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An important chapter in the history and folklore of the West is how women on the cattle frontier took their place as equal partners with men. The cowboy may be our most authentic folk hero, but the cowgirl is right on his heels. This Spur Award winning book fills a void in the history of the cowgirl. While Susan B. Anthony and her hoop-skirted friends were declaring that females too were created equal, Sally Skull was already riding and roping and marking cattle with her Circle S brand on the frontier of Texas. Wearing rawhide bloomers and riding astride, she thought nothing of crossing the border into Mexico, unchaperoned, to pursue her career as a horse trader. In Colorado, Cassie Redwine rounded up her cowboys and ambushed a group of desperadoes; Ann Bassett, also of Colorado, backed down a group of men who tried to force her off the open range. In Montana, Susan Haughian took on the United States government in a dispute over some grazing rights, and the government got the short end of the stick. Susan McSween carried on an armed dispute between ranchers in New Mexico and the U.S. Army, and other interested citizens; and in Arizona, Annette Taylor experimented with new grasses and found cures for the diseases that plagued her stock. In the years of the Civil War, women were called upon to do many things that would have been unheard of in peacetime. When the people moved west after the war, women were obliged to keep doing these things if the family was to survive. Still other groups of women—second generation cattle-country women—did men’s jobs because they were good at it. Some participated in Wild West shows and made reputations for themselves in rodeo as trick and bronc riders. Cowgirls are chronicled through trail driving, ranching, gun-toting, rustling, bronc riding, and rodeoing in this updated and revised edition of The Cowgirls.
The Normandy Landings in International Remembrance and Commemoration
Over the past sixty-five years, the Allied invasion of Northwestern France in June 1944, known as D-Day, has come to stand as something more than a major battle. The assault itself formed a vital component of Allied victory in the Second World War. D-Day developed into a sign and symbol; as a word it carries with it a series of ideas and associations that have come to symbolize different things to different people and nations. As such, the commemorative activities linked to the battle offer a window for viewing the various belligerents in their postwar years. This book examines the commonalities and differences in national collective memories of D-Day. Chapters cover the main forces on the day of battle, including the United States, Great Britain, Canada, France and Germany. In addition, a chapter on Russian memory of the invasion explores other views of the battle. The overall thrust of the book shows that memories of the past vary over time, link to present-day needs, and also still have a clear national and cultural specificity. These memories arise in a multitude of locations such as film, books, monuments, anniversary celebrations, and news media representations.
The Life and Music of Lloyd Pfautsch
After earning his theology degree from Union Seminary in New York, Lloyd Pfautsch (1921–2003) found his true calling in church music. He was invited to Southern Methodist University in 1958 to start their graduate program in sacred music and remained there for 34 years. Outside the university, he formed the Dallas Civic Chorus and led it for 25 years. He was nationally known for his conducting and the quality of the musicians he produced as well as for his compositions, many of which are illustrated here with his handwritten notations. This is the first biography of this important figure, and it is told from the viewpoint of a longtime colleague and friend. Aligned with the biography, Hart analyzes some of Pfautsch's hundreds of compositions. This is the definitive work on one of the most influential American choral musicians of the twentieth century. "The combination of biographical facts, history, and anecdotal accounts makes this work unique. Pfautsch was a powerful choral figure, and many conductors mentored under his guidance."--Tim Sharp, Executive Director, American Choral Directors Association
The Ketchum Gang and the Wild Bunch, Second Edition
After Tom Ketchum had been sentenced to death for attempting to hold up a railway train, his attorneys argued that the penalty was “cruel and unusual” for the offense charged. The appeal failed and he became the first individual—and the last—ever to be executed for a crime of this sort. He was hanged in 1901; in a macabre ending to his life of crime, his head was torn away by the rope as he fell from the gallows. Tom Ketchum was born in 1863 on a farm near the fringe of the Texas frontier. At the age of nine, he found himself an orphan and was raised by his older brothers. In his mid-twenties he left home for the life of an itinerant trail driver and ranch hand. He returned to Texas, murdered a man, and fled. Soon afterwards, he and his brother Sam killed two men in New Mexico. A year later, he and two other former cowboys robbed a train in Texas. The career of the Ketchum Gang was under way. In their day, these men were the most daring of their kind, and the most feared. They were accused of crimes that were not theirs, but their proven record is long and lurid. Their downfall was brought about by what one editor called “the magic of the telephone and telegraph,” by quarrels between themselves, and by their reckless defiance of ever-mounting odds. Jeffrey Burton has been researching the story of the Ketchum Gang and related outlaws for more than forty years. He has mined unpublished sources, family records, personal reminiscences, trial transcripts and other court papers, official correspondence and reports, census returns, and contemporary newspapers to sort fact from fiction and provide the definitive truth about Ketchum and numerous other outlaws, including Will Carver, Ben Kilpatrick, and Butch Cassidy.
Texas Rituals, Superstitions, and Legends of the Hereafter
Death provides us with some of our very best folklore. Some fear it, some embrace it, and most have pretty firm ideas about what happens when we die. Although some people may not want to talk about dying, it’s the only thing that happens to all of us–and there’s no way to get around it. This Publication of the Texas Folklore Society examines the lore of death and whatever happens afterward. The first chapter examines places where people are buried, either permanently or temporarily. Chapter Two features articles about how people die and the rituals associated with funerals and burials. The third chapter explores some of the stranger stories about what happens after we’re gone, and the last chapter offers some philosophical musings about death in general, as well as our connection to those who have gone before.
This debut collection includes love songs and prayers, palinodes and pleas, short histories and tragic tales as well as a series of ventriloquist poems that track the epiphanies and consequences of speaking in a voice other than one’s own. Other poems speak to a Beloved and the highs and lows of parenthood and personhood—all with music and verve, with formal dexterity, with sadness and humor, with an intimate voice that can both whisper in our ears and grab us by the collar and implore us to listen. “What drives the poems in this wonderfully animated debut volume and prompts the reader’s pleasure in them is the patent honesty of the poet’s voice. In the ‘ventriloquist’ series itself, Fay-LeBlanc creates a remarkable refracted self-portrait, bristling with moments of unabashed illumination.”—Eamon Grennan, author of Out of Sight
The Fort Hood Massacre
When Army psychiatrist Nidal Hasan walked into the Fort Hood Soldier Readiness Processing Center and opened fire on soldiers within, he perpetrated the worst mass shooting on a United States military base in our country’s history. Death on Base is an in-depth look at the events surrounding the tragic mass murder that took place on November 5, 2009, and an investigation into the causes and influences that factored into the attack. The story begins with Hasan's early life in Virginia, continues with his time at Fort Hood, Texas, covers the events of the shooting, and concludes with his trial. The authors analyze Hasan's connections to radical Muslim cleric Anwar al-Awlaki and Al Qaeda in the Arabian Peninsula (AQAP) and demonstrate how radical Islam fueled Hasan's hatred of both the American military and the soldiers he treated. Hasan's mass shooting is compared with others, such as George Hennard's shooting rampage at Luby's in Killeen in 1991, Charles Whitman at the University of Texas, and Virginia Tech shooter Seung-Hui Cho. The authors explore the strange paradox that the shooting at Fort Hood was classified as workplace violence rather than a terrorist act. This classification has major implications for the victims of the shooting who have been denied health benefits and compensation.
The Life and Music of Townes Van Zandt
This is the first serious biography of a man widely considered one of Texas’—and America’s—greatest songwriters. Like Jimmie Rodgers, Woody Guthrie, Robert Johnson, and Hank Williams, Townes Van Zandt was the embodiment of that mythic American figure, the troubled troubadour. A Deeper Blue traces Van Zandt’s background as the scion of a prominent Texas family; his troubled early years and his transformation from promising pre-law student to wandering folk singer; his life on the road and the demons that pursued and were pursued by him; the women who loved and inspired him; and the brilliance and enduring beauty of his songs, which are explored in depth. The author draws on eight years’ extensive research and interviews with Townes’ family and closest friends and colleagues. He looks beyond the legend and paints a colorful portrait of a complex man who embraced the darkness of demons and myth as well as the light of deep compassion and humanity, all “for the sake of the song.”
A Life in Music
The British horn player Dennis Brain (1921–1957) is commonly described by such statements as “the greatest horn player of the 20th Century,” “a genius,” and “a legend.” He was both a prodigy and popularizer, famously performing a concerto on a garden hose in perfect pitch. On his usual concert instrument his tone was of unsurpassed beauty and clarity, complemented by a flawless technique. The recordings he made with Herbert von Karajan of Mozart’s horn concerti are considered the definitive interpretations. Brain enlisted in the English armed forces during World War II for seven years, joining the National Symphony Orchestra in wartime in 1942. After the war he filled the principal horn positions in both the Philharmonia and Royal Philharmonic Orchestras. He later formed his own wind quintet and began conducting. Composers including Benjamin Britten and Paul Hindemith lined up to write music for him. Even fifty years after his tragic death at the age of 36 in an auto accident in 1957, Peter Maxwell Davies was commissioned to write a piece in his honor. Stephen Gamble and William Lynch have conducted numerous interviews with family, friends, and colleagues and uncovered information in the BBC archives and other lesser known sources about recordings that were previously unknown. This volume describes Brain’s life and analyzes in depth his musical career. Its appendices of information on performances will appeal to music historians, and its details on Brain’s instruments and equipment will be useful to horn players. “A pleasure to read: serious but personable, unaffected, unpretentious—conversational in tone. The character of the prose can be said to reflect the character of the book’s subject. Eminently satisfying.”—Robert Marshall, author of Dennis Brain on Record
November 20, 1872--July 28, 1876
John Gregory Bourke kept a monumental set of diaries beginning as a young cavalry lieutenant in Arizona in 1872, and ending the evening before his death in 1896. As aide-de-camp to Brigadier General George Crook, he had an insider's view of the early Apache campaigns, the Great Sioux War, the Cheyenne Outbreak, and the Geronimo War. Bourke's writings reveal much about military life on the western frontier, but he also was a noted ethnologist, writing extensive descriptions of American Indian civilization and illustrating his diaries with sketches and photographs. Previously, researchers could consult only a small part of Bourke’s diary material in various publications, or else take a research trip to the archive and microfilm housed at West Point. Now, for the first time, the 124 manuscript volumes of the Bourke diaries are being compiled, edited, and annotated by Charles M. Robinson III, in a planned set of six books easily accessible to the modern researcher. Volume 1 begins with Bourke’s years as aide-de-camp to General Crook during the Apache campaigns and in dealings with Cochise. Bourke’s ethnographic notes on the Apaches continued with further observations on the Hopis in 1874. The next year he turned his pen on the Sioux and Cheyenne during the 1875 Black Hills Expedition, writing some of his most jingoistic comments in favor of Manifest Destiny. This volume culminates with the momentous events of the Great Sioux War and vivid descriptions of the Powder River fight and the Battle of the Rosebud. Extensively annotated and with a biographical appendix on Indians, civilians, and military personnel named in the diaries, this book will appeal to western and military historians, students of American Indian life and culture, and to anyone interested in the development of the American West.