Accommodating Revolutions addresses a controversy of long standing among historians of eighteenth-century America and Virginia—the extent to which internal conflict and/or consensus characterized the society of the Revolutionary era. In particular, it emphasizes the complex and often self-defeating actions and decisions of dissidents and other non-elite groups. By focusing on a small but significant region, Tillson elucidates the multiple and interrelated sources of conflict that beset Revolutionary Virginia, but also explains why in the end so little changed.

Since the 1980s, many activists and writers have turned from identity politics toward ethnic religious traditions to rediscover and reinvigorate their historic role in resistance to colonialism and oppression. In her examination of contemporary fiction by women of color—including Toni Morrison, Ana Castillo, Toni Cade Bambara, Louise Erdrich, and Leslie Marmon Silko—Channette Romero considers the way these novels newly engage with Vodun, Santería, Candomblé, and American Indian traditions. Critical of a widespread disengagement from civic participation and of the contemporary novel’s disconnection from politics, this fiction attempts to transform the novel and the practice of reading into a means of political engagement and an inspiration for social change.

This exploration of women's autobiographical writings in the Americas focuses on three specific genres: testimonio, metafiction, and the family saga as the story of a nation. What makes Laura J. Beard’s work distinctive is her pairing of readings of life narratives by women from different countries and traditions. Her section on metafiction focuses on works by Helena Parente Cunha, of Brazil, and Luisa Futoranksy, of Argentina; the family sagas explored are by Ana María Shua and Nélida Piñon, of Argentina and Brazil, respectively; and the section on testimonio highlights narratives by Lee Maracle and Shirley Sterling, from different Indigenous nations in British Columbia. In these texts Beard terms "genres of resistance," women resist the cultural definitions imposed upon them in an effort to speak and name their own experiences. The author situates her work in the context of not only other feminist studies of women's autobiographies but also the continuing study of inter-American literature that is demanding more comparative and cross-cultural approaches.

This is the first book to offer a thoroughgoing assessment of South Africa from its epochal transition to democracy two decades ago, up through the 2009 elections. Examining politics, the economy, public health, the rule of law, language, literature, and the media, the book will interest students not only of South Africa but of democratic consolidation, middle-income economies, highly unequal societies, multi-ethnic societies, and the AIDS pandemic.

In the quiet halls of the natural history museum, there are some creatures still alive with stories, whose personalities refuse to be relegated to the dusty corners of an exhibit. The fame of these beasts during their lifetimes has given them an iconic status in death. More than just museum specimens, these animals have attained a second life as historical and cultural records. This collection of essays--from a broad array of contributors, including anthropologists, curators, fine artists, geographers, historians, and journalists--comprises short "biographies" of a number of famous taxidermized animals. Each essay traces the life, death, and museum "afterlife" of a specific creature, illuminating the overlooked role of the dead beast in the modern human-animal encounter through practices as disparate as hunting and zookeeping. The contributors offer fresh examinations of the many levels at which humans engage with other animals, especially those that function as both natural and cultural phenomena, including Queen Charlotte’s pet zebra, Maharajah the elephant, and Balto the sled dog, among others. Readers curious about the enduring fascination with animals who have attained these strange afterlives will be drawn to the individual narratives within each essay, while learning more about the scientific, cultural, and museological contexts of each subject. Ranging from autobiographical to analytical, the contributors’ varying styles make this delightful book a true menagerie.

Contributors: Samuel J. M. M. Alberti, Royal College of Surgeons * Sophie Everest, University of Manchester * Kate Foster * Michelle Henning, University of the West of England, Bristol * Hayden Lorimer, University of Glasgow * Garry Marvin, Roehampton University, London * Henry Nicholls * Hannah Paddon * Merle Patchett * Christopher Plumb, University of Manchester * Rachel Poliquin * Jeanne Robinson, Glasgow Museums * Mike Rutherford, University of the West Indies * Richard C. Sabin, Natural History Museum * Richard Sutcliffe, Glasgow Museums * Geoffrey N. Swinney, University of Edinburgh

Tracing the National Geographic's rise to prominence during the first half of the 20th c., Stephanie Hawkins argues that far from being merely a handbook of Western imperialism or a venue for exotic display, the magazine created a forum for the negotiation of changing attitudes toward national identity, cultural diversity, and global interconnectedness. Its readers responded in complex ways to the magazine's iconic public image and were not at all the passive spectators they have been assumed to be.

The geologically ancient Tidewater region of southeastern Virginia and northeastern North Carolina rests precariously atop millions of years of erosion from the nearby Appalachian Mountains. An immense wetland at near sea level, it is host to every conceivable body of fresh water, ranging from brooding swamps and large hidden lakes to sluggish blackwater rivers and brackish sounds (one of which was so large an early explorer thought he had found the Pacific Ocean). In this engaging book, biologist and Tidewater native Roy T. Sawyer delivers an ecohistory of this unique waterland whose wind-driven tides cover a rich human and natural past.

In The Angel out of the House, Dorice Williams Elliott examines the ways in which novels and other texts that portrayed women performing charitable acts helped to make the inclusion of philanthropic work in the domestic sphere seem natural and obvious. And although many scholars have dismissed women’s volunteer endeavors as merely patriarchal collusion, Elliott argues that the conjunction of novelistic and philanthropic discourse in the works of women writers—among them George Eliot and Elizabeth Gaskell, Hannah More and Anna Jameson—was crucial to the redefinition of gender roles and class relations.

The U.S. Supreme Court is the quintessential example of a court that expanded its agenda into policy areas that were once reserved for legislatures. Yet scholars know very little about what causes attention to various policy areas to ebb and flow on the Supreme Court’s agenda. Vanessa A. Baird’s Answering the Call of the Court represents the first scholarly attempt to connect justices’ priorities, litigants’ strategies, and aggregate policy outputs of the U.S. Supreme Court.

Despite their peaceful, bucolic appearance, the tree-lined streets of South African suburbia were no refuge from the racial tensions and indignities of apartheid’s most repressive years. In At Home with Apartheid, Rebecca Ginsburg provides an intimate examination of the cultural landscapes of Johannesburg’s middle- and upper-middle-class neighborhoods during the height of apartheid (c. 1960-1975) and incorporates recent scholarship on gender, the home, and family.

More subtly but no less significantly than factory floors, squatter camps, prisons, and courtrooms, the homes of white South Africans were sites of important contests between white privilege and black aspiration. Subtle negotiations within the domestic sphere between white, mostly female, householders and their black domestic workers, also primarily women, played out over and around this space. These seemingly mundane, private conflicts were part of larger contemporary struggles between whites and blacks over territory and power.

Ginsburg gives special attention to the distinct social and racial geographies produced by the workers’ detached living quarters, designed by builders and architects as landscape complements to the main houses. Ranch houses, Italianate villas, modernist cubes, and Victorian bungalows filled Johannesburg’s suburbs. What distinguished these neighborhoods from their precedents in the United States or the United Kingdom was the presence of the ubiquitous back rooms and of the African women who inhabited them in these otherwise exclusively white areas.

The author conducted more than seventy-five personal interviews for this book, an approach that sets it apart from other architectural histories. In addition to these oral accounts, Ginsburg draws from plans, drawings, and onsite analysis of the physical properties themselves. While the issues addressed span the disciplines of South African and architectural history, feminist studies, material culture studies, and psychology, the book’s strong narrative, powerful oral histories, and compelling subject matter bring the neighborhoods and residents it examines vividly to life.