatively little attention in Western studies on Buddhism despite the importance of “buddha-fields” (pure lands) for the growth and expression of Mahāyāna Buddhism. In this first religious history of Tibetan Pure Land literature, Georgios Halkias delves into a rich collection of literary, historical, and archaeological sources to highlight important aspects of this neglected pan-Asian Buddhist tradition. He clarifies many of the misconceptions concerning the interpretation of “other-world” soteriology in Indo-Tibetan Buddhism and provides translations of original Tibetan sources from the ninth century to the present that represent exoteric and esoteric doctrines that continue to be cherished by Tibetan Buddhists for their joyful descriptions of the Buddhist path. The book is informed by interviews with Tibetan scholars and Buddhist practitioners and by Halkias’ own participant-observation in Tibetan Pure Land rituals and teachings conducted in Europe and the Indian subcontinent.

Divided into three sections, Luminous Bliss shows that Tibetan Pure Land literature exemplifies a synthesis of Mahāyāna sutra-based conceptions with a Vajrayana world-view that fits progressive and sudden approaches to the realization of Pure Land teachings. Part I covers the origins and development of Pure Land in India and the historical circumstances of its adaptation in Tibet and Central Asia. Part II offers an English translation of the short Sukhāvatīvyūha-sūtra (imported from India during the Tibetan Empire) and contains a survey of original Tibetan Pure Land scriptures and meditative techniques from the dGe-lugs-pa, bKa’-brgyud, rNying-ma, and Sa-skya schools of Tibetan Buddhism. Part III introduces some of the most innovative and popular mortuary cycles and practices related to the Tantric cult of Buddha Amitābha and his Pure Land from the Treasure traditions in the bKa’-brgyud and rNying-ma schools.

Luminous Bliss locates Pure Land Buddhism at the core of Tibet’s religious heritage and demonstrates how this tradition constitutes an integral part of both Tibetan and East Asian Buddhism.

An overview of Korean Buddhism and its major figures in the modern period. The first book in English devoted exclusively to modern Korean Buddhism, this work provides a comprehensive exploration for scholars, students, and serious readers. Makers of Modern Korean Buddhism focuses on three key areas: Buddhist reform, Zen revival, and the interrelationship of religion, history, and politics. In Korea, the modern period in Buddhism begins in earnest in the late nineteenth century, during the closing years of the Chosoûn dynasty, which was characterized by a repressive brand of neo-Confucianism. Buddhist reformers arose to seek change in both Buddhism and Korean society at large. The work begins with a look at five of these reformers and their thought and work. The Zen revival that began at the end of the nineteenth century is covered from that period to contemporary times through an exploration of the life and thought of important Zen masters. The influence of Japanese Buddhist missionaries, the emergence of Korean engaged Buddhism, known as Minjung Buddhism, and the formation of modern Buddhist scholarship in Korea are discussed as well.

This study is the first in the English language to explore the ways medieval Japanese sought to overcome their sense of powerlessness over death. By attending to both religious practice and ritual objects used in funerals in the fourteenth and fifteenth centuries, it seeks to provide a new understanding of the relationship between the two. Karen Gerhart looks at how these special objects and rituals functioned by analyzing case studies culled from written records, diaries, and illustrated handscrolls, and by examining surviving funerary structures and painted and sculpted images.

The work is divided into two parts, beginning with compelling depictions of funerary and memorial rites of several members of the aristocracy and military elite. The second part addresses the material culture of death and analyzes objects meant to sequester the dead from the living: screens, shrouds, coffins, carriages, wooden fences. This is followed by an examination of implements (banners, canopies, censers, musical instruments, offering vessels) used in memorial rituals. The final chapter discusses the various types of and uses for portraits of the deceased, focusing on the manner of their display, the patrons who commissioned them, and the types of rituals performed in front of them. Gerhart delineates the distinction between objects created for a single funeral—and meant for use in close proximity to the body, such as coffins—and those, such as banners, intended for use in multiple funerals and other Buddhist services.

Richly detailed and generously illustrated, Gerhart introduces a new perspective on objects typically either overlooked by scholars or valued primarily for their artistic qualities. By placing them in the context of ritual, visual, and material culture, she reveals how rituals and ritual objects together helped to comfort the living and improve the deceased’s situation in the afterlife as well as to guide and cement societal norms of class and gender. Not only does her book make a significant contribution in the impressive amount of new information that it introduces, it also makes an important theoretical contribution as well in its interweaving of the interests and approaches of the art historian and the historian of religion. By directly engaging and challenging methodologies relevant to ritual studies, material culture, and art history, it changes once and for all our way of thinking about the visual and religious culture of premodern Japan.

45 illus., 11 in color

Named a Best Book of 2008 by Library Journal

In a series of moving vignettes, the author begins by describing a particular representation of Water-Moon Kuan Yin, a Buddhist teacher and goddess associated with compassion, who often sits on a precarious overhang or floats on a flimsy petal. Then Kuan Yin steps out of the frame to join the author in the mundane challenges of caring for her father-transferring his health insurance, struggling with a wheelchair van, managing adult diapers, or playing in the fictions of dementia. From perplexed to poignant to funny, the vignettes record the working-class English of a fading but still wise dad, and they find other human versions of Kuan Yin in a doctor who will still make house calls or kind strangers in the street.

The book includes ten illustrations: both classical representations of Kuan Yin and also the author's own drawings, which adapt Kuan Yin in an act of practical spirituality, reading art through life and life through art. Each vignette invites the harried caregiver to take a deep breath and meditate on the trials and joys of caring for an aging parent.

Buddhism comes in many forms, but in Japan it stands apart from all the rest in one most striking way—the monks get married. In Neither Monk nor Layman, the most comprehensive study of this topic in any language, Richard Jaffe addresses the emergence of an openly married clergy as a momentous change in the history of modern Japanese Buddhism. He demonstrates, in clear and engaging prose, that this shift was not an easy one for Japanese Buddhists. Yet the transformation that began in the early Meiji period (1868–1912)—when monks were ordered by government authorities to marry, to have children, and to eat meat—today extends to all the country’s Buddhist denominations. Jaffe traces the gradual acceptance of clerical marriage by Japanese Buddhists from the premodern emergence of the "clerical marriage problem" in the Edo period to its widespread practice by the start of World War II. In doing so he considers related issues such as the dissolution of clerical status and the growing domestication of Japanese temple life. This book reveals the deep contradictions between sectarian teachings that continue to idealize renunciation and a clergy whose lives closely resemble those of their parishioners in modern Japanese society. It will attract not only scholars of religion and of Japanese history, but all those interested in the encounter-conflict between regimes of modernization and religious institutions and the fate of celibate religious practices in the twentieth century.

A firsthand look at the Thai Buddhist environmental movement and its activist monks. Thai Buddhist monks wrap orange clerical robes around trees to protect forests. “Ordaining” a tree is a provocative ritual that has become the symbol of a small but influential monastic movement aimed at reversing environmental degradation and the unsustainable economic development and consumerism that fuel it. This book examines the evolution of this movement from the late 1980s to the present, exploring the tree ordination and other rituals used to resist destructive national projects. Susan M. Darlington explores monks’ motivations, showing how they interpret their lived religion as the basis of their actions, and provides an in-depth portrait of activist monk Phrakhru Pitak Nanthakhun. The obstacles monks face, including damage to their reputations, arrest, and even assassination, reveal the difficulty of enacting social justice. Even the tree ordination itself must now withstand its appropriation for state projects. Despite this, monks have gone from individual action to a loosely allied movement that now works with nongovernmental organizations. This is a fascinating, firsthand account of engaged Buddhism.

The term “revival” has been used to describe the resurgent vitality of Buddhism in Taiwan. Particularly impressive is the quality and size of the nun’s order: Taiwanese nuns today are highly educated and greatly outnumber monks. Both characteristics are unprecedented in the history of Chinese Buddhism and are evident in the Incense Light community (Xiangguang). Passing the Light is the first in-depth case study of the community, which was founded in 1974 and remains a small but influential order of highly educated nuns who dedicate themselves to teaching Buddhism to lay adults.

The work begins with a historical survey of Buddhist nuns in China, based primarily on the sixth-century biographical collection Lives of the Nuns and stories of nuns in subsequent centuries. This is followed by discussions on the early history of the Incense Light community; the life of Wuyin, one of its most prominent leaders; and the crucial role played by Buddhist studies societies on college campuses, where many nuns were first introduced to Incense Light. Later chapters look at the curriculum and innovative teaching methods at the Incense Light seminary and the nuns’ efforts to teach Buddhism to adults. The work ends with portraits of individual nuns, providing details on their backgrounds, motivations for becoming nuns, and the problems or setbacks they have encountered both within and without the Incense Light community.

This engaging study enriches the literature on the history of Buddhist nuns, seminaries, and education, and will find an appreciative audience among scholars and students of Chinese religion, especially Buddhism, as well as those interested in questions of religion and modernity and women and religion.

12 illus.

“Purifying Zen: Watsuji Tetsuro’s Shamon Dogen makes available in a clear and fluid translation an early classic in modern Japanese philosophy. Steve Bein’s annotations, footnotes, introduction, and commentary bridge the gap separating not only the languages but also the cultures of its original readers and its new Western audience.” —from the Foreword by Thomas P. Kasulis

In 1223 the monk Dogen Kigen (1200–1253) came to the audacious conclusion that Japanese Buddhism had become hopelessly corrupt. He undertook a dangerous pilgrimage to China to bring back a purer form of Buddhism and went on to become one of the founders of Soto Zen, still the largest Zen sect in Japan. Seven hundred years later, the philosopher Watsuji Tetsuro (1889–1960) also saw corruption in the Buddhism of his day. Watsuji’s efforts to purify the religion sent him not across the seas but searching Japan’s intellectual past, where he discovered writings by Dogen that had been hidden away by the monk’s own sect. Watsuji later penned Shamon Dogen (Dogen the monk), which single-handedly rescued Dogen from the brink of obscurity, reintroducing Japan to its first great philosophical mind.

Purifying Zen is the first English translation of Watsuji’s landmark book. A text intended to reacquaint Japan with one of its finest philosophers, the work delves into the complexities of individuals in social relationships, lamenting the stark egoism and loneliness of life in an increasingly Westernized Japan. In addition to an introduction that provides biographical details on Watsuji and Dogen, the translation is supplemented with a brief guide to the themes and ideas of Shamon Dogen, beginning with a consideration of the nature of faith and the role of responsibility in Watsuji’s vision of Dogen’s Zen. It goes on to examine the technical terms of Dogen’s philosophy and the role of written language in Dogen’s thought.

In this volume, leading scholars in anthropology, religion, and area studies engage global and local perspectives dialectically to develop a historically grounded, ethnographically driven social science.The book's chapters, drawing on research in East and Southeast Asia, Africa, Europe, and the Americas, are also in conversation with the extensive work of editor and contributor Stanley J. Tambiah: They all investigate some aspect of what Tambiah has called "multiple orientations to the world." The implicit focus throughout is on human cultural differences and the historically constituted nature of the political potentialities (both positive and negative) that stem from these. As a whole, then, the volume promotes an approach to scholarship that actively avoids privileging any one conceptual framework or cultural form at the expense of recognizing another-a style of inquiry that the editors call "radical egalitarianism."Together, these scholars encourage a comparative examination of contemporary societies, provide insights into the historical development of social scientific and sociopolitical categories, and raise vital questions about the possibilities for achieving equality and justice in the presence of competing realities in the global world today. Michael M.J. Fischer's Afterword provides a brilliant exegesis of Tambiah's multifaceted oeuvre, outlining the primary themes that inform his scholarship and, by extension, all the chapters in this book.