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The nine stories in My Pulse Is an Earthquake take place in the clutches of grief. Characters struggle to make sense of sudden losses of life, love, and community. From 1970 to the present day, children and young adults from the Rockies to the Appalachian Mountains guide readers through the valleys of their lives as dog breeders, immigrants, Catholic school delinquents, rookie policewomen, drummers, ballerinas, teenage brides, and an accountant who keeps a careful inventory of losses.
In each story, we see the darkness that can surface during the happy moments in life—weddings, births, promotions, the opening night of a director’s favorite play, or the best performance of a dancer’s career, when no one important is there to watch. We enter daydreams and night terrors where the dead are within reach, pointing out how they could have been saved. We wear their clothes and carry their teddy bears or vinyl records everywhere. We crawl around in caves and pound hammers into walls until our own hearts stop beating.
This collection explores how the unexpected harm to young, vibrant loved ones—from murder, kidnapping, battle, accident, natural disaster, swift illness, or stillbirth—can rupture families, and how the most unlikely healers can bring together those who remain.
The members of Dunlap Fellowship of All Things in Common share everything from their meager incomes to the only functioning toilet in the community house— everything, that is, except secrets. When Omi Ruth Wincott, the youngest member of the disintegrating common-purse community in this small Indiana town, loses her only brother, Woodrun, she withdraws from everyone and fixates on a secret desire: She wishes only for an extravagant head- stone to mark Woodrun’s grave, an expense that the strict, parsimonious community can’t—or won’t—pay for. In her loneliness, Omi Ruth’s only ties to the world remain her National Geographic magazines and a new resident in the house, Northrop, an old man caught between living and dying, maintained in a vegetative state by hospice care.
Observing everything with the keen eye of a girl with a photographic memory, Omi Ruth finds herself learning to grieve in the company of unlikely strangers. With the help of a homeless and pregnant Tracie Casteel, a rebellious Amish boy named Spencer Frye, and the smooth-talking Vaughn Buey who works third shift at Dunlap’s RV plant, Omi Ruth discovers that there are two things of which there is no shortage in the world’s common purse—love and loss.
Uncovering the Body in Anglo-Saxon England
At different times and in different places, the human form has been regarded in different ways. The Ancient Greeks thought it was the most admirable subject for art, whereas early Christians often viewed it as lascivious in our post-lapsarian state. With illustrations taken from manuscripts, statuary and literary, this is a fascinating collection of essays with much that will be new to scholars and general readers alike.
The 1968 Farmington Mine Disaster
Ninety-nine men entered the cold, dark tunnels of the Consolidation Coal Company’s No.9 Mine in Farmington, West Virginia, on November 20, 1968. Some were worried about the condition of the mine. It had too much coal dust, too much methane gas. They knew that either one could cause an explosion. What they did not know was that someone had intentionally disabled a safety alarm on one of the mine’s ventilation fans. That was a death sentence for most of the crew. The fan failed that morning, but the alarm did not sound. The lack of fresh air allowed methane gas to build up in the tunnels. A few moments before 5:30 a.m., the No.9 blew up. Some men died where they stood. Others lived but suffocated in the toxic fumes that filled the mine. Only 21 men escaped from the mountain.
In Old English Literature in its Manuscript Context, editor Joyce Tally Lionarons has developed a multifaceted collection examining the issues facing the textual transmission of Anglo-Saxon writings. Eight established scholars consider the ideas of textual identity, authorship and translation, and editorial standards and obligations. This work also features a scholarly exchange of ideas and photographs of the original Anglo-Saxon manuscripts, making this essential reading for anyone interested in the history of Old English literature. The essays published in this text were originally composed at an NEH summer seminar conducted by Paul Szarmach and Timothy Graham at the Parker Library of Corpus Christi College, Cambridge in 1997.
A Critical Editoin
Seasons for Fasting, a late Old English poem probably composed in the early eleventh century, focuses on proper fasting observances in England. This poem, composed in eight-line stanzas, survives only in a sixteenth-century transcript made by the antiquary Laurence Nowell. With its topics, vocabulary, sources, and style derived from those of contemporary ecclesiastical prose, it belongs to a school of late tenth/early eleventh century poetry that only now is coming to be recognized and defined.
The Old English Poem Seasons for Fasting: A Critical Edition provides a new text and translation of the poem, accompanied by an extensive introduction, commentary, and glossary. The introduction includes analyses of the poem’s manuscript origins, sources, language, meter, style, and structure. The text is collated with all previous editions. The commentary elucidates points of grammar and style, and justifies all editorial decisions. The glossary covers every instance of each word in the poem.
Since its discovery among the papers of Laurence Nowell in 1934, the poem has had only four editions, two of the text with basic notes, and two in doctoral theses with more commentary and analysis. This new edition brings the latest resources on manuscript study, lexicon (through the Concordance and Dictionary of Old English A-G), poetics, and cultural milieu to bear on this fascinating poem. The apparatus, including the glossary, will allow fellow scholars to extend these findings through links to their own work.
Florida and the Modern Civil Rights Movement
How does a state, tarnished with a racist, violent history, emerge from the modern civil rights movement with a reputation for tolerance and progression? Old South, New South, or Down South?: Florida and the Modern Civil Rights Movement exposes the image, illusion, and reality behind Florida’s hidden story of racial discrimination and violence. By exploring multiple perspectives on racially motivated events, such as black agency, political stonewalling, and racist assaults, this collection of nine essays reconceptualizes the civil rights legacy of the Sunshine State. Its dissection of local, isolated acts of rebellion reveals a strategic, political concealment of the once dominant, often overlooked, old south attitude towards race in Florida.