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Anti-Judaism in Early Christianity

Volume 2: Separation and Polemic

The second volume in this two-volume work studying the initial developments of anti-Judaism within the church examines the evolution of the Christian faith in its social context as revealed by evidence such as early patristic and rabbinic writings and archaeological findings.

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Antisemitism in Canada

History and Interpretation

This book is the first collection of scholarly essays to treat the topic of antisemitism in Canada, a complete history of which has yet to be written. Eleven leading thinkers in the field examine antisemitism in Canada, from the colonial era to the present day, in essays which reflect the saga of the nation itself. The history of the Jewish community, its struggles and its fortunes is mirrored in the wider history of Canada, from Confederation to the present.

The contributors cast light on Canadian antisemitism through a thorough examination of old and new tensions, including Anglo-French, east-west and Jewish-Ukrainian relations. Attitudes to Jews in pre-Confederation Canada, French Canada from Confederation to World War I as well as the interwar years, and in twentieth-century Ontario and Alberta from 1880-1950 are illustrated in various chapters. Of particular interest are the examinations of such well-known figures as Goldwin Smith, the greatly admired liberal historian of Victorian Canada, Adrien Arcand, the would-be Führer from Quebec, and James Keegstra and Ernst Züdel, of more recent notoriety. Analyses are also provided of Nazism and Canadian Protestantism and Jewish-Ukrainian relations since World War II. This is a complex and contentious subject; yet, to understand the ideas and forces that have sought to undermine the Jewish presence in Canada is to understand the dangers that threaten any democratic society, and thereby to guard against them.

This compelling collection of essays offers intelligent, readable accounts of an area of Canadian history about which we know too little.

Winner of the 1993 Jewish Book Committee award for Scholarship on a Canadian Jewish subject.

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Antonin Artaud’s Alternate Genealogies

Self-Portraits and Family Romances

Most readers know Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s highly original study installs Artaud as a writer and theorist of biography.

In Alternate Genealogies Stout analyzes two separate but interrelated preoccupations central to Artaud’s work: the self-portrait and the family romance. He shows how Artaud, in several important but relatively neglected texts, rewrites the life stories of historical and literary figures with whom he identifies (for example, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an attempt to reinvent himself through the image, or life, of another. Throughout the book Stout focusses on Artaud’s struggles to recover the sense of self that eludes him and to master the reproductive process by recreating the family in — and as — his own fantasies of it. With this research John C. Stout has added considerably to our understanding of Artaud.

His book will be much appreciated by theatre scholars, Artaud specialists, Freudians, Lacanians and both theorists and practitioners of life writing.

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Archaeology of the Rivas Region, Nicaragua

Central America before the Spanish Conquest has often been considered by North American archaeologists as a “backwater” of peripheral importance located between the advanced ancient civilizations of South America and Mesoamerica (Mexican–Maya country). Recent archaeological research has revealed that this area played a much more significant role in New World cultural history than was previously thought. Healy’s study examines the archaeological record of one subarea of Southern Central America, the Rivas region of Pacific Nicaragua. The work gives a detailed analysis of excavations and of artifacts recovered at seven significant prehistoric sites. A critical pioneering effort, the monograph documents cultural changes occurring over a 2,000–year time period—changes in technology, material culture, settlement, subsistence, and socio–political organization.

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Archetypes from Underground

Notes on the Dostoevskian Self

Lonny Harrison

Archetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevsky’s stories and novels and argues that archetypes bring a new dimension to our understanding and appreciation of his works. In this interdisciplinary study, Harrison analyzes selected texts in light of fresh research in Dostoevsky studies, cultural history, comparative mythology, and depth psychology. He argues that one of Dostoevsky’s chief concerns is the crisis of modernity, and that he dramatizes the conflicts of the modern self by depicting the dynamic, transformative nature of the psyche. Harrison finds the language and imagery of archetypes in Dostoevsky’s characters, symbols, and themes, and shows how these resonate in remarkable ways with the archetypes of self, persona, and the shadow. He demonstrates that major themes in Dostoevsky coincide with Western esotericism, such as the complementarity of opposites, transformation, and the symbolism of death and resurrection. These arguments inform a close reading of several of Dostoevsky’s texts, including The Double, Notes from Underground, and The Brothers Karamazov. Archetypes inform these works and others, bringing vitality to Dostoevsky’s major characters and themes.

This research represents a departure from the religious and philosophical questions that have dominated Dostoevsky studies. This work is the first sustained analysis of Dostoevsky’s work in light of archetypes, framing a topic that calls for further investigation. Archetypes illumine the author’s ideas about Russian national identity and its faith traditions and help us redefine our understanding of Russian realism and the prominent place Dostoevsky occupies within it.

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Argimou

A Legend of the Micmac

S. Douglass S. Huyghue

Both an adventure-laced captivity tale and an impassioned denunciation of the marginalization of Indigenous culture in the face of European colonial expansion, Douglas Smith Huyghue’s Argimou (1847) is the first Canadian novel to describe the fall of eighteenth-century Fort Beauséjour and the expulsion of the Acadians. Its integration of the untamed New Brunswick landscape into the narrative, including a dramatic finale that takes place over the reversing falls in Saint John, intensifies a sense of the heroic proportions of the novel's protagonist, Argimou.

Even if read as an escapist romance and captivity tale, Argimou captures for posterity a sense of the Tantramar mists, boundless forests, and majestic waters informing the topographical character of pre-Victorian New Brunswick. Its snapshot of the human suffering occasioned by the 1755 expulsion of the Acadians, and its appeal to Victorian readers to pay attention to the increasingly disenfranchised state of Indigenous peoples, make the novel a valuable contribution to early Canadian fiction.

Situating the novel in its eighteenth-century historical and geographical context, the afterword to this new edition foregrounds the author's skilful adaptation of historical-fiction conventions popularized by Sir Walter Scott and additionally highlights his social concern for the fate of Indigenous cultures in nineteenth-century Maritime Canada.

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Armies of Occupation

Roy A. Prete

Indhold: Military Occupations: Some Reflections from Recent and More Distant History( Hugh Seton-Watson); The British Army of Occupation in the St. Lawrence Valley 1760-74: The Conflict Between Civil and Military Society(Fernand Ouellet); The Regime du Sabre-West African Style: The French Marines in the Western sudan, 1880-99(A.S.Kanya-forstner); Whites and Reds in South Russia, 1917-20(Peter Kenez); The German Occupation of Poland During the First and Second World Wars: A Comparison(Antony Polonsky); The German Occupation of Norway in World War II(Olav Riste); The American Occupation of Japan, 1945-52(Gordon Daniels).

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The Arms of the Infinite

Elizabeth Smart and George Barker

The Arms of the Infinite takes the reader inside the minds of author Christopher Barker’s parents, writer Elizabeth Smart (By Grand Central Station I Sat Down and Wept) and poet George Barker. From their first fateful meeting and subsequent elopement, Barker candidly reveals their obsessive, passionate, and volatile love affair.

He writes evocatively of his unconventional upbringing with his siblings in a shack in Ireland and, later, a rambling, falling-down house in Essex. Interesting and charismatic figures from the literary and art worlds are regular visitors, and the book is full of fascinating cameos and anecdotes.

North American rights only.

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Arts of Engagement

Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada

Dylan Robinson

Arts of Engagement focuses on the role that music, film, visual art, and Indigenous cultural practices play in and beyond Canada’s Truth and Reconciliation Commission on Indian Residential Schools. Contributors here examine the impact of aesthetic and sensory experience in residential school history, at TRC national and community events, and in artwork and exhibitions not affiliated with the TRC. Using the framework of “aesthetic action,” the essays expand the frame of aesthetics to include visual, aural, and kinetic sensory experience, and question the ways in which key components of reconciliation such as apology and witnessing have social and political effects for residential school survivors, intergenerational survivors, and settler publics.

This volume makes an important contribution to the discourse on reconciliation in Canada by examining how aesthetic and sensory interventions offer alternative forms of political action and healing. These forms of aesthetic action encompass both sensory appeals to empathize and invitations to join together in alliance and new relationships as well as refusals to follow the normative scripts of reconciliation. Such refusals are important in their assertion of new terms for conciliation, terms that resist the imperatives of reconciliation as a form of resolution.

This collection charts new ground by detailing the aesthetic grammars of reconciliation and conciliation. The authors document the efficacies of the TRC for the various Indigenous and settler publics it has addressed, and consider the future aesthetic actions that must be taken in order to move beyond what many have identified as the TRC’s political limitations.

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Ashkenazic Jewry in Transition

Bernard Rosensweig

The fifteenth century was one of the most tragic and fateful centuries in the history of the Jewish people. It was the century which not only sealed the fate of Sephardic Jewry in the Iberian Peninsula, but also marked the turning point in the historical development of Ashkenazic Jewry from its centre in Germany to Poland and eastern Europe.

Rabbi Dr. Bernard Rosensweig utilizes the life and times and works of Rabbi Jacob Weil and his contemporaries in order to give us an intimate picture of Ashkenazic Jewry in this age of transition. Through these original sources, we are exposed to the social, cultural, economic and political structure of the Jewish community, and its relationship to the civil authority and the Church.

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