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The University of Tennessee Press

Website: http://utpress.org/

The University of Tennessee Press is dedicated to playing a significant role in the intellectual life of the University of Tennessee system, the academic community in general, and the citizens of the state of Tennessee by publishing high-quality works of original scholarship in selected fields as well as highly accurate and informative regional studies. By utilizing current technology to provide the best possible vehicles for the publication of scholarly and regional works, the press preserves and disseminates information for scholars, students, and general readers.


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The University of Tennessee Press

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Been Coming through Some Hard Times Cover

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Been Coming through Some Hard Times

Race, History, and Memory in Western Kentucky

Jack Glazier

“This book is a unique study of race and racism across two centuries in the hinterland of the upper South. Its implications are at once depressingly familiar and distinctly fresh.” —W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 1880–1930

From the earliest days when slaves were brought to western Kentucky, the descendants of both slaves and slave owners in Hopkinsville, Kentucky, have continued to inhabit the same social and historic space. Part ethnography and part historical narrative, Been Coming through Some Hard Times offers a penetrating look at this southern town and the surrounding counties, delving particularly into the ways in which its inhabitants have remembered and publicly represented race relations in their community.
    Neither Deep South nor Appalachian, this western Kentucky borderland presented unique opportunities for African American communities and also deep, lasting tensions with powerful whites. Glazier conducted fieldwork in Hopkinsville for some ten months, examining historical evidence, oral histories, and the racialized hierarchy found in the final resting places of black and white citizens. His analysis shows how structural inequality continues to prevail in Hopkinsville. The book’s ethnographic vignettes of worship services, school policy disputes, segregated cemeteries, a “dressing like our ancestors” day at an elementary school, and black family reunions poignantly illustrate the ongoing debate over the public control of memory. Ultimately, the book critiques the lethargy of white Americans who still fail to recognize the persistence of white privilege and therefore stunt the development of a truly multicultural society.
    Glazier’s personal investment in this subject is clear. Been Coming through Some Hard Times began as an exploration of the life of James Bass, an African American who settled in Hopkinsville in 1890 and whose daughter, Idella Bass, cared for Glazier as a child. Her remarkable life profoundly influenced Glazier and led him to investigate her family’s roots in the town. This personal dimension makes Glazier’s ethnohistorical account especially nuanced and moving. Here is a uniquely revealing look at how the racial injustices of the past impinge quietly but insidiously upon the present in a distinctive, understudied region.

JACK GLAZIER is a professor of anthropology at Oberlin College. He is the author of Dispersing the Ghetto: The Relocation of Jewish Immigrants across America and Land and the Uses of Tradition among the Mbeere of Kenya.

Boys at Home Cover

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Boys at Home

Discipline, Masculinity, and "The Boy-Problem" in Nineteenth-Century American Literature

Ken Parille

In this groundbreaking book, Ken Parille seeks to do for nineteenth-century boys what the past three decades of scholarship have done for girls: show how the complexities of the fiction and educational materials written about them reflect the lives they lived. While most studies of nineteenth-century boyhood have focused on post-Civil War male novelists, Parille explores a broader archive of writings by male and female authors, extending from 1830-1885. Boys at Home offers a series of arguments about five pedagogical modes: play-adventure, corporal punishment, sympathy, shame, and reading.

Cades Cove Cover

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Cades Cove

Life Death Southern Appalachian Community

Durwood Dunn

Cades Cove
The Life and Death of a Southern Appalachian Community, 1818-1937
Durwood Dunn
Winner of the Thomas Wolfe Literary Award!

Drawing on a rich trove of documents never before available to scholars, the author sketches the early pioneers, their daily lives, their beliefs, and their struggles to survive and prosper in this isolated mountain community, now within the confines of the Great Smoky Mountains National Park.
In moving detail this book brings to life an isolated mountain community, its struggle to survive, and the tragedy of its demise.

"Professor Dunn provides us with a model historical investigation of a southern mountain community.  His findings on commercial farming, family, religion, and politics will challenge many standard interpretations of the Appalachian past."
--Gordon B. McKinney, Western Carolina University.  

 "This is a fine book. . . . It is mostly about community and interrelationships, and thus it refutes much of the literature that presents Southern Mountaineers as individualistic, irreligious, violent, and unlawful."
—Loyal Jones, Appalachian Heritage.  

"Dunn . . . has written one of the best books ever produced about the Southern mountains."
—Virginia Quarterly Review.  

"This study offers the first detailed analysis of a remote southern Appalachian community in the nineteenth century.  It should lay to rest older images of the region as isolated and static, but it raises new questions about the nature of that premodern community."
—Ronald D Eller, American Historical Review

Not only is his book a worthy addition to the growing body of work recognizing the complexities of southern mountain society; it is also a lively testament to the value of local history and the variety of levels at which it can provide significant enlightenment."
—John C. Inscoe,LOCUS


Cannon Mills and Kannapolis Cover

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Cannon Mills and Kannapolis

Persistent Paternalism in a Textile Town

Timothy W. Vanderburg

Cannon Mills was once the country’s largest manufacturer of household textiles, and in many ways it exemplified the textile industry and paternalism in the postbellum South. At the same time, however, its particular brand of paternalism was much stronger and more enduring than elsewhere, and it remained in place long after most of the industry had transitioned to modern, bureaucratic management.
     In Cannon Mills and Kannapolis, Tim Vanderburg critically examines the rise of the Cannon Mills textile company and the North Carolina community that grew up around it. Beginning with the founding of the company and the establishment of its mill town by James W. Cannon, the author draws on a wealth of primary sources to show how, under Cannon’s paternalism, workers developed a collective identity and for generations accepted the limits this paternalism placed on their freedom. After exploring the growth and maturation of Cannon Mills against the backdrop of World War I and its aftermath, Vanderburg examines the impact of the Great Depression and World War II and then analyzes the postwar market forces that, along with federal policies and unionization, set in motion the industry’s shift from a paternalistic model to bureaucratic authority. The final section of the book traces the decline of paternalism and the eventual decline of Cannon Mills when the death of the founder’s son, Charles Cannon, led to three successive sales of the company. Pillowtex, its final owner, filed for bankruptcy and was liquidated in 2003.
    Vanderburg uses Cannon Mills’s intriguing history to help answer some of the larger questions involving industry and paternalism in the postbellum South. Complete with maps and historic photographs, this authoritative, highly readable account of one company and the town it created adds a captivating layer of complexity to our understanding of southern capitalism.

Chattanooga, 1865-1900 Cover

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Chattanooga, 1865-1900

A City Set Down in Dixie

Tim Ezzell

After the Civil War, the city of Chattanooga, Tennessee, forged a different path than most southern urban centers. Long a portal to the Deep South, Chattanooga was largely rebuilt by northern men, using northern capital, and imbued with northern industrial values. As such, the city served as a cultural and economic nexus between North and South, and its northern elite stood out distinctively from the rest of the region’s booster class. In Chattanooga, 1865–1900, Tim Ezzell explores Chattanooga’s political and economic development from the close of the Civil War through the end of the nineteenth century, revealing how this unique business class adapted, prospered, and governed in the postwar South.
    After reviewing Chattanooga’s wartime experience, Ezzell chronicles political and economic developments in the city over the next two generations. White Republicans, who dominated municipal government thanks to the support of Chattanooga’s large African American population, clashed repeatedly with Democrats, who worked to “redeem” the city from Republican rule and restore “responsible,” “efficient” government. Ezzell shows that, despite the efforts by white Democrats to undermine black influence, black Chattanoogans continued to wield considerable political leverage into the 1890s.
     On the economic front, an extensive influx of northern entrepreneurs and northern capital into postwar Chattanooga led to dynamic if unstable growth. Ezzell details the city’s efforts to compete with Birmingham as the center of southern iron and steel production.  At times, this vision was within reach, but these hopes faded by the 1890s, and Chattanooga grew into something altogether different: not northern, not southern, but something peculiar “set down in Dixie.”
    Although Chattanooga never reached its Yankee boosters’ ideal of “a northern industrial city at home in the southern hills,” Ezzell demonstrates that it forged a legacy of resilience and resourcefulness that continues to serve the community to the present day.

The Civil War in Southern Appalachian Methodism Cover

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The Civil War in Southern Appalachian Methodism

Durwood Dunn

The Civil War in Southern Appalachian Methodism addresses a much-neglected topic in both Appalachian and Civil War history—the role of organized religion in the sectional strife and the war itself. Meticulously researched, well written, and full of fresh facts, this new book brings an original perspective to the study of the conflict and the region.
    In many important respects, the actual Civil War that began in 1861 unveiled an internal civil war within the Holston Conference of the Methodist Episcopal Church, South—comprising churches in southwestern Virginia, eastern Tennessee, western North Carolina, and a small portion of northern Georgia—that had been waged surreptitiously for the previous five decades. This work examines the split within the Methodist Church that occurred with mounting tensions over the slavery question and the rise of the Confederacy. Specifically, it looks at how the church was changing from its early roots as a reform movement grounded in a strong local pastoral ministry to a church with a more intellectual, professionalized clergy that often identified with Southern secessionists.
    The author has mined an exhaustive trove of primary sources, especially the extensive, yet often-overlooked minutes from frequent local and regional Methodist gatherings. He has also explored East Tennessee newspapers and other published works on the topic. The author’s deep research into obscure church records and other resources results not only in a surprising interpretation of the division within the Methodist Church but also new insights into the roles of African Americans, women, and especially lay people and local clergy in the decades prior to the war and through its aftermath. In addition, Dunn presents important information about what the inner Civil War was like in East Tennessee, an area deeply divided between Union and Confederate sympathizers.
    Students and scholars of religious history, southern history, and Appalachian studies will be enlightened by this volume and its bold new way of looking at the history of the Methodist Church and this part of the nation.

Confederate Generals in the Trans-Mississippi, vol. 1 Cover

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Confederate Generals in the Trans-Mississippi, vol. 1

Edited by Lawrence L. Hewitt, with Arthur W. Bergeron Jr. and Thomas E. Schott

Until relatively recently, conventional wisdom held that the Trans-Mississippi Theater was a backwater of the American Civil War. Scholarship in recent decades has corrected this oversight, and a growing number of historians agree that the events west of the Mississippi River proved integral to the outcome of the war. Nevertheless, generals in the Trans-Mississippi have received little attention compared to their eastern counterparts, and many remain mere footnotes to Civil War history. This welcome volume features cutting-edge analyses of eight Southern generals in this most neglected theater—Thomas Hindman, Theophilus Holmes, Edmund Kirby Smith, Mosby Monroe Parsons, John Marmaduke, Thomas James Churchill, Thomas Green, and Joseph Orville Shelby—providing an enlightening new perspective on the Confederate high command. Although the Trans-Mississippi has long been considered a dumping ground for failed generals from other regions, the essays presented here demolish that myth, showing instead that, with a few notable exceptions, Confederate commanders west of the Mississippi were homegrown, not imported, and compared well with their more celebrated peers elsewhere. With its virtually nonexistent infrastructure, wildly unpredictable weather, and few opportunities for scavenging, the Trans-Mississippi proved a challenge for commanders on both sides of the conflict. As the contributors to this volume demonstrate, only the most creative minds could operate successfully in such an unforgiving environment. While some of these generals have been the subjects of larger studies, others, including Generals Holmes, Parsons, and Churchill, receive their first serious scholarly attention in these pages. Clearly demonstrating the independence of the Trans-Mississippi and the nuances of the military struggle there, while placing both the generals and the theater in the wider scope of the war, these eight essays offer valuable new insight into Confederate military leadership and the ever-vexing questions of how and why the South lost this most defining of American conflicts.

Confederate Generals in the Western Theater, volume 3 Cover

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Confederate Generals in the Western Theater, volume 3

Essays on America's Civil War

Edited by Lawrence Lee Hewitt and Arthur W. Bergeron; With a Foreword by Steven E. Woodworth

The American Civil War was won and lost on its western battlefields, but accounts of triumphant Union generals such as Grant and Sherman leave half of the story untold. In the third volume of Confederate Generals in the Western Theater, editors Lawrence Hewitt and Arthur Bergeron bring together ten more never-before-published essays filled with new, penetrating insights into the key question of why the Rebel high command in the West could not match the performance of Robert E. Lee in the East. Showcasing the work of such gifted historians as Wiley Sword, Timothy B. Smith, Rory T. Cornish, and M. Jane Johansson, this book is a compelling addition to an ongoing, collective portrait of generals who occasionally displayed brilliance but were more often handicapped by both geography and their own shortcomings. While the vast, varied terrain of the Western Theater slowed communications and troop transfers and led to the creation of too many military departments that hampered cooperation among commands, even more damaging were the personal qualities of many of the generals. All too frequently, incompetence, egotism, and insubordination were the rule rather than the exception. Some of these men were undone by alcoholism and womanizing, others by politics and nepotism. A few outlived their usefulness; others were killed before they could demonstrate their potential. Together, they destroyed what chance the Confederacy had of winning its independence. Whether adding fresh fuel to the debate over the respective roles of Albert Sidney Johnston and P. G. T. Beauregard at Shiloh or bringing to light such lesser known figures as Joseph Finegan and Hiram Bronson Granbury, this volume, like the ones preceding it, is an exemplary contribution to Civil War scholarship.

Crossing Black Cover

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Crossing Black

Mixed-Race Identity in Modern American Fiction and Culture

Sika A. Dagbovie-Mullins

The past two decades have seen a growing influx of biracial discourse in fiction, memoir, and theory, and since the 2008 election of Barack Obama to the presidency, debates over whether America has entered a “post-racial” phase have set the media abuzz. In this penetrating and provocative study, Sika A. Dagbovie-Mullins adds a new dimension to this dialogue as she investigates the ways in which various mixed-race writers and public figures have redefined both “blackness” and “whiteness” by invoking multiple racial identities.
    Focusing on several key novels—Nella Larsen’s Quicksand (1928), Lucinda Roy’s Lady Moses (1998), and Danzy Senna’s Caucasia (1998)—as well as memoirs by Obama, James McBride, and Rebecca Walker and the personae of singer Mariah Carey and actress Halle Berry, Dagbovie-Mullins challenges conventional claims about biracial identification with a concept she calls “black-sentient mixed-race identity.” Whereas some multiracial organizations can diminish blackness by, for example, championing the inclusion of multiple-race options on census forms and similar documents, a black-sentient consciousness stresses a perception rooted in blackness—“a connection to a black consciousness,” writes the author, “that does not overdetermine but still plays a large role in one’s racial identification.” By examining the nuances of this concept through close readings of fiction, memoir, and the public images of mixed-race celebrities, Dagbovie-Mullins demonstrates how a “black-sentient mixed-race identity reconciles the widening separation between black/white mixed race and blackness that has been encouraged by contemporary mixed-race politics and popular culture.”
    A book that promises to spark new debate and thoughtful reconsiderations of an especially timely topic, Crossing B(l)ack recognizes and investigates assertions of a black-centered mixed-race identity that does not divorce a premodern racial identity from a postmodern racial fluidity.

SIKA A. DAGBOVIE-MULLINS is associate professor in the Department of English at Florida Atlantic University. Her articles have appeared in African American Review, the Journal of Popular Culture, and other publications.

The Dark Corner Cover

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The Dark Corner

A Novel

Mark Powell

“The best Appalachian novelist of his generation.”
—Ron Rash, author of Serena and The Cove
 
"The Dark Corner is one of the most riveting and beautifully written novels that I have ever read.  Trouble drives the story, as it does in all great fiction, but grace, that feeling of mercy that all men hunger for, is the ultimate subject, and that's just part of the reason that Mark Powell is one of America's most brilliant writers."
—Donald Ray Pollock, author of The Devil All the Time and Knockemstiff
 
“Mark Powell’s third novel powerfully tackles the ongoing curses of drugs, real estate development, veterans’ plights, and other regional cultural banes that plague an Appalachia still very much alive and with us as its own chameleon-like animal. Brimming with fury and beauty, The Dark Corner is a thing wrought to be feared and admired.”
—Casey Clabough, author of Confederado

“Powell’s work is so clearly sourced to the wellspring of all spiritual understanding—this physical world…He is heir to the literary lineage of Melville, Conrad, Flannery O’Connor, Denis Johnson, and Robert Stone.”
—Pete Duval, author of Rear View


A troubled Episcopal priest and would-be activist, Malcolm Walker has failed twice over—first in an effort to shock his New England congregants out of their complacency and second in an attempt at suicide. Discharged from the hospital and haunted by images of the Iraq War and Abu Ghraib, he heads home to the mountains of northwestern South Carolina, the state’s “dark corner,” where a gathering storm of private grief and public rage awaits him.
    Malcolm’s life soon converges with people as damaged in their own ways as he is: his older brother, Dallas, a onetime college football star who has made a comfortable living in real-estate development but is now being drawn ever more deeply into an extremist militia; his dying father, Elijah, still plagued by traumatic memories of Vietnam and the death of his wife; and Jordan Taylor, a young, drug-addicted woman who is being ruthlessly exploited by Dallas’s viperous business partner, Leighton Clatter. As Malcolm tries to restart his life, he enters into a relationship with Jordan that offers both of them fleeting glimpses of heaven, even as hellish realities continue to threaten them.
    In The Dark Corner, Mark Powell confronts crucial issues currently shaping our culture: environmentalism and the disappearance of wild places, the crippling effects of wars past and present, drug abuse, and the rise of right-wing paranoia. With his skillful plotting, feel for place, and gift for creating complex and compelling characters, Powell evokes a world as vivid and immediate as the latest news cycle, while at the same time he offers a nuanced reflection on timeless themes of violence, longing, redemption, faith, and love.

MARK POWELL is the author of two previous novels published by the University of Tennessee Press, Prodigals and the Peter Taylor Prize–winning Blood Kin. The recipient of National Endowment for the Arts and Breadloaf Writers’ Conference fellowships, as well as the Chaffin Award for fiction, he is an assistant professor of English at Stetson University.

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