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University of Virginia Press

University of Virginia Press

Website: www.upress.virginia.edu

University of Virginia Press is a scholarly, non-profit publisher of books and digital editions. The Press's editorial program focuses primarily on the humanities and social sciences, with concentrations in American history; African American studies; Southern studies; political science; literary and cultural studies; Victorian studies; religious studies; architecture and landscape studies; environmental studies; and books about the region. The Press was founded in 1963 as the University Press of Virginia. In 2002 the name was changed to University of Virginia Press.


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University of Virginia Press

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Backstage in the Novel Cover

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Backstage in the Novel

Frances Burney and the Theater Arts

Francesca Saggini. Translated by Laura Kopp

In Backstage in the Novel, Francesca Saggini traces the unique interplay between fiction and theater in the eighteenth century through an examination of the work of the English novelist, diarist, and playwright Frances Burney. Moving beyond the basic identification of affinities between the genres, Saggini establishes a literary-cultural context for Burney's work, considering the relation between drama, a long-standing tradition, and the still-emergent form of the novel.

Through close semiotic analysis, intertextual comparison, and cultural contextualization, Saggini highlights the extensive metatextual discourse in Burney's novels, allowing the theater within the novels to surface. Saggini’s comparative analysis addresses, among other elements, textual structures, plots, characters, narrative discourse, and reading practices. The author explores the theatrical and spectacular elements that made the eighteenth-century novel a hybrid genre infused with dramatic conventions. She analyzes such conventions in light of contemporary theories of reception and of the role of the reader that underpinned eighteenth-century cultural consumption. In doing so, Saggini contextualizes the typical reader-spectator of Burney’s day, one who kept abreast of the latest publications and was able to move effortlessly between "high" (sentimental, dramatic) and "low" (grotesque, comedic) cultural forms that intersected on the stage.

Backstage in the Novel aims to restore to Burney's entire literary corpus the dimensionality that characterized it originally. It is a vivid, close-up view of a writer who operated in a society saturated by theater and spectacle and who rendered that dramatic text into narrative. More than a study of Burney or an overview of eighteenth-century literature and theater, this book gives immediacy to an understanding of the broad forces informing, and channeled through, Burney's life and work.

Bathed in Blood Cover

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Bathed in Blood

Hunting and Mastery in the Old South

Nicolas W. Proctor

Nicolas Proctor argues in Bathed in Blood that because slaves frequently accompanied white hunters into the field, whites often believed that hunting was a particularly effective venue for the demonstration of white supremacy. Slaves interpreted such interactions quite differently: they remained focused on the products of the hunt and considered the labor performed at the behest of their owners as an opportunity to improve their own condition. Whether acquired as a reward from a white hunter or as a result of their own independent—often illicit—efforts, game provided them with an important supplementary food source, an item for trade, and a measure of autonomy. By sharing their valuable resources with other slaves, slave hunters also strengthened the bonds within their own community. In a society predicated upon the constant degradation of African Americans, such simple acts of generosity became symbolic of resistance and had a cohesive effect on slave families.

Battle over the Bench Cover

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Battle over the Bench

Senators, Interest Groups, and Lower Court Confirmations

As as arbiters of political and social issues, lower court judges play at least as decisive a role as Supreme Court justices, yet remarkably little is known about the process by which some lower court nominees are confirmed while others may be blocked. The most throrough empirical study the confirmation process concludes that political horse-trading unrelated to a judge's politics is even more important than the expected factors of political ideology and interest group lobbying.

Be It Ever So Humble Cover

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Be It Ever So Humble

Poverty, Fiction, and the Invention of the Middle-Class Home

Scott R. MacKenzie

Before the rise of private homes as we now understand them, the realm of personal, private, and local relations in England was the parish, which was also the sphere of poverty management. Between the 1740s and the 1790s, legislators, political economists, reformers, and novelists transferred the parish system’s functions to another institution that promised self-sufficient prosperity: the laborer’s cottage. Expanding its scope beyond the parameters of literary history and previous studies of domesticity, Be It Ever So Humble posits that the modern middle-class home was conceived during the eighteenth century in England, and that its first inhabitants were the poor.

Over the course of the eighteenth century, many participants in discussions about poverty management came to believe that private family dwellings could turn England's indigent, unemployed, and discontent into a self-sufficient, productive, and patriotic labor force. Writers and thinkers involved in these debates produced copious descriptions of what a private home was and how it related to the collective national home. In this body of texts, Scott MacKenzie pursues the origins of the modern middle-class home through an extensive set of discourses—including philosophy, law, religion, economics, and aesthetics—all of which brush up against and often spill over into literary representations.

Through close readings, the author substantiates his claim that the private home was first invented for the poor and that only later did the middle class appropriate it to themselves. Thus, the late eighteenth century proves to be a watershed moment in home's conceptual life, one that produced a remarkably rich and complex set of cultural ideas and images.

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Beastly Natures

Animals, Humans, and the Study of History

This volume of interdisciplinary essays on animals and cultural history boasts a stellar list of international contributors. It will be a valuable text for university courses in the fast-growing field of animal studies.

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Becoming Men of Some Consequence

Youth and Military Service in the Revolutionary War

John A. Ruddiman

Young Continental soldiers carried a heavy burden in the American Revolution. Their experiences of coming of age during the upheavals of war provide a novel perspective on the Revolutionary era, eliciting questions of gender, family life, economic goals, and politics. "Going for a soldier" forced young men to confront profound uncertainty, and even coercion, but also offered them novel opportunities. Although the war imposed obligations on youths, military service promised young men in their teens and early twenties alternate paths forward in life. Continental soldiers’ own youthful expectations about respectable manhood and their goals of economic competence and marriage not only ordered their experience of military service; they also shaped the fighting capacities of George Washington’s army and the course of the war.

Becoming Men of Some Consequence examines how young soldiers and officers joined the army, their experiences in the ranks, their relationships with civilians, their choices about quitting long-term military service, and their attempts to rejoin the flow of civilian life after the war. The book recovers young soldiers’ perspectives and stories from military records, wartime letters and journals, and postwar memoirs and pension applications, revealing how revolutionary political ideology intertwined with rational calculations and youthful ambitions. Its focus on soldiers as young men offers a new understanding of the Revolutionary War, showing how these soldiers’ generational struggle for their own independence was a profound force within America’s struggle for its independence.

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Being Apart

Theoretical and Existential Resistance in Africana Literature

LaRose T. Parris

In Being Apart, LaRose Parris draws on traditional and radical Western theory to emphasize how nineteenth- and twentieth-century Africana thinkers explored the two principal existential themes of being and freedom prior to existentialism's rise to prominence in postwar European thought. Emphasizing diasporic connections among the works of authors from the United States, the Caribbean, and the African continent, Parris argues that writers such as David Walker, Frederick Douglass, W. E. B. Du Bois, C. L. R. James, Frantz Fanon, and Kamau Brathwaite refute what she has termed the tripartite crux of Western canonical discourse: the erasure of ancient Africa from the narrative of Western civilization, the dehumanization of the African and the creation of the Negro slave, and the denial of chattel slavery's role in the growth of Western capitalism and empire. These writers’ ontological and phenomenological ruminations not only challenge the assigned historical and epistemological marginality of Africana people but also defy current canonical demarcations. Charting the rise of Eurocentrism through a genealogy of eighteenth-century Enlightenment racial science while foregrounding the lived Africana experience of racism in the late nineteenth and twentieth centuries, Parris shows that racist ideology is intrinsic to modern Western thought rather than being an ideological aberration.

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Between Sovereignty and Anarchy

The Politics of Violence in the American Revolutionary Era

Edited by Patrick Griffin, Robert G. Ingram, Peter S. Onuf, and Brian Schoen

Between Sovereignty and Anarchy considers the conceptual and political problem of violence in the early modern Anglo-Atlantic, charting an innovative approach to the history of the American Revolution. Its editors and contributors contend that existing scholarship on the Revolution largely ignores questions of power and downplays the Revolution as a contest over sovereignty. Contributors employ a variety of methodologies to examine diverse themes, ranging from how Atlantic perspectives can redefine our understanding of revolutionary origins; to the ways in which political culture, mobilization, and civil-war-like violence were part of the revolutionary process; to the fundamental importance of state formation for the history of the early republic.

The editors skillfully meld these emerging currents together to produce a new perspective on the American Revolution, revealing how America—first as colonies, then as united states—reeled between poles of anarchy and sovereignty. This interpretation—gleaned from essays on frontier bloodshed, religion, civility, slavery, loyalism, mobilization, early national political culture, and warmaking—provides a needed stimulus to a field that has not strayed beyond the bounds of “rhetoric versus reality” for more than a generation. Between Sovereignty and Anarchy raises foundational questions about how we are to view the American Revolution and the type of experimental democracy that emerged in its wake.

Contributors: Chris Beneke, Bentley University • Andrew Cayton, Miami University • Matthew Rainbow Hale, Goucher College • David C. Hendrickson, Colorado College • John C. Kotruch, University of New Hampshire • Peter C. Messer, Mississippi State University • Kenneth Owen, University of Illinois at Springfield • Jeffrey L. Pasley, University of Missouri, Columbia • Jessica Choppin Roney, Temple University • Peter Thompson, University of Oxford

Between the Novel and the News Cover

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Between the Novel and the News

The Emergence of American Women's Writing

Sari Edelstein

While American literary history has long acknowledged the profound influence of journalism on canonical male writers, Sari Edelstein argues that American women writers were also influenced by a dynamic relationship with the mainstream press. From the early republic through the turn of the twentieth century, she offers a comprehensive reassessment of writers such as Catharine Maria Sedgwick, Harriet Jacobs, and Charlotte Perkins Gilman. Drawing on slave narratives, sentimental novels, and realist fiction, Edelstein examines how advances in journalism—including the emergence of the penny press, the rise of the story-paper, and the birth of eyewitness reportage—shaped not only a female literary tradition but also gender conventions themselves.

Excluded from formal politics and lacking the vote, women writers were deft analysts of the prevalent tropes and aesthetic gestures of journalism, which they alternately relied upon and resisted in their efforts to influence public opinion and to intervene in political debates. Ultimately, Between the Novel and the News is a project of recovery that transforms our understanding of the genesis and the development of American women’s writing.

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Bewildered Travel

The Sacred Quest for Confusion

Frederick J. Ruf

Why do we travel? Ostensibly an act of leisure, travel finds us thrusting ourselves into jets flying miles above the earth, only to endure dislocations of time and space, foods and languages foreign to our body and mind, and encounters with strangers on whom we must suddenly depend. Travel is not merely a break from routine; it is its antithesis, a voluntary trading in of the security one feels at home for unpredictability and confusion. In Bewildered Travel Frederick Ruf argues that this confusion, which we might think of simply as a necessary evil, is in fact the very thing we are seeking when we leave home.

Ruf relates this quest for confusion to our religious behavior. Citing William James, who defined the religious as what enables us to "front life," Ruf contends that the search for bewilderment allows us to point our craft into the wind and sail headlong into the storm rather than flee from it. This view challenges the Eliadean tradition that stresses religious ritual as a shield against the world’s chaos. Ruf sees our departures from the familiar as a crucial component in a spiritual life, reminding us of the central role of pilgrimage in religion.

In addition to his own revealing experiences as a traveler, Ruf presents the reader with the journeys of a large and diverse assortment of notable Americans, including Henry Miller, Paul Bowles, Mark Twain, Mary Oliver, and Walt Whitman. These accounts take us from the Middle East to the Philippines, India to Nicaragua, Mexico to Morocco--and, in one threatening instance, simply to the edge of the author’s own neighborhood. "What gives value to travel is fear," wrote Camus. This book illustrates the truth of that statement.

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