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Regional Perspectives on Middle Horizon Peru
The scholars whose work is assembled here attempt to better understand the nature of Wari by examining its impact beyond Wari walls. By studying Wari from a village in Cuzco, a water shrine in Huamachuco, or a compound on the Central Coast, these authors provide us with information that cannot be gleaned from either digs around the city of Huari or work at the major Wari installations in the periphery. This book provides no definitive answers to the Wari phenomena, but it contributes to broader debates about interregional influences and interaction during the emergence of early cities and states throughout the world.
Illness and the Limits of Expression
“Kathlyn Conway opens primordial questions about the shattering events of illness through close readings of selected illness narratives, proposing that only writing of a daring kind can utter the knowledge of the self-telling body. Wielding her ferocious intellect and braving exposure to self and other, Conway makes original discoveries about writing and illness and, more stunningly, about writing and life. Not a book about illness, this is a book about writing and being. It is taut, brave, unequalled in our scholarship, and true. Conway joins our most powerful investigators of the human predicament of mortality, helping us to see, helping us to live.”—Rita Charon, Columbia University, Program in Narrative Medicine
Published accounts of illness and disability often emphasize hope and positive thinking: the woman who still looked beautiful after losing her hair, the man who ran five miles a day during chemotherapy. This acclaimed examination of the genre of the illness narrative questions that upbeat approach. Author Kathlyn Conway, a three-time cancer survivor and herself the author of an illness memoir, believes that the triumphalist approach to writing about illness fails to do justice to the shattering experience of disease. By wrestling with the challenge of writing about the reality of serious illness and injury, she argues, writers can offer a truer picture of the complex relationship between body and mind.
Edward C. Mazique, M.D.
This powerful biography traces the career of an African American physician and civil rights advocate, Edward Craig Mazique (1911-1987), from the poverty and discrimination of Natchez, Mississippi, to his status as a prominent physician in Washington, D.C. Florence Ridlon relates how Dr. Mazique's grandfather went from being a slave to becoming one of the largest landowners in Adams County, Mississippi. This moving story of one man's accomplishments, in spite of many opposing forces, is also a chapter in the struggle of African Americans to achieve equality in the twentieth-century.
A Civil War Battle on the Rio Grande, February 21, 1862
When Jefferson Davis commissioned Henry H. Sibley a brigadier general in the Confederate army in the summer of 1861, he gave him a daring mission: to capture the gold fields of Colorado and California for the South. Their grand scheme, premised on crushing the Union forces in New Mexico and then moving unimpeded north and west, began to unravel along the sandy banks of the Rio Grande late in the winter of 1862. At Valverde ford, in a day-long battle between about 2,600 Texan Confederates and some 3,800 Union troops stationed at Fort Craig, the Confederates barely prevailed. However, the cost exacted in men and matériel doomed them as they moved into northern New Mexico.
Carefully reconstructed in this book is the first full account of what happened on both sides of the line before, during, and after the battle. On the Confederate side, a drunken Sibley turned over command to Colonel Tom Green early in the afternoon. Battlefield maneuvers included a disastrous lancer charge by cavalry--the only one during the entire Civil War. The Union army, under the cautious Colonel Edward R. S. Canby, fielded a superior number of troops, the majority of whom were Hispanic New Mexican volunteers.
"The definitive study of the Battle of Valverde."--Jerry Thompson, author of Henry Hopkins Sibley
The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to “revive” buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, not just visual, phenomena in the late colonial and early national periods and promote new approaches to the study of Latin American art history and visual culture.
The essays examine neoclassical visual culture from assorted perspectives. They consider how classicism was imposed, promoted, adapted, negotiated, and contested in myriad social, political, economic, cultural, and temporal situations. Case studies show such motivations as the desire to impose imperial authority, to fashion the nationalist self, and to form and maintain new social and cultural ideologies. The adaptation of classicism and buen gusto in the Americas was further shaped by local factors, including the realities of place and the influence of established visual and material traditions.
In this revision of her earlier book, Buffalo Bill, Actor, Sandra Sagala chronicles the decade and a half of Cody's life as he crisscrossed the country entertaining millions. She analyzes how the lessons he learned during those theatrical years helped shape his Wild West program, as well as Cody, the performer.
The Geopolitics of the New Information System in the Americas, 1866-1903
In recent decades the Internet has played what may seem to be a unique role in international crises. This book reveals an interesting parallel in the late nineteenth century, when a new communications system based on advances in submarine cable technology and newspaper printing brought information to an excitable mass audience. A network of insulated copper wires connecting North America, the Caribbean, South America, and Europe delivered telegraphed news to front pages with unprecedented speed.
Britton surveys the technological innovations and business operations of newspapers in the United States, the building of the international cable network, and the initial enthusiasm for these electronic means of communication to resolve international conflicts. Focusing on United States rivalries with European nations in Latin America, he examines the Spanish American War, in which war correspondents like Richard Harding Davis fed accounts of Spanish atrocities and Cuban heroism into the American press, creating pressure on diplomats and government leaders in the United States and Spain. The new information system also played important roles in the U.S.-British confrontation in the Venezuelan boundary dispute, the building of the Panama Canal, and the establishment of the U.S. empire in the Caribbean and the Pacific.
Although millions of slaves were forcibly transported from Africa to Brazil, the languages the slaves brought with them remain little known. Most studies have focused on African contributions to Brazilian Portuguese rather than on the African languages themselves. This book is unusual in focusing on an African-descended language. The author describes and analyzes the Afro- Brazilian speech community of Calunga, in Minas Gerais. Linguistically descended from West African Bantu, Calunga is an endangered Afro-Brazilian language spoken by a few hundred older Afro-Brazilian men, who use it only for specific, secret communications. Unlike most creole languages, which are based largely on the vocabulary of the colonial language, Calunga has a large proportion of African vocabulary items embedded in an essentially Portuguese grammar. A hyrid language, its formation can be seen as a form of cultural resistance.
Steven Byrd’s study provides a comprehensive linguistic description of Calunga based on two years of interviews with speakers of the language. He examines its history and historical context as well as its linguistic context, its sociolinguistic profile, and its lexical and grammatical outlines.
Buckskin Poet, Scout, and Showman
Jack Crawford (1847–1917) entertained a generation of Americans and introduced them to their frontier heritage. A master storyteller who presented the West as he experienced it, he was one of America’s most popular performers in the late nineteenth century.
Dressed in buckskin with a wide-brimmed sombrero covering his flowing locks, Crawford delivered a “frontier monologue and medley” that, as one New York City journalist reported, “held his audience spell-bound for two hours by a simple narration of his life.”
In this biography, Darlis Miller re-creates his experiences as a scout, rancher, miner, reformer, husband and father, and poet and entertainer to reinterpret the American Dream and the lure of getting rich pursued by many during the Gilded Age.