Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
The Story of Harvey "Kid Curry" Logan
Pinned down by a posse, the wounded outlaw’s companions urged him to escape through the gulch. “Don’t wait for me,” he replied, “I’m all in and might as well end it right here.” Placing his revolver to his right temple, he pulled the trigger for the last time, thus ending the life of the notorious “Kid Curry” of the Wild Bunch. It is long past time for the publication of a well-researched, definitive biography of the infamous western outlaw Harvey Alexander Logan, better known by his alias Kid Curry. In Wyoming he became involved in rustling and eventually graduated to bank and train robbing as a member—and soon leader—of the Wild Bunch. The core members of the gang came to be Butch Cassidy, the Sundance Kid, George “Flatnose” Currie, Elzy Lay, Ben “the Tall Texan” Kilpatrick, Will Carver, and Kid Curry. Kid Curry has been portrayed as a cold-blooded killer, without any compassion or conscience and possessed of limited intelligence. Curry indeed was a dangerous man with a violent temperament, which was aggravated by alcoholic drink. However, Smokov shows that Curry’s record of kills is highly exaggerated, and that he was not the blood-thirsty killer as many have claimed. Mark Smokov has researched extensively in areas significant to Curry’s story and corrects the many false statements that have been written about him in the past. Curry was a cunning outlaw who planned and executed robberies on par with anything Butch Cassidy is reported to have pulled off. Smokov contends that Curry was the actual train robbing leader of the Wild Bunch—there is no concrete evidence that Cassidy ever robbed a train. He also presents new evidence that is virtually conclusive in resolving whether or not Curry was the “unknown bandit” who was killed after robbing a train near Parachute, Colorado, in 1904.
A Grand Opera for the Twenty-first Century
Jake Heggie and Gene Scheer’s grand opera Moby-Dick was a stunning success in the world premiere production by the Dallas Opera in 2010. Robert K. Wallace attended the final performance of the Dallas production and has written this book so readers can experience the process by which this contemporary masterpiece was created and performed on stage. Interviews with the creative team and draft revisions of the libretto and score show the opera in the process of being born. Interviews with the principal singers and the production staff follow the five-week rehearsal period into the world premiere production, each step of the way illustrated by more than two hundred color photographs by Karen Almond. Opera fans, lovers of Moby-Dick, and students of American and global culture will welcome this book as highly readable and visually enthralling account of the creation of a remarkable new opera that does full justice to its celebrated literary source. Just as Heggie and Scheer’s opera is enjoyed by operagoers with no direct knowledge of Moby-Dick, so will this book be enjoyed by opera fans unaware of Melville and by Melville fans unaware of opera.
The 1972 Easter Invasion and the Battle That Saved South Viet Nam
In 1972 a North Vietnamese offensive of more than 30,000 men and 100 tanks smashed into South Vietnam and raced to capture Saigon. All that stood in their way was a small band of 6,800 South Vietnamese (ARVN) soldiers and militiamen, and a handful of American advisors with U.S. air support, guarding An Loc, a town sixty miles north of Saigon and on the main highway to it. This depleted army, outnumbered and outgunned, stood its ground and fought to the end and succeeded. Against all expectations, the ARVN beat back furious assaults from three North Vietnamese divisions, supported by artillery and armored regiments, during three months of savage fighting. This victory was largely unreported in the U.S. media, which had effectively lost interest in the war after the disengagement of most U.S. forces. Thi believes that it is time to set the record straight. Without denying the tremendous contribution of the U.S. advisors and pilots, this book is written primarily to tell the South Vietnamese side of the story and, more importantly, to render justice to the South Vietnamese soldier.
Texas Hunting and Fishing Lore
What would cause someone to withstand freezing temperatures in a cramped wooden box for hours on end, or stand in waist-high rushing waters, flicking a pole back and forth over and over—in many cases with nothing whatsoever to show for his efforts? Why is it that, into the twenty-first century, with the convenience of practically any type of red meat or fish available at the local supermarket, we continue to hunt game and fish on open waters? The answer is that no matter how sophisticated we think we are, no matter how technologically advanced we become, there is still something deep within us that beckons us to “the hunt.” This desire creates the customs, beliefs, and rituals related to hunting—for deer, hogs, and other four-legged critters, as well as fish and snakes, and other things that perhaps aren’t physically alive, but capture our interest as much as the prey mentioned above. These rituals and customs lead to some of our most treasured stories, legends, and practices. This volume of the Publications of the Texas Folklore Society includes serious, introspective articles on hunting and fishing, as well as humorous tall tales and “windies” about the big ones that got away—all lore that reminds us of that drive that calls us to become predators again.
Feuding in Texas and New Mexico
For decades the Horrell brothers of Lampasas, Texas, have been portrayed as ruthless killers and outlaws, but author David Johnson paints a different picture of these controversial men. The Horrells were ranchers, and while folklore has encouraged the belief that they built their herds by rustling, contemporary records indicate a far different picture. The family patriarch, Sam Horrell, was slain at forty-eight during a fight with Apaches in New Mexico. One Horrell son died in Confederate service; of the remaining six brothers, five were shot to death. Only Sam, Jr., lived to old age and died of natural causes. Johnson covers the Horrells and their wars from cradle to grave. Their initial confrontation with the State Police at Lampasas in 1873 marked the most disastrous shootout in Reconstruction history and in the history of the State Police. The brothers and loyal friends then fled to New Mexico, where they became entangled in what would later evolve into the violent Lincoln County War. Their contribution, known to history as the Horrell War, has racial overtones in addition to the violence that took place in Lincoln County. The brothers returned to Texas where in time they became involved in the Horrell-Higgins War. The family was nearly wiped out following the feud when two of the brothers were killed by a mob in Bosque County. Johnson presents an up-to-date account of these wars and incidents while maintaining a neutral stance necessary for historical books dealing with feuds. He also includes previously unpublished photographs of the Horrell family and others.
The Story of the Houston Police Department
Houston Blue offers the first comprehensive history of one of the nation’s largest police forces, the Houston Police Department. Through extensive archival research and more than one hundred interviews with prominent Houston police figures, politicians, news reporters, attorneys, and others, authors Mitchel P. Roth and Tom Kennedy chronicle the development of policing in the Bayou City from its days as a grimy trading post in the 1830s to its current status as the nation’s fourth largest city. Prominent historical figures who have brushed shoulders with Houston’s Finest over the past 175 years include Houdini, Teddy Roosevelt and his Rough Riders, O. Henry, former Texas Ranger Frank Hamer, hatchet wielding temperance leader Carrie Nation, the Hilton Siamese Twins, blues musician Leadbelly, oilman Silver Dollar Jim West, and many others. The Houston Police Department was one of the first cities in the South to adopt fingerprinting as an identification system and use the polygraph test, and under the leadership of its first African American police chief, Lee Brown, put the theory of neighborhood oriented policing into practice in the 1980s. The force has been embroiled in controversy and high profile criminal cases as well. Among the cases chronicled in the book are the Dean Corll, Dr. John Hill, and Sanford Radinsky murders; controversial cases involving the department’s crime lab; the killings of Randy Webster and Joe Campos Torres; and the Camp Logan, Texas Southern University, and Moody Park Riots.
A History of the Lipan Apaches
This history of the Lipan Apaches, from archeological evidence to the present, tells the story of some of the least known, least understood people in the Southwest. These plains buffalo hunters and traders were one of the first groups to acquire horses, and with this advantage they expanded from the Panhandle across Texas and into Coahuila, coming into conflict with the Comanches. With a knack for making friends and forging alliances, they survived against all odds, and were still free long after their worst enemies were corralled on reservations. In the most thorough account yet published, Sherry Robinson tracks the Lipans from their earliest interactions with Spaniards and kindred Apache groups through later alliances and to their love-hate relationships with Mexicans, Texas colonists, Texas Rangers, and the U.S. Army. For the first time we hear of the Eastern Apache confederacy of allied but autonomous groups that joined for war, defense, and trade. Among their confederates, and led by chiefs with a diplomatic bent, Lipans drew closer to the Spanish, Mexicans, and Texans. By the 1880s, with their numbers dwindling and ground lost to Mexican campaigns and Mackenzie’s raids, the Lipans roamed with Mescalero Apaches, some with Victorio. Many remained in Mexico, some stole back into Texas, and others melted into reservations where they had relatives. They never surrendered.
An American B-24 Pilot in World War II
James “Jim” Davis lived what he considered “an impossible dream” as he piloted a B-24, as part of the 8th Air Force, on nearly thirty missions in the European Theatre during World War II. In this memoir, Davis offers heart-wrenching detail concerning the difficulties of qualifying for the U.S. Army Air Forces pilot program, the strenuous nature of the pilot training program, the anxiety caused by a wartime marriage, and the dangers of flying combat missions over Nazi Germany. Few, if any, other memoirs provide the genuineness and honesty of his story. From his struggles to become a pilot, to seeing death up close on his first mission, to his expected deployment to the Pacific Theatre in the fall of 1945, Davis takes the reader through a fast-paced and exciting narrative adventure. Davis and his crew flew support missions for Operations Cobra and Market Garden and numerous bombing missions over occupied Europe in the summer and fall of 1944. He piloted his B-24 on missions over twenty German cities, including Cologne, Hamburg, Metz, and Munich, and attacked enemy airfields, airplane factories, railroad marshalling yards, ship yards, oil refineries, and chemical plants. While he and his crew survived without serious injuries, they witnessed the destruction of many of their friends’ planes and experienced serious damage to their own plane on several occasions. Readers of his memoir will come away with a much greater appreciation for the difficulties and dangers of the air war in World War II. David Snead happened upon the memoir and its author during his time at Texas Tech University. He was immediately hooked and began the process of preparing it for publication. Snead met with Davis on several occasions, examined his military records, researched in detail at the National Archives, and investigated numerous published sources in order to corroborate the account and add explanatory notes for context.
The True Story of Ma and Pa Ferguson
In 1915 Governor James Ferguson began his term in Texas bolstered by a wave of voter enthusiasm and legislative cooperation so great that few Texans anticipated anything short of a successful administration. His campaign was based on two key elements: his appeal to the rural constituency and a temporary hiatus from the effects of the continuous Prohibition debate. In reality, Jim Ferguson had shrewdly sold a well-crafted image of himself to Texas voters, carrying into office a bevy of closely guarded secrets about his personal finances, his business acumen, and his relationship with Texas brewers. Those secrets, once unraveled, ultimately led to charges brought against Governor Ferguson via impeachment. Refusing to acknowledge the judgment against him, Ferguson launched a crusade for regained power and vindication. In 1925 he reclaimed a level of political influence and doubled the Ferguson presence in Austin when he assisted his wife, Miriam, in a successful bid for the governorship. That bid had been based largely on a plea for exoneration but soon degenerated into a scandal-plagued administration. In the Governor’s Shadow unravels this complex tale, exposing the shocking depth of the Fergusons’ misconduct. Often using the Fergusons’ own words, Carol O’Keefe Wilson weaves together the incontestable evidence that most of the claims that Jim Ferguson made during his life regarding his conduct, intentions, achievements, and abilities, were patently false.
Trying to make sense of a disordered world, Stefanie Wortman's debut collection examines works of art as varied as casts of antique sculpture, 19th-century novels, and even scenes from reality television to investigate the versions of order that they offer. These deft poems yield moments of surprising levity even as they mount a sharp critique of human folly. "These poems seem haunted by a mostly nameless melancholia. In The Permanent Collection, however, turns its grim geography of prisons, mortuaries, and tawdry suburbs into something close to classical elegy. 'In sunken rooms,' Wortman writes, 'on scratchy rugs, maybe we’ve never known happiness.' It’s that 'maybe'—the smart hedge—that renders her poems complex, often beguiling, but never without a gesture of redemption. This should be part of any serious poet’s permanent collection."— Chad Davidson, author of The Last Predicta and judge