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The Texas Folklore Society Fire Burns On
The Texas Folklore Society has been alive and kicking for over one hundred years now, and I don’t really think there’s any mystery as to what keeps the organization going strong. The secret to our longevity is simply the constant replenishment of our body of contributors. We are especially fortunate in recent years to have had papers given at our annual meetings by new members—young members, many of whom are college or even high school students. These presentations are oftentimes given during sessions right alongside some of our oldest members. We’ve also had long-time members who’ve been around for years but had never yet given papers; thankfully, they finally took the opportunity to present their research, fulfilling the mission of the TFS: to collect, preserve, and present the lore of Texas and the Southwest. You’ll find in this book some of the best articles from those presentations. The first fruits of our youngest or newest members include Acayla Haile on the folklore of plants. Familiar and well-respected names like J. Rhett Rushing and Kenneth W. Davis discuss folklore about monsters and the classic “widow’s revenge” tale. These works—and the people who produced them—represent the secret behind the history of the Texas Folklore Society, as well as its future.
In All of Us, In All We Do
Folklore is everywhere, whether you are aware of it or not. A culture’s traditional knowledge is used to remember the past and maintain traditions, to communicate with other members within a community, to learn, to celebrate, and to express creativity. It is what helps distinguish one culture from another. Although folklore is so much a part of our daily lives, we often lose sight of just how integral it is to everything we do. If we look for it, we can find folklore in places where we’d never think it existed. Folklore: In All of Us, In All We Do includes articles on a variety of topics. One chapter looks at how folklore and history complement one another; while historical records provide facts about dates, places and names, folklore brings those events and people to life by making them relevant to us. Several articles examine the cultural roles women fill. Other articles feature folklore of particular groups, including oil field workers, mail carriers, doctors, engineers, police officers, horse traders, and politicians. As a follow-up article to Inside the Classroom (and Out), which focused on folklore in education, there is also an article on how teachers can use writing in the classroom as a means of keeping alive the storytelling tradition. The Texas Folklore Society has been collecting and preserving folklore since its first publication in 1912. Since then, it has published or assisted in the publication of nearly one hundred books on Texas folklore.
Texas Travel Lore
The adventurous spirit of Texans has led to much travel lore, from stories of how ancestors first came to the state to reflections of how technology has affected the customs, language, and stories of life “on the go.” This Publication of the Texas Folklore Society features articles from beloved storytellers like John O. West, Kenneth W. Davis, and F. E. Abernethy as well as new voices like Janet Simonds. Chapters contain traditional “Gone to Texas” accounts and articles about people or methods of travel from days gone by. Others are dedicated to trains and cars and the lore associated with two-wheeled machines, machines that fly, and machines that scream across the land at dangerous speeds. The volume concludes with articles that consider how we fuel our machines and ourselves, and the rituals we engage in when we’re on our way from here to there.
Fort Worth history is far more than the handful of familiar names that every true-blue Fort Worther hears growing up: leaders such as Amon Carter, B. B. Paddock, J. Frank Norris, and William McDonald. Their names are indexed in the history books for ready reference. But the drama that is Fort Worth history contains other, less famous characters who played important roles, like Judge James Swayne, Madam Mary Porter, and Marshal Sam Farmer: well known enough in their day but since forgotten. Others, like Al Hayne, lived their lives in the shadows until one, spectacular moment of heroism. Then there are the lawmen, Jim Courtright, Jeff Daggett, and Thomas Finch. They wore badges, but did not always represent the best of law and order. These seven plus five others are gathered together between the covers of this book. Each has a story that deserves to be told. If they did not all make history, they certainly lived in historic times. The jury is still out on whether they shaped their times or merely reflected those times. Either way, their stories add new perspectives to the familiar Fort Worth story, revealing how the law worked in the old days and what life was like for persons of color and for women living in a man’s world. As the old TV show used to say, “There are a million stories in the ‘Naked City.’” There may not be quite as many stories in Cowtown, but there are plenty waiting to be told—enough for future volumes of Fort Worth Characters. But this is a good starting point.
Environmental Justice in East Texas
In 1982, a toxic waste facility opened in the Piney Woods in Winona, Texas. The residents were told that the company would plant fruit trees on the land left over from its ostensible salt-water injection well. Soon after the plant opened, however, residents started noticing huge orange clouds rising from the facility and an increase in rates of cancer and birth defects in both humans and animals. The company dismissed their concerns, and confusion about what chemicals it accepted made investigations difficult. Outraged by what she saw, Phyllis Glazer founded Mothers Organized to Stop Environmental Sins (MOSES) and worked tirelessly to publicize the problems in Winona. The story was featured in People , the Houston Chronicle magazine, and The Dallas Observer . The plant finally closed in 1998, citing the negative publicity generated by the group. This book originated in 1994 when Cromer-Campbell was asked by Phyllis Glazer to produce a photograph for a poster about the campaign. She was so touched by the people in the town that she set out to document their stories. Using a plastic Holga camera, she created hauntingly distorted images that are both works of art and testaments to the damage inflicted on the people of a small Texas town by one company’s greed. In the accompanying essays, Phyllis Glazer describes the history of Winona and the fight against the facility; Roy Flukinger discusses Cromer-Campbell's striking photographic technique; Eugene Hargrove explores issues of environmental justice; and Marvin Legator elaborates on how industry and government discourage victims of chemical exposure from seeking or obtaining relief.
In the east Texas town of Cold Springs in 1944, the community waits for the war to end. In this place where certain boundaries are not crossed and in a time when people reveal little about themselves, their problems, and their passions, Jane Roberts Wood exposes the heart of each of four families during the last year of World War II. Bound together by neighborhood and Southern customs, yet separated by class, money, and family, they are an unforgettable lot, vibrantly brought to life in this “delightfully perceptive and unabashedly romantic” novel (Sanford Herald). As the war grinds to an end, it becomes the catalyst that drives the inhabitants of Cold Springs across the boundaries that had once divided them, taking them to places both chaotic and astonishing. “A rare novel: intelligent, lyrical, devoid of coyness and manipulative plot turns—a book for old and young.”—Austin American-Statesman
A Marine’s Journey through South Vietnam, 1968-1969
In early February of 1968, at the beginning of the Tet Offensive, Private First Class Gregory V. Short arrived in Vietnam as an eighteen-year-old U.S. Marine. Amid all of the confusion and destruction, he began his tour of duty as an 81mm mortarman with the 2nd Battalion, 1st Marine Regiment, which was stationed at Con Thien near the DMZ. While living in horrendous conditions reminiscent of the trenches in World War I, his unit was cut off and constantly being bombarded by the North Vietnamese heavy artillery, rockets, and mortars. Soon thereafter Short left his mortar crew and became an 81mm’s Forward Observer for Hotel Company. Working with the U.S. Army’s 1st Air Cavalry Division and other units, he helped relieve the siege at Khe Sanh by reopening Route 9. Short participated in several different operations close to the Laotian border, where contact with the enemy was often heavy and always chaotic. On May 19, Ho Chi Minh’s birthday, the NVA attempted to overrun the combat base in the early morning hours. Tragically, during a two-month period, one of the companies (Foxtrot Company) within his battalion would sustain more than 70 percent casualties. By September Short was transferred to the 1st Battalion 9th Marines (the Walking Dead). Assigned as an infantryman (grunt) with Bravo Company and operating along the DMZ and near the A Shau Valley, he would spend the next five months patrolling the mountainous terrain and enduring the harsh elements. At the end of his first tour, he re-upped for a second and was assigned to the 1st Marine Air Wing in Da Nang, where he had an opportunity to become familiar with the Vietnamese culture. Direct, honest, and brutal in his observations, Short holds nothing back in describing the hardships of modern warfare and our leaders’ illusions of success.
This reference work is a resource for those needing assistance in locating Texas criminal justice statistics. R. Scott Harnsberger has compiled more than 600 entries describing statistical sources for Texas crime; criminals; law enforcement; courts and sentencing; adult and juvenile corrections; capital punishment and death row; victims of crime; driving/boating under the influence; traffic fatalities; substance abuse and treatment; polls and rankings; and fiscal topics such as appropriations, revenues, expenditures, and federal aid. The sources for these statistics originate primarily, but not exclusively, from federal and State of Texas agencies, boards, bureaus, commissions, and departments. The following types of publications are included: annual, biennial, and biannual reports; reports issued in series; analytic and research reports; statistical compilations; budgets and other fiscal documents; audits, inspections, and investigations; census publications; polls; projections; rankings; surveys; continuously updated online resources; and datasets. Harnsberger has annotated the entries to provide sufficient detail to enable users to decide whether the listed resources merit further investigation. Additional notes contain URLs and information regarding the scope of the published data; title changes; related publications; and the availability of earlier data, previous editions, online tables, and datasets. This book will prove to be a valuable resource for students, faculty, researchers, government officials, and individuals in the law enforcement, correctional, and judicial professions.
The Story of Harvey "Kid Curry" Logan
Pinned down by a posse, the wounded outlaw’s companions urged him to escape through the gulch. “Don’t wait for me,” he replied, “I’m all in and might as well end it right here.” Placing his revolver to his right temple, he pulled the trigger for the last time, thus ending the life of the notorious “Kid Curry” of the Wild Bunch. It is long past time for the publication of a well-researched, definitive biography of the infamous western outlaw Harvey Alexander Logan, better known by his alias Kid Curry. In Wyoming he became involved in rustling and eventually graduated to bank and train robbing as a member—and soon leader—of the Wild Bunch. The core members of the gang came to be Butch Cassidy, the Sundance Kid, George “Flatnose” Currie, Elzy Lay, Ben “the Tall Texan” Kilpatrick, Will Carver, and Kid Curry. Kid Curry has been portrayed as a cold-blooded killer, without any compassion or conscience and possessed of limited intelligence. Curry indeed was a dangerous man with a violent temperament, which was aggravated by alcoholic drink. However, Smokov shows that Curry’s record of kills is highly exaggerated, and that he was not the blood-thirsty killer as many have claimed. Mark Smokov has researched extensively in areas significant to Curry’s story and corrects the many false statements that have been written about him in the past. Curry was a cunning outlaw who planned and executed robberies on par with anything Butch Cassidy is reported to have pulled off. Smokov contends that Curry was the actual train robbing leader of the Wild Bunch—there is no concrete evidence that Cassidy ever robbed a train. He also presents new evidence that is virtually conclusive in resolving whether or not Curry was the “unknown bandit” who was killed after robbing a train near Parachute, Colorado, in 1904.
A Grand Opera for the Twenty-first Century
Jake Heggie and Gene Scheer’s grand opera Moby-Dick was a stunning success in the world premiere production by the Dallas Opera in 2010. Robert K. Wallace attended the final performance of the Dallas production and has written this book so readers can experience the process by which this contemporary masterpiece was created and performed on stage. Interviews with the creative team and draft revisions of the libretto and score show the opera in the process of being born. Interviews with the principal singers and the production staff follow the five-week rehearsal period into the world premiere production, each step of the way illustrated by more than two hundred color photographs by Karen Almond. Opera fans, lovers of Moby-Dick, and students of American and global culture will welcome this book as highly readable and visually enthralling account of the creation of a remarkable new opera that does full justice to its celebrated literary source. Just as Heggie and Scheer’s opera is enjoyed by operagoers with no direct knowledge of Moby-Dick, so will this book be enjoyed by opera fans unaware of Melville and by Melville fans unaware of opera.