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University of Wisconsin Press

University of Wisconsin Press

Website: http://uwpress.wisc.edu/

The University of Wisconsin Press, a division of the UW-Madison Graduate School, has published more than 3000 titles, and currently has more than 1500 scholarly, regional, and general interest books in print. The Press publishes eleven peer-reviewed academic and professional journals in the humanities, social sciences, and medicine. See the University of Wisconsin Press web site for more information.


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University of Wisconsin Press

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Bike Lust Cover

Bike Lust

Harleys, Women, And American Society

Barbara Joans

Bike Lust roars straight into the world of women bikers and offers us a ride. In this adventure story that is also an insider’s study of an American subculture, Barbara Joans enters as a passenger on the back of a bike, but soon learns to ride her own. As an anthropologist she untangles the rules, rituals, and rites of passage of the biker culture. As a new member of that culture, she struggles to overcome fear, physical weakness, and a tendency to shoot her mouth off—a tendency that very nearly gets her killed.
    Bike Lust travels a landscape of contradictions. Outlaws still chase freedom on the highway, but so do thousands of riders of all classes, races, and colors. Joans introduces us to the women who ride the rear—the biker chick, the calendar slut straddling the hot engine, the back-seat Betty at the latest rally, or the underage groupie at the local run. But she also gives us the first close look at women who ride in their own right, on their own bikes, as well as a new understanding of changing world of male bikers. These are ordinary women’s lives made extraordinary, adding a dimension of courage to the sport not experienced by males, risking life and limb for a glimpse of the very edge of existence. This community of riders exists as a primal tribute to humanity's lust for freedom.

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Bird Skin Coat Cover

Bird Skin Coat

Angela Sorby

Bird Skin Coat is brimming with startling moments of beauty found within a rusty and decayed landscape. With wild lyrical images of ascent and descent—doves and dives, sparrows and slugs, attics and cellars—this collection reflects Sorby’s keen eye for blending images. As they shuttle between the Upper Midwest and the Pacific Northwest, these poems explore how the radical instability of the world is also the source of its energy.
 
 
Honorable Mention, Posner Book-Length Poetry Award, Council for Wisconsin Writers 
 
Winner, Best Book of Poetry, Midwest Book Awards
 
Winner, Lorine Niedecker Poetry Award, Council for Wisconsin Writers

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The Black Book and the Mob Cover

The Black Book and the Mob

The Untold Story of the Control of Nevada's Casinos

Ronald A. Farrell and Carole Case

A tale of good and evil, of corruption and deceit, of prejudice, politics, and power, this compelling account scrutinizes the immensely lucrative Nevada gambling industry’s struggle to maintain legitimacy—or at least the appearance of it.
    Ronald A. Farrell and Carole Case tell how state regulators created the “Black Book” in the 1960s, a list of “notorious and unsavory” persons banned forever from owning, managing, or even entering casinos in the state. The regulators dramatically pursued and publicly denounced former lieutenants of Al Capone, alleged overlords of the American Mafia, nationally known professional gamblers, and major casino owners, as well as small-time bookies and hoods, reputed sports fixers, and gambling cheats. To date, thirty-eight names have been entered in the Black Book, including Sam Giancana, Anthony Spilotro, and Frank “Lefty” Rosenthal.
    Farrell and Case contend, however, that the denunciations were a melodrama, meant to show that the government was cleansing the city of corruption. Through the Black Book, the regulators focus public attention on “the Mob,” rather than on a multitude of competing criminal interests already in the gaming industry. The authors uncover evidence of ethnic discrimination by the regulators, including selective prosecution of Italian Americans whose notoriety fit popular Mafia stereotypes.
    The Black Book and the Mob records hearings of the regulatory commission and the voices of lawyers, government officials, casino owners, and the people named in the Black Book itself. This Las Vegas story is a rebuke to the gaming industry and a cautionary tale for many states and communities now weighing the legalization of casino gambling.

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Black Eye Cover

Black Eye

Escaping a Marriage, Writing a Life

Judith Strasser

    Seventeen years after she married, Judith Strasser escaped her emotionally and physically abusive husband and sought a better way to live. In the process, Strasser rediscovered what she had suppressed through that long span of time: exceptional strength and a passion for writing.
    Black Eye includes excerpts from a journal Strasser kept from 1985 to1986, the year she made the decision to leave her marriage, and present-day commentary on the journal passages and her family history. Strasser works like a detective investigating her own life, drawing clarity and power from journal passages, dreams, and memories that originally emerged from confusion and despair. With language that is both insightful and poetic, she reveals the psychological and social circumstances that led a "strong" woman, an intelligent and politically active feminist, to become an emotionally dependent, abused wife.
    Not coincidentally, the same year that Strasser finally found the courage to leave her husband, she also reclaimed her creative voice. Newly empowered and energized by this enormous life change, Strasser began writing again after twenty-five silent years dominated by her mother’s illness and death, her own cancer, and her painful, fearful marriage. Black Eye is one of the fruits of this creative reawakening. Strasser’s writing is refreshingly honest and instantly engrossing. Not shy of wretchedness or beauty, Strasser’s story is bitterly personal, ultimately triumphant, and inspiring to all who deal with the adversity that is part of human life.

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Black Moses Cover

Black Moses

The Story of Marcus Garvey and the Universal Negro Improvement Association

E. David Cronon; Foreward by John Hope Franklin

In the early twentieth century, Marcus Garvey sowed the seeds of a new black pride and determination. Attacked by the black intelligentsia and ridiculed by the white press, this Jamaican immigrant astonished all with his black nationalist rhetoric.  In just four years, he built the Universal Negro Improvement Association (UNIA), the largest and most powerful all-black organization the nation had ever seen.  With hundreds of branches, throughout the United States, the UNIA represented Garvey’s greatest accomplishment and, ironically, the source of his public disgrace.  Black Moses brings this controversial figure to life and recovers the significance of his life and work.

“Those who are interested in the revolutionary aspects of the twentieth century in America should not miss Cronon’s book. It makes exciting reading.”—The Nation

“A very readable, factual, and well-documented biography of Marcus Garvey.”—The Crisis, NAACP

“In a short, swiftly moving, penetrating biography, Mr. Cronon has made the first real attempt to narrate the Garvey story. From the Jamaican's traumatic race experiences on the West Indian island to dizzy success and inglorious failure on the mainland, the major outlines are here etched with sympathy, understanding, and insight.”—Mississippi Valley Historical Review (Now the Journal of American History).

“Good reading for all serious history students.”—Jet

“A vivid, detailed, and sound portrait of a man and his dreams.”—Political Science Quarterly

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The Blind African Slave Cover

The Blind African Slave

Memoirs of Boyrereau Brinch, Nicknamed Jeffrey Brace

Jeffrey Brace, as told to Benjamin F. Prentiss, Esq.

The Blind African Slave recounts the life of Jeffrey Brace (né Boyrereau Brinch), who was born in West Africa around 1742. Captured by slave traders at the age of sixteen, Brace was transported to Barbados, where he experienced the shock and trauma of slave-breaking and was sold to a New England ship captain. After fighting as an enslaved sailor for two years in the Seven Years War, Brace was taken to New Haven, Connecticut, and sold into slavery. After several years in New England, Brace enlisted in the Continental Army in hopes of winning his manumission. After five years of military service, he was honorably discharged and was freed from slavery. As a free man, he chose in 1784 to move to Vermont, the first state to make slavery illegal. There, he met and married an African woman, bought a farm, and raised a family. Although literate, he was blind when he decided to publish his life story, which he narrated to a white antislavery lawyer, Benjamin Prentiss, who published it in 1810. Upon his death in 1827, Brace was a well-respected abolitionist. In this first new edition since 1810, Kari J. Winter provides a historical introduction, annotations, and original documents that verify and supplement our knowledge of Brace's life and times.

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The Blood Libel Legend Cover

The Blood Libel Legend

A Casebook in Anti-Semitic Folklore

Alan Dundes

Alan Dundes, in this casebook of an anti-Semitic legend, demonstrates the power of folklore to influence thought and history.  According to the blood libel legend, Jews murdered Christian infants to obtain blood to make matzah.  Dundes has gathered here the work of leading scholars who examine the varied sources and elaborations of the legend.   Collectively, their essays constitute a forceful statement against this false accusation. 
      The legend is traced from the murder of William of Norwich in 1144, one of the first reported cases of ritualized murder attributed to Jews, through nineteenth-century Egyptian reports, Spanish examples, Catholic periodicals, modern English instances,  and twentieth-century American cases.  The essays deal not only with historical cases and surveys of blood libel in different  locales, but also with literary renditions of the legend, including the ballad “Sir Hugh, or, the Jew’s Daughter” and Chaucer’s “The Prioress’s Tale.” 
    These case studies provide a comprehensive view of the complex nature of the blood libel legend.  The concluding section of the volume includes an analysis of the legend that focuses on Christian misunderstanding of the Jewish feast of Purim and the child abuse component of the legend and that attempts to bring psychoanalytic theory to bear on the content of the blood libel legend.  The final essay by Alan Dundes takes a distinctly folkloristic approach, examining the legend as part of the  belief system that Christians developed about Jews.
    This study of the blood libel legend will interest folklorists, scholars of Catholicism and Judaism, and many general readers, for it is both the literature and the history of anti-Semitism.

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Blue Daughter of the Red Sea Cover

Blue Daughter of the Red Sea

A Memoir

Meti Birabiro

    Born into a life of constant financial, physical, and moral threat, Meti Birabiro takes refuge in literature and the fantastic. Blue Daughter of the Red Sea is Birabiro’s poetic account of the harsh reality of her young life spread across three continents. Her voice is a fresh mélange of child and adult perspectives, at once brutally honest and wise beyond her years. Through her journey from Ethiopia to Italy and finally to the United States, we encounter Birabiro’s relatives, friends, and enemies—relationships so intense that these people become her vampires, devils, angels, and saints. These characterizations always lead her back to the truth, helping her to decipher what is fair and good, to understand what she must cherish and what she must rage against.

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Body Blows Cover

Body Blows

Six Performances

Tim Miller

    Hailed for his humor and passion, the internationally acclaimed performance artist Tim Miller has delighted, shocked, and emboldened audiences all over the world. Body Blows gathers six of Miller’s best-known performances that chart the sexual, spiritual, and political topography of his identity as a gay man: Some Golden States, Stretch Marks, My Queer Body, Naked Breath, Fruit Cocktail, and Glory Box. In Body Blows, Tim Miller leaps from the stage to the page, as each performance script is illustrated with striking photographs and accompanied by Miller’s notes and comment.
    This book explores the tangible body blows—taken and given—of Miller’s life and times as explored in his performances: the queer-basher’s blow, the sweet blowing breath of a lover, the below-the-belt blow of HIV/AIDS, the psychic blows from a society that disrespects the humanity of lesbian and gay relationships. Miller’s performances are full of the put-up-your-dukes and stand-your-ground of such day-to-day blows that make up being gay in America

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The Body of the People Cover

The Body of the People

East German Dance since 1945

Jens Richard Giersdorf

The Body of the People is the first comprehensive study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, Jens Richard Giersdorf investigates a national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis.
    Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.

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