Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Religious, Scientific, and Cultural Dimensions
The Convergence of Judaism and Islam offers fifteen interdisciplinary studies that investigate the complex relationships between the cultures of Jews and Muslims during the medieval and early modern periods. They reveal that, for the most part, Jewish-Muslim relations were peaceful and involved intellectual and professional cooperation.
Eschewing a chronological approach and featuring contributions from European, Israeli, and North American scholars, including veterans and recent PhDs, the volume makes many fascinating and stimulating juxtapositions. To give one example, chapters on early Islam and the shaping of Jewish-Muslim relations in the Middle Ages shed light on the legal battles over the status of synagogues in twentieth-century Yemen or the execution of a fourteen-year-old girl in nineteenth-century Morocco.
Sure to provoke controversy and discussion, this volume focuses on a period of free exchange between these two cultures that resulted in some of the most seminal breakthroughs in math, science, and medicine the world has known.
Corra Harris (1869-1935) was one of the most widely published and nationally popular women writers in the United States. A Circuit Rider's Wife (1910) was Georgia's most celebrated novel for nearly three decades. Now little read and almost forgotten, Harris's life offers a fascinating glimpse into a world nearly unimaginable to us today.
In her writing, Harris poignantly and often humorously captured the paradoxes characteristic of the New South, a time and place of radically divergent goals. Pressed by national and economic demands to modernize, and regional desire to hold on to the past, leaders struggled at the turn of the century to reconcile competing goals. Issues of race, class, and gender found in Harris's writing were at the heart of the struggle.
In depicting the complexities of Harris's era, her life, and her personality, historian Catherine Oglesby offers a remarkable insight into early twentieth-century literature and culture. She demonstrates the ways Harris's work and life both differed from and were the same as other southern women writers, and reveals the ways time and place intersect with race, class, gender, and other variables in the forging of identity.
Manhood and Humor in the Old South
Counterfeit Gentlemen is a stunning reappraisal of Southern manhood and identity that uses humor and humorists to carry the reader into the very heart of antebellum culture.
What does it mean to be a man in the pre–Civil War South? And how can we answer the question from the perspective of the early twenty-first century? John Mayfield does so by revealing how early nineteenth-century Southern humorists addressed the anxieties felt by men seeking to chart a new path between the old honor culture and the new market culture. Lacking the constraints imposed by journalism or proper literature, these writers created fictional worlds where manhood and identity could be tested and explored.
Preoccupied alternately by moonlight and magnolias and racism and rape, we have continually presented ourselves with an Old South so mirthless it couldn't breathe. If all Mayfield did was remind us that Old Southerners laughed, he would have accomplished something. But he also offers a sophisticated analysis of the social functions humor performed and the social anxieties it reflected.
Borderlands and Transnationalism in the United States and Canada
Stories of decline, endurance, invasion, and resistance have shaped southern identity. Whether they originate in chambers of commerce, neo-Confederate websites, jazz songs, or forces outside the region, the narratives and images that give shape to "the South" have real social, political, and economic ramifications.
Featuring interdisciplinary contributions from distinguished scholars, this volume explores how such narratives and images have been produced and how they have shaped perceptions about the South and southernness that register at various local, regional, national, and transnational scales. By approaching the subject through a variety of lenses, including American and queer studies, performance art, and music, these essays challenge and expand on the established understanding of how, when, where, and why ideas of the South have been developed and disseminated.
Explores the politics and meanings of citizenry and citizens’ rights in the nineteenth-century American South: from the full citizenship of some white males to the partial citizenship of women with no voting rights, from the precarious position of free blacks and enslaved African American anti-citizens, to postwar Confederate rebels who were not “loyal citizens” according to the federal government but forcibly asserted their citizenship as white supremacy was restored in the Jim Crow South.
Rhetoric of Betrayal and Guilt in the Caribbean Diaspora
In Creole Renegades, Bénédicte Boisseron looks at exiled Caribbean authors—Edwidge Danticat, Jamaica Kincaid, V. S. Naipaul, Maryse Condé, Dany Laferriére, and more—whose works have been well received in their adopted North American countries but who are often viewed by their home islands as sell-outs, opportunists, or traitors.
These expatriate and second-generation authors refuse to be simple bearers of Caribbean culture, often dramatically distancing themselves from the postcolonial archipelago. Their writing is frequently infused with an enticing sense of cultural, sexual, or racial emancipation, but their deviance is not defiant.
Underscoring the typically ignored contentious relationship between modern diaspora authors and the Caribbean, Boisseron ultimately argues that displacement and creative autonomy are often manifest in guilt and betrayal, central themes that emerge again and again in the work of these writers.
The Literary Friendship of Zora Neale Hurston and Marjorie Kinnan Rawlings
One of the twentieth century's most intriguing and complicated literary friendships was that between Zora Neale Hurston and Marjorie Kinnan Rawlings. In death, their reputations have reversed, but in the early 1940s Rawlings had already achieved wild success with her best-selling and Pulitzer Prize-winning novel, The Yearling, while Hurston had published Their Eyes Were Watching God to unfavorable critical reviews.
When they met, both were at the height of their literary powers. Hurston appears to have sought out Rawlings as a writer who could understand her talent and as a potential patron and champion. Rawlings did become an advocate for Hurston, and by all accounts a warm friendship developed between the two. Yet at every turn, Rawlings's own racism and the societal norms of the Jim Crow South loomed on the horizon, until her friendship with Hurston transformed Rawlings's views on the subject and made her an advocate for racial equality.
Anna Lillios's Crossing the Creek is the first book to examine the productive and complex relationship between these two major figures. Is there truth to the story that Hurston offered to work as Rawlings's maid? Why did Rawlings host a tea for Hurston in St. Augustine? In what ways did each write the friendship into their novels? Using interviews with individuals who knew both women, as well as incisive readings of surviving letters, Lillios examines these questions and many others in this remarkable book.
Women's Interracial Activism in South Carolina during and after World War II
They lived deeply separate lives. They wrestled with what Brown v. Board of Education would mean for their communities. And although they were accustomed to a segregated society, many women in South Carolina--both black and white--knew that the unequal racial status quo in their state had to change.
Crossing the Line reveals the early activism of black women in organizations including the NAACP, the South Carolina Progressive Democratic Party, and the South Carolina Federation of Colored Women’s Clubs. It also explores the involvement of white women in such groups as the YWCA and Church Women United. Their agendas often conflicted and their attempts at interracial activism were often futile, but these black and white women had the same goal: to improve black South Carolinians’ access to political and educational institutions.
Examining the tumultuous years during and after World War II, Jones-Branch contends that these women are the unsung heroes of South Carolina’s civil rights history. Their efforts to cross the racial divide in South Carolina helped set the groundwork for the broader civil rights movement of the 1960s and 1970s.
Rounding Cape Horn in 1860
Cruise of the Dashing Wave recounts a harrowing 1860 clipper ship passage from Boston to San Francisco by way of Cape Horn, as recorded by Philip Hichborn, ship's carpenter, in his journal.
On board the Dashing Wave, even the disagreeable food was a blessing as it distracted the crew from the oppressive cruelty of the elements. The weather and heavy seas of Cape Horn pushed the sailors to their physical limits and often punctuated their watches with moments of despair, amazement, and fear.
Hichborn would later rise to become a major figure in the U.S. Navy, but on this, his first voyage, he was still unfamiliar with life aboard ship. As ship's carpenter, he was not obligated to stand watch at night, giving him unique opportunities to observe and make notes on an extraordinary cruise that weathered devastating gales, ice, and snow; the death of a crew member; and a near mutiny.
Most accounts of seafaring are written by captains, mates, or members of the forecastle crew, but this unusually candid account captures life aboard a nineteenth-century tall ship from the point of view of a landsman. As such, it lays bare the social and professional interactions of a team of strangers stressed to the point of rebellion and murder--revealing that the rigid traditional hierarchy of a ship could be challenged by a man of skill and personality.