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Living with Ovarian Cancer
Bearing Witness is a collection of stories from women who went through the diagnosis of ovarian cancer, and treatment for it, only to find that the cancer recurred and any hope of recovery was gone. These women represent a spectrum of ages, ethnic backgrounds, marital circumstances, and professional experiences. From their stories we learn how each woman shapes the meaning of her life. Facing a life crisis can make one bitter and angry, but it can also provide the key to a thankful and generous spirit within.
Storytelling is an important art form present in many cultures: it is a way of processing life events, of searching for meaning, and of allowing teller and listener to wrestle with the message. It is a form of teaching and learning. For the women in Bearing Witness, stories are tangible legacies for family and friends and a chance to share their thoughts on living with the “glass half full.” They inspire the reader to reflect on life’s struggles and to find within themselves a sense of optimism, perhaps when they least expect to.
Kathryn Carter’s concluding essay places these stories in the context of contemporary discourses of illness and healing.
A Story of Survival and Renewal
Becoming My Mother’s Daughter: A Story of Survival and Renewal tells the story of three generations of a Jewish Hungarian family whose fate has been inextricably bound up with the turbulent history of Europe, from the First World War through the Holocaust and the communist takeover after World War II, to the family’s dramatic escape and emmigration to Canada. The emotional centre and narrative voice of the story belong to Eva, an artist, dreamer, and writer trying to work through her complex and deep relationship with her mother, whose portrait she cannot paint until she completes her journey through memory.
The core of the book is Eva’s riveting recollection of the last months of World War II in Budapest, seen through a child’s eyes, and is reminiscent in its power of scenes in Joy Kogawa’s Obasan. Exploring the bond between generations of mothers and daughters, the book illustrates the struggle between the need for independence and the search for continuity, the significant impact of childhood on adult life, the reshaping of personality in immigration, the importance of dreams in making us face reality, and the redemptive power of memory. Illustrations by the author throughout the book, some in colour, enhance the story.
The Poetry of Lorna Crozier
Lorna Crozier’s radical imagination, and the finely tuned emotional intelligence that is revealed in the clarity of her poetry, have made her one of Canada’s most popular poets. Before the First Word: The Poetry of Lorna Crozier is a collection of thirty-five of her best poems, selected and introduced by Catherine Hunter, and includes an afterword by Crozier herself. Representing her work from 1985 to 2002, the collection reveals the wide range of Lorna Crozier’s voice in its most lyrical, contemplative, ironic, and witty moments. Hunter’s introduction discusses the poet’s major themes, with particular attention to her feminist approach to biblical myth and her fascination with absence and silence as sites for imaginative revision. Crozier’s afterword, “See How Many Ends This Stick Has: A Reflection on Poetry,” is a lyrical meditation that provides an inspirational glimpse into the philosophy of a writer who prizes the intensity of awareness that poetry demands, and is tantalized by what predates speaking and all that cant be named. An engaging volume that will appeal to undergraduate students as well as general readers of poetry.
Lorna Crozier’s work has won many awards, including the Governor Generals Award in 1992 (for Inventing the Hawk), the first prize for poetry in the CBC Literary Competition, the Canadian Authors Association Award for Poetry in 1992, a National Magazine Award in 1995, and two Pat Lowther Memorial Awards (1993 and 1996) for the best book of poetry by a Canadian woman. She has published fourteen books of poetry, most recently, Whetstone. Born in Swift Current, Saskatchewan, she now lives in British Columbia, where she is a Distinguished Professor at the University of Victoria.
Puhvel traces and evaluates the possible influences of Celtic tradition on the Anglo-Saxon epic poem Beowulf. He discusses theories of the origins of the poem, draws parallels between elements in Beowulf and in Celtic literary tradition, and suggests that the central plot of the poem, the conflict between Grendel and his mother, is “fundamentally indebted to Celtic folktale elements.” The study is well documented and rich in references to Celtic literature, legend, and folklore.
A Historical Geography of the Finns in the Sudbury Area
Where else can that well-known phrase be better applied than to a study of the Finns in Sudbury? “Rock” defines the physical reality of the Sudbury setting: rugged hills, mines, farms and forests set in the Precambrian Shield. “Hard” defines the human setting: Finnish immigrants having to contend with the problems and stresses of relocating to a new culture, with livelihoods that required great endurance as well as a tolerance for hazardous conditions.
Since 1883 Finnish immigrants in Sudbury, men and women alike, have striven to improve their lot through the options available to them. Despite great obstacles, the Finns never flagged in their unwavering fight for workers’ rights and the union movement. And as agricultural settlers, labour reformers, builders of churches, halls, saunas and athletic fields, Finns left an indelible imprint on the physical and human landscape. In the process they have played an integral part in the transformation of Sudbury from a small struggling rail town to its present role as regional capital of northwestern Ontario.
This penetrating study of the cultural geography of the Finns in the Sudbury region provides an international, national and local framework for analysis — a model for future studies of other cultural groups.
A Study of the Plays of John Webster
“Webster’s iconoclasm was not the lonely experience of an alienated intellectual, but part of his generation’s struggle to create the future. As such, the critical energy we find in the plays was sustained, not by ideological certainty, but rather by interaction with the great complexity of thought and action—much of it negative—that constitutes a pre-revolutionary movement. If Webster was part of a dying culture, he was also—and it is this that Webster criticism has almost consistently ignored—a member of the generation that prepared the way for the revolution of 1640” (Introduction).
Through detailed analysis of four plays, The White Devil, The Duchess of Malfi, The Devil’s Law Case, and Appius and Virginia, Goldberg explores the relations between Webster and aspects of Jacobean social and intellectual history. Webster’s satire of princes and prelates, his iconoclastic view of traditional philosophy, his trenchant analysis of institutions are seen as part of an intellectual movement that was undermining faith in the old order. Special attention is given to Webster’s theatrical representations of legal practice and legal philosophy as key manifestations of the realities of political power. Webster’s dramatizations of the judgment situation are shown to embody specific commentary on the legal system of his time, commentary that ranges in orientation from anarchist to reformist to revolutionary. Webster’s irreverence for traditional ideals and institutions combines with a humanist sense of man’s—and woman’s—potential to make an important contribution to the pre–revolutionary movement.
Media Workers and Women’s Rights in Canada
Beyond Bylines: Media Workers and Women’s Rights in Canada explores the ways in which several of Canada’s women journalists, broadcasters, and other media workers reached well beyond the glory of their personal bylines to advocate for the most controversial women’s rights of their eras. To do so, some of them adopted conventional feminine identities, while others refused to conform altogether, openly and defiantly challenging the gender expectations of their day.
The book consists of a series of case studies of the women in question as they grappled with the concerns close to their hearts: higher education for women, healthy dress reforms, the vote, equal opportunities at work, abortion, lesbianism, and Aboriginal women’s rights. Their media reflected their respective eras: intellectual magazines, daily and weekly newspapers, radio, feminist public relations, alternative women’s periodicals, and documentary film made for television.
Barbara Freeman takes an interdisciplinary approach, combining biography, history, and communication studies to demonstrate how their use of different media both enabled and limited these women in their ability to be daring advocates for gender equality. She shows how a number of these women were linked through the generations by their memberships in activist women’s organizations.
John Locke is often thought of as one of the founders of the Enlightenment, a movement that sought to do away with the Bible and religion and replace them with scientific realism. But Locke was extremely interested in the Bible, and he was engaged by biblical theology and religion throughout his life. In this new book, K.I. Parker considers Locke’s interest in Scripture and how that interest is articulated in the development of his political philosophy.
Parker shows that Locke’s liberalism is inspired by his religious vision and, particularly, his distinctive understanding of the early chapters of the book of Genesis. Unlike Sir Robert Filmer, who understood the Bible to justify social hierarchies (i.e., the divine right of the king, the first-born son’s rights over other siblings, and the “natural” subservience of women to men), Locke understood from the Bible that humans are in a natural state of freedom and equality to each other. The biblical debate between Filmer and Locke furnishes scholars with a better understanding of Lockes political views as presented in his Two Treatises.
The Biblical Politics of John Locke demonstrates the impact of the Bible on one of the most influential thinkers of the seventeenth century, and provides an original context in which to situate the debate concerning the origins of early modern political thought.
Canada and Mexico at the Crossroads
In the post-NAFTA era, Canada and Mexico face dramatic and irreversible changes from the Bush revolution in foreign public policy, the rising economic power of China and India, new concerns about border security and human rights, and the trends of economic integration. The essays in Big Picture Realities: Canada and Mexico at the Crossroads address the sea change in the political economic order of North America and chronicle the attempts of Canada and Mexico, two very different societies, to come to terms with the accumulated and often contradictory effects of micro and macro changes.
Contributors are Canadian and Mexican scholars and leading authorities in security, immigration, human rights, foreign policy, Canada-Mexico relations, and market integration. This book is particularly valuable for public policy experts and scholars and students in international relations.
The Early Years to 1952
This monograph describes the work of the Division of Biological Sciences of the National Research Council of Canada. Part One deals with scientific research in agriculture and other areas from 1916 until 1939. The subject of Part Two is the solution of special problems connected with World War II, including the preservation and packaging of food for long–distance transportation. Part Three records changes in emphasis following the war and establishment of branch laboratories in various parts of Canada.
Historians of science and students of Canadian history will find this a valuable reference work. Written in nontechnical language, it can be read easily by anyone interested in the development of biological sciences and in the work of the National Research Council.