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University of New Mexico Press
Illness and the Limits of Expression
“Kathlyn Conway opens primordial questions about the shattering events of illness through close readings of selected illness narratives, proposing that only writing of a daring kind can utter the knowledge of the self-telling body. Wielding her ferocious intellect and braving exposure to self and other, Conway makes original discoveries about writing and illness and, more stunningly, about writing and life. Not a book about illness, this is a book about writing and being. It is taut, brave, unequalled in our scholarship, and true. Conway joins our most powerful investigators of the human predicament of mortality, helping us to see, helping us to live.”—Rita Charon, Columbia University, Program in Narrative Medicine
Published accounts of illness and disability often emphasize hope and positive thinking: the woman who still looked beautiful after losing her hair, the man who ran five miles a day during chemotherapy. This acclaimed examination of the genre of the illness narrative questions that upbeat approach. Author Kathlyn Conway, a three-time cancer survivor and herself the author of an illness memoir, believes that the triumphalist approach to writing about illness fails to do justice to the shattering experience of disease. By wrestling with the challenge of writing about the reality of serious illness and injury, she argues, writers can offer a truer picture of the complex relationship between body and mind.
William Carlos Williams on Form
William Carlos Williams first spoke to the issue of form shortly after the publication of “The Wanderer” in 1914—his move to vers libre—and never stopped talking about form until his death in 1963. His poetry shows, decade after decade, persistent formal innovation. Bruce Holsapple’s The Birth of the Imagination relates the form, structure, and content of Williams’s poetry to demonstrate how his formal concerns bear upon the content, namely, how form testifies to a vision that the style verifies. Tracing the development of Williams’s work from Poems in 1909 through The Wedge in 1944, Holsapple aligns emerging aesthetic concepts and procedures with shifts in Williams’s writing practice to disclose how meaning becomes refigured, affecting what the poems “say.” While focusing primarily on Williams’s experimental works, including the novellas, this innovative study charts how significant features in Williams’s poetry result from specific imaginative practices.
Edward C. Mazique, M.D.
This powerful biography traces the career of an African American physician and civil rights advocate, Edward Craig Mazique (1911-1987), from the poverty and discrimination of Natchez, Mississippi, to his status as a prominent physician in Washington, D.C. Florence Ridlon relates how Dr. Mazique's grandfather went from being a slave to becoming one of the largest landowners in Adams County, Mississippi. This moving story of one man's accomplishments, in spite of many opposing forces, is also a chapter in the struggle of African Americans to achieve equality in the twentieth-century.
The Metaphysics of Cormac McCarthy
A Bloody and Barbarous God investigates the relationship between gnosticism, a system of thought that argues that the cosmos is evil and that the human spirit must strive for liberation from manifest existence, and the perennial philosophy, a study of the highest common factor in all esoteric religions, and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. Mundik argues that McCarthy continually strives to evolve an explanatory theodicy throughout his work, and that his novels are, to a lesser or greater extent, concerned with the meaning of human existence in relation to the presence of evil and the nature of the divine.
A Civil War Battle on the Rio Grande, February 21, 1862
When Jefferson Davis commissioned Henry H. Sibley a brigadier general in the Confederate army in the summer of 1861, he gave him a daring mission: to capture the gold fields of Colorado and California for the South. Their grand scheme, premised on crushing the Union forces in New Mexico and then moving unimpeded north and west, began to unravel along the sandy banks of the Rio Grande late in the winter of 1862. At Valverde ford, in a day-long battle between about 2,600 Texan Confederates and some 3,800 Union troops stationed at Fort Craig, the Confederates barely prevailed. However, the cost exacted in men and matériel doomed them as they moved into northern New Mexico.
Carefully reconstructed in this book is the first full account of what happened on both sides of the line before, during, and after the battle. On the Confederate side, a drunken Sibley turned over command to Colonel Tom Green early in the afternoon. Battlefield maneuvers included a disastrous lancer charge by cavalry--the only one during the entire Civil War. The Union army, under the cautious Colonel Edward R. S. Canby, fielded a superior number of troops, the majority of whom were Hispanic New Mexican volunteers.
"The definitive study of the Battle of Valverde."--Jerry Thompson, author of Henry Hopkins Sibley
A Nineteenth-Century Artist in the Tropics
In 1858 François-Auguste Biard, a well-known sixty-year-old French artist, arrived in Brazil to explore and depict its jungles and the people who lived there. What did he see and how did he see it? In this book historian Ana Lucia Araujo examines Biard’s Brazil with special attention to what she calls his “tropical romanticism”: a vision of the country with an emphasis on the exotic.
Biard was not only one of the first European artists to encounter and depict native Brazilians, but also one of the first travelers to photograph the rain forest and its inhabitants. His 1862 travelogue Deux années en Brésil includes 180 woodcuts that reveal Brazil’s reliance on slave labor as well as describe the landscape, flora, and fauna, with lively narratives of his adventures and misadventures in the rain forest. Thoroughly researched, Araujo places Biard’s work in the context of the European travel writing of the time and examines how representations of Brazil through French travelogues contributed and reinforced cultural stereotypes and ideas about race and race relations in Brazil. She further summarizes that similar representations continue and influence perspectives today.
The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to “revive” buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, not just visual, phenomena in the late colonial and early national periods and promote new approaches to the study of Latin American art history and visual culture.
The essays examine neoclassical visual culture from assorted perspectives. They consider how classicism was imposed, promoted, adapted, negotiated, and contested in myriad social, political, economic, cultural, and temporal situations. Case studies show such motivations as the desire to impose imperial authority, to fashion the nationalist self, and to form and maintain new social and cultural ideologies. The adaptation of classicism and buen gusto in the Americas was further shaped by local factors, including the realities of place and the influence of established visual and material traditions.
In this revision of her earlier book, Buffalo Bill, Actor, Sandra Sagala chronicles the decade and a half of Cody's life as he crisscrossed the country entertaining millions. She analyzes how the lessons he learned during those theatrical years helped shape his Wild West program, as well as Cody, the performer.
The Geopolitics of the New Information System in the Americas, 1866-1903
In recent decades the Internet has played what may seem to be a unique role in international crises. This book reveals an interesting parallel in the late nineteenth century, when a new communications system based on advances in submarine cable technology and newspaper printing brought information to an excitable mass audience. A network of insulated copper wires connecting North America, the Caribbean, South America, and Europe delivered telegraphed news to front pages with unprecedented speed.
Britton surveys the technological innovations and business operations of newspapers in the United States, the building of the international cable network, and the initial enthusiasm for these electronic means of communication to resolve international conflicts. Focusing on United States rivalries with European nations in Latin America, he examines the Spanish American War, in which war correspondents like Richard Harding Davis fed accounts of Spanish atrocities and Cuban heroism into the American press, creating pressure on diplomats and government leaders in the United States and Spain. The new information system also played important roles in the U.S.-British confrontation in the Venezuelan boundary dispute, the building of the Panama Canal, and the establishment of the U.S. empire in the Caribbean and the Pacific.