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Wayne State University Press

Wayne State University Press

Website: http://wsupress.wayne.edu/

Wayne State University Press is a distinctive urban publisher committed to supporting its parent institution’s core research, teaching, and service mission by generating high quality scholarly and general interest works of global importance. Through its publishing program, the Press disseminates research, advances education, and serves the local community while expanding the international reputation of the Press and the University. The areas in which the Press is most active are reflected in its book series: African American Life Series, Contemporary Approaches to Film and Media studies, Great Lakes Books, Made in Michigan Writers Series, Raphael Patai Series in Jewish Folklore and Anthropology, Series in Fairy-Tale Studies, TV Milestone series, and the William Beaumont Hospital Series in Speech and Language Pathology. The Press also has active lists in Jewish studies, classical studies, and Urban and regional studies.


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Wayne State University Press

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A Fire Burns in Kotsk Cover

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A Fire Burns in Kotsk

A Tale of Hasidism in the Kingdom of Poland

Menashe Unger Translated by Jonathan Boyarin Introduction by Glenn Dynner

Half a century after Hasidism blossomed in Eastern Europe, its members were making deep inroads into the institutional structure of Polish Jewish communities, but some devotees believed that the movement had drifted away from its revolutionary ideals. Menashe Unger’s A Fire Burns in Kotsk dramatizes this moment of division among Polish Hasidim in a historical account that reads like a novel, though the book was never billed as such. Originally published in Buenos Aires in 1949 and translated for the first time from Yiddish by Jonathan Boyarin, this volume captures an important period in the evolution of the Hasidic movement, and is itself a missing link to Hasidic oral traditions. A non-observant journalist who had grown up as the son of a prominent Hasidic rabbi, Unger incorporates stories that were told by his family into his historical account. A Fire Burns in Kotsk begins with a threat to the new, rebellious movement within Hasidism known as “the school of Pshiskhe,” led by the good-humored Reb Simkhe Bunim. When Bunim is succeeded by the fiery and forbidding Rebbe of Kotsk, Menachem Mendl Morgenstern, the new leader’s disdain for the vast majority of his followers will lead to a crisis in his court. Around this core narrative of reform and crisis in Hasidic leadership, Unger offers a rich account of the everyday Hasidic court life—filled with plenty of alcohol, stolen geese, and wives pleading with their husbands to come back home. Unger’s volume reflects a period when Eastern European Jewish immigrants enjoyed reading about Hasidic culture in Yiddish articles and books, even as they themselves were rapidly assimilating into American culture. Historians of literature, Polish culture, and Jewish studies will welcome this lively translation.

The Flip Wilson Show Cover

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The Flip Wilson Show

Meghan Sutherland

Analyzes the social, political, and institutional context of The Flip Wilson Show, which ran on NBC between 1970 and 1974.

Folk Music in the United States Cover

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Folk Music in the United States

An Introduction

by Bruno Netti Third Edition, Revised and Expanded by Helen Myers

Folding a River, a collection of elegies, shows a pleasing range of free-verse forms that develop themes sustained throughout: loss, exile, myth, landscape. Kawita Kandpal’s poems are explorations of East–West cultures, taking her into an emo-mythic place not to be found on any map. Kandpal’s mood in Folding a River is melancholy, articulated with intelligence and grace, and her phrasing can rise to the level of proverb: “This time next year you will have evolved into an idea.” In its personal evocations of geographical and linguistic exile from the subcontinent, centered on a lost father, her work recalls that of Li-Young Lee, yet with a feminine perspective often haunting in its own right: “tenderly / taking back the mistakes of men.”

Foreign Words Cover

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Foreign Words

Translator-Authors in the Age of Goethe

Susan Bernofsky

The turn of the nineteenth century was a particularly fertile period in the history of translation theory and practice. With an unprecedented number of works being carefully translated and scrutinized, this era saw a definite shift in the dominant mode of translation. Many translators began attempting, for the first time, to communicate the formal characteristics, linguistic features, and cultural contexts of the original text while minimizing the paraphrasing that distorted most eighteenth-century translations. As soon as these new rules became the norm, authorial translators—defined not by virtue of being authors in their own right but by the liberties they took in their translations—emerged to challenge them, altering translated texts in such a way as to bring them into line with the artistic and thematic concerns displayed in the translators’ own “original” work. In the process, authorial translators implicitly declared translation an art form and explicitly incorporated it into their theoretical programs for the poetic arts. Foreign Words provides a detailed account of translation practice and theory throughout the eighteenth and early nineteenth centuries, linking the work of actual translators to the theories of translation articulated by Goethe, Wilhelm von Humboldt, and, above all, Friedrich Schleiermacher. Employing a variety of critical approaches, author Susan Bernofsky discusses in depth the work of Kleist, Hölderlin, and Goethe, whose virtuoso translations raise issues that serve to delineate a theory of translation that has relevance at the turn of the twenty-first century as well. Combining a broad historical approach with individual readings of the work of several different translators, Foreign Words paints a full picture of translation during the Age of Goethe and provides all scholars of translation theory with an important new perspective.

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Framework: The Journal of Cinema and Media

Vol. 47 (2006) through current issue

Framework: The Journal of Cinema and Media is an international journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal's multicultural coverage and interdisciplinary focus and the high caliber of its writers contribute to important interconnections between regional cinemas, practioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives and contains commissioned and unsolicited articles, interviews, and reviews that provide an eclectic and informative study of contemporary cultures relating to all aspects of cinema and media studies.

Frankfurt on the Hudson Cover

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Frankfurt on the Hudson

The German Jewish Community of Washington Heights, 1933-82, Its Structure and Culture

Steven M. Lowenstein

The 20,000 German Jews who fled Hitler's Germany and settled in Washington Heights were unusual in many ways. They preserved their Jewish identity while fostering a culture that was still heavily German—a difficult combination in light of their origins. In his study of this immigrant group, Steven Lowenstein strives for more that a chronicle of their institutions and leaders. He analyzes both the social structure of the community and the folk culture of the immigrants. He deals with such issues as the formal nature of German Jewish cultural style, the relationships between the generations, and intergroup relations. Using organizational bulletins, surveys, interviews, and personal observations and anecdotes, Lowenstein paints a picture of a unique lifestyle now in the process of merging into American Jewry and disappearing.

The French Canadians of Michigan Cover

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The French Canadians of Michigan

Their Contribution to the Development of the Saginaw Valley and the Keweenaw Peninsula, 1840-1914

Jean Lamarre

Most information regarding the French Canadians in Michigan concerns those who settled during the French period. However, another significant migration occurred during the industrial period of the nineteenth century, when many French Canadians settled in the Saginaw Valley and on the Keweenaw Peninsula—two regions characteristic of Michigan’s economic development in the nineteenth century. The lumber industry of the Saginaw Valley and the copper mines of the Keweenaw Peninsula provided very different challenges to French Canadian settlers as they tried to find ways to adapt to changing environments and industrial realities. The French Canadians of Michigan looks at the factors behind the French Canadian immigration by providing a statistical profile of the migratory movement as well as analysis of the strategies used by French Canadians to cope with and adapt to new environments. Using federal manuscript censuses, parochial archives, and government reports, Jean Lamarre closely examines who the immigrants were, the causes of their migration, their social and geographical itinerary, and the reasons they chose Michigan as their destination. Besides comparing the different settlements in the Saginaw Valley and the Keweenaw Peninsula, Lamarre also compares the Michigan French Canadians to the French Canadians who settled in New England during the same period. This book is a major contribution to the study of the French Canadian migration to the Midwest and will be valuable to researchers of both Michigan and French Canadian history.

Friends, Families & Forays Cover

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Friends, Families & Forays

Scenes from the Life and Times of Henry Ford

Ford R. Bryan

The 55 chapters of Friends, Families & Forays are bursting with details about the people and the pursuits that colored the life of Henry Ford. Here the reader will meet prominent and diverse figures such as Thomas Edison, John Borroughs, George Washington Carver, Helen Keller, and Mahatma Gandhi—all of whose lives intersected that of Henry Ford at some interesting point in his life. Also brought to life in these pages are the branches of Ford's family tree, from his Irish ancestors to the descendants who carry his legacy today. Although it was the automobile that made him an industrial icon, Henry Ford could boast of exploits in many other arenas as well: railroads, speedboats, robots, flour mills, rubber plantations, and humanitarian efforts around the world and in his own backyard. Ford's hard work and passionate interests brought him great wealth , and this book provides a peek at the luxuries he and his wife, Clara, enjoyed, from a yacht and a private rail car, to gracious residences in Michigan, Florida, and Georgia.

From Bourgeois to Boojie Cover

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From Bourgeois to Boojie

Black Middle-Class Performances

Edited by Vershawn Ashanti Young with Bridget Harris Tsemo

Examines how generations of African Americans perceive, proclaim, and name the combined performance of race and class across genres.

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