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In the three decades between 1920 and 1950, the Detroit Tigers won four American League pennants, the first world championship in team history in 1935, and a second world crown ten years later. Star players of this era—including Ty Cobb, Harry Heilmann, Charlie Gehringer, Hank Greenberg, Mickey Cochrane, George Kell, and Hal Newhouser—represent the majority of Tigers players inducted into the Hall of Fame. Sports writers followed the team feverishly, and fans packed Navin Field (later Briggs Stadium) to cheer on the high-flying Tigers, with the first record season attendance of one million recorded in 1924 and surpassed eight more times before 1950. In The Glory Years of the Detroit Tigers: 1920–1950, author William M. Anderson combines historical narrative and photographs of these years to argue that these years were the greatest in the history of the franchise. Anderson presents over 350 unique and lively images, mostly culled from the remarkable Detroit News archive, that showcase players’ personalities as well as their exploits on the field. For their meticulous coverage and colorful style, Anderson consults Tigers reporting from the three daily Detroit newspapers of the era (the Detroit News, Detroit Free Press, and Detroit Times) and the Sporting News, which was known then as the “Baseball Bible.” Some especially compelling columns are reproduced intact to give readers a feel for the exciting and careful reporting of these years. Anderson combines historical text with photos in six topical chapters: “Spring Training: When Dreams are Entertained,” “Franchise Stars,” “The Supporting Cast,” “Moments of Glory and Notable Games,” “The War Years,” and “The Old Ballpark: Where Legends and Memories Were Made.” Anderson presents sketches of many fine players who have been overlooked in other histories and visits characters who often acted in strange ways: Dizzy Trout, Gee Walker, Elwood “Boots” “The Baron” Poffenbeger, and Louis “Bobo” “Buck” Newsom. Tigers fans and anyone interested in local sports culture will enjoy this comprehensive and compelling look into the glory years of Tigers history.
From Prague to Post-Holocaust Fiction
First mentioned in the Book of Psalms in the Hebrew Bible, the golem is a character in an astonishing number of post-Holocaust Jewish-American novels and has served as inspiration for such varied figures as Mary Shelley’s monster in her novel Frankenstein, a frightening character in the television series The X-Files, and comic book figures such as Superman and the Hulk. In The Golem Redux: From Prague to Post-Holocaust Fiction, author Elizabeth R. Baer introduces readers to these varied representations of the golem and traces the history of the golem legend across modern pre- and post-Holocaust culture. In five chapters, The Golem Redux examines the different purposes for which the golem has been used in literature and what makes the golem the ultimate text and intertext for modern Jewish writers. Baer begins by introducing several early manifestations of the golem legend, including texts from the third and fourth centuries and from the medieval period; Prague’s golem legend, which is attributed to the Maharal, Rabbi Judah Loew; the history of the Josefov, the Jewish ghetto in Prague, the site of the golem legend; and versions of the legend by Yudl Rosenberg and Chayim Bloch, which informed and influenced modern intertexts. In the chapters that follow, Baer traces the golem first in pre-Holocaust Austrian and German literature and film and later in post-Holocaust American literature and popular culture, arguing that the golem has been deployed very differently in these two contexts. Where prewar German and Austrian contexts used the golem as a signifier of Jewish otherness to underscore growing anti-Semitic cultural feelings, post-Holocaust American texts use the golem to depict the historical tragedy of the Holocaust and to imagine alternatives to it. In this section, Baer explores traditional retellings by Isaac Bashevis Singer and Elie Wiesel, the considerable legacy of the golem in comics, Michael Chabon’s The Amazing Adventures of Kavalier and Clay, and, finally, “Golems to the Rescue” in twentieth- and twenty-first-century works of film and literature, including those by Cynthia Ozick, Thane Rosenbaum, and Daniel Handler. By placing the Holocaust at the center of her discussion, Baer illustrates how the golem works as a self-conscious intertextual character who affirms the value of imagination and story in Jewish tradition. Students and teachers of Jewish literature and cultural history, film studies, and graphic novels will appreciate Baer’s pioneering and thought-provoking volume.
Some Fascinating Gifts to Henry Ford and His Museum
Henry's Attic provides fascinating documentation of some of the one million artifacts in the Henry Ford Museum and Greenfield Village. The items represent both Henry Ford's passion for collecting Americana and the astonishing array of gifts—some of great historic value and others of a distinctly homegrown variety—that account for almost half of the museum's collections. It was the quantity of these gifts and the unusual and even unique nature of many of them that provided the inspiration for this book. Henry Ford Museum and Greenfield Village, which Ford established in Dearborn, Michigan in the late 1920s, was intended to recreate the slow-paced, rural character of America before the advent of the automobile. The purchases he made and the gifts he was given reflect his desire to document and preserve the lifeways of common people and to emphasize middle-class rural history, as represented by the tools of agriculture, industry, and transportation.
Originally published in 1977 and long out of print, Maurice Yacowar’s Hitchcock’s British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock’s “mature” period in Hollywood, from the late 1940s to the early 1960s, represented the director’s best work. In this traditional auteurist examination of Hitchcock’s early work, author Maurice Yacowar considers Hitchcock’s British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films’ verbal effects. Yacowar’s readings remain compelling more than thirty years after they were written, and some—on Downhill, Champagne, and Waltzes from Vienna—are among the few extended interpretations of these films that exist. Alongside important works such as Murder!, the first The Man Who Knew Too Much, Secret Agent, The Lady Vanishes, and Blackmail, readers will appreciate Yacowar’s equal attention to lesser-known films like The Pleasure Garden, The Ring, and The Manxman. Yacowar dissects Hitchcock’s precise staging and technical production to draw out ethical themes and metaphysical meanings of each film, while keeping a close eye on the source material, such as novels and plays, that Hitchcock used as the inspiration for many of his screenplays. Yacowar concludes with an overview of Hitchcock as auteur and an appendix identifying the director’s appearances in these films. A foreword by Barry Keith Grant and a preface to the second edition from Yacowar complete this comprehensive volume. Anyone interested in Hitchcock, classic British cinema, or the history of film will appreciate Yacowar’s accessible and often witty exploration of the director’s early work.
Copper Mining and Community Building on Lake Superior, 1840s-1990s
In Hollowed Ground, author Larry Lankton tells the story of two copper industries on Lake Superior—native copper mining, which produced about 11 billion pounds of the metal from the 1840s until the late 1960s, and copper sulfide mining, which began in the 1950s and produced another 4.4 billion pounds of copper through the 1990s. In addition to documenting companies and their mines, mills, and smelters, Hollowed Ground is also a community study. It examines the region’s population and ethnic mix, which was a direct result of the mining industry, and the companies’ paternalistic involvement in community building. While this book covers the history of the entire Lake Superior mining industry, it particularly focuses on the three biggest, most important, and longest-lived companies: Calumet & Hecla, Copper Range, and Quincy. Lankton shows the extent of the companies’ influence over their mining locations, as they constructed the houses and neighborhoods of their company towns, set the course of local schools, saw that churches got land to build on, encouraged the growth of commercial villages on the margin of a mine, and even provided pasturage for workers’ milk cows and space for vegetable gardens. Lankton also traces the interconnected fortunes of the mining communities and their companies through times of bustling economic growth and periods of decline and closure. Hollowed Ground presents a wealth of images from Upper Michigan’s mining towns, reflecting a century and a half of unique community and industrial history. Local historians, industrial historians, and anyone interested in the history of Michigan’s Upper Peninsula will appreciate this informative volume.