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The Drawings and Lithographs of John Thomas Biggers
John Thomas Biggers (1924–2001) was a major African American artist who inspired countless others through his teaching, murals, paintings, and drawings. After receiving conventional art training at Hampton Institute and Pennsylvania State, he had his personal and artistic breakthrough in 1957 when he spent six months in the newly independent country of Ghana. From this time forward, he integrated African abstract elements with his rural Southern images to create a personal iconography. His new approach made him famous, as his personal discovery of African heritage fit in well with the growing U.S. civil rights movement. He is best known for his murals at Hampton University, Winston-Salem University, and Texas Southern, but the drawings and lithographs that lie behind the murals have received scant attention—until now. Theisen interviewed Dr. Biggers during the last thirteen years of his life, and was welcomed into his studio innumerable times. Together, they selected representative works for this volume, some of which have not been previously published for a general audience. After his death in 2001, his widow continued to work closely with Theisen, resulting in a book that is intimate and informative for both the scholar and the student.
Raising Michael Who Has Down Syndrome
Over twenty years ago, in a small Israeli town, a desperate mother told a remarkable lie. She told her friends and family that her newborn child had died. That lie became the catalyst for the unfolding truth of the adoption of that same baby—Michael —who is, in fact, very much alive and now twenty-two years old. He also has Down syndrome. When Kathryn Hulings adopted Michael as an infant, she could not have known that he would save her life when she became gravely ill and was left forever physically compromised. Her story delights in how Michael’s life and hers, while both marked by difference and challenge, are forever intertwined in celebration and laughter. With candor and a sense of humor, Life With a Superhero wraps itself around the raucous joy of Michael’s existence with his four older siblings who play hard and love big; how Kathryn and her husband, Jim, utilize unconventional techniques in raising kids; the romance between Michael and his fiancée, Casey; the power of dance in Michael's life as an equalizing and enthralling force; the staggering potential and creativity of those who are differently-abled; and the mind-blowing politics of how Kathryn navigated school systems and societal attitudes that at times fought to keep Michael excluded from the lives of kids deemed “normal.” No other books about the parenting experience outline what to do when, say, a child runs across the roof of a tri-level house pretending he can fly, or shows up in a 7th grade social studies class dressed like Spiderman, or calls 911 when his girlfriend breaks his heart. But, as Michael’s mom, Kathryn has been trying to figure how to be a mother in just such circumstances—sometimes with success, sometimes with dismal failure—for over two decades.
Celebrating Seventy Years of Texas Music
Millions of Texans and Southwesterners have been touched over the years by the Light Crust Doughboys. From 1930 to 1952, fans faithfully tuned in to their early-morning and, later, noontime radio program, and turned out in droves to hear them play live. The Doughboys embodied the very essence of the “golden era” of radio—live performances and the dominance of programming by advertising agencies. Their radio program began as a way to sell Light Crust Flour. Their early impresario, W. Lee “Pappy” O'Daniel, quickly learned how to exploit the power of radio to influence voters, and he put that lesson to good use to become a two-time Texas governor and the model for Pappy O'Daniel in the movie, Oh Brother, Where Art Thou? But the group was more than a way to push flour; the talented musicians associated with them included Bob Wills and Milton Brown, each of whom receive credit for founding western swing. With the demise of their regular radio program, the Light Crust Doughboys had to remake themselves. Trailblazers in western swing, the Doughboys explored many other musical genres, including gospel, for which they were nominated for Grammys in 1998, 1999, 2001, and 2002. They continue to play together with versatility and wide-ranging talent—“official music ambassadors of the Lone Star State” as declared by the state legislature in 1995. Their legendary banjo player, Smokey Montgomery, was with the group for sixty-six years before his death in 2001. For the first time, here is the story of the Doughboys phenomenon, from their debut broadcast to their contemporary live performances. This is a rich slice of Texas musical and broadcasting history. Included inside is a bonus CD containing seventy-two minutes of Doughboys music, from early studio recordings to contemporary tunes.
Remembering Blaze Foley
Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949--1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, “If I Could Only Fly." It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly," Merle Haggard called it “the best country song I've heard in fifteen years." In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a Tree is an honest and compassionate portrait of the troubled artist and his reluctant muse.
Popular Memory and the Thirty-fifth President
In Making JFK Matter, Paul Santa Cruz examines how popular memory of John F. Kennedy has been used politically by various interest groups, primarily the city of Dallas, Lyndon Johnson, and Robert Kennedy, as well as how the memory of Kennedy has been portrayed in various museums. Santa Cruz argues that we have memorialized JFK not simply out of love for him or admiration for the ideals he embodied, but because invoking his name carries legitimacy and power. Memory can be employed to accomplish particular ends: for example, the passage of long overdue civil rights legislation, or even successfully running for political office. Santa Cruz demonstrates the presence and use of popular memory in an extensive analysis of what was being said, and by whom, about the late president through White House memoranda and speech material, museum exhibits (such as the Sixth Floor Museum in Dallas and the JFK Presidential Library and Museum in Boston), public correspondence, newspapers and periodicals of the time, memoirs, and archival research. He also explores how JFK has been memorialized in films such as Bobby, JFK, and Thirteen Days. Written in an accessible manner to appeal to both historians and the general public, Making JFK Matter tells us much of how we have memorialized Kennedy over the years.
Post-Reconstruction Texas in the mid-1870s was still relatively primitive, with communities isolated from each other in a largely open-range environment. Cattlemen owned herds of cattle in numerous counties while brand laws remained local. Friction arose when the nonresident stockmen attempted to gather their cattle, and mavericking was common. Law enforcement at the local level could cope with handling local drunks, collecting taxes, and attending the courts when in session, but when an outrageous crime occurred, or depredations in a community were at a level that severely taxed or overwhelmed the local sheriff, there was seldom any other recourse except a vigilante movement. With such a fragile hold on civilization in these communities, it is not difficult to understand how a “blood feud” could occur. During 1874 the Hoo Doo War erupted in the Texas Hill Country of Mason County, and for the remainder of the century violence and fear ruled the region in a rising tide of hatred and revenge. It is widely considered the most bitter feud in Texas history. Traditionally the feud is said to have begun with the intention of protecting the families, property and livelihood of the largely agrarian settlers in Mason and Llano counties. The truth is far more sinister. Evidence shows that the mob was contaminated from the outset by a criminal element, a fact the participants failed to recognize. They believed they were above the law. They were not above vengeance. The feud began in 1874 with the rise of the mob under Sheriff John Clark, but it was not until the premeditated murder of rancher Timothy Williamson in the spring of 1875, a murder orchestrated by Sheriff Clark, that the violence escalated out of control. His death drew former Texas Ranger Scott Cooley to the region seeking justice, and when the courts failed, he began a vendetta to avenge his friend. In the ensuing months, Sheriff Clark used the mob to secure his political position by ambushing ranchers George Gladden and Moses Baird, which drew gunfighters such as John Ringo into the violence. As more men were killed, new forces joined the spiral of death. Local and state officials proved powerless, and it was not until the early 1900s that the feud burned itself out. Johnson has proven a diligent researcher in locating information concerning the Hoo Doo War. Using contemporary newspaper accounts, letters, diaries, and official reports, he analyzes the myths and legends surrounding the feud and presents the unvarnished truth of what happened in Mason County. This book is the definitive account of the Hoo Doo War, as well as a case study in frontier violence of the bloodiest kind.
An O.K. Corral Obituary
On a chilly October afternoon in 1881, two brothers named Tom and Frank McLaury were gunned down on the streets of Tombstone, Arizona, by the Earp brothers and Doc Holliday. The deadly event became known as the gunfight at the O.K. Corral, and in a quirk of fate, the brothers’ names became well-known, but only as bad men and outlaws. Did they deserve that reputation? The McLaurys in Tombstone, Arizona: An O.K. Corral Obituary explores this question, revealing details of their family background and the context of their lives on the frontier. Paul Lee Johnson begins their story with the McLaury brothers’ decision to go into the cattle business with an ambition to have their own ranch. When they moved to Arizona, they finally achieved that goal, but along the way they became enmeshed with the cross-border black market that was thriving there. As “honest ranchers” they were in business with both the criminal element as well as the legitimate businesses in Tombstone. Another principal in this story was an older brother, William, who set aside his law practice in Fort Worth to settle his brothers’ affairs, and associated himself with the prosecution of the Earp brothers and Doc Holliday. Despite his efforts, the Earps and Holliday were exonerated, and the “Gunfight at the O.K. Corral” became the opening salvo of a feud that took several more lives. Johnson has interviewed family descendants and mined their sources, government correspondence, and letters that have never before been published to reveal the human lives behind the storied events. For the first time the events of the O.K. Corral gunfight are presented from the viewpoint of the McLaurys, two brothers who lost their lives and reputations, and a family who tried in vain to find restitution.
“‘There is never a good sale for Neiman Marcus unless it’s a good buy for the customer.’ That was one of the first declarations of business philosophy I heard my father, Herbert Marcus, make soon after I came to work at Neiman Marcus in 1926.” Thus began the 1974 edition of Minding the Store. Reprinted in hardcover in 1997 to celebrate the 90th anniversary of Neiman Marcus, it is now available for the first time in paperback and ebook. Mr. Marcus has spent most of his life not only in helping to create a retailing enterprise renowned throughout the world as the epitome of quality, but also in setting high standards for the level of taste of all who desire "the better things in life." In doing so he has played a key role in making Dallas itself a success. "Mr. Stanley," as he is affectionately called by all his Neiman Marcus friends and associates, has made The Store a legendary success. Although he retired from active involvement in Neiman Marcus in 1977, the influences of the philosophies of business he developed remain an important part of the training of Neiman Marcus personnel. Those basic principles—best exemplified by his belief in his father’s business philosophy—are the reasons Neiman Marcus is today recognized as the taste leader of American retailing. Minding the Store is a warm portrait of a man and an exuberant celebration of the store that has become the best-known landmark in Texas since the Alamo.
Ecotourism with a Hand Lens
In the humid forests of Cape Horn, a single tree can host more than 100 species of little epiphyte plants. The floor of the forest and the rocks are also covered by numerous species of liverworts, mosses, and lichens. The decision to stop at a tree or rock and explore these “miniature forests” generates an authentic ecotourism experience. In a small area we can spend several minutes or hours with a magnifying glass or camera discovering the colors, shapes, and textures of the most diverse organisms of Cape Horn. This guidebook enhances exploration by providing information to understand the architecture, life cycles, and identification of taxonomic groups of the organisms that form them. For example, when viewing a yellow orange organism, the full color pictures and text in the guidebook illustrate that what you are viewing on the inter-tidal rocks is a crustose lichen, with a well-defined circular structure belonging to the genus Caloplaca that enjoys a broad distribution in inter-tidal zones of Arctic and Antarctic areas. The authors of this guidebook also provide a novel twist on other, more traditional field guides to bryophytes and lichens by introducing the innovative, sustainable tourism activity of “ecotourism with a hand lens.” They present a strong natural history narrative and an ecological and ethical orientation for the appreciation of wonders of the miniature forests of Cape Horn.
Spare yet evocative, the poems in Mister Martini pair explorations of a father-son relationship with haiku-like martini recipes. The martini becomes a daring metaphor for this relationship as it moves from the son’s childhood to the father’s death. Each poem is a strong drink in its own right, and together they form a potent narrative of alienation and love between a father and son struggling to communicate. “This is a truly original book. There’s nothing extra: sharp and clear and astonishing. Viva!” —Naomi Shihab Nye, judge and author of 19 Varieties of Gazelle