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Medieval Short Stories and the Function of Reversal
Short works known for their humor and ribaldry, the fabliaux were comic or satirical tales told by wandering minstrels in medieval France. Although the fabliaux are widely acknowledged as inspiring Giovanni Boccaccio’s masterpiece, the Decameron, this theory has never been substantiated beyond perceived commonalities in length and theme. This new and provocative interpretation examines the formal similarities between the Decameron’s tales of wit, wisdom, and practical jokes and the popular thirteenth-century fabliaux.
Katherine Brown examines these works through a prism of reversal and chiasmus to show that Boccaccio was not only inspired by the content of the fabliaux but also by their fundamental design--where a passage of truth could be read as a lie or a tale of life as a tale of death. Brown reveals close resemblances in rhetoric, literary models, and narrative structure to demonstrate how the Old French manuscripts of the fabliaux were adapted in the organization of the Decameron.
Identifying specific examples of fabliaux transformed by Boccaccio for his classic Decameron, Brown shows how Boccaccio refashioned borrowed literary themes and devices, playing with endless possibilities of literary creation through manipulations of his model texts.
My Life in Science
In Bootstrap Geologist Shinn enthusiastically shares the highs and lows of his remarkable life. Taking readers around the globe as well as below the ocean, he recounts the painstaking process of data gathering that can lead to paradigm-breaking discoveries. He emphasizes the importance of field science and pointedly addresses the use and abuse of scientific research and the emergence of market-funded research.
Being the True Roote & Rise of American Letters as Revealed by the Native Text Embedded in <i>Of Plimoth Plantation</i>
William Bradford, a leader among the Pilgrims, carefully recorded the voyage of the Mayflower and the daily life of Plymouth Colony in a work--part journal, part history-- he titled Of Plimoth Plantation. This remarkable document is the authoritative chronicle of the Pilgrims' experiences as well as a powerful testament to the cultural and literary exchange that existed between the newly arrived Europeans and the Native Americans who were their neighbors and friends.
In Bradford's Indian Book, Betty Booth Donohue examines Of Plimoth Plantation with reference to the ways Bradford incorporated Native American philosophy and culture into his writing. By highlighting this largely unrecognized influence in a founding American literary document, Donohue sheds important light on the Native contribution to the new national literature.
In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output--from song and visual poetry to discursive verse--across a range of media.
At the core of Perrone's work are in-depth examinations of five phenomena: the use of the English language and the reception of American poetry in Brazil; representations and engagements with U.S. culture, especially with respect to film and popular music; epic poems of hemispheric solidarity; contemporary dialogues between Brazilian and Spanish American poets; and the innovative musical, lyrical, and commercially successful work that evolved from the 1960s movement Tropicalia.
Since 1992--the end of the Cold War--Brazil has been slowly and quietly carving a niche for itself in the international community: that of a regional leader in Latin America. How and why is the subject of Sean Burges's investigations.
Under President Fernando Henrique Cardoso, Brazil embarked on a new direction vis-à-vis foreign policy. Brazilian diplomats set out to lead South America and the global south without actively claiming leadership or incurring the associated costs. They did so to protect Brazil's national autonomy in an ever-changing political climate.
Burges utilizes recently declassified documents and in-depth interviews with Brazilian leaders to track the adoption and implementation of Brazil's South American foreign policy and to explain the origins of this trajectory. Leadership and desire to lead have, until recently, been a contentious and forcefully disavowed ambition for Brazilian diplomats. Burges dispels this illusion and provides a framework for understanding the conduct and ambitions of Brazilian foreign policy that can be applied to the wider global arena.
Legitimizing an Authoritarian Regime
In Brazilian Propaganda, Nina Schneider examines the various modes of official, and unofficial, propaganda used by an authoritarian regime.
Such propaganda is commonly believed to be political, praising military figures and openly legitimizing state repression. However, Brazil's military dictatorship (1964-1985) launched seemingly apolitical official campaigns that were aesthetically appealing and ostensibly aimed to "enlighten" and "civilize." Some were produced as civilian-military collaborations and others were conducted by privately owned media, but undergirding them all was the theme of a country aspiring to become a developed nation.
Focusing primarily on visual media, Schneider demonstrates how many short films of the period portrayed a society free from class and racial conflicts. These films espoused civic-mindedness while attempting to distract from atrocities perpetuated by the regime.
Mining a rich trove of materials from the National Archives in Rio and conducting interviews with key propagandists, Schneider demonstrates the ambiguities of twentieth-century Brazilian propaganda. She also challenges the notion of a homogeneous military regime in Brazil, highlighting its fractures and competing forces. By analyzing the strategy, production, mechanisms, and meaning of these films and reconstructing their effects, she provides an alternative interpretation of the propagandists' intentions and a new framework for understanding this era in Brazil's history.
Black Nationalism, Feminism, and Integration in the United States, 1896-1935
High-profile rivalries between black male leaders in the early twentieth century have contributed to the view that integrationism and black nationalism were diametrically opposed philosophies shaped primarily by men. Bridging Race Divides challenges this conceptualization by examining prominent "race women" (including Amy Jacques Garvey, Mary McLeod Bethune, Madame C. J. Walker) as well as other participants in the Harlem Renaissance, Garveyism and the clubwomen's movement to reveal the depth and complexity of women's contributions to both black feminist and black nationalist traditions of activism in the early twentieth century.
Ideas of authenticity and respectability were central to the construction of black identities within black cultural and political resistance movements of the early twentieth century. Unfortunately both concepts have also been used to demonize black middle-class women whose endeavors towards racial uplift are too frequently dismissed as assimilationist and whose class status has apparently disqualified them from performing "authentic" blackness and exhibiting race pride.
Kate Dossett challenges these conceptualizations in a thorough examination of prominent black women leaders' political thought and cultural production in the years between the founding of the National Association of Colored Women in 1896 and the National Council of Negro Women in 1935. Through an analysis of black women's political activism, entrepreneurship and literary endeavor, Dossett argues that black women made significant contributions toward the development of a black feminist tradition which enabled them to challenge the apparent dichotomy between black nationalism and integrationism.
By exploring the connections between women like the pioneering black hairdresser Madam C. J. Walker and her daughter, A'Lelia, as well as clubwoman Mary McLeod Bethune and United Negro Improvement Association activist Amy Jacques Garvey, Dossett also makes a distinctive contribution to the field of women's history by positioning black women at the forefront of both intellectual and practical endeavors in the struggle for black autonomy.
African identities have been written and rewritten in both British and African literature for decades. These revisions have opened up new formulations of what it really means to be British or African.
By comparing texts by authors from African and British backgrounds across a wide variety of political orientations, Simon Lewis analyzes the deeper relationships between colonizer and colonized. He brings issues of race, gender, class, and sexuality into the analysis, providing new ways for cultural scholars to think about how empire and colony have impacted one another from the late eighteenth century through the decades following World War II.
In his comparisons, Lewis focuses on commonalities rather than differences. By examining the work of writers including Chinua Achebe, Wole Soyinka, T. S. Eliot, Abdulrazak Gurnah, Zoe Wicomb, Yvette Christianse, and Chris van Wyk, he demonstrates how Britain’s former African colonies influence British culture just as much as African culture was influenced by British colonization.
Lewis brings a uniquely informed perspective to the topic, having lived in South Africa, Tanzania, and Great Britain, and having taught African literature for over a decade. The book demonstrates his expert knowledge of local cultural history from 1945 to the present, in both Africa and Britain.
It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium.
The contributors to Broadcasting Modernism argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicize their work. They saw in radio the same spirit of experimentation that animated modernism itself.
Because early broadcasts were rarely recorded, radio's influence on literary modernism often seems equally ephemeral in the historical record. Broadcasting Modernism helps fill this void, providing a new perspective for modernist studies even as it reconfigures the landscape of the era itself.
Church Arson in the American South
In the 1990s, churches across the southeastern United States were targeted and set ablaze. These arsonists predominately targeted African American congregations and captured the attention of the media nationwide. Using oral histories, newspaper accounts, and governmental reports, Christopher Strain gives a chronological account of the series of church fires.
Burning Faith considers the various forces at work, including government responses, civil rights groups, religious forces, and media coverage, in providing a thorough, comprehensive analysis of the events and their fallout. Arguing that these church fires symbolize the breakdown of communal bonds in the nation, Strain appeals for the revitalization of united Americans and the return to a sense of community.
Combining scholarly sophistication with popular readability, Strain has produced one of the first histories of the last decade that demonstrates that the increasing fragmentation of community in America runs deeper than race relations or prejudice.