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An Introductory History
In this third edition of East Africa: An Introductory History, Robert M. Maxon revisits the diverse eastern region of Africa, including the modern nations of Kenya, Tanzania, and Uganda. With revised sections and a new preface, this comprehensive text surveys East Africa’s political, economic, and social history from pre-colonial to modern times. Maxon reveals the physical movement and societal development of and between ethnic groups before the 1890s; the capitalistic impact of European colonialism in the early nineteenth century; and the achievement and aftermath of independence in East Africa during the later part of this century. East Africa: An Introductory History documents the transformation of East Africa from the Stone Age to the first decade of the twenty-first century. The book is ideal for any reader interested in unraveling the intricate history of this East Africa, and especially for students coming to the study of this region for the first time.
Vol. 30 (2007) through current issue
Education and Treatment of Children is devoted to the dissemination of information concerning the development of services for children and youth. Designed to be valuable to educators and other child-care professionals in enhancing their teaching/training effectiveness, the journal includes articles on experimental research, data-based case studies, research reviews, procedure or program descriptions, and issue-oriented papers.
Vol. 18 (2001) through current issue
Essays in Medieval Studies is an interdisciplinary journal of medieval studies. Contents for each volume are selected from papers delivered at the annual meeting of the Illinois Medieval Association. Since 1993 each volume has had a thematic focus based on the theme or topic of the annual meeting. Recent themes have included children and the family, medieval communities, and emotions in the Middle Ages.
The Civil War Correspondence of Henry McNeal Turner
n Granada, a boy in a dress begs in the white alleys of the old town. A vulnerable runaway, he turns to an American painter who is living in the city for protection, Madeleine James. The boy also meets Madeleine's new friend, poet Cy Jacobs. Although the two adults mean to help the boy, they unwittingly expose him to more peril. Soon, all the characters in the story have been scraped on the touchstone of hard realities and made to show their mettle, be it base or gold. This novel, at times somber and at times flaring with intensity, calls up indelibly the difficulties of making a good life—or a good death—in a world in which we are all, in one way or another, going.
From 1909 to 1913, Governor William Glasscock served the state of West Virginia as an ardent progressive and reformer. In his inaugural address he proclaimed government "the machinery invoked and devised by man for his benefit and protection” and good government the guarantor of the happiness, prosperity, success, and welfare of the people. Governor William Glasscock and Progressive Politics in West Virginia recounts the life and work of West Virginia’s thirteenth governor. Born during the Civil War, Glasscock witnessed a country torn by sectional, fratricidal war become a powerful industrial nation by the turn of the twentieth century. Author Gary Jackson Tucker demonstrates how Glasscock, along with others during the Progressive Era, railed against large and powerful political and economic machines to enact legislation protecting free and fair elections, just taxation, regulation of public utilities, and workmen’s compensation laws. Never hesitating to use the power of the state to stand firm against racism and mob rule, and placing his own personal safety in jeopardy, Glasscock won the praise and admiration of average people. Glasscock’s four years in office took his own health and financial security from him, but left behind a better government—a good government—for the people of West Virginia.
J. McHenry Jones’s Hearts of Gold is a gripping tale of post-Civil War battles against racism and systemic injustice. Originally published in 1896, this novel reveals an African American community of individuals dedicated to education, journalism, fraternal organizations, and tireless work serving the needs of those abandoned by the political process of the white world. Jones challenges conventional wisdom by addressing a range of subjects—from interracial relationships to forced labor in coal mines—that virtually no other novelist of the time was willing to approach. With the addition of an introduction and appendix, this new edition reveals the difficult foundations upon which African Americans built a platform to address injustice; generate opportunities; and play a prominent role in American social, economic, and political life.
Text and Commentary
James E. Cathey's Hêliand: Text and Commentary is a simply unique, wonderfully encompassing, and helpful text, and nothing quite like it exists anywhere in the world. The commentary portion of the book consists of an interweaving of interpretation and philological consideration. This work presents the reader with explanatory commentary that encompasses both the scientific and the poetic and treats them both with equal felicity. The volume also contains something that is exceptionally valuable and cannot be found in English: a compact and serviceable grammar of Old Saxon and an appended glossary that defines all of the vocabulary found in this edited version of the Hêliand.
A History of Sports in West Virginia
Arts, Crafts, Music and Living on the Land in West Virginia
It’s the 1960s. The Vietnam War is raging and protests are erupting across the United States. In many quarters, young people are dropping out of society, leaving their urban homes behind in an attempt to find a safe place to live on their own terms, to grow their own food, and to avoid a war they passionately decry. During this time, West Virginia becomes a haven for thousands of these homesteaders—or back-to-the-landers, as they are termed by some. Others call them hippies.
When the going got rough, many left. But a significant number remain to this day. Some were artisans when they arrived, while others adopted a craft that provided them with the cash necessary to survive. Hippie Homesteaders tells the story of this movement from the viewpoint of forty artisans and musicians who came to the state, lived on the land, and created successful careers with their craft. There’s the couple that made baskets coveted by the Smithsonian Institution’s Renwick Gallery. There’s the draft-dodger that fled to Canada and then became a premier furniture maker. There’s the Boston-born VISTA worker who started a quilting cooperative. And, there’s the immigrant Chinese potter who lived on a commune.
Along with these stories, Hippie Homesteaders examines the serendipitous timing of this influx and the community and economic support these crafters received from residents and state agencies in West Virginia. Without these young transplants, it’s possible there would be no Tamarack: The Best of West Virginia, the first statewide collection of fine arts and handcrafts in the nation, and no Mountain Stage, the weekly live musical program broadcast worldwide on National Public Radio since 1983. Forget what you know about West Virginia.
Hippie Homesteaders isn’t about coal or hillbillies or moonshine or poverty. It is the story of why West Virginia was—and still is—a kind of heaven to so many.