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West Virginia University Press

West Virginia University Press

Website: http://www.as.wvu.edu/press

Founded in the mid-1960s, West Virginia University Press is a scholarly, not-for-profit publisher of books and journals. The Press specializes in Appalachian history, medieval studies, African American literature and culture, and rural sociology; its list also includes general interest and creative writings on Appalachia. Through the publication of all such works, WVU Press helps to fulfill West Virginia University’s land-grant mission.


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West Virginia University Press

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Memorializing Motherhood

Anna Jarvis and the Struggle for Control of Mother's Day

Katharine Lane Antolini

Memorializing Motherhood explores the complicated history of Anna Jarvis’s movement to establish and control Mother’s Day, as well as the powerful conceptualization of this day as both a holiday and a cultural representation of motherhood.

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Monongah

The Tragic Story of the 1907 Monongah Mine Disaster

DAVITT MCATEER

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Monsters in Appalachia

Stories

Author

The characters within these fifteen stories are in one way or another staring into the abyss. While some are awaiting redemption, others are fully complicit in their own undoing.
 
We come upon them in the mountains of West Virginia, in the backyards of rural North Carolina, and at tourist traps along Route 66, where they smolder with hidden desires and struggle to resist the temptations that plague them.
 
A Melungeon woman has killed her abusive husband and drives by the home of her son’s new foster family, hoping to lure the boy back. An elderly couple witnesses the end-times and is forced to hunt monsters if they hope to survive. A young girl “tanning and manning” with her mother and aunt resists being indoctrinated by their ideas about men. A preacher’s daughter follows in the footsteps of her backsliding mother as she seduces a man who looks a lot like the devil.
 
A master of Appalachian dialect and colloquial speech, Monks writes prose that is dark, taut, and muscular, but also beguiling and playful. Monsters in Appalachia is a powerful work of fiction.
 

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My Pulse Is an Earthquake

Kristin FitzPatrick

The nine stories in My Pulse Is an Earthquake take place in the clutches of grief. Characters struggle to make sense of sudden losses of life, love, and community. From 1970 to the present day, children and young adults from the Rockies to the Appalachian Mountains guide readers through the valleys of their lives as dog breeders, immigrants, Catholic school delinquents, rookie policewomen, drummers, ballerinas, teenage brides, and an accountant who keeps a careful inventory of losses. 

In each story, we see the darkness that can surface during the happy moments in life—weddings, births, promotions, the opening night of a director’s favorite play, or the best performance of a dancer’s career, when no one important is there to watch. We enter daydreams and night terrors where the dead are within reach, pointing out how they could have been saved. We wear their clothes and carry their teddy bears or vinyl records everywhere. We crawl around in caves and pound hammers into walls until our own hearts stop beating. 

This collection explores how the unexpected harm to young, vibrant loved ones—from murder, kidnapping, battle, accident, natural disaster, swift illness, or stillbirth—can rupture families, and how the most unlikely healers can bring together those who remain.

My Pulse Is an Earthquake will be performed on stage by The New Short Fiction Series in Hollywood, an event sponsored by Barnes & Noble.

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My Radio Radio

The members of Dunlap Fellowship of All Things in Common share everything from their meager incomes to the only functioning toilet in the community house— everything, that is, except secrets. When Omi Ruth Wincott, the youngest member of the disintegrating common-purse community in this small Indiana town, loses her only brother, Woodrun, she withdraws from everyone and fixates on a secret desire: She wishes only for an extravagant head- stone to mark Woodrun’s grave, an expense that the strict, parsimonious community can’t—or won’t—pay for. In her loneliness, Omi Ruth’s only ties to the world remain her National Geographic magazines and a new resident in the house, Northrop, an old man caught between living and dying, maintained in a vegetative state by hospice care.

Observing everything with the keen eye of a girl with a photographic memory, Omi Ruth finds herself learning to grieve in the company of unlikely strangers. With the help of a homeless and pregnant Tracie Casteel, a rebellious Amish boy named Spencer Frye, and the smooth-talking Vaughn Buey who works third shift at Dunlap’s RV plant, Omi Ruth discovers that there are two things of which there is no shortage in the world’s common purse—love and loss. 


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Naked Before God

Uncovering the Body in Anglo-Saxon England

At different times and in different places, the human form has been regarded in different ways. The Ancient Greeks thought it was the most admirable subject for art, whereas early Christians often viewed it as lascivious in our post-lapsarian state. With illustrations taken from manuscripts, statuary and literary, this is a fascinating collection of essays with much that will be new to scholars and general readers alike.

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A Natural History of the Central Appalachians

written by Steven L. Stephenson

Central Appalachia is the system of linear ridges, intervening valleys, and deeply dissected plateaus that make up the rugged terrain found in western and southwestern Virginia, eastern and central West Virginia, western Maryland, and a portion of south central and southwestern Pennsylvania. Through its concise and accessible approach, A Natural History of the Central Appalachians thoroughly examines the biology and ecology of the plants, animals, and other organisms of this region of eastern North America.
With over 120 images, this text provides an overview of the landscape of this region, including the major changes that have taken place over the past 300 million years; describes the different types of forests and other plant communities currently present in Central Appalachia; and examines living systems ranging from microorganisms and fungi to birds and mammals. Through a consideration of the history of humans in the region, beginning with the arrival of the first Native Americans, A Natural History of the Central Appalachians also discusses the past, present, and future influences of human activity upon this geographic area.

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A Nickel and a Prayer

Jane Edna Hunter, Edited by Rhondda Robinson Thomas, with a foreword by Joycelyn Moody

Virtually unknown outside of her adopted hometown of Cleveland, Ohio, Jane Edna Harris Hunter was one of the most influential African American social activists of the early-to mid-twentieth century. In her autobiography A Nickel and a Prayer, Hunter presents an enlightening two-part narrative that recollects her formative years in post-Civil War South and her activist years in Cleveland. First published in 1940, Hunter’s autobiography recalls a childhood filled with the pleasures and pains of family life on the former plantation where her ancestors had toiled, adventures and achievements in schools for African American children, tests and trials during her brief marriage, and recognition and respect while completing nursing training and law school. When sharing the story of her life as an activist, Hunter describes the immense obstacles she overcame while developing an interracial coalition to support the Phillis Wheatley Association and nurturing its growth from a rented home that provided accommodation for twenty-two women to a nine-story building that featured one hundred and thirty-five rooms.   
This new and annotated edition of A Nickel and a Prayer includes the final chapter, “Fireside Musings,” that Hunter added to the second, limited printing of her autobiography and an introduction that lauds her as a multifaceted social activist who not only engaged in racial uplift work, but impacted African American cultural production, increased higher education opportunities for women, and invigorated African American philanthropy. This important text restores Jane Edna Harris Hunter to her rightful place among prominent African American race leaders of the twentieth century.

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No.9

The 1968 Farmington Mine Disaster

Bonnie E. Stewart

Ninety-nine men entered the cold, dark tunnels of the Consolidation Coal Company’s No.9 Mine in Farmington, West Virginia, on November 20, 1968. Some were worried about the condition of the mine. It had too much coal dust, too much methane gas. They knew that either one could cause an explosion. What they did not know was that someone had intentionally disabled a safety alarm on one of the mine’s ventilation fans. That was a death sentence for most of the crew. The fan failed that morning, but the alarm did not sound. The lack of fresh air allowed methane gas to build up in the tunnels. A few moments before 5:30 a.m., the No.9 blew up. Some men died where they stood. Others lived but suffocated in the toxic fumes that filled the mine. Only 21 men escaped from the mountain.

 No.9: The 1968 Farmington Mine Disaster explains how such a thing could happen—how the coal company and federal and state officials failed to protect the 78 men who died in the mountain. Based on public records and interviews with those who worked in the mine, No.9 describes the conditions underground before and after the disaster and the legal struggles of the miners’ widows to gain justice and transform coal mine safety legislation.

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Oil and Nation

A History of Bolivia's Petroleum Sector

Oil and Nation places petroleum at the center of Bolivia’s contentious twentieth-century history. Bolivia’s oil, Cote argues, instigated the largest war in Latin America in the 1900s, provoked the first nationalization of a major foreign company by a Latin American state, and shaped both the course and the consequences of Bolivia’s transformative National Revolution of 1952. Oil and natural gas continue to steer the country under the government of Evo Morales, who renationalized hydrocarbons in 2006 and has used revenues from the sector to reduce poverty and increase infrastructure development in South America’s poorest country.

The book advances chronologically from Bolivia’s earliest petroleum pioneers in the nineteenth century until the present, inserting oil into historical debates about Bolivian ethnic, racial, and environmental issues, and within development strategies by different administrations. While Bolivia is best known for its tin mining, Oil and Nation makes the case that nationalist reformers viewed hydrocarbons and the state oil company as a way to modernize the country away from the tin monoculture and its powerful backers and toward an oil-powered future.
 

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