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A British Architect in America, 1847-1860
Gervase Wheeler was an English-born architect who designed such important American works as the Henry Boody House in Brunswick, Maine; the Patrick Barry House in Rochester, New York; and the chapels at Bowdoin and Williams colleges. But he was perhaps best known as the author of two influential architecture books, Rural Homes (1851) and Homes for the People (1855). Yet Wheeler has remained a little known, enigmatic figure. Renee Tribert and James F. O'Gorman's study sheds new light on the course of Wheeler's career in the states, and brings crucial issues to the fore--the international movement of ideas, the development of the American architectural profession, the influence of architectural publications on popular taste, and social history as expressed in the changing nature of the American house. Wheeler's career is traced chronologically and geographically and the book is lavishly illustrated with over fifty images, including building plans and historical photographs.
In her wry and riveting new collection, Marianne Boruch discovers things often taken for granted and holds them up to deceptively casual light, questioning them both mercilessly and mercifully. Employing a masterly range of tone and form, Boruch makes a sometimes strange but always revealing investigation of world and self, history and memory, resistance and release. Here a woman levitates behind a door as her daughter badly bangs out Mozart. Here God is caught before the moment of creation, before knowledge, before "the invention/ of the question too, the way all/ at heart are rhetorical, each leaf/ suddenly wedded to its shade." It's here raucous boys on their bikes are told--through telepathy--don't go to this war. Here, that a Dutch still life is returned to the small chaos of its making. And Eve, in "stained fascination," stares down the snake of the lost garden. The lyric impulse in these deeply interior poems stops time, even as the world, indifferent to its mystery, keeps happening.
Praise for Marianne Boruch:
"Her poems are complex rather than simple rooms ... they bring the world's strangeness, and their own, home to whatever reader is open to old mysteries, both in dreams and in the waking life they illuminate."--Philip Booth, The Georgia Review
"Marianne Boruch's (work) has the wonderful, commanding power of true attention: She sees and considers with intensity. Her poems often give fresh examples of how rare and thrilling it can be to notice."--Robert Pinsky, Book World, The Washington Post
"Every detail of image and syntax shines with multiplicity."--Donald Revell, The Ohio Review
The Rio Grande in North American History. Vol. 1, Indians and Spain. Vol. 2, Mexico and the United States. 2 vols. in one
Winner of both the Pulitzer Prize and Bancroft Prize for History, Great River was hailed as a literary masterpiece and enduring classic when it first appeared in 1954. It is an epic history of four civilizations--Native American, Spanish, Mexican, and Anglo-American--that people the Southwest through ten centuries. With the skill of a novelist, the veracity of a scholar, and the love of a long-time resident, Paul Horgan describes the Rio Grande, its role in human history, and the overlapping cultures that have grown up alongside it or entered into conflict over the land it traverses. Now in its fourth revised edition, Great River remains a monumental part of American historical writing.
Ecology and Science Fiction
Contemporary visions of the future have been shaped by hopes and fears about the effects of human technology and global capitalism on the natural world. In an era of climate change, mass extinction, and oil shortage, such visions have become increasingly catastrophic, even apocalyptic. Exploring the close relationship between science fiction, ecology, and environmentalism, the essays in Green Planets consider how science fiction writers have been working through this crisis. Beginning with H. G. Wells and passing through major twentieth-century writers like Ursula K. Le Guin, Stanislaw Lem, and Thomas Disch to contemporary authors like Margaret Atwood, China Miéville, and Paolo Bacigalupi—as well as recent blockbuster films like Avatar and District 9—the essays in Green Planets consider the important place for science fiction in a culture that now seems to have a very uncertain future. The book includes an extended interview with Kim Stanley Robinson and an annotated list for further exploration of “ecological SF” and related works of fiction, nonfiction, films, television, comics, children’s cartoons, anime, video games, music, and more.
Contributors include Christina Alt, Brent Bellamy, Sabine Höhler, Adeline Johns-Putra, Melody Jue, Rob Latham, Andrew Milner, Timothy Morton, Eric C. Otto, Michael Page, Christopher Palmer, Gib Prettyman, Elzette Steenkamp, Imre Szeman.
Writing in the Expanded Field, 1982?1998
Lyn Hejinian and Barrett Watten are internationally recognized poet/critics. Together they edited the highly influential Poetics Journal, whose ten issues, published between 1982 and 1998, contributed to the surge of interest in the practice of poetics. A Guide to Poetics Journal presents the major conversations and debates from the journal, and invites readers to expand on the critical and creative engagements they represent.
In making their selections for the guide, the editors have sought to showcase a range of innovative poetics and to indicate the diversity of fields and activities with which they might be engaged. The introduction and headnotes by the editors provide historical and thematic context for the articles. The Guide is intended to be of sustained creative and classroom use, while the companion Archive of all ten issues of Poetics Journal allows users to remix, remaster, and extend its practices and debates.
The Half-Inch Himalayas is a stellar collection of early work by the poet Agha Shahid Ali (1949-2001). His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.
"If you must read a book on Columbus," declared the Los Angeles Times in its review of The Heirs of Columbus, "this is the one." Gerald Vizenor's novel reclaims the story of Chrisopher Columbus on behalf of Native Americans by declaring the explorer himself to be a descendent of early Mayans and follows the adventures of his modern-day, mixedblood heirs as they create a fantastic tribal nation.
The genetic heirs of Christopher Columbus meet annually at the Stone Tavern at the headwaters of the Mississippi to remember their "stories in the blood" and plan their tribal nation. They are inspired by the late-night talk radio discourses of Stone Columbus, a trickster healer who became rich as the captain of the sovereign bingo barge Santa Maria Casino, anchored in the international waters of the Lake of the Woods. The heirs' plan to reclaim their heritage enrages the government and inspires the tribal nations in a comic tale of mythic proportions.
Vizenor is a mixedblood Chippewa who writes fiction in the trickster mode of Native American tradition, using humor to challenge received ideas and subvert the status quo. In The Heirs of Columbus he "reveals not only how Indians have staved off the tidal wave of assimilation," noted the San Francisco Chronicle, "but also how, through humor and persistence, they sometimes reverse the direction of cultural appropriation and, in the process, transform the alien values imposed on them."
"Vizenor understands the wilder, irrational, half-mad parts of the Discoverer's soul as few people ever have," noted Kirkpatrick Sale in the Nation; "Columbus is appropriated here in an entirely new way, made to be an Indian in service to his Indian descendents." And the Voice Literary Supplement said "Even more rousing than Vizenor's deconstruction of Columbus, though, is his alternative vision of an American identity."
In Every Variety of Architectural Style
Henry Austin's (1804-1891) works receive consideration in books on nineteenth-century architecture, yet no book has focused scholarly attention on his primary achievements in New Haven, Connecticut, in Portland, Maine, and elsewhere. Austin was most active during the antebellum era, designing exotic buildings that have captured the imaginations of many for decades. James F. O'Gorman deftly documents Austin's work during the 1840s and '50s, the time when Austin was most productive and creative, and for which a wealth of material exists. The book is organized according to various building types: domestic, ecclesiastic, public, and commercial. O'Gorman helps to clarify what buildings should be attributed to the architect and comments on the various styles that went into his eclectic designs. Henry Austin is lavishly illustrated with 132 illustrations, including 32 in full color. Three extensive appendices provide valuable information on Austin's books, drawings, and his office.
Exploring Fantasy Maps and Settings
Fantasy worlds are never mere backdrops. They are an integral part of the work, and refuse to remain separate from other elements. These worlds combine landscape with narrative logic by incorporating alternative rules about cause and effect or physical transformation. They become actors in the drama--interacting with the characters, offering assistance or hindrance, and making ethical demands. In Here Be Dragons, Stefan Ekman provides a wide-ranging survey of the ubiquitous fantasy map as the point of departure for an in-depth discussion of what such maps can tell us about what is important in the fictional worlds and the stories that take place there. With particular focus on J. R. R. Tolkien's The Lord of the Rings, Ekman shows how fantasy settings deserve serious attention from both readers and critics. Includes insightful readings of works by Steven Brust, Garth Nix, Robert Holdstock, Terry Pratchett, Charles de Lint, China Mieville, Patricia McKillip, Tim Powers, Lisa Goldstein, Steven R. Donaldson, Robert Jordan, and Neil Gaiman and Charles Vess.