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The Legacy of Krzysztof Kieślowski
Polish filmmaker Krzysztof Kie?lowski died unexpectedly in March 1996 at precisely the moment he had reached the height of his career and gained a global audience for his work with the Three Colors trilogy (1993–94). Since his death he has been hailed as one of the greatest and most influential directors of all time, elevated to the elite of world cinema alongside Jean Renoir, Robert Bresson, Federico Fellini, Yasujiro Ozu, Max Ophüls, and Andrei Tarkovsky. In After Kie?lowski, leading contributors diverge from the typical analysis of Kie?lowski’s work to focus on his legacy in films made after his death, including those based on his scripts and ideas and those made entirely by other filmmakers. Kie?lowski’s rich legacy is rooted in not only a very significant body of early work made before his breakthrough films but another trilogy of films that he had been working on prior to his death, several of which have gone on to be produced. Furthermore, actors and assistant directors involved with Kie?lowski also made films that develop his earlier, incomplete projects or that derive thematically and stylistically from his work. After Kie?lowski considers Kie?lowski’s legacy from three broad perspectives—the Polish, the European, and the global. Contributors trace his direct influence on filmmakers in Poland and Europe, including Jerzy Stuhr, Krzysztof Zanussi, Emmanel Finkiel, Julie Bertucelli, and Tom Tykwer, as well as points of thematic coincidence between his work and that of Jean-Luc Godard, P. T. Anderson, David Lynch, Michael Haneke, Abbas Kiarostami, and Paul Haggis. This collection also traces the reemergence of Kie?lowski’s unique visual signature in films by Ridley Scott, Santosh Sivan, John Sayles, and Julian Schnabel, and his highly original use of television serial-narrative form that is echoed in at least two major American television series, HBO’s Six Feet Under and ABC’s Lost. Examining Kie?lowski’s legacy is a way of thinking both about the unique features of Kie?lowski’s work and about issues that are now at the heart of contemporary filmmaking. Film scholars and students will appreciate this groundbreaking volume.
The full-length debut from francine j. harris, allegiance is about Detroit, sort of. Although many of the poems are inspired by and dwell in the spaces of the city, this collection does not revel in any of the cliché cultural tropes normally associated with Detroit. Instead, these poems artfully explore life in a city where order coexists with chaos and much is lost in social and physical breakdown. Narrative poems on the hazards, betrayals, and annoyances of city life mix with impressionistic poems that evoke the natural world, as harris grapples with issues of beauty and horror, loyalty and individuality, and memory and loss on Detroit’s complicated canvas. In twelve sections, harris introduces readers to loungers and bystanders, prisoners’ wives, poets pictured on book jackets, Caravaggio’s Jesus, and city priests. She leads readers past the lone house on the block that cannot be walked down, through layers of discarded objects in the high school yard, and into various classrooms, bars, and living rooms. Shorter poems highlight the persistence of nature—in water, weeds, orchids, begonias, insects, pigeons, and pheasants. Some poems convey a sense of the underbelly, desire, and disgust while others treat issues of religion, both in institutional settings and personal prayers. In her honest but unsentimental voice, harris layers personal history and rich details to explore how our surroundings shape our selves and what allegiance we owe them when they have turn almost everything to ashes. Throughout allegiance, harris presents herself as an extraordinarily perceptive poet with a compelling and original voice. Poetry lovers will appreciate this exciting debut collection.
A Michigan Soldier’s Civil War Journal
Though many Union soldiers wrote about their experiences in the American Civil War, few had the vantage point of William Horton Kimball, a member of the First Michigan Engineers and Mechanics. As a military engineer, Kimball spent most of his time behind the major lines of conflict and often worked among civilians who sympathized with the enemy. In Among the Enemy: A Michigan Soldier's Civil War Journal, author Mark Hoffman presents Kimball's journal as a unique window into wartime experience. Kimball was a prolific writer, and his journal is full of detailed accounts of expeditions into a hostile countryside, the bitter war against guerillas, and of the civilians caught in the middle of a traditional war waged with nontraditional means. He comments freely and openly on the strengths and weaknesses of his officers and comrades caught up in the same war. At the same time, Kimball provides moving accounts of when the Engineers were thrown into the line of battle at Perryville and Lavergne and proved themselves as soldiers capable of traditional combat. Through Kimball's account, readers can chart the important evolution of Union war policy regarding occupied populations, as well as how the American views of warfare broke down when combat moved from battlefield to countryside and soldiers in the rear became important targets for enemy action. Civil War historian Mark Hoffman introduces Kimball's writings and provides some background on Kimball's life as a soldier. He accompanies the journal entries with illustrations and maps. Kimball's account reminds readers that there was a time when Americans who honored the same founders and national holidays were seeking to kill each other in a bitter war behind the lines of traditional armies. Readers interested in military history and the Civil War will enjoy the inside perspective of Among the Enemy.
A Quaternary and Recent Faunal Adventure
With its temperate climate and variety of habitats, Michigan supports a diverse array of animals and plants, including fifty-four species of amphibians and reptiles. The dispersal and biology of the Michigan herpetofauna—amphibians and reptiles—is even more unique because Michigan consists of two peninsulas that project into large freshwater seas and also because it was completely covered by a massive ice sheet a relatively short time ago. In The Amphibians and Reptiles of Michigan: A Quaternary and Recent Faunal Adventure, author J. Alan Holman explores the state’s amphibians and reptiles in detail and with many helpful illustrations, making this the only volume of its kind available. Holman uniquely bridges the gap between neo- and paleoherpetology and shows that Michigan’s modern herpetofaunas reflect Pleistocene (ice age) and Holocene (warm period after the ice age) events, as the entire modern population was forced to re-invade the state after the last withdrawal of ice. In Part 1, Holman discusses Michigan as an amphibian and reptile habitat, including a geological, climatic, and vegetational history. Part 2 presents recent species accounts, covering all fifty-four species of amphibians and reptiles, along with their general distribution, Michigan distribution (with range maps), geographic variation, habitat and habits, reproduction and growth, diet, predation and defense, interaction with humans, behavioral characteristics, population health, and general remarks. In Part 3, Holman examines the Michigan herpetofauna in Quaternary and recent historical times and the species accounts include Pleistocene, Holocene, and archaeological records. Color photographs of major herpetological habitats in Michigan are provided and color photographs of all modern species are included. Black-and-white illustrations depict both modern and ancient speicies. Herpetologists, paleontologists, zoologists, ecologists, and general biologists, as well as anyone who loves salamanders, frogs, turtles, and snakes will appreciate the comprehensive research presented in The Amphibians and Reptiles of Michigan.
A Child’s Memoir
Born in Amsterdam in 1935, Suzanne Mehler Whiteley saw the ravages of war through a child's eyes. Her memoir, written in the voice of a young girl, describes the years before the invasion of Holland, her experiences during the German occupation, her time spent in the Bergen-Belsen concentration camp, and her childhood afterward in Europe and then the United States. Appel Is Forever describes in a child's words atrocities that should never be seen by anyone. Through young Suzanne's introspection, readers are invited to see beyond the history of events to their deeper meaning. We come to see how the miracle of having survived opens a child up to the potential for playfulness and even happiness, while a young girl's observations of coming to her new country remind us of both the promises and hardships of the American dream.