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West Virginia University Press

West Virginia University Press

Website: http://www.as.wvu.edu/press

Founded in the mid-1960s, West Virginia University Press is a scholarly, not-for-profit publisher of books and journals. The Press specializes in Appalachian history, medieval studies, African American literature and culture, and rural sociology; its list also includes general interest and creative writings on Appalachia. Through the publication of all such works, WVU Press helps to fulfill West Virginia University’s land-grant mission.


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West Virginia University Press

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Heliand Cover

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Heliand

Text and Commentary

Edited by James E. Cathey

James E. Cathey's Hêliand: Text and Commentary is a simply unique, wonderfully encompassing, and helpful text, and nothing quite like it exists anywhere in the world. The commentary portion of the book consists of an interweaving of interpretation and philological consideration. This work presents the reader with explanatory commentary that encompasses both the scientific and the poetic and treats them both with equal felicity. The volume also contains something that is exceptionally valuable and cannot be found in English: a compact and serviceable grammar of Old Saxon and an appended glossary that defines all of the vocabulary found in this edited version of the Hêliand.

Hillside Fields Cover

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Hillside Fields

A History of Sports in West Virginia

written by Bob Barnett

West Virginia’s championship teams at WVU and Marshall and athletic superstars like Jerry West and Mary Lou Retton are familiar to all, but few know the untold story of sports in the Mountain State. Hillside Fields: A History of Sports in West Virginia chronicles the famous athletic triumphs and heart-breaking losses of local heroes and legendary teams, recording the titanic struggles of a small state competing alongside larger rivals.
Hillside Fields
provides a broad view of the development of sports in West Virginia, from one of the first golf clubs in America at Oakhurst Links to the Greenbrier Classic; from the first girls basketball championship in 1919 to post Title IX; from racially segregated sports to integrated teams; and from the days when West Virginia Wesleyan and Davis & Elkins beat the big boys in football to the championship teams at WVU, Marshall, West Virginia State and West Liberty.
Hillside Fields
explains how major national trends and events, as well as West Virginia’s economic, political, and demographic conditions, influenced the development of sports in the state. The story of the growth of sports in West Virginia is also a story of the tribulations, hopes, values and triumphs of a proud people.

Hippie Homesteaders Cover

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Hippie Homesteaders

Arts, Crafts, Music and Living on the Land in West Virginia

It’s the 1960s. The Vietnam War is raging and protests are erupting across the United States. In many quarters, young people are dropping out of society, leaving their urban homes behind in an attempt to find a safe place to live on their own terms, to grow their own food, and to avoid a war they passionately decry. During this time, West Virginia becomes a haven for thousands of these homesteaders—or back-to-the-landers, as they are termed by some. Others call them hippies.

When the going got rough, many left. But a significant number remain to this day. Some were artisans when they arrived, while others adopted a craft that provided them with the cash necessary to survive. Hippie Homesteaders tells the story of this movement from the viewpoint of forty artisans and musicians who came to the state, lived on the land, and created successful careers with their craft. There’s the couple that made baskets coveted by the Smithsonian Institution’s Renwick Gallery. There’s the draft-dodger that fled to Canada and then became a premier furniture maker. There’s the Boston-born VISTA worker who started a quilting cooperative. And, there’s the immigrant Chinese potter who lived on a commune.

Along with these stories, Hippie Homesteaders examines the serendipitous timing of this influx and the community and economic support these crafters received from residents and state agencies in West Virginia. Without these young transplants, it’s possible there would be no Tamarack: The Best of West Virginia, the first statewide collection of fine arts and handcrafts in the nation, and no Mountain Stage, the weekly live musical program broadcast worldwide on National Public Radio since 1983. Forget what you know about West Virginia.

Hippie Homesteaders isn’t about coal or hillbillies or moonshine or poverty. It is the story of why West Virginia was—and still is—a kind of heaven to so many.

HISTORY OF THE ALPS, 1500 - 1900 Cover

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HISTORY OF THE ALPS, 1500 - 1900

ENVIRONMENT, DEVELOPMENT, AND SOCIETY

Jon Mathieu, translated by Matthew Vester

In the 1700s, Jean-Jacques Rousseau celebrated the Alps as the quintessence of the triumph of nature over the “horrors” of civilization. Now available in English, History of the Alps, 1500-1900: Environment, Development, and Society provides a precise history of one of the greatest mountain range systems in the world. Jon Mathieu’s work disproves a number of commonly held notions about the Alps, positioning them as neither an inversion of lowland society nor a world apart with respect to Europe. Mathieu’s broad historical portrait addresses both the economic and sociopolitical—exploring the relationship between population levels, development, and the Alpine environment, as well as the complex links between agrarian structure, society, and the development of modern civilization. More detailed analysis examines the relationship between various agrarian structures and shifting political configurations, several aspects of family history between the late Middle Ages and the turn of the twentieth century, and exploration of the Savoy, Grisons, and Carinthia regions.

History of the American Negro Cover

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History of the American Negro

West Virginia Edition

A. B. Caldwell

History of the American Negro: West Virginia Edition is a collection of biographies of African American men and women at the beginning of the twentieth century. Edited and published by A. B. Caldwell, the History of the American Negro collection includes seven volumes that richly describe the lives of citizens in Georgia, South Carolina, North Carolina, Virginia, Washington, DC, and West Virginia.  In a statement printed in the first volume of this series, Caldwell wrote that his intent in publishing this collection was neither “comprehensive nor exhaustive,” yet he was determined to shed light on the  “successful element unrecorded” of black Americans in the United States. As the 7th volume in Caldwell’s collection, History of the American Negro: West Virginia Edition chronicles the struggles and triumphs of everyday African Americans in West Virginia during the post−World War I era.  A resource for genealogists, historians, and citizens alike, this history provides a detailed account of the often overlooked lives of ordinary men and women.

Hollows, Peepers, and Highlanders Cover

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Hollows, Peepers, and Highlanders

An Appalachian Mountain Ecology

George Constantz

In this revised and expanded edition of Hollows, Peepers, and Highlanders, author George Constantz, a biologist and naturalist, writes about the beauty and nature of the Appalachian landscape. While the information is scientific in nature, Constantz's accessible descriptions of the adaptation of various organisms to their environment enable the reader to enjoy learning about the Appalachian ecosystem. The book is divided into three sections: "Stage and Theater," "The Players," and "Seasonal Act." Each section sets the scene and describes the events occurring in nature. "Stage and Theatre" is comprised of chapters that describe the origins of the Appalachia region. "The Players" is an interesting and in-depth look into the ecology of animals, such as the mating rituals of different species, and the evolutionary explanation for the adaptation of Appalachian wildlife. The last section, "Seasonal Act," makes note of the changes in Appalachian weather each season and its effect on the inhabitants.

INNOVATION AND  TRADITION IN THE WRITINGS OF THE VENERABLE BEDE Cover

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INNOVATION AND TRADITION IN THE WRITINGS OF THE VENERABLE BEDE

SCOTT DEGREGORIO

Works prior to this book focused on Bede as not only a European, but also as an English scholar, historian, scientist, or a biographer of saints, and have used a traditional approach towards his explanation of the Bible. Bede's interpretation of his work, its continuous progress, and the reasons behind his hurried appointment to an authority almost as high as the Church Fathers are all topics examined within the text. Essays are by Roger Ray, Faith Wallis, Calvin B. Kendall, George Hardin Brown, Scott DeGregorio, Arthur G. Holder, Lawrence T. Martin, Walter Goffart, and Joyce Hill.

 Cover
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Labor Studies Journal

Vol. 27 (2002) - vol. 31 (2006)

Labor Studies Journal is a multi-disciplinary publication about work, workers, labor organizations, and labor studies and worker education in the United States and internationally. As the official journal of the United Association for Labor Education, the journal is directed at a diverse audience including union, university and community-based sciences and humanities.

Matewan Before the Massacre Cover

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Matewan Before the Massacre

Politics, Coal, and the Roots of Conflict in a West Central West Virginia Mining Community

Rebecca J. Bailey

On May 19, 1920, gunshots rang through the streets of Matewan, West Virginia, in an event soon known as the “Matewan Massacre.” Most historians of West Virginia and Appalachia see this event as the beginning of a long series of tribulations known as the second Mine Wars. But was it instead the culmination of an even longer series of proceedings that unfolded in Mingo County, dating back at least to the Civil War? Matewan Before the Massacre provides the first comprehensive history of the area, beginning in the late eighteenth century continuing up to the Massacre. It covers the relevant economic history, including the development of the coal mine industry and the struggles over land ownership; labor history, including early efforts of unionization; transportation history, including the role of the N&W Railroad; political history, including the role of political factions in the county’s two major communities—Matewan and Williamson; and the impact of the state’s governors and legislatures on Mingo County.

Memoirs of Elleanor Eldridge Cover

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Memoirs of Elleanor Eldridge

Elleanor Eldridge, born of African and US indigenous descent in 1794, operated a lucrative domestic services business in nineteenth century Providence, Rhode Island. In defiance of her gender and racial background, she purchased land and built rental property from the wealth she gained as a business owner. In the 1830s, Eldridge was defrauded of her property by a white lender. In a series of common court cases as alternately defendant and plaintiff, she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation, her memoir, which includes statements from employers endorsing her respectable character, was published in 1838. Frances Harriet Whipple, an aspiring white writer in Rhode Island, narrated and co-authored Eldridge’s story, expressing a proto-feminist outrage at the male “extortioners” who caused Eldridge’s loss and distress.

 
With the rarity of Eldridge’s material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge’s life from her birth through the first publication of almost yearly editions of the text between 1838 and 1847. Because of Eldridge’s exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early 19th-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.
With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge—from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and her efficacy in establishing a collective of white women patrons, this biography challenges typical African and indigenous women’s literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.

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