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How We Learn through Folklore
Inside the Classroom (and Out) examines folklore and its many roles in education. Several articles explore teaching in rural school houses in the early twentieth century, while others provide insight into more serious academic scholarship in the field of folklore itself. One chapter looks at the “early years,” including works about day care centers, scout programs, children’s books, and the basic definition of what we mean by "folklore." Another chapter covers high school: cheerleading, football, yearbooks, and beliefs of Hispanic students. There is a chapter dedicated to Paul Patterson and his contribution to teaching; a chapter that covers college experiences, with stories about early Aggies, ghosts on university campuses, and collegiate cowgirls; and a chapter involving scholarly works, such as ways to help improve our memories, a linguistic study of cowboy poetry, and a comprehensive look at folklore studies.
The field of corrections comprises three distinct areas of study: institutional corrections (jails and prisons), community corrections (probation and parole), and intermediate sanctions (community service, boot camps, intensive supervision programs, home confinement and electronic monitoring, halfway houses, day reporting, fines, and restitution). Intermediate Sanctions in Corrections is the first non-edited book devoted completely to intermediate sanctions systems and their individual programs. It begins with an overview of the background and foundation of intermediate sanctions programs and then describes in clear detail each program and its effectiveness. Caputo supports every point with thorough and up-to-date research. Jon’a Meyer, an expert on this field, contributes a chapter on home confinement. Aimed at students, scholars, and policymakers, Intermediate Sanctions in Corrections will be used in the many undergraduate criminal justice courses devoted to corrections and intermediate sanctions.
The Story of Sacagawea and Toussaint Charbonneau
When interpreter Toussaint Charbonneau, a French Canadian fur trader living among the Hidatsas, and his Shoshone Indian wife, Sacagawea, joined the Lewis and Clark expedition in 1804, they headed into country largely unknown to them, as it was to Thomas Jefferson's hand-picked explorers. There is little doubt as to the importance of Sacagawea's presence on the journey. She has become a near-legendary figure for her role as interpreter, guide, and "token of peace." Toussaint, however, has been maligned in both fiction and nonfiction alike—Lewis himself called him “a man of no peculiar merit.” W. Dale Nelson offers a frank and honest portrayal of Toussaint, suggesting his character has perhaps been judged too harshly. He was indeed valuable as an interpreter and no doubt helpful with his knowledge of the Indian tribes the group encountered. For example, Toussaint proved his worth in negotiations with the Shoshones for much-needed horses, and with his experience as a fur trader, he always seemed to strike a better bargain than his companions. During the expedition Sacagawea gave birth to a son, Jean Baptiste. With her death in 1812, Clark assumed custody of her son and Toussaint returned to his life on the upper Missouri. Surviving his wife by almost three decades, Toussaint worked under Clark (then Superintendent of Indian Affairs in St. Louis) as an interpreter for government officials, explorers, artists, and visiting dignitaries. Jean Baptiste traveled the Rocky Mountains as a mountain man, was a scout during the Mexican American War, and served as mayor and judge for the San Luis Rey Mission.
Inside Tim Johnston's Irish Girl, readers will find spellbinding stories of loss, absence, and the devastating effects of chance—of what happens when the unthinkable bad luck of other people, of other towns, becomes our bad luck, our town. Taut, lucid, and engrossing, provocative and dark—and often darkly funny—these stories have much to offer the lover of literary fiction as well as the reader who just loves a great story. "This is white-knuckle prose; it means what it says and it says what it means. Not that I count words, but when an image can be etched in fewer than ten, I sit up and take notice. When an image is limned in fewer than five words, I pretty near shiver. The stories in Irish Girl provide more shiver per page than most stories provide in twenty."—Janet Peery, judge and author of The River Beyond the World
The Life and Music of Scott LaFaro
Jade Visions is the first biography of one of the twentieth century’s most influential jazz musicians, bassist Scott LaFaro. Best known for his landmark recordings with Bill Evans, LaFaro played bass a mere seven years before his life and career were tragically cut short by an automobile accident when he was only 25 years old. Told by his sister, this book uniquely combines family history with insight into LaFaro’s music by well-known jazz experts and musicians Gene Lees, Don Thompson, Jeff Campbell, Phil Palombi, Chuck Ralston, Barrie Kolstein, and Robert Wooley. Those interested in Bill Evans, the history of jazz, and the lives of working musicians of the time will appreciate this exploration of LaFaro’s life and music as well as the feeling they’ve been invited into the family circle as an intimate. “Fernandez’ insightful comments about her brother offer far more than jazz scholars have ever known about this significant and somewhat enigmatic figure in the history of jazz. All in all, a very complete portrait.”—Bill Milkowski, author of Jaco: The Extraordinary and Tragic Life of Jaco Pastorius
His Life and Times from the Hoo Doo War to Tombstone, Second Edition
Few names in the lore of western gunmen are as recognizable. Few lives of the most notorious are as little known. Romanticized and made legendary, John Ringo fought and killed for what he believed was right. As a teenager, Ringo was rushed into sudden adulthood when his father was killed tragically in the midst of the family's overland trek to California. As a young man he became embroiled in the blood feud turbulence of post-Reconstruction Texas. The Mason County “Hoo Doo” War in Texas began as a war over range rights, but it swiftly deteriorated into blood vengeance and spiraled out of control as the body count rose. In this charnel house Ringo gained a reputation as a dangerous gunfighter and man killer. He was proclaimed throughout the state as a daring leader, a desperate man, and a champion of the feud. Following incarceration for his role in the feud, Ringo was elected as a lawman in Mason County, the epicenter of the feud’s origin. The reputation he earned in Texas, further inflated by his willingness to shoot it out with Victorio’s raiders during a deadly confrontation in New Mexico, preceded him to Tombstone in territorial Arizona. Ringo became immersed in the area’s partisan politics and factionalized violence. A champion of the largely Democratic ranchers, Ringo would become known as a leader of one of these elements, the Cowboys. He ran at bloody, tragic odds with the Earp brothers and Doc Holliday, finally being part of the posse that hounded these fugitives from Arizona. In the end, Ringo died mysteriously in the Arizona desert, his death welcomed by some, mourned by others, wrongly claimed by a few. Initially published in 1996, John Ringo has been updated to a second edition with much new information researched and uncovered by David Johnson and other Ringo researchers.
Romeo and Juliet, West Texas Style
In the early 1900s, two families in Scurry and Kent counties in West Texas united in a marriage of fourteen-year-old Gladys Johnson to twenty-one-year-old Ed Sims. Billy Johnson, the father, set up Gladys and Ed on a ranch, and the young couple had two daughters. But Gladys was headstrong and willful, and Ed drank too much, and both sought affection outside their marriage. A nasty divorce ensued, and Gladys moved with her girls to her father’s luxurious ranch house, where she soon fell in love with famed Texas Ranger Frank Hamer. When Ed tried to take his daughters for a prearranged Christmas visit in 1916, Gladys and her brother Sid shot him dead on the Snyder square teeming with shoppers. One of the best lawyers in West Texas, Judge Cullen Higgins (son of the old feudist Pink Higgins) managed to win acquittal for both Gladys and Sid. In the tradition of Texas feudists since the 1840s, the Sims family sought revenge. Sims’ son-in-law, Gee McMeans, led an attack in Sweetwater and shot Billy Johnson’s bodyguard, Frank Hamer, twice, while Gladys—by now Mrs. Hamer—fired at another assassin. Hamer shot back, killed McMeans, and was no-billed on the spot by a grand jury watching the shootout through a window. An attempt against Billy Johnson failed, but a three-man team shotgunned the widely respected Cullen Higgins. Texas Rangers and other lawmen caught one of the assassins, extracted a confession, and then prompted his “suicide” in a Sweetwater jail cell.
New Interpretations and Transatlantic Contexts
Containing pieces by distinguished scholars including Darlene Harbour Unrue and Robert Brinkmeyer, this book is the first full investigation of the links between Porter's only novel and European intellectual history. Beginning with Sebastian Brant, author of the late medieval Narrenschiff, whom she acknowledges in her Preface to Ship of Fools, Porter's image of Europe emerges as more complex, more knowledgeable, and more politically nuanced than previous critics of her novel have acknowledged. Ship of Fools is in conversation with Europe's humanistic tradition as well as with the political moments of 1931 and 1962; i.e., the years that elapsed from the novel's conception to its completion. The novel and the 1965 film based upon it intervene into the history of film, the assessment of Weimar Germany, and Porter's clear-eyed judgment of her own times through the lens of her art.
Most of the nine stories in Last Known Position were written upon James Mathews’ return from combat deployment to the Middle East with the D.C. Air National Guard. Life under fire provided the author with both dramatic events and a heightened sense of observation, allowing him to suggest the stress of combat as the driving factor behind extreme yet believable characterization and action. Military experiences and settings cause certain human elements and truisms to emerge more profoundly and dramatically. These stories portray desperate characters driven to make desperate choices. Always on the edge of a dark and unpleasant reality, Mathews’ characters survive by embracing fantasy, humor, violence, and sometimes redemption. Each story bears its own brand of hopeless quirkiness. Four teenagers on an army base steal a grenade and are stalked by a parade horse. A drifter returns home to rob the grandparents who raised him. A national guardsman faces a homicidal superior officer in Iraq on the eve of war. An elderly man worries that his wife’s new house guests are unrepentant cannibals. Always tense, sometimes ridiculous, and never dull, Last Known Position brings the reader to places unknown before and unforgettable after.
New York Philharmonic Trumpeter William Vacchiano
William Vacchiano (1912–2005) was principal trumpet with the New York Philharmonic from 1942 to 1973, and taught at Juilliard, the Manhattan School of Music, the Mannes College of Music, Queens College, and Columbia Teachers College. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein and played in the world premieres of almost 200 pieces by such composers as Vaughan Williams, Copland, and Barber. Vacchiano was important not only for his performances, but also for his teaching. His students have held the principal chairs of many major orchestras and are prominent teachers themselves, and they have enriched non-classical music as well. Two of his better known students are Miles Davis and Wynton Marsalis. Last Stop, Carnegie Hall features an overview of the life of this very private artist, based on several personal interviews conducted by Brian A. Shook and Vacchiano’s notes for his own unpublished memoir. Shook also interviewed many of his students and colleagues and includes a chapter containing their recollections. Other important topics include analyses of Vacchiano’s pedagogical methods and his interpretations of important trumpet pieces, his “rules of orchestral performance,” and his equipment. A discography, a bibliography of Vacchiano’s own works, and lists of his students and the conductors and players with whom he performed round out this richly illustrated examination of one of the most influential trumpet players and teachers of the twentieth century.