Access your Project MUSE content using one of the login options below Close(X)
Browse Results For:
Heritage and Carnival in San Antonio
Fiesta San Antonio began in 1891 and through the twentieth century expanded from a single parade to over two hundred events spanning a ten-day period. Laura Hernández-Ehrisman examines Fiesta's development as part of San Antonio's culture of power relations between men and women, Anglos and Mexicanos.
A History of the Death Penalty in the United States
Until the early twentieth century, printed invitations to executions issued by lawmen were a vital part of the ritual of death concluding a criminal proceeding in the United States. In this study, Gordon Morris Bakken invites readers to an understanding of the death penalty in America with a collection of essays that trace the history and politics of this highly charged moral, legal, and cultural issue. Bakken has solicited essays from historians, political scientists, and lawyers to ensure a broad treatment of the evolution of American cultural attitudes about crime and capital punishment.
An American Modernist
The first full-length critical analysis of the paintings of Jaune Quick-to-See Smith, this book focuses on Smith’s role as a modernist in addition to her status as a wellknown Native American artist. With close readings of Smith’s work, Carolyn Kastner shows how Smith simultaneously contributes to and critiques American art and its history.
Smith has distinguished herself as a modernist both in her pursuit of abstraction and her expressive technique, but too often her identity as a Native American artist has overshadowed these aspects of her work. Addressing specific themes in Smith’s career, Kastner situates Smith within specific historical and cultural moments of American art, comparing her work to the abstractions of Kandinsky and Miró, as well as to the pop art of Rauschenberg and Johns. She discusses Smith’s appropriation of pop culture icons like the Barbie doll, reimagined by the artist as Barbie Plenty Horses. As Kastner considers how Smith constructs each new series of artworks within the artistic, social, and political discourse of its time, she defines her contribution to American modernism and its history. Discussing the ways in which Smith draws upon her cultural heritage—both Native and non-Native—Kastner demonstrates how Smith has expanded the definitions of “American” and “modernist” art.
The Family Correspondence of Philipp Segesser
In the very last year of the seventeenth century a ten-year-old boy in the city of Lucerne, Switzerland, announced to his parents that he wanted to become a Jesuit missionary and save souls in faraway lands. Philipp Segesser got his wish when he was sent to northwestern Mexico in 1731. For the next thirty years he carried on an active correspondence with his family and religious affiliates. His letters home, translated and edited in this fascinating book, provide a frank and intimate view of missionary life on the remote northwestern frontier of New Spain. The editor’s introduction sets the letters in biographical and historical context.
The history of Mexico in the twentieth century is marked by conflict between church and state. This book focuses on the efforts of the Roman Catholic Church to influence Mexican society through Jesuit-led organizations such as the Mexican Catholic Youth Association, the National Catholic Student Union, and the Universidad Iberoamericana. Dedicated to the education and indoctrination of Mexico’s middle- and upper-class youth, these organizations were designed to promote conservative Catholic values. The author shows that they left a very different imprint on Mexican society, training a generation of activists who played important roles in politics and education. Ultimately, Espinosa shows, the social justice movement that grew out of Jesuit education fostered the leftist student movement of the 1960s that culminated in the Tlatelolco massacre of 1968. This study demonstrates the convergence of the Church, Mexico’s new business class, and the increasingly pro-capitalist PRI, the party that has ruled Mexico in recent decades.
Espinosa’s archival research has led him to important but long-overlooked events like the student strike of 1944, the internal upheavals of the Church over liberation theology, and the complicated relations between the Jesuits and the conservative business class. His book offers vital new perspectives for scholars of education, politics, and religion in twentieth-century Mexico.
Building on his earlier work, A History of the Jews in New Mexico, Henry Tobias incorporates new material and sources in this updated volume. He demonstrates how Jewish awareness in New Mexico following World War II gave rise to significant cultural and political influence, introducing writers, musicians, and such artists as Ira Moskowitz, Arthur Sussman, and Judy Chicago to the state's flourishing art scene.
The Restoration of San Esteban del Rey Mission
Built by Spanish Franciscan missionaries in the seventeenth century, the magnificent mission church at Acoma Pueblo in west-central New Mexico is the oldest and largest intact adobe structure in North America. But in the 1920s, in danger of becoming a ruin, the building was restored in a cooperative effort among Acoma Pueblo, which owned the structure, and other interested parties. Kate Wingert-Playdon’s narrative of the restoration and the process behind it is the only detailed account of this milestone example of historic preservation, in which New Mexico’s most famous architect, John Gaw Meem, played a major role.
Family, Friends, and Adventures
Since 1980 the John Muir Center at California's University of the Pacific has hosted the John Muir Institute dedicated to promoting the legacy of the famed environmentalist. These essays were papers presented at the John Muir Center's institute in 2001.
A Critical Biography
This is the story of a remarkable woman whose artistic mission was to relate Mexican cultural history to English-language readers. A world-renowned playwright in the 1930s and best-selling novelist in the 1940s, Josefina Niggli published at a time when Chicana/o literature was not yet recognized as such. Her works revealed Mexico from an insider's point of view, although she found herself struggling with publishers who wanted an American hero pitted against a Mexican villain.
A Life in Archaeology
Patterson draws from ancient Mayan mythology, weaving the tale of Hunahpu and Xbalanque, the Hero Twins, and their voyage to Xibabla, the underworld, into his own story in order to provide an analogy of the journey through life and the daily challenges and pitfalls one must overcome. Each of the book's eight chapters are named after the houses of testing in Xibalba and reflect the people, environments, financing, and politics of the different archaeological projects Patterson worked on throughout his career. The resulting story is part Indiana Jones and part analysis of the problems facing modern Mesoamerica between globalization and national patrimony.