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Black Heroism in the Transatlantic Imagination
Across the centuries, the acts and arts of black heroism have inspired a provocative, experimental, and self-reflexive intellectual, political, and aesthetic tradition. In Characters of Blood, Celeste-Marie Bernier illuminates the ways in which six iconic men and women—Toussaint Louverture, Nathaniel Turner, Sengbe Pieh, Sojourner Truth, Frederick Douglass, and Harriet Tubman—challenged the dominant conceptualizations of their histories and played a key role in the construction of an alternative visual and textual archive.
While these figures have survived as symbolic touchstones, Bernier contends that scholars have yet to do justice to their complex bodies of work or their multifaceted lives. Adopting a comparative and transatlantic approach to her subjects’ remarkable life stories, the author analyzes a wealth of creative work—from literature, drama, and art to public monuments, religious tracts, and historical narratives—to show how it represents enslaved heroism throughout the United States, Africa, and the Caribbean. In mapping this black diasporic tradition of resistance, Bernier intends not only to reveal the limitations and distortions on record but also to complicate the definitions of black heroism that have been restricted by ideological boundaries between heroic and anti-heroic sites and sights of struggle.
History, Politics, and Land Ownership in Northern Ghana
In his new book, the eminent anthropologist Wyatt MacGaffey provides an ethnographically enriched history of Dagbon from the fifteenth century to the present, setting that history in the context of the regional resources and political culture of northern Ghana. Chiefs, Priests, and Praise-Singers shows how the history commonly assumed by scholars has been shaped by the prejudices of colonial anthropology, the needs of British indirect rule, and local political agency. The book demonstrates, too, how political agency has shaped the kinship system. MacGaffey traces the evolution of chieftaincy as the sources of power changed and as land ceased to be simply the living space of the dependents of a chief and became a commodity and a resource for development. The internal violence in Dagbon that has been a topic of national and international concern since 2002 is shown to be a product of the interwoven values of tradition, modern Ghanaian politics, modern education, and economic opportunism.
Within the familiar clash of religious conservatism and secular liberalism Paul Maltby finds a deeper discord: an antipathy between Christian fundamentalism and the postmodern culture of disenchantment. Arguing that each camp represents the poles of America's virulent culture wars, he shows how the cultural identity, lifestyle, and political commitments of many Americans match either the fundamentalist profile of one who cleaves to metaphysical and authoritarian beliefs or the postmodern profile of one who is disposed to critical inquiry and radical-democratic values.
Maltby offers a critique that operates in both directions. His use of the resources of postmodern theory to contest fundamentalism's doctrinal claims, ultra-right politics, anti-environmentalism, and conservative aesthetics informs his engagement with contemporary fundamentalist painting, spiritual warfare fiction, dominionist attitudes to nature, and a profoundly undemocratic interpretation of Christianity. At the same time, Maltby identifies some of fundamentalism’s legitimate spiritual concerns, assesses the cost of perpetual critique, and exposes the deficit of spiritual meaning that haunts the culture of disenchantment.
Politics and the Creation of the American Union, 1774-1804
Most Americans believe that the ratification of the Constitution in 1788 marked the settlement of post-Revolutionary disputes over the meanings of rights, democracy, and sovereignty in the new nation. In The Citizenship Revolution, Douglas Bradburn undercuts this view by showing that the Union, not the Nation, was the most important product of independence.
The Paradox of Respectability in Black Women's Literature
The "black family" in the United States and the Caribbean often holds contradictory and competing meanings in public discourse: on the one hand, it is a site of love, strength, and support; on the other hand, it is a site of pathology, brokenness, and dysfunction that has frequently called forth an emphasis on conventional respectability if stability and social approval are to be achieved. Looking at the ways in which contemporary African American and black Caribbean women writers conceptualize the black family, Susana Morris finds a discernible tradition that challenges the politics of respectability by arguing that it obfuscates the problematic nature of conventional understandings of family and has damaging effects as a survival strategy for blacks.
The author draws on African American studies, black feminist theory, cultural studies, and women’s studies to examine the work of Paule Marshall, Jamaica Kincaid, Edwidge Danticat, and Sapphire, showing how their novels engage the connection between respectability and ambivalence. These writers advocate instead for a transgressive understanding of affinity and propose an ethic of community support and accountability that calls for mutual affection, affirmation, loyalty, and respect. At the core of these transgressive family systems, Morris reveals, is a connection to African diasporic cultural rites such as dance, storytelling, and music that help the fictional characters to establish familial connections.
Racial Coalitions and Political Power in Oakland
The Color of Power is a fascinating examination of the changing politics of race in Oakland, California. Oakland has been at the forefront of California’s multicultural changes for decades. Since the 1960s, the city has been a shining example of a fruitful liberal black-and-white political partnership and the successful incorporation of black politicians into the political landscape. But over the past forty years, the balance of power has changed as a consequence of dramatic demographic trends and economic circumstances. The city’s formerly dominant biracial political machine has been challenged by the demands of new multiracial interests.
The city, once governed by a succession of black mayors and majority black city councils, must now accommodate rapidly growing Asian and Latino communities. While the black-led coalition still relies on white progressive support, this alliance has weakened due to a shift in the progressives’ agenda and the voting habits of the black community, the rise of a Hispanic-Asian coalition, and a strong demographic decline of the African-American population. With similar demographic changes taking place across the nation, Oakland’s experience provides insight into the multiracial future of other American cities.
The Color of Power investigates Oakland’s contemporary racial politics with a detailed study of conflicts over issues like education, elections and political representation, and crime. Trained as a journalist, a political scientist, and a geographer, the author provides a unique perspective supported by numerous maps and extensive interviews.
Federalist Intellectuals and the Shaping of an American Culture, 1800-1828
In Coming to Terms with Democracy, Marshall Foletta contends that by calling for a new American literature in their journal, the second-generation Federalists helped American readers break free from imported neo-classical standards, thus paving the way for the American Renaissance. Despite their failure to reconstitute in the cultural sphere their fathers' lost political prominence, Foletta concludes that the original contributors to the North American Review were enormously influential both in the creation of the role of the American public intellectual, and in the development of a vision for the American university that most historians place in a much later period. They have earned a prominent place in the history of American literature, magazines and journals, law and legal education, institutional reform, and the cultural history of New England.
Bridging Socio-Ecological Research and Practice
The debate over the value of community-based environmental collaboration is one that dominates current discussions of the management of public lands and other resources. In Community-Based Collaboration: Bridging Socio-Ecological Research and Practice, the volume’s contributors offer an in-depth interdisciplinary exploration of what attracts people to this collaborative mode. The authors address the new institutional roles adopted by community-based collaborators and their interaction with existing governance institutions in order to achieve more holistic solutions to complex environmental challenges.
Modernism, American Literary Studies, and the Problem of Culture
The term "culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposed—cultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalism—are in fact engaged in common debate and proceed from shared arguments about culture and form.
Nationalism, Symbolism, and the Imagined South in the Civil War
Nationalism in nineteenth-century America operated through a collection of symbols, signifiers citizens could invest with meaning and understanding. In Confederate Visions, Ian Binnington examines the roots of Confederate nationalism by analyzing some of its most important symbols: Confederate constitutions, treasury notes, wartime literature, and the role of the military in symbolizing the Confederate nation.
Nationalisms tend to construct glorified pasts, idyllic pictures of national strength, honor, and unity, based on visions of what should have been rather than what actually was. Binnington considers the ways in which the Confederacy was imagined by antebellum Southerners employing intertwined mythic concepts—the "Worthy Southron," the "Demon Yankee," the "Silent Slave"—and a sense of shared history that constituted a distinctive Confederate Americanism. The Worthy Southron, the constructed Confederate self, was imagined as a champion of liberty, counterposed to the Demon Yankee other, a fanatical abolitionist and enemy of Liberty. The Silent Slave was a companion to the vocal Confederate self, loyal and trusting, reliable and honest.
The creation of American national identity was fraught with struggle, political conflict, and bloody Civil War. Confederate Visions examines literature, newspapers and periodicals, visual imagery, and formal state documents to explore the origins and development of wartime Confederate nationalism.